Pub Date : 2023-09-30DOI: 10.24833/2541-8831-2023-3-27-142-145
Y. P. Laletin
MGIMO University published the second edition of the book Afghan Novels and Stories by Ye. D. Ostrovenko. Yevgeniy Dmitrievich served as Russian Ambassador to Afghanistan in 1992 and was the first ambassador to present credentials signed by the President of Russia to the head of the Afghan state. His book makes a great contribution to strengthening bilateral ties between Russia and Afghanistan, expanding the horizons of knowledge about this country, its history and culture. Candidate of Historical Sciences, Ye. D. Ostrovenko worked for many years both in Afghanistan itself and in the central apparatus of the USSR and Russian Foreign Ministries in the Afghan direction and knows Afghanistan firsthand. He saw more than fifty years of the history of relations between the USSR and Russia with Afghanistan pass before his eyes, and often participated in them personally. The book is in a rare genre combining history, including archives and other historical materials, and fiction. It revolves around personalities, yet manages to show a bigger picture of the history and politics of the country and its peoples. The book tells about a number of outstanding personalities, but special attention is drawn to the poet and warrior Khushhal Khan Khattak (XVII), the first ruler of the independent Afghan state Ahmed Shah Durrani (XVIII), statesman and diplomat Muhammad Wali Khan (late 19th – early 20th centuries). Some of the novels present unique findings of the author. So, in the process of creating the story Canal E. D. Ostrovenko relied on the experience of his practical work as a translator and his novel can be considered original historical evidence. Through the collection of short stories readers get acquainted with the peculiarities of Afghan life, learn about the difficult, and sometimes dangerous, everyday life of Russian diplomats. The new edition includes two newly published novels Pashtun scholar, devoted to M. G. Aslanov, the author of the Pashtu-Russian dictionary, and Warrior fighting with two swords. Book by E. D. Ostrovenko is written in excellent Russian and is easy to read. The author makes extensive use of classical Afghan and Iranian poetry, which arouses additional interest among specialists, including students of the Afghan languages — Pashto and Dari. The book was met with a favorable reception by the Afghans themselves, receiving a wide response and high praise from the Afghan diaspora in Moscow. It will be a useful read not only to students studying Afghanistan, but also to anyone interested in the culture of this wonderful country with its complex and multifaceted history.
MGIMO大学出版了叶的第二版《阿富汗小说与故事》。d . Ostrovenko。叶夫根尼·德米特里耶维奇于1992年担任俄罗斯驻阿富汗大使，他是第一位向阿富汗国家元首递交由俄罗斯总统签署的国书的大使。他的书为加强俄罗斯和阿富汗之间的双边关系做出了巨大贡献，扩大了人们对这个国家及其历史和文化的了解。历史科学研究生，叶。奥斯特罗文科博士在阿富汗工作了多年，也在苏联和俄罗斯外交部负责阿富汗事务的中央机构工作，对阿富汗有第一手的了解。他亲眼目睹了苏联和俄罗斯与阿富汗之间50多年的关系史，并经常亲自参与其中。这本书是罕见的结合了历史(包括档案和其他历史材料)和小说的书。它围绕着人物展开，但却设法展示了这个国家及其人民的历史和政治的更大图景。这本书讲述了许多杰出的人物，但特别关注的是诗人和战士胡沙尔·汗·哈塔克(17岁)，阿富汗独立国家的第一任统治者艾哈迈德·沙阿·杜拉尼(18岁)，政治家和外交官穆罕默德·瓦利汗(19世纪末至20世纪初)。有些小说展现了作者独特的发现。因此，奥斯特罗万科在创作故事的过程中，依靠的是他作为一名翻译的实际工作经验，他的小说可以被认为是原始的历史证据。通过短篇小说集，读者可以了解阿富汗生活的特点，了解俄罗斯外交官艰难、有时甚至危险的日常生活。新版包括两本新出版的小说《普什图学者》(献给普什图语-俄语词典的作者m·g·阿斯拉诺夫)和《用两把剑战斗的勇士》。E. D. Ostrovenko的书是用优秀的俄语写的，很容易阅读。作者大量使用了阿富汗和伊朗的古典诗歌，这引起了包括研究阿富汗语言普什图语和达里语的学生在内的专家们的额外兴趣。这本书受到了阿富汗人自己的欢迎，得到了莫斯科阿富汗侨民的广泛回应和高度赞扬。这本书不仅对学习阿富汗的学生有用，而且对任何对这个有着复杂和多方面历史的美好国家的文化感兴趣的人都是一本有用的读物。
{"title":"Useful and Necessary Book about Outstanding Personalities from Afghan History and Culture","authors":"Y. P. Laletin","doi":"10.24833/2541-8831-2023-3-27-142-145","DOIUrl":"https://doi.org/10.24833/2541-8831-2023-3-27-142-145","url":null,"abstract":"MGIMO University published the second edition of the book Afghan Novels and Stories by Ye. D. Ostrovenko. Yevgeniy Dmitrievich served as Russian Ambassador to Afghanistan in 1992 and was the first ambassador to present credentials signed by the President of Russia to the head of the Afghan state. His book makes a great contribution to strengthening bilateral ties between Russia and Afghanistan, expanding the horizons of