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The Fifth Landscape: A Transdisciplinary Approach To interpreting Perceptual Landscape Transformations? 第五景观:解释感性景观转变的跨学科方法?
Pub Date : 2022-01-01 DOI: 10.37199/f40002408
Diego Repetto, Fabrizio Aimar
The conception of “Fifth Landscape” (Repetto & Aimar, 2021) originates from the presentation ‘Fifth Landscape/Landscape 5.0’ held by Diego Repetto at the conference ‘Shaping the City: A Forum for Sustainable Cities and Communities’, ‘Culture for Sustainable Cities’ section, organised by the European Cultural Centre in 2018. It is a fresh implementation and evolutionary development of the concept of Fourth Landscape (non-proft association Quarto Paesaggio, 2013), and an homage to Gilles Clément’s well-known Third Landscape (2004). If Clément defnes the ‘Tiers paysage’ [Third Landscape] as “… made up of all the places left behind by man” (Clément, 2004:1) and exhorts to consider the “… the inherent mechanics of the Third Landscape - as an engine of evolution” pointing out the necessity to “teach the engines of evolution …” (ibid., 24), subsequent elaborations derive their substance from this evolutionary nature and reworking of the landscape waste. Indeed, the Fourth Landscape uses art as an engine to stimulate citizens participation in the refection on the meaning of the suburban landscape and their role in this re-appropriation and re-interpretation, as the urban landscape is also a common good (CR Florence Foundation, 2018).
“第五景观”的概念(Repetto & Aimar, 2021)源于Diego Repetto在2018年由欧洲文化中心组织的“塑造城市:可持续城市和社区论坛”“可持续城市文化”部分的会议上发表的“第五景观/景观5.0”。它是第四景观概念的新实施和进化发展(非营利协会Quarto Paesaggio, 2013),也是对Gilles climment著名的第三景观(2004)的致敬。如果clesamment将“第三景观”定义为“…由人类留下的所有地方组成”(clesamment, 2004:1),并劝告人们考虑“…第三景观的内在机制-作为进化的引擎”,指出有必要“教授进化的引擎…”(同上,24),那么随后的阐述就从这种进化的本质和对景观废物的重新加工中得出了它们的实质。事实上,第四景观利用艺术作为引擎,刺激市民参与对郊区景观意义的反思,以及他们在这种重新占有和重新诠释中的作用,因为城市景观也是一种共同利益(CR佛罗伦萨基金会,2018)。
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引用次数: 0
Relevance Of Behavioural And Cultural Insights In Times Of Pandemic 大流行时期行为和文化见解的相关性
Pub Date : 2022-01-01 DOI: 10.37199/f40002402
R. Butler
In the last years, I have been working at the WHO ofce in Copenhagen which covers 53 countries across the European region. I'm a sociologist and not a health expert, neither I am an urban planner nor a designer. Indeed, I am not anybody truly working in your feld of expertise but, as a sociologist, I have a lot to say about the value of the social sciences and the humanities to the work that you all do and to your studies. I'm going to start by going back in time to look into the early 1800s, and precisely 1831, when cholera - the water-borne disease that is mostly spread by water - was a ripping through London.
