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Vestnik Moskovskogo gosudarstvennogo oblastnogo universiteta Seriia Russkaia filologiia最新文献

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THE VERBAL IMAGE OF «CLOUDS ARE MOVING» IN THE TEXTS OF M. M. PRISHVIN’S WORKS AND DIARIES 普里什文作品和日记文本中“云在移动”的语言形象
Pub Date : 2023-01-01 DOI: 10.18384/2310-7278-2023-1-19-27
Веры Волошиной
Aim. We describe the semantic realization of the background figurative constant in Prishvin’s prose. Methodology. A plethora of superlative contexts containing the verbal image “clouds / black clouds are moving” are analyzed. The interdependence of three categories of a literary text is revealed: “the image of the author”, perceptivity, and imagery. Statistical analysis clarifies the frequency of the verbal image in Prishvin’s prose and the totality of its meaningful forms: axiological, figurative, symbolic, and conceptual. Using a descriptive intertextual and linguoconceptual analysis, the semantic polyfunctionality of the figurative‒perceptual unit is presented; it is proved that the landscape as a “text in general” is built on the principle of reflecting the author’s picture of the world, rather than on a real reference space. A method of linguistic analysis of the category of imagery of a prose text is developed using figura-tive constants associated with the study of stable and reproducible linguistic structures of the writer’s artistic thinking.
的目标。本文描述了普里什文散文中背景比喻常数的语义实现。方法。本文分析了大量包含“云/黑云正在移动”这一言语意象的最高级语境。揭示了文学文本的“作者形象”、感性和意象三者之间的相互依存关系。统计分析阐明了普里什文散文中语言意象的频率及其意义形式的总体:价值论、比喻、象征和概念。通过描述性互文分析和语言概念分析,提出了形象-知觉单元的语义多功能性;事实证明,景观作为“一般文本”是建立在反映作者对世界图景的原则之上,而不是建立在一个真实的参考空间之上。通过对作家艺术思维中稳定的、可复制的语言结构的研究,提出了一种运用具象常数对散文文本意象进行语言分析的方法。
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引用次数: 0
TOPONYMS AS MARKERS OF THE FICTIONAL SPACE OF A. PLATONOV’S NOVEL «CHEVENGUR» 地名作为柏拉图诺夫小说《切文古尔》虚构空间的标记
Pub Date : 2023-01-01 DOI: 10.18384/2310-7278-2023-1-51-57
N. Bugakova
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引用次数: 0
THE PRECEDENT NAME N. BERDYAEV IN L. BORODIN’S AUTOBIOGRAPHICAL NARRATIVE «WITHOUT CHOICE» 鲍罗丁自传体叙事《别无选择》中的先例名n.别尔佳耶夫
Pub Date : 2023-01-01 DOI: 10.18384/2310-7278-2023-1-67-76
E. A. Fedorchenko
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引用次数: 1
The Drama “Thunderstorm” by A. N. Ostrovsky as the Object of the Polemic of L. Tolstoy with N. Doblolyubov 作为托尔斯泰与多布洛柳波夫论战对象的奥斯特罗夫斯基戏剧《雷雨》
Pub Date : 2023-01-01 DOI: 10.18384/2310-7278-2023-2-98-112
I. Pavlova
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引用次数: 1
“The Hero in the Study ...”: The Personality of the Writer in S. V. Maksimov’s Essay “Alexander Nikolaevich Ostrovsky” (1897) “书房里的英雄……——s·v·马克西莫夫随笔《亚历山大·尼古拉耶维奇·奥斯特洛夫斯基》(1897)中作家的个性
Pub Date : 2023-01-01 DOI: 10.18384/2310-7278-2023-2-76-85
I. Kiseleva, K. Potashova
Aim . We reveal the personality features of A. N. Ostrovsky based on the memoirs of S. V. Maksimov, his contemporary and the ethnographer. Methodology . The portrait of A. N. Ostrovsky is considered as the subject of the study; both the principles of portraiture themselves and the accents placed by the writer-ethnographer who personally knew Ostrovsky and was close to him in his value orientations and moral sympathies, are revealed. The methodology of the work relies on the use of biographical, cultural-historical, and psychological methods that allow us
的目标。本文根据与奥斯特洛夫斯基同时代的民族志学者马克西莫夫的回忆录,揭示了奥斯特洛夫斯基的人格特征。方法。以奥斯特洛夫斯基的肖像为研究对象;揭示了肖像本身的原则,以及这位与奥斯特洛夫斯基相识并在价值取向和道德同情上接近他的作家兼民族志学家所放置的腔调。这项工作的方法论依赖于使用传记,文化历史和心理学方法,允许我们
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引用次数: 0
LIGHT, BRILLIANCE AND RADIANCE OF M. M. PRISHVIN’S POETIC LANGUAGE PROSE 普里什文诗意语言散文的轻快、光辉和光彩
Pub Date : 2023-01-01 DOI: 10.18384/2310-7278-2023-1-28-36
O. Shatalova
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引用次数: 0
K. VONNEGUT AND HIS WORKS AS A REFLECTION OF PERSONAL TRAUMA 冯内古特和他的作品作为个人创伤的反映
Pub Date : 2023-01-01 DOI: 10.18384/2310-7278-2023-1-77-86
V. Belyaeva, G. V. Streltsova
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引用次数: 0
IDEOLOGICAL AND AESTHETIC PROGRAM OF N. M. KARAMZIN IN THE ARTICLE «PANTHEON OF THE RUSSIAN AUTHORS» n. m. karamzin在文章“俄罗斯作家的万神殿”中的思想和美学纲领
Pub Date : 2023-01-01 DOI: 10.18384/2310-7278-2023-1-87-97
S. Dzhanumov, A. D. Petukhov
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引用次数: 0
TACTICS OF CONFLICT DEVELOPMENT IN INTERNET COMMUNICATION DURING THE COVID-19 PANDEMIC 新冠肺炎大流行期间互联网传播冲突发展策略
Pub Date : 2023-01-01 DOI: 10.18384/2310-7278-2023-1-58-66
O. Gukosyants, O. Alimuradov
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引用次数: 0
“The Beauty Trap” in Artistic Anthropology of A. Ostrovsky 奥斯特洛夫斯基艺术人类学中的“美的陷阱”
Pub Date : 2023-01-01 DOI: 10.18384/2310-7278-2023-2-56-65
T. Alpatova
Aim . The central task of the paper is to analyze the dynamics of the development of the concept of beauty in A. N. Ostrovsky’s plays, considering its genesis and development specifics in the context of the playwright’s artistic anthropology. We also reveal the contradictions and dramatic conflicts caused by beauty as a defining characteristic of a character
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引用次数: 0
期刊
Vestnik Moskovskogo gosudarstvennogo oblastnogo universiteta Seriia Russkaia filologiia
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