knowledge about this country, its history and culture. Candidate of Historical Sciences, Ye. D. Ostrovenko worked for many years both in Afghanistan itself and in the central apparatus of the USSR and Russian Foreign Ministries in the Afghan direction and knows Afghanistan firsthand. He saw more than fifty years of the history of relations between the USSR and Russia with Afghanistan pass before his eyes, and often participated in them personally. The book is in a rare genre combining history, including archives and other historical materials, and fiction. It revolves around personalities, yet manages to show a bigger picture of the history and politics of the country and its peoples. The book tells about a number of outstanding personalities, but special attention is drawn to the poet and warrior Khushhal Khan Khattak (XVII), the first ruler of the independent Afghan state Ahmed Shah Durrani (XVIII), statesman and diplomat Muhammad Wali Khan (late 19th – early 20th centuries). Some of the novels present unique findings of the author. So, in the process of creating the story Canal E. D. Ostrovenko relied on the experience of his practical work as a translator and his novel can be considered original historical evidence. Through the collection of short stories readers get acquainted with the peculiarities of Afghan life, learn about the difficult, and sometimes dangerous, everyday life of Russian diplomats. The new edition includes two newly published novels Pashtun scholar, devoted to M. G. Aslanov, the author of the Pashtu-Russian dictionary, and Warrior fighting with two swords. Book by E. D. Ostrovenko is written in excellent Russian and is easy to read. The author makes extensive use of classical Afghan and Iranian poetry, which arouses additional interest among specialists, including students of the Afghan languages — Pashto and Dari. The book was met with a favorable reception by the Afghans themselves, receiving a wide response and high praise from the Afghan diaspora in Moscow. It will be a useful read not only to students studying Afghanistan, but also to anyone interested in the culture of this wonderful country with its complex and multifaceted history.","PeriodicalId":33644,"journal":{"name":"Kontsept filosofiia religiia kul''tura","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136344086","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-30DOI: 10.24833/2541-8831-2023-3-27-104-123
E. V. Romanin
The article examines the perception of the foreign space in the English and Russian native speakers’ worldviews based on the pejorative names of foreign countries and cities. Englishlanguage and Russian-language Internet sites were used as the source of data for the research, since this environment is especially favorable for the existence and collection of language material of this kind due to the online disinhibition effect. Based on the analysis of the inner form of the word and the stadial model of the Us—Them dichotomy with a gradual transition from the biological to the cultural, proposed by V. G. Lysenko, an attempt is made to derive the main patterns of making derogatory toponyms, and then to compare the characteristics that foreign lands receive within the English and Russian xenophobic discourse, and, as far as possible, to build a holistic image of the concept of foreign space in the English and Russian collective worldview. As a result of the study, a large number of negatively marked toponyms were found in the English and Russian languages. They show clearly similar features both in the formal peculiarities of word formation and in semantics, however, some specificities are also found, which makes it possible to deduce similarities and differences in the English and Russian perception of the concept of foreign space. In general, a significant similarity between English and Russian pejorative names of places is revealed: in both worldviews, different topoi appear as an ugly, unpleasant place inhabited by people (and sometimes not quite people) demonstrating weird, abnormal eating habits and perverted sexual preferences, where the space itself is distorted and defective.
