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Exceptional Performance, Exceptional Place 卓越的表现,卓越的位置
Pub Date : 2019-08-15 DOI: 10.14325/mississippi/9781496823786.003.0008
L. Wade
This chapter assesses New Orleans’ situation in 2018. One can see Downtown Mardi Gras as a vast piece of egalitarian street theatre, whose process may witness ego-rivalries and identity contestations, but whose final performance achieves something greater than the sum of its parts—the physical manifestation of an aspirant desire, for a reanimated city, of tolerance, equity, and mutual respect. Downtown Mardi Gras may portend a new future for Carnival practices, the opening of the door to further, yet-to-be-realized ludic expressions and energies; it may also point to new civic constellations, themselves yet unmaterialized, that could help elevate actual lives, spreading more widely the benefits of post-Katrina recovery.
本章评估了2018年新奥尔良的情况。人们可以把市中心的狂欢节看作是一场巨大的平等主义街头戏剧,它的过程可能见证了自我竞争和身份争论,但最终的表演取得了比各部分总和更大的成就——对一个充满活力的城市、宽容、平等和相互尊重的渴望的物理表现。市中心的狂欢节可能预示着狂欢节实践的新未来,为进一步的、尚未实现的滑稽表达和能量打开了大门;它也可能指向新的市民星座,它们本身尚未具体化,但可能有助于提高实际生活水平,更广泛地传播卡特里娜飓风后恢复的好处。
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引用次数: 0
Downtown Mardi Gras
Pub Date : 2019-08-01 DOI: 10.2307/j.ctvkwnmpj
L. Wade, R. Roberts, Frank de Caro
After Hurricane Katrina devastated New Orleans and the surrounding region in 2005, the city debated whether to press on with Mardi Gras or cancel the parades. Ultimately, they decided to proceed. New Orleans’s recovery certainly has resulted from a complex of factors, but the city’s unique cultural life—perhaps its greatest capital—has been instrumental in bringing the city back from the brink of extinction. Voicing a civic fervor, local writer Chris Rose spoke for the importance of Carnival when he argued to carry on with the celebration of Mardi Gras following Katrina: “We are still New Orleans. We are the soul of America. We embody the triumph of the human spirit. Hell. We ARE Mardi Gras”. Since 2006, a number of new Mardi Gras practices have gained prominence. The new parade organizations or krewes, as they are called, interpret and revise the city’s Carnival traditions but bring innovative practices to Mardi Gras. The history of each parade reveals the convergence of race, class, age, and gender dynamics in these new Carnival organizations. Downtown Mardi Gras: New Carnival Practices in Post-Katrina New Orleans examines six unique, offbeat, Downtown celebrations. Using ethnography, folklore, cultural, and performance studies, the authors analyze new Mardi Gras’s connection to traditional Mardi Gras. The narrative of each krewe’s development is fascinating and unique, illustrating participants’ shared desire to contribute to New Orleans’s rich and vibrant culture.
