The article is devoted to the problems of implementing the study 3D graphics are included in the educational process at institutes in Uzbekistan, namely at the National Institute of Fine Art and Design named after Kamoliddin Bekhzod at the Department of "Applied Graphics". The article analyzes in detail the implementation of the experience of foreign institutes, and also considers the lack of highly qualified specialists in the field of 3D graphics in the country. The rapid development of technology obliges society to keep up with innovations and innovation news. In turn, the introduction of the study of 3D graphics at the National Institute of Fine Art and Design named after Kamoliddin Bekhzod will serve to train highly qualified specialists in this field. Of particular relevance is the study of transformations in the structure of science and technology in the XXI century and its impact on education in the country.
{"title":"THE INTRODUCTION OF THE STUDY OF 3D GRAPHICS IN THE EDUCATIONAL PROCESS IN INSTITUTES OF UZBEKISTAN","authors":"Zarina L. Nuridinova","doi":"10.37547/ssa-v2-i2-08","DOIUrl":"https://doi.org/10.37547/ssa-v2-i2-08","url":null,"abstract":"The article is devoted to the problems of implementing the study 3D graphics are included in the educational process at institutes in Uzbekistan, namely at the National Institute of Fine Art and Design named after Kamoliddin Bekhzod at the Department of \"Applied Graphics\". The article analyzes in detail the implementation of the experience of foreign institutes, and also considers the lack of highly qualified specialists in the field of 3D graphics in the country. The rapid development of technology obliges society to keep up with innovations and innovation news. In turn, the introduction of the study of 3D graphics at the National Institute of Fine Art and Design named after Kamoliddin Bekhzod will serve to train highly qualified specialists in this field. Of particular relevance is the study of transformations in the structure of science and technology in the XXI century and its impact on education in the country.","PeriodicalId":333144,"journal":{"name":"Art and Design: Social Science","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127155276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article is devoted to the development of national crafts in the country, including ceramics, the history of the development of ceramics in the Khorezm oasis, hearths, traditional criteria and features, technologies, centers of ancient pottery "Old Urgench", "Kattabog", "Madir". The well-known potters Eshmurad Sapoev, Raiymberdi Matchonov, Sultan Otajonov and their students are considered and some of their works are analyzed. The similarities and differences of decorative patterns in the ceramics of these three schools are highlighted. There is a discussion about the technology of glazed and embroidered tiles, dishes with a blue pattern, the production of various ceramics, cast iron (sage) flowers used in Khorezm pottery. Information is provided on the activities of potters who continue ancient traditions today, their participation in competitions and exhibitions, the use of tiles in the decoration of modern buildings.
本文介绍了该国民族工艺的发展，包括陶瓷，Khorezm绿洲陶瓷的发展历史，炉具，传统标准和特征，技术，古代陶瓷的中心“Old Urgench”，“Kattabog”，“Madir”。著名的陶艺家Eshmurad Sapoev, Raiymberdi Matchonov, Sultan Otajonov和他们的学生被考虑并分析了他们的一些作品。强调了这三个流派陶瓷装饰图案的异同。讨论了釉面和绣花瓦的工艺，蓝色图案的盘子，各种陶瓷的生产，在Khorezm陶器中使用的铸铁(圣人)花。介绍了陶工的活动，他们延续了古老的传统，参加了比赛和展览，在现代建筑装饰中使用了瓷砖。
{"title":"KHOREZM CULTURAL SCHOOLS AND TRADITIONAL CRITERIA","authors":"G. O. Sultanova","doi":"10.37547/ssa-v2-i2-04","DOIUrl":"https://doi.org/10.37547/ssa-v2-i2-04","url":null,"abstract":"This article is devoted to the development of national crafts in the country, including ceramics, the history of the development of ceramics in the Khorezm oasis, hearths, traditional criteria and features, technologies, centers of ancient pottery \"Old Urgench\", \"Kattabog\", \"Madir\". The well-known potters Eshmurad Sapoev, Raiymberdi Matchonov, Sultan Otajonov and their students are considered and some of their works are analyzed. The similarities and differences of decorative patterns in the ceramics of these three schools are highlighted. There is a discussion about the technology of glazed and embroidered tiles, dishes with a blue pattern, the production of various ceramics, cast iron (sage) flowers used in Khorezm pottery. Information is provided on the activities of potters who continue ancient traditions today, their participation in competitions and exhibitions, the use of tiles in the decoration of modern buildings.","PeriodicalId":333144,"journal":{"name":"Art and Design: Social Science","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131850627","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Thanks to the independence, in Uzbekistan a new era in the art of portraiture has started. In the portraits created during the years of independence, the idea of personality has completely changed. Instead of an idealized image of a person reflecting the ideas of the old system, the portraits depict a real person - an independent person with oriental lyricism, deep philosophical views, as well as an extremely natural and sincere person. The number of women portrait painters is growing. During the years of independence, creative freedom, searches in art have led to the development of different styles and trends. Increased attention to the national theme and history gave a great impetus to the development of the historical portrait, which is an integral part of the historical genre.