本文通过对外国和城市的蔑称，考察了英语和俄语为母语者的世界观对外国空间的感知。本研究使用英语和俄语的互联网站点作为数据来源，因为网络的去抑制效应使得这种环境特别有利于这类语言材料的存在和收集。本文通过对词的内在形态的分析，以及V. G. Lysenko提出的从生物到文化逐渐过渡的“他们-我”二分法的标准模式，试图推导出贬义词的主要构成模式，然后比较英语和俄语仇外话语中外国所具有的特征，并尽可能地构建英俄集体世界观中外空间概念的整体形象。研究结果表明，英语和俄语中存在大量的负标记地名。英汉两种语言在构词法的形式特征和语义学上都表现出明显的相似特征，但也发现了一些特殊性，从而可以推断出英汉两种语言对外来空间概念感知的异同。总的来说，英语和俄语对地名的蔑称有一个显著的相似之处:在两种世界观中，不同的地名都是丑陋的、令人不快的地方，居住着一些人(有时不完全是人)，他们表现出奇怪的、不正常的饮食习惯和变态的性取向，空间本身是扭曲的和有缺陷的。
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Pub Date : 2023-09-30DOI: 10.24833/2541-8831-2023-3-27-52-66
I. U. Khatagova
Studies in the sphere of history and culture of the African continent attract an increasing interest given the ongoing development of African countries, the reinforcement of ties with Russia as well as the erosion of stereotypes about the nations that populate these territories. This article suggests that the Catholic Church played a significant role in the formation of the Rwandese society in 1890–1994, with the genocide of 1994 being one of the central events. In the framework of the study, the author seeks to reveal the background of the genocide that became the culmination of long-lasting contradictions between Hutu and Tutsi in Rwandan society. One of the main goals of the research was to investigate how the terms Hutu and Tutsi were transformed from social to quasi-ethnic ones. Special attention in this regard was paid to the role of the Catholic Church in the destruction of Rwandan collective self-identification, the growth of tribalism, and antagonism within the society. The article employs the methods of content analysis, case study, event analysis, discourse analysis and interview to research the official position of the Catholic Church during the genocide as well as the actions of specific priests, which is crucial for understanding the controversial role of the Church in the tragedy. Starting from the colonial period the Catholic Church had a vast influence not only in the spiritual but also in the social sphere, including education and mass media. Analyzing the empowerment of the Hutu in Rwanda, in general and especially within the Catholic Church in the country, the author traces back the evolution of social relations in the second half of the 20th century in order to help understand the particular historical role of the Church in the country and in relations between the Hutu and Tutsi along with their quest for power. The author concludes that one of the most interesting issues is the merging of the church’s elite and radical political leadership of Rwanda, which resulted in the further degradation of social relations in the country, growing mutual tensions between Hutu and Tutsi and, in the long run, the genocide. The post genocide analysis of the Catholic Church’s politics reveals not only tools used by the institute to facilitate national reconciliation but also the measure of responsibility for the genocide that it has agreed to take.
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Pub Date : 2023-09-30DOI: 10.24833/2541-8831-2023-3-27-146-160
A. P. Kozyrev
The article was prepared on the basis of an open lecture given on April 8, 2022 at the Center Church and International Relations MGIMO of the acting Dean of the Faculty of Philosophy of Moscow State University A. P. Kozyrev. The article raises the question of the significance of the legacy of Vladimir Sergeyevich Solovyov (1853–1900) in Russian philosophy. It is argued that Vladimir Solovyov was a man of the universal, ecumenical type. The author characterizes Solovyov’s philosophy as the completion of European philosophical systematics, noting the syncretic nature of his teaching and the influence of Platonism, Gnosticism, Hermeticism, and early Christianity on the thoughts of the Origen of the 19th century, as Solovyov’s contemporaries called him. He also cites the characteristics of Solovyov’s thought given by individual contemporaries and representatives of subsequent Russian philosophy — S. N. Bulgakov, G. V. Florovsky, F. A. Stepun, A. Kozhev and others. In answers to questions at the end of the lecture, a number of essential provisions on works and personality of V. S. Solovyov are clarified. According to the thinker, the fate of Russia depends on the choice of Christianity or opposing oneself to the entire Christian world. For him, there is a distinction between religious Westernism and non-religious Westernism. A.P. Kozyrev subsumes P. Ya. Chaadaev to the type of religious Westerner, since P. Ya. Chaadaev based his ideas of building a Christian kingdom — the city of God on earth, as Augustine wrote on medieval Christianity. Solovyov per se considered himself somewhere in between. A genius cannot be limited to one political ideology, narrow political worldview, a genius does not think in black and white the categories. It makes Solovyov’s idea that there are not only different Wests, but different Easts — China, Japan, and above all the Middle East, Jerusalem — as well. The nature of these and similar constructions allows us to see in Solovyov not only a taxonomist, but a religious philosopher, who argues that a metaphysical lever is necessary to fight evil. It is not for nothing that Solovyov begins Three Conversations with a reflection on whether evil is only a lack of good, a kind of ghost that can easily be eliminated, or whether evil is a real force with its own substance and its essence, and can be defeated not by abstract good, but by the God-man. Therefore, Three Conversations, Including a Short Story of the Anti-Christ is not just a prophecy about the finale of world history, where the Antichrist appears under the guise of a socialist, humanist and philanthropist, he is a politician, president of the United States of Europe, ready to open sacristies to the Orthodox and return the papacy to Catholics, Protestants create an institute for the study of the Bible, you just have to worship him as God. This idea of fake good is destructive for life itself. All that glitters is not gold — this is the maxim of Three Conversations. Good is
