{"title":"Mahan Baekje Culture in Gochang","authors":"은선 강","doi":"10.34265/mbmh.2022.39.2","DOIUrl":"https://doi.org/10.34265/mbmh.2022.39.2","url":null,"abstract":"<jats:p />","PeriodicalId":343790,"journal":{"name":"THE RESEARCH INSTITUTE FOR THE MAHAN-BAEKJE CULTURE","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122156943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.34265/mbmh.2022.39.152
Moon-Hyoung Lee
Lately, the inclusion of certain provincial regions in the ‘Mahan Historical and Cultural Sphere’ of the 「Historical and Cultural Zone Reorganization Act」 has been a great concern of local people. Fortunately, the revised bill of the act has passed the National Assembly and is about to go into effect in coming June. In recent years, an intensive study has been conducted on the pit tombs from which potteries with ring rims and Korean style bronze daggers have been excavated mostly around the Mangyeong River Basin in Jeollabuk-do, which has thus emerged as the largest center of tomb remains of the early Iron Age or the founding period of Mahan. Based on a series of achievements like this, the basin-shaped space from Mireuksan in Iksan to Moaksan in Jeonju occasionally comes to be set as the ‘Mangyeong River Basin Cultural Zone’. Besides, the remains of mounded burials (墳丘墓) which are represented by the remains of Sangun-ri, Wanju have been identified throughout the Jeonbuk region. The present paper investigates the importance of the Jeonbuk region in the Mahan period by organizing the remains of tombs related to Mahan in the Jeollabuk-do region and examining the establishment of cultural spheres according to the water system and their characteristics. In Chapter II, the contents of the ‘Mahan Historical and Cultural Sphere’, including the process of initiation and enactment of the 「Historical and Cultural Zone Reorganization Act」, were reviewed and the problems of the bill were examined. In Chapter Ⅲ, the cultural sphere of Mahan in Jeollabuk-do and its characteristics wereclassified into the cultural spheres according to the water system based on the remains of the tombs investigated so far. As a result, the cultural sphere of Mahan in Jeollabuk-do was subdivided largely into the Mangyeong River Basin - Dongjin River Basin - Gochang Stream Basin. In Chapter Ⅳ, As for the characteristics of the related river basins, it was found that there are a large number of tomb remains from a relatively early period coincident with the formation or establishment time of Mahan in the Mangyeong River Basin. In case of the Dongjin River Basin, the amounts of archaeological data are relatively small, but notable was the Unhak-ri tomb cluster in Jeongeup, where a belt of the Chinese Qin Dynasty was discovered. Lastly, in the Gochang Stream Basin, Mahan’s mounded burials since the 3rd century are densely distributed and it was confirmed that, among them, the ancient tombs cluster of Bongdeok-ri, Gochang are at its zenith. In the end, it turned out that all the tombs from the formation period of Mahan to the multiple and high mounded ancient tombs of the Mahan tradition could be confirmed through the tombs remains of the Mahan period in each water system of the Jeonbuk region. Consequently, it could be summed up that the proportion of Jeonbuk region on the historical stage of Mahan is heavily large. It seems therefore necessary to study Mahan culture in Jeonbuk
{"title":"The introduction and spread of Japanese bell patterns in the modern period of Korea and the succession of traditional The The Historical and Cultural Sphere of Mahan in Jeollabuk-do and Future Tasks","authors":"Moon-Hyoung Lee","doi":"10.34265/mbmh.2022.39.152","DOIUrl":"https://doi.org/10.34265/mbmh.2022.39.152","url":null,"abstract":"Lately, the inclusion of certain provincial regions in the ‘Mahan Historical and Cultural Sphere’ of the 「Historical and Cultural Zone Reorganization Act」 has been a great concern of local people. Fortunately, the revised bill of the act has passed the National Assembly and is about to go into effect in coming June. \u0000In recent years, an intensive study has been conducted on the pit tombs from which potteries