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Contested Memories in Contemporary France and Their Reflection in Rap Music 当代法国有争议的记忆及其在说唱音乐中的反映
Q4 Arts and Humanities Pub Date : 2022-02-28 DOI: 10.14712/23363231.2022.2
Alexandra Preitschopf
France’s colonial past and its aftermath remain an “open wound” to this day. After a long period of silence, painful issues such as the role of France in the transatlantic slave trade, colonial crimes in Africa, and the Algerian War have more and more become part of public consciousness in France. Interestingly, many French rap musicians who are the children or grandchildren of immigrants from former French colonies frequently use their songs to remind France of its colonial past. However, their messages sometimes compete with remembrance of the Holocaust. The singers’ condemnation of French colonialism becomes wrapped up in the Middle East conflict and Israel is portrayed as a new “colonial power.” By analyzing selected lyrics of recent French rap songs this article aims to explore the complex and sensitive intersection of post-colonial and Middle East politics and set the lyrics in the broader socio-political context of remembrance culture in France. The article argues that the musicians’ approaches to France’s troubled past are an important form of self-affirmation for their communities in the postcolonial context. By bringing up previously silenced topics, they contribute to a more diverse remembrance culture and contest narratives that have been predominant for a long time.
法国的殖民历史及其后果至今仍是一个“开放的伤口”。经过长时间的沉默,法国在跨大西洋奴隶贸易中的作用、非洲的殖民罪行和阿尔及利亚战争等痛苦问题越来越多地成为法国公众意识的一部分。有趣的是,许多法国说唱音乐家都是来自前法国殖民地的移民的子女或孙子女,他们经常用自己的歌曲来提醒法国的殖民历史。然而,他们的信息有时与对大屠杀的纪念相竞争。歌手们对法国殖民主义的谴责被中东冲突所掩盖,以色列被描绘成一个新的“殖民大国”。本文通过对近年来法国说唱歌曲歌词的分析,旨在探讨后殖民地政治与中东政治的复杂而敏感的交叉点,并将歌词置于法国更广泛的纪念文化的社会政治语境中。文章认为,在后殖民背景下,音乐家们对法国麻烦的过去的态度是他们社区自我肯定的一种重要形式。通过提出以前被沉默的话题,他们有助于形成一种更加多样化的纪念文化和长期以来占主导地位的竞赛叙事。
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引用次数: 0
Imagine All the People: The Populist and Anti-Populist Discourses of Serbian and Croatian Protests (2017–2020) 想象所有的人:塞尔维亚和克罗地亚抗议的民粹主义和反民粹主义话语(2017-2020)
Q4 Arts and Humanities Pub Date : 2022-02-28 DOI: 10.14712/23363231.2022.3
Ewa Wróblewska-Trochimiuk
The aim of this article is to analyze the anti-populist and populist elements in the visual language of selected political manifestations. Protests in Serbia from 2017 to 2020 (mass demonstrations and one individual act of resistance) and in Croatia from 2018 to 2020 were chosen as examples. The article draws on visual materials from the demonstrations and their media coverage. The author tracks different strategies for visualizing populist and anti-populist rhetoric. It presents various types of the visual discourse of populism: the discourse of the masses, the discourse of polarization, the discourse of vulnerability, and the discourse of the gallows.
本文的目的是分析所选政治表现的视觉语言中的反民粹主义和民粹主义元素。2017年至2020年在塞尔维亚发生的抗议活动(大规模示威和一次个人抵抗行动)和2018年至2020年在克罗地亚发生的抗议活动被选为例子。这篇文章借鉴了示威活动和媒体报道中的视觉材料。作者追踪了将民粹主义和反民粹主义修辞形象化的不同策略。它呈现了不同类型的民粹主义视觉话语:大众话语、两极分化话语、脆弱话语和绞刑架话语。
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引用次数: 0
Undemocratic History Politics in a Democratic State: Celebrations of Finland’s 100 Years of Independence 民主国家的非民主历史政治:庆祝芬兰独立100周年
Q4 Arts and Humanities Pub Date : 2021-08-02 DOI: 10.14712/23363231.2021.9
Juho Korhonen
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引用次数: 0
Editorial 社论
Q4 Arts and Humanities Pub Date : 2021-08-02 DOI: 10.14712/23363231.2021.7
J. Sir
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引用次数: 0
Vasile Rotaru, Russia, the EU, and the Eastern Partnership: Building Bridges or Digging Trenches? 瓦西里·罗塔鲁、俄罗斯、欧盟和东方伙伴关系:架桥还是挖沟?