这篇文章是根据莫斯科国立大学哲学学院代理院长A. P. Kozyrev于2022年4月8日在莫斯科国立大学国际关系中心教堂和国际关系中心的公开演讲编写的。这篇文章提出了弗拉基米尔·谢尔盖耶维奇·索洛维约夫(1853-1900)在俄罗斯哲学中的遗产意义的问题。有人认为弗拉基米尔·索洛维约夫是一个普世的、普世的人。作者将索洛维约夫的哲学描述为欧洲哲学系统学的完成，指出了他的教学的综合性质，以及柏拉图主义、诺斯替主义、赫尔墨斯主义和早期基督教对19世纪奥利金思想的影响，索洛维约夫的同时代人称他为奥利金。他还引用了索洛维约夫思想的特征，这些特征是由同时代的个体和后来的俄罗斯哲学的代表人物——S. N.布尔加科夫、G. V.弗洛罗夫斯基、F. A. Stepun、A. Kozhev等人给出的。在讲座的最后回答问题时，对索洛维约夫的作品和人格的一些重要规定进行了澄清。在这位思想家看来，俄罗斯的命运取决于选择基督教还是反对整个基督教世界。在他看来，宗教西化和非宗教西化是有区别的。A.P. Kozyrev包含p.a Ya。查达耶夫的宗教类型西方人，自p雅。Chaadaev的想法是建立一个基督教王国——地球上的上帝之城，正如奥古斯丁在中世纪基督教中所写的那样。索洛维约夫本人认为自己介于两者之间。一个天才不可能局限于一种政治意识形态，狭隘的政治世界观，一个天才不思考非黑即白的范畴。这使得索洛维约夫的观点不仅有不同的西方，也有不同的东方——中国，日本，尤其是中东，耶路撒冷。这些和类似结构的本质让我们看到索洛维约夫不仅是一个分类学家，而且是一个宗教哲学家，他认为形而上学的杠杆是对抗邪恶的必要条件。索洛维约夫在《三次对话》的开头就反思了邪恶是否只是善的缺失，是一种容易被消灭的幽灵，还是邪恶是一种具有自身实质和本质的真实力量，不是被抽象的善打败，而是被神-人打败，这并非没有原因。因此，《三个对话，包括一个反基督的小故事》不仅仅是一个关于世界历史结局的预言，在这个预言中，反基督者以社会主义者、人道主义者和慈善家的名义出现，他是一个政治家，欧洲美国的总统，准备向东正教开放圣所，并将教皇的权力归还给天主教徒，新教徒创建了一个研究圣经的机构，你只需要把他当作上帝来崇拜。这种假善的观念对生活本身是有害的。闪光的未必都是金子——这是《三话》的格言。好不是由一个人生产了多少商品来决定的，而是由他为什么而做的事情来决定的。在某种意义上，索洛维约夫创立了俄罗斯自由主义和法律哲学(有尊严生存的人权、对死刑的批评)。p.i.诺夫哥罗德采夫将索洛维约夫称为莫斯科法律哲学学派的创始人。索洛维约夫认为法律是确保社会中最低限度的善的一种方式，将法律和道德联系起来，将法律建立在道德要求的基础上，它不能与之分离，否则法律规范就会退化，变成一种道德崇拜。索洛维约夫写道:“法律的任务根本不是把邪恶的世界变成上帝的王国，而只是确保它在时间到来之前不会变成地狱。”
{"title":"Vladimir Solovyov: The Philosophy of the Last Classic. Lecture","authors":"A. P. Kozyrev","doi":"10.24833/2541-8831-2023-3-27-146-160","DOIUrl":"https://doi.org/10.24833/2541-8831-2023-3-27-146-160","url":null,"abstract":"The article was prepared on the basis of an open lecture given on April 8, 2022 at the Center Church and International Relations MGIMO of the acting Dean of the Faculty of Philosophy of Moscow State University A. P. Kozyrev. The article raises the question of the significance of the legacy of Vladimir Sergeyevich Solovyov (1853–1900) in Russian philosophy. It is argued that Vladimir Solovyov was a man of the universal, ecumenical type. The author characterizes Solovyov’s philosophy as the completion of European philosophical systematics, noting the syncretic nature of his teaching and the influence of Platonism, Gnosticism, Hermeticism, and early Christianity on the thoughts of the Origen of the 19th century, as Solovyov’s contemporaries called him. He also cites the characteristics of Solovyov’s thought given by individual contemporaries and representatives of subsequent Russian philosophy — S. N. Bulgakov, G. V. Florovsky, F. A. Stepun, A. Kozhev and others. In answers to questions at the end of the lecture, a number of essential provisions on works and personality of V. S. Solovyov are clarified. According to the thinker, the fate of Russia depends on the choice of Christianity or opposing oneself to the entire Christian world. For him, there is a distinction between religious Westernism and non-religious Westernism. A.P. Kozyrev subsumes P. Ya. Chaadaev to the type of religious Westerner, since P. Ya. Chaadaev based his ideas of building a Christian kingdom — the city of God on earth, as Augustine wrote on medieval Christianity. Solovyov per se considered himself somewhere in between. A genius cannot be limited to one political ideology, narrow political worldview, a genius does not think in black and white the categories. It makes Solovyov’s idea that there are not only different Wests, but different Easts — China, Japan, and above all the Middle East, Jerusalem — as well. The nature of these and similar constructions allows us to see in Solovyov not only a taxonomist, but a religious philosopher, who argues that a metaphysical lever is necessary to fight evil. It is not for nothing that Solovyov begins Three Conversations with a reflection on whether evil is only a lack of good, a kind of ghost that can easily be eliminated, or whether evil is a real force with its own substance and its essence, and can be defeated not by abstract good, but by the God-man. Therefore, Three Conversations, Including a Short Story of the Anti-Christ is not just a prophecy about the finale of world history, where the Antichrist appears under the guise of a socialist, humanist and philanthropist, he is a politician, president of the United States of Europe, ready to open sacristies to the Orthodox and return the papacy to Catholics, Protestants create an institute for the study of the Bible, you just have to worship him as God. This idea of fake good is destructive for life itself. All that glitters is not gold — this is the maxim of Three Conversations. Good is","PeriodicalId":33644,"journal":{"name":"Kontsept filosofiia religiia kul''tura","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136343938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-30DOI: 10.24833/2541-8831-2023-3-27-67-89
A. V. Solovyov
For the first time in Russian (and world) Korean studies, biographies of real historical characters are analyzed within the framework of the concept of monomyth (or hero's journey) coined by Joseph Campbell. Previously, such an approach was practiced only in the study of narrative prose. This paper focuses on practical evaluation of monomyth as a prism with regard to Confucian chronicles. Critical analysis of the text showed us to conclude that the concept of monomyth is quite suitable — with some reservations — for describing the historical narrative of the biographical section of the Confucian chronicle Samguk sagi (Historical Record of the Three Kingdoms). The research revealed life paths of the chosen hero, who embodies the ideal of a loyal subject, and his antagonist generally follow the three-part model proposed by Campbell (departure — initiation — return). This