{"title":"ORIENTAL LYRICAL TONES IN PORTRAITS OF THE INDEPENDENCE PERIOD AND THE IMAGE OF A HISTORICAL FIGURE","authors":"Umida A Khmedkhodjaeva","doi":"10.37547/ssa-v2-i2-09","DOIUrl":"https://doi.org/10.37547/ssa-v2-i2-09","url":null,"abstract":"Thanks to the independence, in Uzbekistan a new era in the art of portraiture has started. In the portraits created during the years of independence, the idea of personality has completely changed. Instead of an idealized image of a person reflecting the ideas of the old system, the portraits depict a real person - an independent person with oriental lyricism, deep philosophical views, as well as an extremely natural and sincere person. The number of women portrait painters is growing. During the years of independence, creative freedom, searches in art have led to the development of different styles and trends. Increased attention to the national theme and history gave a great impetus to the development of the historical portrait, which is an integral part of the historical genre.","PeriodicalId":333144,"journal":{"name":"Art and Design: Social Science","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122295430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
First of all, this article discusses ways to boost the efficiency of the educational system, in particular, the Japanese education system, which is one of the most developed countries in the world, and some aspects of the Japanese experience in the world of education, in general, commented on. In this article, the issues of attitudes towards students in the educational process in Japan and the development of their leadership abilities, which they do not even know themselves, are discussed.
{"title":"THE EXPERIENCE OF JAPAN IN THE FIELD OF EDUCATIONAL EFFICIENCY","authors":"Sevara D. Jumayeva","doi":"10.37547/ssa-v2-i2-05","DOIUrl":"https://doi.org/10.37547/ssa-v2-i2-05","url":null,"abstract":"First of all, this article discusses ways to boost the efficiency of the educational system, in particular, the Japanese education system, which is one of the most developed countries in the world, and some aspects of the Japanese experience in the world of education, in general, commented on. In this article, the issues of attitudes towards students in the educational process in Japan and the development of their leadership abilities, which they do not even know themselves, are discussed.","PeriodicalId":333144,"journal":{"name":"Art and Design: Social Science","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124110352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article deals with the issues covering the historical genre in modern scenography. It reflects the scenographic solution of historical operas staged in the first years of independence at the State Academic Bolshoi Theater named after Alisher Navoi.
{"title":"ISSUES ON CREATING A HISTORICAL ENVIRONMENT IN THE SCENOGRAPHY OF UZBEK OPERA","authors":"Inobat M. Imankulova","doi":"10.37547/ssa-v2-i2-02","DOIUrl":"https://doi.org/10.37547/ssa-v2-i2-02","url":null,"abstract":"The article deals with the issues covering the historical genre in modern scenography. It reflects the scenographic solution of historical operas staged in the first years of independence at the State Academic Bolshoi Theater named after Alisher Navoi.","PeriodicalId":333144,"journal":{"name":"Art and Design: Social Science","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124565070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article provides a comprehensive and systematic study of the evolution of the interpretation of mythological themes in the fine arts of Uzbekistan in the XX century, the dynamics of development of works on the theme in the works of artists in terms of the relationship of socio-political ideology to our artistic culture. New interpretations of myths, epics and folklore in modern painting over the past hundred years, the originality of works based on the creative thinking of artists, the dynamics of development, the influence of new and old artistic traditions on the development of art are comprehensively scientifically presented.
