Pub Date : 1900-01-01DOI: 10.25145/j.latente.2022.20.06
Clementina Calero Ruiz
Polish director Lech Majewski based his film «The Mill and the Cross» on two different sources: Michael Francis Gibson’s homonymous dissertation and The Procession to Calvary, Brueghel’s oil-on-panel masterpiece. The filmmaker paints a picture within another, a humongous, slow and silent tableaux vivant because slow is the creative process as well. Only the conversation between the painter and the art dealer, in which the first one explains the ways his painting has been made, breaks the quietness.
{"title":"El Molino y la Cruz. Entre la metapintura y las narraciones transmedia","authors":"Clementina Calero Ruiz","doi":"10.25145/j.latente.2022.20.06","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.06","url":null,"abstract":"Polish director Lech Majewski based his film «The Mill and the Cross» on two different sources: Michael Francis Gibson’s homonymous dissertation and The Procession to Calvary, Brueghel’s oil-on-panel masterpiece. The filmmaker paints a picture within another, a humongous, slow and silent tableaux vivant because slow is the creative process as well. Only the conversation between the painter and the art dealer, in which the first one explains the ways his painting has been made, breaks the quietness.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133372035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.latente.2022.20.09
Virginia E. Higueras Rodríguez
Musical films do not evolve in parallel with the theatrical musicals on Broadway. It creates a gap of about a decade between the musicals on Broadway and those produced in Hollywood. In 2021 Lin-Manuel Miranda, director of the film Tick, Tick... Boom! revives Jonathan Larson, heir to the influences of the musicals of Richard Rodgers & Oscar Hammerstein II, and Stephen Sondheim
{"title":"De Oklahoma! a Tick, Tick...Boom! La evolución del musical desde la Edad de Oro hasta las obras rock de Jonathan Larson","authors":"Virginia E. Higueras Rodríguez","doi":"10.25145/j.latente.2022.20.09","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.09","url":null,"abstract":"Musical films do not evolve in parallel with the theatrical musicals on Broadway. It creates a gap of about a decade between the musicals on Broadway and those produced in Hollywood. In 2021 Lin-Manuel Miranda, director of the film Tick, Tick... Boom! revives Jonathan Larson, heir to the influences of the musicals of Richard Rodgers & Oscar Hammerstein II, and Stephen Sondheim","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"abs/1812.07367 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132420661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.latente.2019.17.09
Gerardo F. Fuentes Pérez, Real Academia Canaria de Bellas Artes de San Miguel Arcángel
espanolPor su situacion geografica, Ciego de Avila fue un nudo de comunicaciones entre el oriente y el occidente de Cuba, logrando una prosperidad economica gracias al impulso de la industria azucarera a mediados del siglo xix. Es a partir de este momento cuando la actividad teatral se va a convertir en una de las principales necesidades culturales de aquella poblacion pujante que convirtio el arte de la escena en su propia propaganda social, de modo que promovieron la creacion de companias y grupos locales, logrando con ello convertirse en uno de los espacios teatrales mas importantes de la isla; el Iriondo y el Principal son los locales de mayor actividad teatral y cinematografica. EnglishDue to its geographical location, Ciego de Avila was a communicative point between the East and the West of Cuba, achieving economic prosperity thanks to the increase of the sugar industry in the mid-19th century. From this time on, the theatrical activity is going to become one of the main cultural needs of that thriving population that used artistic activities as their own social propaganda. With this action, they promoted the creation of local companies and theatrical groups, which made of Ciego de Avila one of the most important theatrical spaces in Cuba; the Iriondo and the Principal are the places where most theatrical and cinematographic activities took place.