过去几年,我一直在世卫组织哥本哈根办事处工作,该办事处覆盖欧洲地区53个国家。我是社会学家而不是健康专家,我既不是城市规划师也不是设计师。事实上,我并不是真正在你们的专业领域工作的人,但作为一名社会学家,我有很多话要说,关于社会科学和人文科学对你们所有人的工作和研究的价值。我将从回顾19世纪早期开始,准确地说是1831年,当时霍乱——一种主要通过水传播的水媒疾病——正在伦敦肆虐。
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引用次数: 0
Processing Nature, Beyond the Antinomy Of Ecological Pretence In Contemporary Planning. A Critical Understanding Urban Ecosystems, The Epitome Of Liveable Cities 处理自然,超越当代规划中生态伪装的矛盾。对城市生态系统的批判性理解——宜居城市的缩影
Pub Date : 2022-01-01 DOI: 10.37199/f40002411
Vittoria Mencarini, Lorenzo Tinti
In the still dominant perception of a hierarchical order of nature, humans are disturbing ecosystems factors. We should move away from the one-dimensional dichotomy between natural and human interaction towards a more effective representation without nostalgia. The contact between human and natural habitats is close to the idea of maintaining and conserving a certain state of equilibrium, instead of letting natural habitats evolve into new ecosystems. In other words, energy management and the capacity of a system to self-organize (autopoiesis) defnes the difference between human and natural habitats. Where this capacity is not limited, a natural habitat is present. Contemporary landscapes (tourist coasts, reclaimed land, etc.) demonstrate this thesis by highlighting how human intervention is an indispensable factor in their maintenance. It is necessary to provide precise and sophisticated tools capable of synthesizing agents and forces within territorial transformations starting from a global understanding of natural processes. Ecological dynamics must be transformed into project parameters involved within design process. Here a further degree of integration is suggested above the level of simple natural ecosystems, where human is assumed as a key factor in landscape transformation and geography construction. Considering other paradigms that interfere with the same epistemological area, the contribution questions the theoretical and practical implications of rethinking the interaction between natural and artifcial ecosystems within the framework of landscape resilience. This perspective allows a territorial update by increasing the level of compatibility between the evolution of human habitat and the maintenance of natural regeneration times. This articulation, however, requires a reconsideration of landscape aesthetics beyond the beautiful and the consolatory, as well as a fundamental shift in landscape thinking from representation to action.
在仍然占主导地位的自然等级秩序观念中,人类是干扰生态系统的因素。我们应该摆脱自然和人类互动之间的一维二分法,转向更有效的表现,而不是怀旧。人类与自然栖息地之间的联系接近于维持和保护某种平衡状态的想法,而不是让自然栖息地进化成新的生态系统。换句话说,能量管理和系统自组织(自创生)的能力定义了人类和自然栖息地之间的差异。在这种能力不受限制的地方,存在自然栖息地。当代景观(旅游海岸、填海造地等)通过强调人类干预是其维护中不可或缺的因素来证明这一论点。有必要提供精确和复杂的工具,能够从对自然过程的全球理解出发,在领土转变中综合各种因素和力量。在设计过程中,生态动力学必须转化为项目参数。这里建议在简单自然生态系统的基础上进一步整合,认为人类是景观转化和地理构建的关键因素。考虑到干扰同一认识论领域的其他范式,该贡献质疑了在景观弹性框架内重新思考自然生态系统和人工生态系统之间相互作用的理论和实践意义。这种视角通过提高人类栖息地的进化和自然再生时间的维持之间的兼容性水平,允许领土更新。然而,这种衔接需要重新考虑景观美学,超越美丽和安慰,以及景观思维从表现到行动的根本转变。
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引用次数: 0
Post-Pandemic Heritage. Game Design Tools For An Engaging Experience 流行后遗产。创造引人入胜的游戏体验的游戏设计工具
Pub Date : 2022-01-01 DOI: 10.37199/f40002407
Joan Ikonomi, Dorina Papa
Digitisation of heritage and the creation of open digital archive contribute in a large scale dissemination of history and culture. Today, technology allows us not only to easily access information on heritage and view 3D models of buildings or artefacts, but also to experience virtually historic sites or historic object, by representing them accurately, either referring to the recreation of exiting objects or rebuilding models of objects as they may have appeared in the past (Roussou, 2002). Moreover, digital heritage platforms allow visitors to navigate through virtual spaces and access information data, but still provide a low level of interactivity and immersion (Champion, 2008). By providing simple navigation they offer passive interaction and less engagement, while affords to navigate and have inputs to which to respond offer a more active mental interaction. However, what is missing is dynamic involvement of users and an engaging narrative. Although, digital models today are becoming more and more realistic representations of the physical objects and in general of the environment, they still lack a narrative which describes the intangible elements of cultural heritage, human attitude in this environment and simulates the cultural context. In order to guarantee an effective engagement with learning experience and offer better entertainment to a larger audience, other than conservators, historians and archaeologists, this study will introduce an interactive and immersive approach in heritage 3D platforms based on game design tools. The paper will explore frst the state of the art on virtual heritage worldwide and in particular applications in the case of Albanian heritage, highlighting the level of interactivity and user engagement. Then, interactive tools from video games will be analysed and discussed in view of their incorporation in virtual heritage platforms or serious games to make the dissemination of virtual heritage more interactive and immersive. In this sense, this study will discuss how to develop interactive narrative for historical heritage based on interactivity and narration elements, how to develop an interactive story space and introduce player character as a view point in heritage exploration.