allows us to conclude that a powerful autochthonous Korean cultural stratum contributed to the formation of a specific syncretic worldview in Korea during the Three States and United Silla period (traditional dates: 1st century B.C. — 10th century A.D.), which integrated Confucianism, Buddhism and Taoism into a single system and was reflected in the official chronicle compiled in the 12th century. The Confucian historiographer's representation of these substrates (given a certain ability of these teachings to assimilate each other's concepts) was cemented by myth, which, together with the Confucian canon, set the principles of text organization, plot models, and ways of presenting historical events. The susceptibility of Korean Confucianism at this historical stage to mythology allowed mythological cosmology to integrate quite easily into the Confucian world-building narrative, and to deal with subjects that were previously considered taboo for Confucian ethics in classical Orientalism, such as the manifestations of the Oedipus complex. The interpretation of history as a moral and ethical drama brings official Confucian historiography closer to political myth in its modern interpretation and allows us to evaluate the historical text in a new way.
{"title":"Hero’s Journey in Korean Confucian Historiography: Biographies of Kim Yusin and Kungye in the Context of J . Campbell’s Monomyth","authors":"A. V. Solovyov","doi":"10.24833/2541-8831-2023-3-27-67-89","DOIUrl":"https://doi.org/10.24833/2541-8831-2023-3-27-67-89","url":null,"abstract":"For the first time in Russian (and world) Korean studies, biographies of real historical characters are analyzed within the framework of the concept of monomyth (or hero's journey) coined by Joseph Campbell. Previously, such an approach was practiced only in the study of narrative prose. This paper focuses on practical evaluation of monomyth as a prism with regard to Confucian chronicles. Critical analysis of the text showed us to conclude that the concept of monomyth is quite suitable — with some reservations — for describing the historical narrative of the biographical section of the Confucian chronicle Samguk sagi (Historical Record of the Three Kingdoms). The research revealed life paths of the chosen hero, who embodies the ideal of a loyal subject, and his antagonist generally follow the three-part model proposed by Campbell (departure — initiation — return). This allows us to conclude that a powerful autochthonous Korean cultural stratum contributed to the formation of a specific syncretic worldview in Korea during the Three States and United Silla period (traditional dates: 1st century B.C. — 10th century A.D.), which integrated Confucianism, Buddhism and Taoism into a single system and was reflected in the official chronicle compiled in the 12th century. The Confucian historiographer's representation of these substrates (given a certain ability of these teachings to assimilate each other's concepts) was cemented by myth, which, together with the Confucian canon, set the principles of text organization, plot models, and ways of presenting historical events. The susceptibility of Korean Confucianism at this historical stage to mythology allowed mythological cosmology to integrate quite easily into the Confucian world-building narrative, and to deal with subjects that were previously considered taboo for Confucian ethics in classical Orientalism, such as the manifestations of the Oedipus complex. The interpretation of history as a moral and ethical drama brings official Confucian historiography closer to political myth in its modern interpretation and allows us to evaluate the historical text in a new way.","PeriodicalId":33644,"journal":{"name":"Kontsept filosofiia religiia kul''tura","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136344088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-30DOI: 10.24833/2541-8831-2023-3-27-39-51
O. F. Ezhova
This article is the first attempt to study the representations of Christmas slavleniya (praises) of the Russian Lipovans of Romania on social networks. The Russian Lipovans of Romania are a community of Russian Old Believers living on the territory of Romania mainly in the regions of Dobruja and Tulcea. Lipovans have cultural peculiarities, specific customs, and practices, one of which is Christmas glorification, consisting of singing fragments of the Christmas Church Service of the Old Believers. A similar custom is also observed among the Russian Old Believers of Moldova and Ukraine. Currently, members of the Russian Lipovans community of Romania have been recording the praises taking place in homes or public places on video and posting them on social networks and on various Internet platforms. The relevance of the topic is related to the need to study the impact of new technologies on the maintenance and distribution of traditional culture, which is especially important for small communities. The purpose of the article is to highlight and analyze the characteristic features of the representation of Christmas greetings of the Lipovans of Romania on the Internet. Accordingly, the following tasks have been identified: 1) consider the influence of historical circumstances on the formation of traditional culture of Christmas celebrations by the Old Believers of Romania; 2) collect and describe examples of the representation of Christmas praises of the Russian Lipovans of Romania on the Internet and analyze the specifics and the socio-cultural context of their existence; 3) highlight the key features of this practice compared to similar customs of the Old Believers of Moldova and Ukraine. The research methodology was compiled by a comprehensive cultural approach based on the use of historical-genetic, hermeneutic, and comparative-analytical methods, as well as cyberethnography approaches. The study has found that the Russian Lipovans of Romania living in a different ethnic and confessional environment actively represent on their pages in social networks and private channels on YouTube the tradition of Christmas praises that exists in their community, which partly contributes to its reproduction and reconstruction. The results have enabled the author to conclude that the praises of the Lipovans of Romania, colindă, should not be confused with Christmas carols as they closely follow the canon and represent both a well-preserved variation of home worship and a specific practice of communication.