2005年卡特里娜飓风(Hurricane Katrina)摧毁了新奥尔良及其周边地区后,该市就是继续举办狂欢节还是取消游行进行了辩论。最终,他们决定继续下去。新奥尔良的复苏当然是由一系列复杂的因素造成的,但这座城市独特的文化生活——也许是它最伟大的资本——在将这座城市从灭绝的边缘拉回来方面发挥了重要作用。当地作家克里斯·罗斯(Chris Rose)表达了公民的热情,他在卡特里娜飓风过后主张继续庆祝狂欢节时,谈到了狂欢节的重要性:“我们仍然是新奥尔良。我们是美国的灵魂。我们体现了人类精神的胜利。地狱。我们是狂欢节”。自2006年以来,一些新的狂欢节活动开始崭露头角。这些新的游行组织(krewes)诠释和修改了这座城市的狂欢节传统,但为狂欢节带来了创新的做法。每次游行的历史都揭示了这些新的狂欢节组织中种族、阶级、年龄和性别动态的融合。市中心狂欢节:卡特里娜飓风后新奥尔良的新嘉年华活动考察了六种独特的、不寻常的市中心庆祝活动。利用民族志、民间传说、文化和表演研究,作者分析了新狂欢节与传统狂欢节的联系。每个krewe的发展故事都是迷人而独特的,说明了参与者共同的愿望,即为新奥尔良丰富而充满活力的文化做出贡献。
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引用次数: 1
Chewbacchus and Science-Fiction Carnival Chewbacchus和科幻嘉年华
Pub Date : 2019-08-01 DOI: 10.14325/MISSISSIPPI/9781496823786.003.0006
L. Wade
This chapter features the fastest growing of the new Downtown Mardi Gras organizations, the Intergalactic Krewe of Chewbacchus. New Orleans culture is not conventionally associated with science-fiction or futurism; however, this krewe has tapped a rich and vibrant vein, blending conventional Carnival with science-fiction fandom—the mash-up of Bacchus and Chewbacca from Star Wars. This chapter examines the egalitarian impulse of Chewbacchus, which clearly situates itself in opposition to traditional Uptown krewes. The chapter also investigates its relation to the Downtown neighborhood of Bywater and how the color and energy of the enterprise both reflects and contributes to the gentrification of the area. Finally, the chapter speculates upon the krewe’s fantastical expressions and implicit utopianism, how its carnivalesque, otherworldly aspect might alter or impact actual social realities.
这一章的特点是发展最快的新的市中心狂欢节组织,丘巴库斯的星际克鲁。新奥尔良文化通常不会与科幻或未来主义联系在一起;然而,这个krewe已经挖掘出了丰富而充满活力的血管,将传统的嘉年华与科幻迷融合在一起——混合了《星球大战》中的酒神巴克斯和丘巴卡。本章考察了丘巴库斯的平等主义冲动,它明显地将自己置于与传统的上城克鲁斯相反的位置。本章还研究了它与Bywater市中心社区的关系,以及企业的颜色和能量如何反映和促进该地区的中产阶级化。最后,本章推测了克鲁人的幻想表达和隐含的乌托邦主义,以及它的狂欢式、超凡脱俗的一面如何改变或影响现实的社会现实。
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引用次数: 0
Reclaiming Life and History: The Amazons Benevolent Society and the Black Storyville Baby Dolls 重拾生命和历史:亚马逊人的慈善社会和黑色故事镇的娃娃
Pub Date : 2019-08-01 DOI: 10.14325/MISSISSIPPI/9781496823786.003.0007
R. Roberts
This chapter focuses on The Amazons Social Aid and Benevolent Society and The Black Storyville Baby Dolls. The Amazons is group of breast cancer survivors, both natives and transplants, who provide support to other survivors while celebrating life through costuming and parading. Wearing breastplates and brandishing swords, the group commandeers a militaristic posture that exudes strength and power. While the group’s main focus is social aid and support, the members use Mardi Gras parades to make a public statement of women’s empowerment. The Black Storyville Baby Dolls, also founded by Dianne Honoré, draw directly on the African-American tradition of Baby Dolls, the historical practice of adult women dressing as young girls, in beautiful outfits made of satin, dancing in the streets, and acting tough (smoking cigars). Both groups exemplify the use of Carnival as an opportunity to resist gender and race stereotypes.