遗产的数字化和开放数字档案的创建有助于历史和文化的大规模传播。今天,技术使我们不仅可以轻松地访问遗产信息和查看建筑或人工制品的3D模型,而且还可以通过准确地代表它们来体验虚拟的历史遗址或历史对象,无论是指现存物体的再创造还是重建物体的模型,因为它们可能已经出现在过去(Roussou, 2002)。此外,数字遗产平台允许游客在虚拟空间中导航并访问信息数据,但仍然提供低水平的交互性和沉浸感(Champion, 2008)。通过提供简单的导航,它们提供了被动互动和较少的粘性,同时提供了导航和响应输入,提供了更积极的心理互动。然而,缺少的是用户的动态参与和引人入胜的叙述。尽管今天的数字模型越来越真实地反映了实物和一般的环境,但它们仍然缺乏描述文化遗产的非物质元素、人类在这种环境中的态度和模拟文化背景的叙述。为了保证学习体验的有效参与,并为除文物保护人员、历史学家和考古学家之外的更多观众提供更好的娱乐,本研究将在基于游戏设计工具的文物3D平台中引入一种互动和沉浸式的方法。本文将首先探讨世界范围内虚拟遗产的艺术现状,特别是阿尔巴尼亚遗产的应用,突出交互性和用户参与的水平。然后,分析和讨论电子游戏中的互动工具,考虑将其纳入虚拟遗产平台或严肃游戏中,使虚拟遗产的传播更具互动性和沉浸性。在这个意义上,本研究将讨论如何基于交互性和叙事元素开发历史遗产的互动叙事,如何在遗产探索中开发互动故事空间并引入玩家角色作为视角。
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引用次数: 0
Welcome To The New Normal! Emerging Patterns And Trends To Rethink What Cities Are 欢迎来到新常态!重新思考城市的新兴模式和趋势
Pub Date : 2022-01-01 DOI: 10.37199/f40002403
Nick Dunn
Hello everyone, and thanks to Polis University for the introduction and to the conference organizers for the invitation to talk to you today. It is a genuine pleasure to be able to do so as the pandemic has profoundly changed the ways we relate to one another, and it has also transformed how and why we interact with places. A renewed interest in how the pre-pandemic places we live, work, and play in our cities could be good for us and support our health and well-being, was gaining signifcant momentum during the pandemic. However, the pandemic has revealed existing health and social inequalities in many contexts, and the need to assess our health and wellbeing in relation to our environment. Now we must ask: what is the future for cities? My talk is split into two parts.