{"title":"Representation of Christmas Praises of Russian Lipovans of Romania on the Internet","authors":"O. F. Ezhova","doi":"10.24833/2541-8831-2023-3-27-39-51","DOIUrl":"https://doi.org/10.24833/2541-8831-2023-3-27-39-51","url":null,"abstract":"This article is the first attempt to study the representations of Christmas slavleniya (praises) of the Russian Lipovans of Romania on social networks. The Russian Lipovans of Romania are a community of Russian Old Believers living on the territory of Romania mainly in the regions of Dobruja and Tulcea. Lipovans have cultural peculiarities, specific customs, and practices, one of which is Christmas glorification, consisting of singing fragments of the Christmas Church Service of the Old Believers. A similar custom is also observed among the Russian Old Believers of Moldova and Ukraine. Currently, members of the Russian Lipovans community of Romania have been recording the praises taking place in homes or public places on video and posting them on social networks and on various Internet platforms. The relevance of the topic is related to the need to study the impact of new technologies on the maintenance and distribution of traditional culture, which is especially important for small communities. The purpose of the article is to highlight and analyze the characteristic features of the representation of Christmas greetings of the Lipovans of Romania on the Internet. Accordingly, the following tasks have been identified: 1) consider the influence of historical circumstances on the formation of traditional culture of Christmas celebrations by the Old Believers of Romania; 2) collect and describe examples of the representation of Christmas praises of the Russian Lipovans of Romania on the Internet and analyze the specifics and the socio-cultural context of their existence; 3) highlight the key features of this practice compared to similar customs of the Old Believers of Moldova and Ukraine. The research methodology was compiled by a comprehensive cultural approach based on the use of historical-genetic, hermeneutic, and comparative-analytical methods, as well as cyberethnography approaches. The study has found that the Russian Lipovans of Romania living in a different ethnic and confessional environment actively represent on their pages in social networks and private channels on YouTube the tradition of Christmas praises that exists in their community, which partly contributes to its reproduction and reconstruction. The results have enabled the author to conclude that the praises of the Lipovans of Romania, colindă, should not be confused with Christmas carols as they closely follow the canon and represent both a well-preserved variation of home worship and a specific practice of communication.","PeriodicalId":33644,"journal":{"name":"Kontsept filosofiia religiia kul''tura","volume":"142 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136344066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-30DOI: 10.24833/2541-8831-2023-3-27-137-141
N. S. Konstantinova
The contents of the next collection of the Institute of Art Studies from the series Problems of Ibero-American Art involuntarily invokes a premonition of a fascinating journey through different eras and subjects of Spanish culture: theatre, music, fine arts, social philosophy, literature of the Golden Age... The collection opens with an article by Vidas Sulinas, an expert on classical Spanish theatre. The author examines the time period from the last third of the 16th century to the beginning of the 18th century, tracing the change of three artistic styles — Renaissance, Mannerism and Baroque — using the example of the work of three classics of Spanish drama. To introduce readers to these works, the author gives brief reviews of the plots: at the heart of them is love, its mysteries, virtues and trials. The article raises a number of eternal problems of existence, including good and evil, reality and imagination and, finally, the eternally relevant motif of the artist and power. The second article written by Irina Kryazheva is devoted to the study of court musicians of Medieval Spain. The task is by no means simple, given the small number of sources. Their identification and subsequent scrupulous study are one of the undoubted advantages of the text. In the next article on percussion instruments of the Renaissance Spain, Maria Moiseeva recreates the widest palette of musical instruments of the era with their description and classification. Particular attention is paid to fruitful interaction between the European and Arab worlds. Denis Fedosov creates a voluminous canvas of church life in Catholic Spain through describing retablo as the center of artistic composition of a Spanish temple. These and other articles written by specialists make allowance for amateurs and welcome new readers. Overall, the collection turned out to be successful. First of all, due to the selection of authors. It is written professionally, which means it will be of interest to professionals, and for the same reason, along with the variety of content, it is also interesting for a wider audience.