由于其地理位置，Ciego de Avila是古巴东西方之间的交通枢纽，在19世纪中期制糖业的推动下实现了经济繁荣。就是从这一刻起,当戏剧活动会变成一个主要的文化需求那个强力不合convirtio艺术舞台上自己的社会宣传,促进创作companias和地方团体工作,从而成为岛上最重要的一个戏剧空间;el Iriondo和el Principal是戏剧和电影活动最多的地方。由于其地理位置，Ciego de Avila是古巴东部和西部之间的一个交流点，由于19世纪中期糖业的发展，实现了经济繁荣。从那时起，戏剧活动将成为利用艺术活动作为社会宣传的繁荣人口的主要文化需求之一。通过这一行动，他们推动建立地方剧团和戏剧团体，使Ciego de Avila成为古巴最重要的戏剧场所之一;= =地理= =根据美国人口普查，该镇的土地面积为。
{"title":"Ciego de Ávila (Cuba): retrospectiva escénica. El Teatro Iriondo","authors":"Gerardo F. Fuentes Pérez, Real Academia Canaria de Bellas Artes de San Miguel Arcángel","doi":"10.25145/j.latente.2019.17.09","DOIUrl":"https://doi.org/10.25145/j.latente.2019.17.09","url":null,"abstract":"espanolPor su situacion geografica, Ciego de Avila fue un nudo de comunicaciones entre el oriente y el occidente de Cuba, logrando una prosperidad economica gracias al impulso de la industria azucarera a mediados del siglo xix. Es a partir de este momento cuando la actividad teatral se va a convertir en una de las principales necesidades culturales de aquella poblacion pujante que convirtio el arte de la escena en su propia propaganda social, de modo que promovieron la creacion de companias y grupos locales, logrando con ello convertirse en uno de los espacios teatrales mas importantes de la isla; el Iriondo y el Principal son los locales de mayor actividad teatral y cinematografica. EnglishDue to its geographical location, Ciego de Avila was a communicative point between the East and the West of Cuba, achieving economic prosperity thanks to the increase of the sugar industry in the mid-19th century. From this time on, the theatrical activity is going to become one of the main cultural needs of that thriving population that used artistic activities as their own social propaganda. With this action, they promoted the creation of local companies and theatrical groups, which made of Ciego de Avila one of the most important theatrical spaces in Cuba; the Iriondo and the Principal are the places where most theatrical and cinematographic activities took place.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122801365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.latente.2019.17.04
Sandra Medina Rodríguez
espanolEn 2002 Stephen Daldry estrenaba el film Las horas, inspirado en el libro homonimo publicado en 1998 por Michael Cunningham. Cunningham, a su vez, habia escrito su obra para homenajear a la autora inglesa Virginia Woolf y, mas concretamente, su novela La senora Dalloway. En el presente estudio, como principal objetivo, analizaremos los artificios y engranajes que operan en la intertextualidad de las tres obras. Identificaremos las estrategias narrativas empleadas en cada una de ellas y evidenciaremos tanto las diferencias como las semejanzas entre las tres. Profundizaremos en los dispositivos de los que se sirve el cine para trasladar a la gran pantalla los textos narrativos tanto de Woolf como de Cunningham. EnglishIn 2002 Stephen Daldry premiered the film The hours, inspired by the homonymous book published in 1998 by Michael Cunningham. Cunningham, in turn, had written his work to honor the english author Virginia Woolf and, more specifically, his novel Mrs. Dalloway. In the present study, as the main objective, we will analyze the artifices and gears that operate in the intertextuality of the three works. We will identify the narrative strategies used in each of them and we will demonstrate both the differences and the similarities between the three. We will deepen into the devices that the cinema uses to transfer the narrative texts of both Woolf and Cunningham to the big screen.
2002年，斯蒂芬·达德利(Stephen Daldry)发行了电影《小时》(Las horas)，灵感来自迈克尔·坎宁安(Michael Cunningham) 1998年出版的同名书。坎宁安的作品是为了纪念英国作家弗吉尼亚·伍尔夫，尤其是她的小说《达洛维夫人》。在本文中，我们的主要目标是分析在这三部作品的互文性中运作的技巧和机制。我们将确定每一种叙事策略，并强调它们之间的异同。我们将深入探讨伍尔夫和坎宁安的叙事文本在大屏幕上移动的设备。2002年EnglishIn Stephen Daldry premiered the电影the小时,inspired by the homonymous book published in 1998年由迈克尔·坎宁安。坎宁安的作品是为了纪念英国作家弗吉尼亚·伍尔夫，更具体地说，是为了纪念达洛维夫人。在本研究中，作为主要目标，我们将分析在这三部作品的互文性中发挥作用的技巧和机制。我们将确定每一种叙事策略所使用的叙事策略，并说明两者之间的异同。我们将加深into the devices) that the cinema用to transfer the narrative坎宁安texts of both伍尔夫and to the big之上。
{"title":"Las horas: estudio comparativo entre La señora Dalloway de Virginia Woolf, Las horas de Michael Cunningham y Las horas de Stephen Daldry","authors":"Sandra Medina Rodríguez","doi":"10.25145/j.latente.2019.17.04","DOIUrl":"https://doi.org/10.25145/j.latente.2019.17.04","url":null,"abstract":"espanolEn 2002 Stephen Daldry estrenaba el film Las horas, inspirado en el libro homonimo publicado en 1998 por Michael Cunningham. Cunningham, a su vez, habia escrito su obra para homenajear a la autora inglesa Virginia Woolf y, mas concretamente, su novela La senora Dalloway. En el presente estudio, como principal objetivo, analizaremos los artificios y engranajes que operan en la intertextualidad de las tres obras. Identificaremos las estrategias narrativas empleadas en cada una de ellas y evidenciaremos tanto las diferencias como las semejanzas entre las tres. Profundizaremos en los dispositivos de los que se sirve el cine para trasladar a la gran pantalla los textos narrativos tanto de Woolf como de Cunningham. EnglishIn 2002 Stephen Daldry premiered the film The hours, inspired by the homonymous book published in 1998 by Michael Cunningham. Cunningham, in turn, had written his work to honor the english author Virginia Woolf and, more specifically, his novel Mrs. Dalloway. In the present study, as the main objective, we will analyze the artifices and gears that operate in the intertextuality of the three works. We will identify the narrative strategies used in each of them and we will demonstrate both the differences and the similarities between the three. We will deepen into the devices that the cinema uses to transfer the narrative texts of both Woolf and Cunningham to the big screen.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133157269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.latente.2021.19