这一章的重点是亚马逊的社会援助和慈善社会和黑色故事维尔娃娃。亚马逊是一群乳腺癌幸存者,既有本地人,也有移民,他们在通过服装和游行庆祝生命的同时,为其他幸存者提供支持。该组织身穿胸甲,挥舞着剑,以一种散发着力量和力量的军国主义姿态示人。虽然该组织的主要焦点是社会援助和支持,但成员们利用狂欢节游行公开声明赋予妇女权力。同样由Dianne honor创立的Black Storyville Baby Dolls,直接借鉴了非洲裔美国人的Baby Dolls传统,这是一种历史惯例,成年女性穿着漂亮的绸缎衣服,打扮成年轻女孩,在街上跳舞,表现得很强硬(抽雪茄)。这两个群体都将嘉年华作为抵制性别和种族刻板印象的机会。
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引用次数: 0
WORKS CITED 作品的引用
Pub Date : 2019-08-01 DOI: 10.2307/j.ctvkwnmpj.12
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引用次数: 0
Size Matters: 尺寸问题:
Pub Date : 2019-08-01 DOI: 10.2307/j.ctvkwnmpj.7
R. Roberts
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引用次数: 0
Reclaiming Life and History: 重拾生命与历史:
Pub Date : 2019-08-01 DOI: 10.2307/j.ctvkwnmpj.10
R. Roberts
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引用次数: 0
The Red Beans Krewe: 红豆克鲁:
Pub Date : 2019-08-01 DOI: 10.2307/j.ctvkwnmpj.8
R. Roberts, F. de Caro
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引用次数: 0
The Red Beans Krewe: An Iconic Dish and a New Parade 红豆克鲁:一个标志性的菜肴和一个新的游行
Pub Date : 2019-08-01 DOI: 10.14325/MISSISSIPPI/9781496823786.003.0005
R. Roberts, Frank de Caro
This chapter focuses on a new parade, a new surrogation, that has assumed an empty spot in the Carnival calendar, Lundi Gras, the Monday before Fat Tuesday. This chapter explores the Krewe of Red Beans and the ways that this new parade draws on New Orleans culture, from its signature red beans and rice dish, to the Mardi Gras Indians’ costumes, to the second-line tradition. Like the other new Downtown parades, the Red Beans fosters artistic expression (and competition); displays whimsical and political humor based on local culture; and valorizes the domestic (a common meal and food stuff), and thus the feminine. And like the other new Mardi Gras parades, Red Beans wrestles with an evolving New Orleans and the role transplants play in precipitating change.
这一章的重点是一种新的游行,一种新的替代,它在狂欢节日历上占据了一个空白的位置,Lundi Gras,胖星期二之前的星期一。本章探讨了红豆族,以及这个新的游行如何汲取新奥尔良文化,从招牌红豆和米饭,到狂欢节印第安人的服装,再到二线传统。和其他新的市中心游行一样,红豆游行促进了艺术表达(和竞争);表现出基于当地文化的异想天开和政治幽默;并使家庭(一顿普通的饭菜和食物),从而女性的价值增值。和其他新的狂欢节游行一样,“红豆”也在努力应对不断变化的新奥尔良,以及移民在促成变化中所扮演的角色。
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引用次数: 0
The St. Joan of Arc Parade, Gender, and Pride of Place 圣女贞德游行,性别,和骄傲的地方
Pub Date : 2019-08-01 DOI: 10.14325/MISSISSIPPI/9781496823786.003.0002
R. Roberts, Frank de Caro
This chapter explores the history of the Joan of Arc parade, a women’s enterprise that celebrates the birthday of the famous saint, which happens to fall upon January 6th, Twelfth Night, the traditional commencement of the Carnival season. The parade runs through the French Quarter, concluding at the gilded Joan of Arc statue on Decatur Street (Joanie on a pony). The chapter looks at the feminist aspect of the group, which celebrates this female icon, a woman who spoke truth to power and actively fought against it. The parade also is significant for drawing upon European history in a way that underscores the French heritage of the city.
这一章探讨了圣女贞德游行的历史,这是一项妇女事业,庆祝这位著名圣人的生日,恰好落在1月6日的第十二夜,传统上是狂欢节的开始。游行队伍穿过法国区,在迪凯特街上镀金的圣女贞德雕像(骑着小马的贞德)结束。这一章着眼于该组织的女权主义方面,颂扬这位女性偶像,一位向权力说出真相并积极反抗权力的女性。这次游行在借鉴欧洲历史方面也具有重要意义,强调了这座城市的法国传统。
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引用次数: 0
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Downtown Mardi Gras
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