大家好,感谢波利斯大学的介绍,感谢会议组织者邀请我今天在这里演讲。能够这样做,我感到由衷的高兴,因为这场大流行病深刻地改变了我们相互联系的方式,也改变了我们与地方互动的方式和原因。在大流行期间,人们重新关注我们在城市中生活、工作和娱乐的大流行前的地方如何对我们有益,并支持我们的健康和福祉,这一趋势得到了极大的发展。然而,这场大流行病揭示了在许多情况下存在的健康和社会不平等,以及评估我们的健康和福祉与环境之间关系的必要性。现在我们必须问:城市的未来是什么?我的演讲分为两部分。
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引用次数: 0
Adversities In Diver‘City’. The Dark Side Of Diversity 潜水员“城市”的逆境。多样性的阴暗面
Pub Date : 2022-01-01 DOI: 10.37199/f40002404
Saiba Gupta
Governments around the world encountered fiscal stress in the wake of the pandemic, with cities facing economic plight. As is the case with most disasters, it is the poor that largely paid the price. A large section of what makes up the Indian economy comprises of the informal sector that cannot ‘work from home’. So when the first lockdown was announced in India back in March 2020, tens of millions of people were pushed into poverty. The harrowing images of migrant workers walking hundreds of miles to get back to their villages could be seen from across the country. With urban areas being so starkly divided, the increasing risk of poverty has become an evident consequence of the pandemic. Dealing with the aftermath of COVID-19 will require addressing these deep-rooted social inequalities, particularly to build the resilience of marginalized groups. Although cities’ preparedness and responses to the crisis mainly rely on larger institutional and economic capacities, the local response is also crucial for future resilience and sustainable recovery, starting at the community level. There have been several instances of solidarity witnessed at local levels, with individuals and enterprises coming together in collective action. Hence, urban areas with all their diverse contributing factors, have a ‘decisive, potentially agile role in the battle for a just and green recovery’
疫情爆发后,世界各国政府都面临财政压力,城市面临经济困境。与大多数灾难一样,穷人在很大程度上付出了代价。印度经济的很大一部分是由不能“在家工作”的非正规部门组成的。因此,当印度于2020年3月宣布第一次封锁时,数千万人陷入贫困。从全国各地都可以看到农民工步行数百英里返回村庄的悲惨画面。由于城市地区如此明显地分化,贫困风险的增加已成为该流行病的一个明显后果。应对2019冠状病毒病的后果将需要解决这些根深蒂固的社会不平等,特别是建立边缘化群体的复原力。虽然城市对危机的准备和应对主要依赖于更大的机构和经济能力,但从社区层面开始,地方应对措施对未来的抵御力和可持续复苏也至关重要。在地方一级出现了一些团结一致的例子,个人和企业共同采取集体行动。因此,城市地区具有各种各样的影响因素,在争取公平和绿色复苏的战斗中发挥着决定性的、潜在的敏捷作用。
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引用次数: 0
Reflecting About the Last Territorial and Administrative Reform in the Republic of Albania 阿尔巴尼亚共和国最后一次领土和行政改革的反思
Pub Date : 2022-01-01 DOI: 10.37199/f40002409
B. Aliaj
All political parties recognized the need for the territorial and administrative reform that was drafted between 2013 and 2015, and there have generally been no reservations about it. In order to provide Albania, the chance to perform to its full potential in this aspect, such atmosphere galvanized high expectations from the public opinion and garnered a signifcant lot of support from donors. The opposition at the time decided to withdraw for recognized reasons and did not participate in the process. In these circumstances, territorial consolidation and the number of municipalities dominated the public and political discourse, while the governance structure and the division of powers at the central-local level received little attention. These reforms proceed through iterative cycles until a social and political balance is achieved, as evidenced by experiences from other nations/countries. The current outcome of this reform in Albania after six years of implementation enables us to evaluate what has been accomplished thus far. What action is necessary now? In my opinion, the Reform is not "black and white." Of course, there have been some successes; any changes should not seek to undo or start over, but rather to rectify and improve in accordance with the needs of the nation, economy, and communities. Without getting into specifcities of data...