Domingo Solá Antequera
{"title":"Revista Latente nº 19, año 2021","authors":"Domingo Solá Antequera","doi":"10.25145/j.latente.2021.19","DOIUrl":"https://doi.org/10.25145/j.latente.2021.19","url":null,"abstract":"","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"28 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123595396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.latente.2022.20.05
D. Fuentefría Rodríguez
This paper proposes a brief anthological review of the main representations of the villain in European and American silent films, from 1910, covering their most characteristic faces, scenes and keys, under the aesthetic notions of beauty and ugliness. The text addresses evil from different perspectives as a construction element of antagonistic images, differentiating when it proceeds between representations based on reality, or totally fictional, teratological or non-teratological, in addition to abounding in the aspects of the characterization and aesthetic construction of the evil one, with some notes on the subsequent influence of specific characters. The face as a frontal or opaque mirror of evil, plus a review of the female villains at this stage, finally find their own space throughout the compilation.
{"title":"Fealdad y belleza en las representaciones del villano en el cine mudo europeo y estadounidense","authors":"D. Fuentefría Rodríguez","doi":"10.25145/j.latente.2022.20.05","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.05","url":null,"abstract":"This paper proposes a brief anthological review of the main representations of the villain in European and American silent films, from 1910, covering their most characteristic faces, scenes and keys, under the aesthetic notions of beauty and ugliness. The text addresses evil from different perspectives as a construction element of antagonistic images, differentiating when it proceeds between representations based on reality, or totally fictional, teratological or non-teratological, in addition to abounding in the aspects of the characterization and aesthetic construction of the evil one, with some notes on the subsequent influence of specific characters. The face as a frontal or opaque mirror of evil, plus a review of the female villains at this stage, finally find their own space throughout the compilation.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"115 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117313020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.latente.2022.20.13
Joana Rodríguez Pérez
{"title":"Cine, interculturalidad y políticas de género. Giulia Colaizzi (ed.) (2021), Madrid: Cátedra, Signo e imagen. 192 pp.","authors":"Joana Rodríguez Pérez","doi":"10.25145/j.latente.2022.20.13","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.13","url":null,"abstract":"","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121783868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.latente.2022.20.12
Gonzalo M. P avés Borges
{"title":"Resistencias y disidencias en el cine español: el compromiso con la realidad, por Ernesto Pérez Morán y José Luis Sánchez Noriega (eds.). (2021). Madrid: Ediciones Complutenses","authors":"Gonzalo M. P avés Borges","doi":"10.25145/j.latente.2022.20.12","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.12","url":null,"abstract":"","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125001680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.latente.2022.20.02
Óscar Lapeña Marchena
In these pages we want to deal with the projection on cinema and television screens of different mythical episodes linked to the founding of the city of Rome. If it were compared to other episodes or characters in its history, the scant interest it has aroused is striking, at least from a quantitative point of view. We will deal with those productions that have focused on the figure of Aeneas and his journey through the Mediterranean, the twins Romulus and Remus, the episode of the kidnapping of the Sabine women and the fight between Horace and Curiaceous.
{"title":"Mitos fundacionales de Roma en el cine y la televisión","authors":"Óscar Lapeña Marchena","doi":"10.25145/j.latente.2022.20.02","DOIUrl":"https://doi.org/10.25145/j.latente.2022.20.02","url":null,"abstract":"In these pages we want to deal with the projection on cinema and television screens of different mythical episodes linked to the founding of the city of Rome. If it were compared to other episodes or characters in its history, the scant interest it has aroused is striking, at least from a quantitative point of view. We will deal with those productions that have focused on the figure of Aeneas and his journey through the Mediterranean, the twins Romulus and Remus, the episode of the kidnapping of the Sabine women and the fight between Horace and Curiaceous.","PeriodicalId":339824,"journal":{"name":"Latente Revista de Historia y Estética audiovisual","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116777677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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