{"title":"INTERPRETATION OF MYTHOLOGICAL TOPICS IN THE FINE ART OF THE XX CENTURY","authors":"Ibrakhim R. Abdurakhmonov","doi":"10.37547/ssa-v2-i2-01","DOIUrl":"https://doi.org/10.37547/ssa-v2-i2-01","url":null,"abstract":"This article provides a comprehensive and systematic study of the evolution of the interpretation of mythological themes in the fine arts of Uzbekistan in the XX century, the dynamics of development of works on the theme in the works of artists in terms of the relationship of socio-political ideology to our artistic culture. New interpretations of myths, epics and folklore in modern painting over the past hundred years, the originality of works based on the creative thinking of artists, the dynamics of development, the influence of new and old artistic traditions on the development of art are comprehensively scientifically presented.","PeriodicalId":333144,"journal":{"name":"Art and Design: Social Science","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126487861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article examines the work of the unique sculptor Bayat Mukhtarov. He is one of the first painters of Russian fine art to combine sculpture with conceptual art. He represented the modern artistic process and his work is positively perceived by many spectators and art critics. The world of his images, reflecting the historical and mythological theme of our time, with his lyricism evokes in the audience a sense of belonging to the forgotten past and values. The artist's works attract attention with their artistic originality, painting technique and make one think.
{"title":"BAYAT MUKHTAROV AND HIS PLASTIC INNOVATIONS","authors":"Nigorakhon Kultasheva","doi":"10.37547/ssa-v2-i1-3","DOIUrl":"https://doi.org/10.37547/ssa-v2-i1-3","url":null,"abstract":"The article examines the work of the unique sculptor Bayat Mukhtarov. He is one of the first painters of Russian fine art to combine sculpture with conceptual art. He represented the modern artistic process and his work is positively perceived by many spectators and art critics. The world of his images, reflecting the historical and mythological theme of our time, with his lyricism evokes in the audience a sense of belonging to the forgotten past and values. The artist's works attract attention with their artistic originality, painting technique and make one think.","PeriodicalId":333144,"journal":{"name":"Art and Design: Social Science","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133579945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article discusses the work of Khudoibergan Devonov (1879-1940), the founder of Uzbek cinema, the first Uzbek photographer and cinematographer. The report also discusses Varsham Yeremyan, a pre-production artist at the "Sharq Yulduz" studio, and later artists working at the "Uzbekfilm" studio. E. Kalontarov, who has been involved in the production of several films as a leading artist at the Uzbekfilm studio since 1959, later contributed to the development of Uzbek cinematography in collaboration with B. Nazarov, K. Nuriddinov and later directors.
{"title":"CINEMATOGRAPHY AND ARTIST","authors":"Asliddin Kalanov","doi":"10.37547/ssa-v2-i1-1","DOIUrl":"https://doi.org/10.37547/ssa-v2-i1-1","url":null,"abstract":"The article discusses the work of Khudoibergan Devonov (1879-1940), the founder of Uzbek cinema, the first Uzbek photographer and cinematographer. The report also discusses Varsham Yeremyan, a pre-production artist at the \"Sharq Yulduz\" studio, and later artists working at the \"Uzbekfilm\" studio. E. Kalontarov, who has been involved in the production of several films as a leading artist at the Uzbekfilm studio since 1959, later contributed to the development of Uzbek cinematography in collaboration with B. Nazarov, K. Nuriddinov and later directors.","PeriodicalId":333144,"journal":{"name":"Art and Design: Social Science","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124912075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article presents scientific and analytical ideas on the definition of types in Uzbek literature in terms of the structure of the byte and its function in the structure of the poetic work. Also, in our literature on the relationship of bytes and genres, historical sources have been studied and the correct theoretical foundations have been formed. The level of application, types, and functions of genres such as chiston, the problem is analyzed. This article examines in detail the use of the poetic unity of the byte in the poetry of Muhammad Rizo Ogakhi, a unique representative of Uzbek classical poetry, in the genres created by various poets. that the development of meaning and word movement between verses (tadmin) later led to the development of poetic thinking in the byte, meaning that the bytes, although independent in meaning and lexical expression, the fact that they always have a relative logical connection with each other is shown in the example of Ogakhi’s work. It also explores the relationship between bytes and genres, historical sources, and forms the correct theoretical foundations. Such a relative interrelationship between the bytes serves to ensure the development of poetic imagery, the reaction to the existence of artistic determinism between byte verses in Eastern poetry through scientific considerations and proved by examples that it is the leading law of byte creation for all poets. based on a combination of weight, word, and rhyme. The combination of words and weights in each byte is cedar, hash, aruz in the byte; The rhyme serves not only the function of uniting the verses by creating a melody but also serves to form the content of the byte and to express the idea as a whole.