{"title":"Ages, Stories, Styles","authors":"N. S. Konstantinova","doi":"10.24833/2541-8831-2023-3-27-137-141","DOIUrl":"https://doi.org/10.24833/2541-8831-2023-3-27-137-141","url":null,"abstract":"The contents of the next collection of the Institute of Art Studies from the series Problems of Ibero-American Art involuntarily invokes a premonition of a fascinating journey through different eras and subjects of Spanish culture: theatre, music, fine arts, social philosophy, literature of the Golden Age... The collection opens with an article by Vidas Sulinas, an expert on classical Spanish theatre. The author examines the time period from the last third of the 16th century to the beginning of the 18th century, tracing the change of three artistic styles — Renaissance, Mannerism and Baroque — using the example of the work of three classics of Spanish drama. To introduce readers to these works, the author gives brief reviews of the plots: at the heart of them is love, its mysteries, virtues and trials. The article raises a number of eternal problems of existence, including good and evil, reality and imagination and, finally, the eternally relevant motif of the artist and power. The second article written by Irina Kryazheva is devoted to the study of court musicians of Medieval Spain. The task is by no means simple, given the small number of sources. Their identification and subsequent scrupulous study are one of the undoubted advantages of the text. In the next article on percussion instruments of the Renaissance Spain, Maria Moiseeva recreates the widest palette of musical instruments of the era with their description and classification. Particular attention is paid to fruitful interaction between the European and Arab worlds. Denis Fedosov creates a voluminous canvas of church life in Catholic Spain through describing retablo as the center of artistic composition of a Spanish temple. These and other articles written by specialists make allowance for amateurs and welcome new readers. Overall, the collection turned out to be successful. First of all, due to the selection of authors. It is written professionally, which means it will be of interest to professionals, and for the same reason, along with the variety of content, it is also interesting for a wider audience.","PeriodicalId":33644,"journal":{"name":"Kontsept filosofiia religiia kul''tura","volume":"157 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136343945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-30DOI: 10.24833/2541-8831-2023-3-27-90-103
E. V. Senina, K. A. Poliakova
The study of cultural-perception of countries and peoples’ has been gaining momentum in history, literary studies, ethnopsychology, journalism, imagology and other fields of scientific knowledge over the past decade. The cultrual-perception is constructed by ethnic, religious, political, ideological and artistic frames of perceptual consciousness. In connection with the development of Russian-Chinese relations, the topic of rethinking Oriental studies in line with the framework of the studies of philosophical and cultural problems is especially relevant today. The novelty of the research consists in updating the data already available in scientific publications on the culturalperception of Russia and Russians by the Chinese. This article examines the cultural-perception of Russia and Russians in China based on the results of polls conducted by the authors in 2021–2022. The poll contained open-ended questions concerning associations with Russia, symbols of the country, names of famous Russians, the Russian character, and Russian cities. The data obtained helped to identify and confirm certain historical patterns and stereotypes concerning the perception of the Russian character. The analysis of the poll results showed that Chinese people’s perceptions of Russia depend largely on their personal experience with Russians. The Chinese who have not been to Russia have an image of our country closely associated with that of the Soviet Union; they have a vague idea of contemporary life in Russia but are quite familiar with the works of Russian classics writers and composers. The Chinese permanent residents of the Russian Federation are more aware of both the classical and contemporary culture of the Russians. In addition, the personality of Russian President Vladimir Putin plays an important role in shaping the current perception of Russia in China. Putin's personality plays an important role in shaping the current perception of Russia.