所有政党都认识到在2013年至2015年间起草的领土和行政改革的必要性,并且普遍对此没有保留意见。为了使阿尔巴尼亚有机会在这方面充分发挥其潜力,这种气氛激起了公众舆论的高度期望,并获得了捐助者的大量支持。反对派当时出于公认的理由决定退出,没有参加这一进程。在这种情况下,领土整合和城市数量主导了公共和政治话语,而中央-地方一级的治理结构和权力划分却很少受到关注。正如其他国家的经验所证明的那样,这些改革通过反复循环进行,直到实现社会和政治平衡。阿尔巴尼亚这一改革在实施六年之后目前取得的成果使我们能够评价迄今所取得的成就。现在需要采取什么行动?在我看来,改革不是“非黑即白”的。当然,也有一些成功的例子;任何改变都不应寻求撤销或重新开始,而应根据国家、经济和社区的需要进行纠正和改进。不涉及具体的数据……
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引用次数: 0
The Post-Pandemic, The Post-War, the City In Transition – Sarajevo Case Study. Future Scenarios For Post-Pandemic City 大流行后、战后、转型中的城市——萨拉热窝个案研究。流行病后城市的未来设想
Pub Date : 2022-01-01 DOI: 10.37199/f40002406
Nataša Pelja Tabori
Global pandemic is a special challenge for Sarajevo, the post-war and the city in transition in Europe. Like stranded Noah’s ark, the city with still visible war wounds and with no foundations for sustainable spatial planning system yet constructed, will probably have zero resilience for future catastrophes and pandemics. Unsatisfactory outcomes of the spatial planning system analysis for Sarajevo directs us to understand seriousness of our present situation and to think to make a turning point towards re-evaluation of our creation, in order to renew and prepare our city to survive future catastrophes. It should not be only a matter of disaster resilience, but a path towards sustainable European 21 century city. Our symbiosis with other species is one of the future scenarios for a city in transition, because uncontrolled urban sprawl is threatening not only human made systems. Our consciousness of planning in the Western Balkans will have to change dramatically towards nature preservation and controlled urban development to enable our cities to become healthy, fertile, and functional environments again. In absence of spatial planning strategies, land use plans, and bylaws in accordance with TA2030, post-pandemic period might become the critical moment for Sarajevo to begin procedures of creating sustainable spatial planning system.
全球流行病是对萨拉热窝这个战后和欧洲转型期城市的一项特殊挑战。就像搁浅的诺亚方舟一样,这座城市仍然有明显的战争创伤,而且还没有建立可持续空间规划系统的基础,对未来的灾难和流行病的抵御能力可能为零。萨拉热窝空间规划系统分析的令人不满意的结果使我们认识到我们目前局势的严重性,并考虑作出一个转折点,重新评估我们的创造,以便更新和准备我们的城市,使其在未来的灾难中幸存下来。它不应该只是一个抗灾能力的问题,而是一条通往可持续的21世纪欧洲城市的道路。我们与其他物种的共生关系是未来城市转型的一个场景,因为不受控制的城市扩张不仅威胁着人造系统。我们在西巴尔干地区的规划意识必须急剧转变,转向保护自然和控制城市发展,以使我们的城市再次成为健康、肥沃和功能良好的环境。在缺乏符合《2030年规划纲要》的空间规划战略、土地利用规划和细则的情况下,大流行后时期可能成为萨拉热窝启动创建可持续空间规划系统程序的关键时刻。
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引用次数: 0
Reflections On The Right To The City 关于城市权的思考
Pub Date : 2022-01-01 DOI: 10.37199/f40002401
G. Lindsay
The notion of the right to the city comes from the French Marcel François Lefebvre but, if I wanted a one sentence quote, I would prefer David Harvey’s, which states that the ‘right to the city is the right to remake, to transform the city and be transformed in it by ourselves’. In return of that how do we make the city and how does the city remake us? In my opening keynote I want to talk about some of the responses to the pandemic but also about some of the threats that loom on the horizon in the post-pandemic city. Doing so will hopefully set the stage for conversations about possible interventions, and where do we choose our points of leverage in which to remake the city.