{"title":"OBSERVATION OF THE POETIC UNITY OF THE VERSE IN THE POETRY OF MUHAMMAD RIZA OGAKHI","authors":"Nazokat Jurayeva","doi":"10.37547/ssa-v2-i1-4","DOIUrl":"https://doi.org/10.37547/ssa-v2-i1-4","url":null,"abstract":"This article presents scientific and analytical ideas on the definition of types in Uzbek literature in terms of the structure of the byte and its function in the structure of the poetic work. Also, in our literature on the relationship of bytes and genres, historical sources have been studied and the correct theoretical foundations have been formed. The level of application, types, and functions of genres such as chiston, the problem is analyzed. This article examines in detail the use of the poetic unity of the byte in the poetry of Muhammad Rizo Ogakhi, a unique representative of Uzbek classical poetry, in the genres created by various poets. that the development of meaning and word movement between verses (tadmin) later led to the development of poetic thinking in the byte, meaning that the bytes, although independent in meaning and lexical expression, the fact that they always have a relative logical connection with each other is shown in the example of Ogakhi’s work. It also explores the relationship between bytes and genres, historical sources, and forms the correct theoretical foundations. Such a relative interrelationship between the bytes serves to ensure the development of poetic imagery, the reaction to the existence of artistic determinism between byte verses in Eastern poetry through scientific considerations and proved by examples that it is the leading law of byte creation for all poets. based on a combination of weight, word, and rhyme. The combination of words and weights in each byte is cedar, hash, aruz in the byte; The rhyme serves not only the function of uniting the verses by creating a melody but also serves to form the content of the byte and to express the idea as a whole.","PeriodicalId":333144,"journal":{"name":"Art and Design: Social Science","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116355643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article analyzes the peculiarities of jewellery that complement the ethnocultural costumes of the Surkhandarya oasis. Jewellery is a form of material culture. The bright colours of nationalism, the beautiful Art of local masters developed under the influence of national traditions, the artistic ornaments in jewellery are reflected in the jewellery based on the unique centuries-old rules of each region. Like other regions of Uzbekistan, in the late XIX - early XX centuries, the Southern Surkhandarya oasis national jewellery was almost formed. It has been revealed that women's jewellery is worn according to their age and differs depending on the type. Each nation has its national jewel, and its emergence is based on scientific analysis of how peoples live and turn on the geographical environment.
{"title":"THE PLACE OF SURKHANDARYA JEWELRY IN THE ETHNO-CULTURAL CLOTHING COLLECTION","authors":"Gulirano Orifjonova","doi":"10.37547/ssa-v2-i1-5","DOIUrl":"https://doi.org/10.37547/ssa-v2-i1-5","url":null,"abstract":"This article analyzes the peculiarities of jewellery that complement the ethnocultural costumes of the Surkhandarya oasis. Jewellery is a form of material culture. The bright colours of nationalism, the beautiful Art of local masters developed under the influence of national traditions, the artistic ornaments in jewellery are reflected in the jewellery based on the unique centuries-old rules of each region. Like other regions of Uzbekistan, in the late XIX - early XX centuries, the Southern Surkhandarya oasis national jewellery was almost formed. It has been revealed that women's jewellery is worn according to their age and differs depending on the type. Each nation has its national jewel, and its emergence is based on scientific analysis of how peoples live and turn on the geographical environment.","PeriodicalId":333144,"journal":{"name":"Art and Design: Social Science","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133544165","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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