with ring rims and Korean style bronze daggers have been excavated mostly around the Mangyeong River Basin in Jeollabuk-do, which has thus emerged as the largest center of tomb remains of the early Iron Age or the founding period of Mahan. Based on a series of achievements like this, the basin-shaped space from Mireuksan in Iksan to Moaksan in Jeonju occasionally comes to be set as the ‘Mangyeong River Basin Cultural Zone’. Besides, the remains of mounded burials (墳丘墓) which are represented by the remains of Sangun-ri, Wanju have been identified throughout the Jeonbuk region. The present paper investigates the importance of the Jeonbuk region in the Mahan period by organizing the remains of tombs related to Mahan in the Jeollabuk-do region and examining the establishment of cultural spheres according to the water system and their characteristics. \u0000In Chapter II, the contents of the ‘Mahan Historical and Cultural Sphere’, including the process of initiation and enactment of the 「Historical and Cultural Zone Reorganization Act」, were reviewed and the problems of the bill were examined. \u0000In Chapter Ⅲ, the cultural sphere of Mahan in Jeollabuk-do and its characteristics wereclassified into the cultural spheres according to the water system based on the remains of the tombs investigated so far. As a result, the cultural sphere of Mahan in Jeollabuk-do was subdivided largely into the Mangyeong River Basin - Dongjin River Basin - Gochang Stream Basin. \u0000In Chapter Ⅳ, As for the characteristics of the related river basins, it was found that there are a large number of tomb remains from a relatively early period coincident with the formation or establishment time of Mahan in the Mangyeong River Basin. In case of the Dongjin River Basin, the amounts of archaeological data are relatively small, but notable was the Unhak-ri tomb cluster in Jeongeup, where a belt of the Chinese Qin Dynasty was discovered. Lastly, in the Gochang Stream Basin, Mahan’s mounded burials since the 3rd century are densely distributed and it was confirmed that, among them, the ancient tombs cluster of Bongdeok-ri, Gochang are at its zenith. \u0000In the end, it turned out that all the tombs from the formation period of Mahan to the multiple and high mounded ancient tombs of the Mahan tradition could be confirmed through the tombs remains of the Mahan period in each water system of the Jeonbuk region. Consequently, it could be summed up that the proportion of Jeonbuk region on the historical stage of Mahan is heavily large. It seems therefore necessary to study Mahan culture in Jeonbuk ","PeriodicalId":343790,"journal":{"name":"THE RESEARCH INSTITUTE FOR THE MAHAN-BAEKJE CULTURE","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123962490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.34265/mbmh.2022.39.122
Hadam Jung
{"title":"Buddhism Art and Gender Discrimination : Featuring the Chinese illustration of the Life of Buddha","authors":"Hadam Jung","doi":"10.34265/mbmh.2022.39.122","DOIUrl":"https://doi.org/10.34265/mbmh.2022.39.122","url":null,"abstract":"<jats:p />","PeriodicalId":343790,"journal":{"name":"THE RESEARCH INSTITUTE FOR THE MAHAN-BAEKJE CULTURE","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123255923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.34265/mbmh.2022.39.250
Yeon-jin Ahn
Seokjosa-myeon Buddha statue of Gulbulsa Temple Site is a representative one-year work of Unified Silla sculpture, as there is a literature record that it was already built from 742 to 764 during the reign of King Gyeongdeok by the 4th 사Sabulsan Gulbulsan Mountain Manbulsan조에. Nevertheless, several questions have been raised as to whether each statue of the Buddha in Seokjosa-myeon was produced at the same time and whether it was created during the reign of King Gyeongdeok. Accordingly, this paper compared and reviewed the method and style of the construction of each statue of the Four Sided Stone Buddha with those created in China, Japan, and the Unified Silla Period to present the relationship between the ancestors and the time of construction. The earliest period of the construction of the stone Buddha at