城市权利的概念来自法国的马塞尔·弗朗索瓦·列斐伏尔,但是,如果我要引用一句话的话,我更喜欢大卫·哈维的话,他说:“城市权利是改造、改造城市的权利,也是我们自己改造城市的权利。”反过来,我们如何塑造城市,城市又如何重塑我们?在我的开幕主题演讲中,我想谈谈对大流行的一些应对措施,也想谈谈大流行后的城市即将面临的一些威胁。这样做有望为讨论可能的干预措施奠定基础,以及我们在哪里选择重建城市的杠杆点。
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引用次数: 0
The Temporal Cadavre Exquis. The Dark Side Of Diversity 时间尸体精美。多样性的阴暗面
Pub Date : 2022-01-01 DOI: 10.37199/f40002405
Stefano Romano
We will address key questions concerning the development of our cities, in the specific case, Tirana, the capital of Albania, after the new worldwide scenario that come as a consequence of the pandemic. The questions that we will focuses connecting with the idea of diversity, addressing it from the symbolic point of view of the relation between art and architecture, and how this relation can affect resilience and vision of the future. This because we have to treat the space the same way we are doing with time, as a fow. Space and time also belong to this class of quantities. Past, present, and future, forms a continuous whole. Space, likewise, is a continuous quantity. With the fall of the communist regime in 1991, Albania has started to favor market logics and the recognition of property rights. Indeed, what followed such revolutionary political transition was a rapid privatization process and, according to many, an apparently chaotic urban development. The 2020 pandemic highlight the need for a change in the vision of our cities and the way they must develop. In the last months, many to underline new possible visions for our cities have used the idea of utopian concepts of the ideal city, or that of resilience cities. “Utopia” comesfrom Greek: οὐ (“not”) and τόπος (“place”) which translates as “no-place” and literally means any non-existent society. Sir Thomas Moore coined the term in 1516 when he uses to describe an island where the structure of the society and the equilibrium between men and nature was perfectly balanced. In standard usage, the word's meaning has shifted and now usually describes a non-existent society considerably better than contemporary society. Humans needs these kind of places because mythical space is an intellectual construct and helps us defne our real space. We will analyze how the idea of utopia relates to art and how art can be seen as a way to faces contemporary problematics through its close relation to the space of architecture.
我们将处理有关我们城市发展的关键问题,具体来说是阿尔巴尼亚首都地拉那,在这种流行病造成的新的世界局面之后。我们将关注的问题与多样性的概念联系在一起,从艺术和建筑之间关系的象征性角度来解决这个问题,以及这种关系如何影响弹性和未来的愿景。这是因为我们必须像对待时间一样对待空间。空间和时间也属于这类量。过去、现在和未来构成了一个连续的整体。同样,空间也是一个连续的量。随着1991年共产主义政权的垮台,阿尔巴尼亚开始倾向于市场逻辑和承认财产权。事实上,这种革命性的政治过渡之后是一个迅速的私有化进程,根据许多人的说法,显然是一个混乱的城市发展。2020年的大流行突出表明,有必要改变我们对城市的看法和城市发展的方式。在过去的几个月里,许多人强调了我们城市的新可能愿景,他们使用了理想城市的乌托邦概念或弹性城市的概念。“乌托邦”来自希腊语:ο ο(“不”)和τ ο πος(“地方”),翻译过来是“没有地方”,字面意思是任何不存在的社会。托马斯·摩尔爵士在1516年创造了这个词,当时他用这个词来形容一个社会结构以及人与自然之间的平衡完美平衡的岛屿。在标准用法中,这个词的意思已经发生了变化,现在通常比当代社会更好地描述一个不存在的社会。人类需要这样的地方,因为神话空间是一种智力建构,帮助我们定义我们的真实空间。我们将分析乌托邦的概念如何与艺术相关,以及艺术如何通过与建筑空间的密切关系被视为面对当代问题的一种方式。
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Health and Wellbeing in the Post-Pandemic City
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