Q4 Arts and Humanities Pub Date : 2021-08-02 DOI: 10.14712/23363231.2021.12
J. Ruzek
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引用次数: 0
Memories of the Maya: National Histories, Cultural Identities, and Academic Orthodoxy 玛雅人的记忆:民族历史、文化认同和学术正统
Q4 Arts and Humanities Pub Date : 2021-08-02 DOI: 10.14712/23363231.2021.8
K. M. Hudson, J. Henderson
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引用次数: 0
The Politics of Memory and the Refashioning of Communism for Young People: The Illustrated Guide to Romanian Communism 记忆政治与青年共产主义的重塑——罗马尼亚共产主义图解指南
Q4 Arts and Humanities Pub Date : 2021-08-02 DOI: 10.14712/23363231.2021.10
M. Marin
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引用次数: 1
Richard Connolly, Russia’s Response to Sanctions: How Western Economic Statecraft is Reshaping the Political Economy in Russia 理查德·康诺利,《俄罗斯对制裁的回应:西方经济治国方略如何重塑俄罗斯的政治经济》
Q4 Arts and Humanities Pub Date : 2021-08-02 DOI: 10.14712/23363231.2021.11
Jakub Šmejkal
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引用次数: 0
Editorial 社论
Q4 Arts and Humanities Pub Date : 2021-04-15 DOI: 10.14712/23363231.2021.1
J. Sir, Maria-Alina Asavei
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引用次数: 0
“The Glory of the Nation”: Black Soldier-Historians and the Continuing African American Struggle for a Usable Past “国家的荣耀”:黑人士兵-历史学家和非裔美国人继续为一个可用的过去而斗争
Q4 Arts and Humanities Pub Date : 2021-04-15 DOI: 10.14712/23363231.2021.2
R. Cook
Heated controversies in the United States over the 1619 Project’s construction of a race-centered master narrative of American history highlight the need to locate public debates over this topic in historical context. This article analyzes the concerted efforts of two black Union veterans, George Washington Williams and Joseph T. Wilson, to remember African Americans’ wartime military service at a critical moment in the progress of Civil War memory. By the late 1880s the northern victors’ account of the southern slaveholders’ revolt against the US government was fading fast under the challenge of new, hegemonic narratives that deprived African Americans of significant agency in the “War of the Rebellion”. The article contends that, while the two pioneer soldier-historians were unable to sustain a national memory of black men’s military patriotism into the Jim Crow era, their innovative narrative strategies helped to lay the foundations of an effective black counter-memory of the Civil War period in the twentieth century.
1619年计划在美国构建了一个以种族为中心的美国历史主叙事,引发了激烈的争议,这突出了在历史背景下对这一主题进行公开辩论的必要性。这篇文章分析了两位黑人退伍军人,乔治·华盛顿·威廉姆斯和约瑟夫·T·威尔逊,在南北战争记忆发展的关键时刻,共同努力纪念非裔美国人的战时服役经历。到19世纪80年代末,在新的霸权叙事的挑战下,北方胜利者对南方奴隶主反抗美国政府的描述正在迅速消失,这些叙事剥夺了非裔美国人在“反抗战争”中的重要作用。文章认为,尽管这两位先锋士兵历史学家无法将黑人军事爱国主义的国家记忆延续到吉姆·克劳时代,但他们创新的叙事策略有助于为20世纪内战时期有效的黑人反记忆奠定基础。
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引用次数: 0
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Acta Universitatis Carolinae Studia Territorialia
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