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CREATION OF N. KARAKHAN IN THE SECTION OF THE DEVELOPMENT OF UZBEKISTAN PAINTING OF THE 20TH CENTURY 卡拉汉在20世纪乌兹别克斯坦绘画发展部分的创作
Pub Date : 2023-01-01 DOI: 10.37547/ssa-v3-i1-4
Aziza E. Sharopova
The article summarizes a study of the creativity of N.Karakhan in the context of the development of painting of Uzbekistan of the twentieth century. In addition, tendencies in the artist’s work are investigated and the peculiarities of the artist’s painting in the 20-30s, in the 40-50s and in the 60s of the twentieth century are revealed. Moreover, new methodological developments were included to revise the historical and theoretical aspects of the study of painting in Uzbekistan of the 20-30s of the XX century and to reveal the main trends in the development of painting of Uzbekistan of the 20-30s of the XX century.
本文在20世纪乌兹别克斯坦绘画发展的背景下,总结了卡拉汉的创作研究。此外,对艺术家作品的趋势进行了研究,揭示了艺术家在20世纪20-30年代,40-50年代和60年代的绘画特点。此外,新方法的发展包括修订20世纪20-30年代乌兹别克斯坦绘画研究的历史和理论方面,并揭示20世纪20-30年代乌兹别克斯坦绘画发展的主要趋势。
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引用次数: 0
MAIN TENDENCIES IN DEVELOPMENT OF LANDSCAPE GENRE IN NATIONAL PAINTING 民族绘画风景画流派发展的主要趋势
Pub Date : 2023-01-01 DOI: 10.37547/ssa-v3-i1-5
Umida A Khmedkhodjaeva
The content of the article is a review of the artistic trends that emerged during the sharp development of the landscape genre in the second half of the 20th century in the context of historical and social changes.
文章的内容是在历史和社会变化的背景下,对20世纪下半叶风景流派急剧发展过程中出现的艺术思潮进行回顾。
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引用次数: 0
INNOVATIVE METHODS FOR THE DEVELOPMENT OF UZBEK ANIMATION IN THE MODERN PROCESS 创新乌兹别克动画在现代发展过程中的方法
Pub Date : 2023-01-01 DOI: 10.37547/ssa-v3-i1-2
N. Haydarova
the article discusses the idea that animation art was created as a new direction in our country and its place in society. As well as a number of issues that need to be addressed in the above issues, there are important tools for creating modern works in the future. As a result of these recommendations, the effectiveness of Uzbek animation films and the level of scientific and practical knowledge of future specialists will be increased on the basis of modern education. In addition to the films created based on national heritage, using the latest programs, to increase the interest of young people in this field and to promote in the development of animation education.
本文论述了动画艺术在我国作为一种新方向被创造出来的观念及其在社会中的地位。除了上述问题中需要解决的一些问题外,还有未来创作现代作品的重要工具。由于这些建议,乌兹别克斯坦动画电影的有效性和未来专家的科学和实践知识水平将在现代教育的基础上得到提高。此外,以国家遗产为基础,利用最新的节目创作电影,以增加年轻人对这一领域的兴趣,促进动画教育的发展。
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引用次数: 0
SOME ISSUES OF RELIGIOUS BUILDINGS IN KUSHAN CITIES 贵霜城市宗教建筑的若干问题
Pub Date : 2023-01-01 DOI: 10.37547/ssa-v3-i1-3
Temurkhan Jakhonov
This article is about the researches analysis of religious structures in the urban planning of the Kushan period of Bactria. Bactria is historically divided into two parts, which played an important role during the Kushan period: Northern and Southern. Northern Bactria covers the territory of Uzbekistan and Tajikistan. The religious structures of Northern Bactria in the Kushan period monuments identified so far in these areas have been analyzed on the example of various religious views. Religious structures related to religious beliefs, such as Buddhism or dynastic cult, have been studied separately. However, the religious structures which belong to Kushan period have been analyzed insufficient as a single study. Religious buildings are classified according to which part of the city they are located in and what religion the religious buildings belong to. At the same time, the role of religious buildings in urban planning was revealed.
本文是对大夏贵霜时期城市规划中宗教结构的研究分析。大夏在历史上分为两个部分,在贵霜时期发挥了重要作用:北部和南部。北大夏包括乌兹别克斯坦和塔吉克斯坦的领土。本文以不同的宗教观为例,对目前在这些地区发现的贵霜时期北大夏遗址的宗教结构进行了分析。与宗教信仰相关的宗教结构,如佛教或王朝崇拜,已被单独研究。但是,对于贵霜时期的宗教结构,作为一个单一的研究,分析不够。宗教建筑根据其所在的城市区域和宗教信仰进行分类。同时也揭示了宗教建筑在城市规划中的作用。
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引用次数: 0
ARTISTIC AND EDUCATIONAL ASPECTS OF UZBEK DOCUMENTARIES 乌兹别克纪录片的艺术和教育方面
Pub Date : 2023-01-01 DOI: 10.37547/ssa-v3-i1-7
K. Ismailov, Sayyora Ismailova
This article analyzes the development of modern Uzbek documentary cinema, which, with its artistic and educational quality, has become more in demand lately. The topic is studied on the example of some documentaries created. As a result of the study, some little studied aspects of this type of cinema become clear. The paper considers film-portraits dedicated to historical heroes and modern topics. The tendencies of mastery of the national school and the new generation are being studied. As a result of the collected materials, production, creative and spectator problems are revealed, as well as their causes are clarified, questions are raised, conclusions are drawn.
