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Transnational Hallyu: The Globalization of Korean Digital and Popular Culture 跨国韩流:韩国数字和大众文化的全球化
Pub Date : 2023-08-16 DOI: 10.1215/00219118-10773177
Heekyoung Cho
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引用次数: 8
Opposing Power: Building Opposition Alliances in Electoral Autocracies 反对力量:在选举专制政体中建立反对联盟
Pub Date : 2023-08-16 DOI: 10.1215/00219118-10773791
Kikue Hamayotsu
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引用次数: 0
Mediation of Legitimacy in Early China: A Study of the “Neglected Zhou Scriptures” and the Grand Duke Traditions 中国早期合法性的调解:“被忽视的周经”与大公传统研究
Pub Date : 2023-08-16 DOI: 10.1215/00219118-10773157
R. Mcneal
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引用次数: 0
The Funeral of Mr. Wang: Life, Death, and Ghosts in Urbanizing China 《王先生的葬礼:中国城市化中的生、死与鬼
Pub Date : 2023-08-16 DOI: 10.1215/00219118-10773380
H. Liu
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引用次数: 0
Nine Nights of Power: Durgā, Dolls, and Darbārs 九夜之力:杜尔ā,娃娃,和Darbārs
Pub Date : 2023-08-16 DOI: 10.1215/00219118-10773571
Vineet Gairola
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引用次数: 0
Aid Imperium: United States Foreign Policy and Human Rights in Post–Cold War Southeast Asia 援助帝国:冷战后美国在东南亚的外交政策与人权
Pub Date : 2023-08-16 DOI: 10.1215/00219118-10773711
Tan Hsien-Li
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引用次数: 0
Ziran: The Philosophy of Spontaneous Self-Causation 兹兰:自发自我因果的哲学
Pub Date : 2023-08-16 DOI: 10.1215/00219118-10773269
Chuyun Tian
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引用次数: 1
The Macanese Diaspora in British Hong Kong: A Century of Transimperial Drifting 澳门人在英属香港的流散:一个世纪的跨帝国漂泊
Pub Date : 2023-08-16 DOI: 10.1215/00219118-10773197
Nadine Attewell
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引用次数: 0
Curating “Comfort Women” 策展“慰安妇”
Pub Date : 2023-08-16 DOI: 10.1215/00219118-10687329
Lin Li
Using the Liji Alley Museum as a vantage point, this article examines the politics of remembering “comfort women” in contemporary China. I situate the museum within three contexts: Chinese museums on Japanese aggression, the global initiative to create women's museums, and the trans-Asian movement to found museums dealing exclusively with the comfort women issue. On the one hand, I discuss how the Liji Alley Museum has made important interventions by foregrounding the relevance of gender to discussions of civilian wartime experience and by normalizing critical discussion of violence against women. By examining the museum's physical layout, narrative frameworks, and display techniques, I reveal its use of a combination of survivors' testimonies and affective devices to engage visitors. On the other hand, I analyze its limitations vis-à-vis present-day China's gender politics. The museum's reliance on government funding and its incorporation into the state-sponsored system of patriotic education have constricted its potential to offer a more complex critique of the multilayered causes behind comfort women victims' suffering, and to connect the comfort women issue with contemporary discussions of gender-based violence.
本文以李济巷博物馆为视角,考察当代中国对“慰安妇”的追忆政治。我把这个博物馆放在三个背景中:关于日本侵略的中国博物馆、创建女性博物馆的全球倡议,以及建立专门处理慰安妇问题的博物馆的跨亚洲运动。一方面,我讨论了李济巷博物馆如何通过突出性别与平民战争经历讨论的相关性,以及通过使针对妇女的暴力行为的批判性讨论正常化,进行了重要的干预。通过检查博物馆的物理布局、叙事框架和展示技术,我揭示了它将幸存者的证词和情感设备相结合,以吸引游客。另一方面,本文分析了其相对于-à-vis当代中国性别政治的局限性。该博物馆对政府资金的依赖,以及被纳入国家资助的爱国主义教育体系,限制了它对慰安妇受害者痛苦背后的多层次原因进行更复杂批评的潜力,也限制了它将慰安妇问题与当代关于性别暴力的讨论联系起来的潜力。
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引用次数: 0
From Unitary Plurality to Plural Unity 从单一多元到多元统一
Pub Date : 2023-08-16 DOI: 10.1215/00219118-10687305
Huaiyin Li
The writings by Chinese historians and archeologists about the origins of Chinese civilization in the past century have transitioned from the old construct of “unitary plurality,” or a shared assumption of the mythical Huangdi (the Yellow Emperor) as the progenitor of the only civilization in the land of Huaxia (proto China) while admitting its coexistence with other heterogeneous but inferior cultures, to the new paradigm of “plural unity” or a consensus on Huaxia's interaction with all other cultures to form a unitary Chinese civilization that has lasted into the twenty-first century. Substantiated by the archeological findings of the twentieth century, this transition was ultimately propelled by three interweaving forces, namely, Chinese researchers' ideological undertakings, their factional struggle for academic supremacy, and commitment to local interest and identity.
在过去的一个世纪里,中国历史学家和考古学家关于中国文明起源的著作已经从“单一多元”的旧结构转变为或者认同神话中的黄帝是华夏大地上唯一文明的始祖,同时承认华夏与其他异质劣等文化共存;或者认同“多元统一”的新范式;或者认同华夏与其他文化相互作用,形成延续至21世纪的统一的中华文明。20世纪的考古发现证实,这种转变最终是由三种相互交织的力量推动的,即中国研究者的意识形态事业、他们对学术霸权的派系斗争以及对地方利益和身份的承诺。
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引用次数: 0
期刊
IKAT The Indonesian Journal of Southeast Asian Studies
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