{"title":"Cultural-Perceptions of Russia and Russians in China Today","authors":"E. V. Senina, K. A. Poliakova","doi":"10.24833/2541-8831-2023-3-27-90-103","DOIUrl":"https://doi.org/10.24833/2541-8831-2023-3-27-90-103","url":null,"abstract":"The study of cultural-perception of countries and peoples’ has been gaining momentum in history, literary studies, ethnopsychology, journalism, imagology and other fields of scientific knowledge over the past decade. The cultrual-perception is constructed by ethnic, religious, political, ideological and artistic frames of perceptual consciousness. In connection with the development of Russian-Chinese relations, the topic of rethinking Oriental studies in line with the framework of the studies of philosophical and cultural problems is especially relevant today. The novelty of the research consists in updating the data already available in scientific publications on the culturalperception of Russia and Russians by the Chinese. This article examines the cultural-perception of Russia and Russians in China based on the results of polls conducted by the authors in 2021–2022. The poll contained open-ended questions concerning associations with Russia, symbols of the country, names of famous Russians, the Russian character, and Russian cities. The data obtained helped to identify and confirm certain historical patterns and stereotypes concerning the perception of the Russian character. The analysis of the poll results showed that Chinese people’s perceptions of Russia depend largely on their personal experience with Russians. The Chinese who have not been to Russia have an image of our country closely associated with that of the Soviet Union; they have a vague idea of contemporary life in Russia but are quite familiar with the works of Russian classics writers and composers. The Chinese permanent residents of the Russian Federation are more aware of both the classical and contemporary culture of the Russians. In addition, the personality of Russian President Vladimir Putin plays an important role in shaping the current perception of Russia in China. Putin's personality plays an important role in shaping the current perception of Russia.","PeriodicalId":33644,"journal":{"name":"Kontsept filosofiia religiia kul''tura","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136344065","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-30DOI: 10.24833/2541-8831-2023-3-27-124-136
I. E. Mishchenko
The article is devoted to the analysis of the specifics of turning to the subject of military culture of the most influential types of art of the 21st century, namely literature and cinema. Military culture herein is defined as a set of socio-cultural values, social practices and works of art related to the implementation of the function of protecting the motherland and the existence of a person in the specific conditions of a military conflict. The purpose of the study is to trace the dynamics of the disclosure of the problems of military culture in the works of Russian military literature and military cinema in the 21st century. To achieve this goal, the following tasks were achieved: 1) to clarify the definition of military culture; 2) to substantiate the identification of artistic military culture as part of a broader definition; 3) to highlight the characteristic features of modern military literature and to show the problems associated with its genre-thematic originality and role in culture; 4) to determine the leading trends in the development of modern military cinema in Russia; 5) to identify common and different approaches to depicting military culture by means of literature and cinema. The novelty of the study lies in the approach to the consideration of military culture as a broad and multifaceted phenomenon, not limited to the intra-army environment and including artistic military culture. As a result, it is concluded and substantiated that there is a relatively more significant penetration into military cinema not only of genre and thematic techniques, but also of the values and meanings of mass culture. Military literature, as this study shows, is less influenced by them today, which allows us to speak not so much about the conservatism of this art form, but rather its greater resistance to the simplification trends. Perhaps, this is due to greater reliance on the original author's vision — as opposed to the set standards of filmmaking.
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Pub Date : 2023-09-29DOI: 10.24833/2541-8831-2023-3-27-7-25
V. M. Ovchinnikov
The article explores the possibilities and prospects of using an audio visualized (multimedia) text, which, according to the author, is the phenomenon of a computer game (in particular, the genre of global strategy) to represent the historical process in the form of its simulation. The study aims to identify the possibilities and limitations of demonstrating elements of world-system analysis in the space of the game universe of global historical strategies. The goals are: 1) to analyze key aspects of virtualized game simulation in the form of global strategy; 2) to systematize characteristic features of the combination of scientific and subjective factors in game simulation; 3) to identify the influence of the cultural factor on creating virtual worlds in games; 4) to conduct case-studies considering games through the prism of the theoretical framework of game simulation. The study employs the historical-genetic method and discourse analysis. Axiological and anthropological approaches are used to find sociocultural specificities of game simulations by investigating their value orientations and practices in the game and in the community of gamers. The study specifies features of variable modelling on the example of game universes of Civilization, Crusader Kings, Europa Universalis etc. The results of the study include the analysis of 1) history reconstruction in global game strategies from the point of view of philosophy of culture; 2) game mechanics reflecting their creators’ and gamers’ personal features; 3) creating cultural landscape in global simulation games. The author suggests that modern global strategies is not only a kind of virtual entertainment and cybertext, but also a means of reliving the historical narrative when mass consciousness can explore alternative history. This approach makes way for spreading historical knowledge via historical simulation.
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