本文分析了现代乌兹别克纪录片电影的发展,它以其艺术性和教育性而受到越来越多的需求。本课题以一些纪录片为例进行研究。研究的结果是,这类电影的一些鲜为人知的方面变得清晰起来。本文考虑了致力于历史英雄和现代主题的电影肖像。国民学校和新一代的掌握趋势正在研究中。通过收集的材料,揭示了制作、创作和观众问题,并澄清了其原因,提出了问题,得出了结论。
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引用次数: 0
THE INTERPRETATION OF WOMEN OF THE EAST IN THE PORTRAITS OF SCULPTOR AZAMAT KHATAMOV 雕塑家阿扎马特·哈塔莫夫肖像中对东方女性的诠释
Pub Date : 2023-01-01 DOI: 10.37547/ssa-v3-i1-6
Zilolakhon Askarova
This article is about the images of eastern women, the theme of mothers and children, and their interpretation in the traditions of modern sculpture in the works of Azamat Khatamov.
本文主要探讨阿扎马特·哈塔莫夫作品中东方女性的形象、母亲和儿童的主题,以及它们在现代雕塑传统中的诠释。
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引用次数: 0
ACTIVITIES OF NEW KARAKALPAKSTAN CULTURAL CENTERS: REFORM AND ANALYSIS 新卡拉卡尔巴斯坦文化中心的活动:改革与分析
Pub Date : 2023-01-01 DOI: 10.37547/ssa-v3-i1-1
Asilbek Kalkanatov, Shahabatdin Makhamatdinov, Islam Urazbaev
The article analyzes the role and activity of cultural centers in the cultural and educational processes in the new Uzbekistan in the main directions, tasks, and economic opportunities. At the same time, special emphasis was placed on the importance of cultural centers in the New Republic of Karakalpakstan in increasing the spiritual potential of the population and reforms in this area.
文章分析了文化中心在新乌兹别克斯坦文化教育进程中的作用和活动,主要方向、任务和经济机会。与此同时,特别强调了卡拉卡尔帕克斯坦新共和国文化中心在提高人民的精神潜力和这一领域的改革方面的重要性。
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引用次数: 0
THE THEME OF LIFE IN IMAGES 意象中的生活主题
Pub Date : 2022-11-01 DOI: 10.37547/ssa-v2-i4-02
N.M. Mirzakhoshimova
The national ornaments used in the buildings and their modern interpretation, magnificent paintings and sculptures revealing various themes attract attention. In every era man has sought to express his spiritual needs.Renewed socio-political and aesthetic environment, together with the continuation of the art traditions of the past gave rise to new creative ideas, themes and artistic solutions. Reflecting the achievements of our country, preserving its prestige, explaining what qualities of creators and spiritual creators should possess, as well as people of today, became the actual subject of works of art.
建筑中使用的民族装饰及其现代诠释,揭示各种主题的宏伟绘画和雕塑吸引了人们的注意。在每个时代,人们都在寻求表达自己的精神需求。新的社会政治和审美环境,加上过去艺术传统的延续,产生了新的创意、主题和艺术解决方案。反映国家的成就,维护国家的威信,说明创作者和精神创作者应该具备的素质,以及现代人应该具备的素质,成为艺术作品的实际主题。
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引用次数: 0
«THE HEART THAT EMBRACED THE UNIVERSE» AND THE CREATION OF A COLLECTION OF ART IN IT “拥抱宇宙的心”以及在其中创作的艺术收藏
Pub Date : 2022-11-01 DOI: 10.37547/ssa-v2-i4-01
Manushak Arushanova
In this article describes The exhibition "Heart That Lives the Whole World" and the formation of the collection of works of art in it are discussed.
本文介绍了“生活在整个世界的心”展览,并对其中的艺术作品的收藏形成进行了探讨。
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引用次数: 0
EVGENY MELNIKOV
Pub Date : 2022-11-01 DOI: 10.37547/ssa-v2-i4-03
Lola Khodjaeva
People's Artist of Uzbekistan, master of genre painting, landscape Evgeny Pavlovich Melnikov was born in 1928 in Buzuluk. (Russia). From an early age he dreamed of becoming an artist. Back in 1948, he came to study in Samarkand and was immediately fascinated by the gray-haired monuments of this ancient city, the many-voiced cacophony of the oriental bazaar, the open, hospitable people of this generous land. But most of all I was struck by the sun, three hundred days a year warming everything around with its bright light. The artist dedicates his life and creativity to Uzbekistan! Here the individual features of his talent were fully revealed, it was here that he became a true master.
乌兹别克斯坦人民艺术家,风俗画、风景画大师叶夫根尼·帕夫洛维奇·梅尔尼科夫1928年生于布祖鲁克。(俄罗斯)。他从小就梦想成为一名艺术家。早在1948年,他来到撒马尔罕学习,立刻被这个古老城市的白发纪念碑,东方市场的嘈杂声,这片慷慨土地上开放好客的人民所吸引。但最令我震撼的是太阳,一年三百天,它明亮的光芒温暖着周围的一切。这位艺术家将他的生命和创造力献给了乌兹别克斯坦!在这里,他的个人才华得到了充分的展现,在这里,他成了真正的大师。
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引用次数: 0
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Art and Design: Social Science
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