Gulbulsa Temple Site was in the early 8th century, and the latest one was in the late 8th century to the early 9th century. In other words, it was considered that the standing Buddha and Bodhisattva in the south and the standing Buddha in the north did not exceed the lower limit of 764 years after the upper limit of 719. Standing Amitabha Buddha in Seomyeon and Seated Bhaisajyaguru Buddha in Dongmyeon are in the middle of the 8th century. Standing Bhaisabha Bodhisattva in Seomyeon is in the middle of the 8th centuryIt was suggested that it was built in the early 9th century. In particular, the left arm of the standing statue of Amitabha Buddha and the side of the pedestal are neatly cut, and artificial traces of being pecked on the rock wall on the right side of the standing statue of Amitabha continue to the damaged part of the southern side. In this regard, based on the records that King Gyeongdeok built a temple at the site of the Four Stone Buddhas after his visit to the Three Kingdoms, it is highly likely that the statue was newly built at the time of the temple's construction. The latest statues of the Bodhisattva are 11 sides, 6 sides, 11 sides, 6 sides, and 6 sides, including the Gilt-bronze 11 sides, 6 sides, 6 sides, and the National Museum of India, 11th and 10th centuries. In addition, it was set from the late 8th century to the early 9th century in that the construction period of the 11-sided Gwaneum Bodhisattva in the Unified Silla Period was in the 8th to 9th centuries. The existence name of each statue placed on the slope was "Kofuku Jiryugi" and "Kofukuji Acting" described in the 3rd year of Changtae (900), and under the control of the Southern Buddha, it was established as "Shin Line-hyungil" and "Amitabha-myeon" in the north of Silla.
{"title":"The period of manufacture through the four-sided carved Buddha statues in Gulbul Temple Site in Gyeongju","authors":"Yeon-jin Ahn","doi":"10.34265/mbmh.2022.39.250","DOIUrl":"https://doi.org/10.34265/mbmh.2022.39.250","url":null,"abstract":"Seokjosa-myeon Buddha statue of Gulbulsa Temple Site is a representative one-year work of Unified Silla sculpture, as there is a literature record that it was already built from 742 to 764 during the reign of King Gyeongdeok by the 4th 사Sabulsan Gulbulsan Mountain Manbulsan조에. Nevertheless, several questions have been raised as to whether each statue of the Buddha in Seokjosa-myeon was produced at the same time and whether it was created during the reign of King Gyeongdeok. Accordingly, this paper compared and reviewed the method and style of the construction of each statue of the Four Sided Stone Buddha with those created in China, Japan, and the Unified Silla Period to present the relationship between the ancestors and the time of construction. \u0000The earliest period of the construction of the stone Buddha at Gulbulsa Temple Site was in the early 8th century, and the latest one was in the late 8th century to the early 9th century. In other words, it was considered that the standing Buddha and Bodhisattva in the south and the standing Buddha in the north did not exceed the lower limit of 764 years after the upper limit of 719. Standing Amitabha Buddha in Seomyeon and Seated Bhaisajyaguru Buddha in Dongmyeon are in the middle of the 8th century. Standing Bhaisabha Bodhisattva in Seomyeon is in the middle of the 8th centuryIt was suggested that it was built in the early 9th century. In particular, the left arm of the standing statue of Amitabha Buddha and the side of the pedestal are neatly cut, and artificial traces of being pecked on the rock wall on the right side of the standing statue of Amitabha continue to the damaged part of the southern side. In this regard, based on the records that King Gyeongdeok built a temple at the site of the Four Stone Buddhas after his visit to the Three Kingdoms, it is highly likely that the statue was newly built at the time of the temple's construction. \u0000The latest statues of the Bodhisattva are 11 sides, 6 sides, 11 sides, 6 sides, and 6 sides, including the Gilt-bronze 11 sides, 6 sides, 6 sides, and the National Museum of India, 11th and 10th centuries. In addition, it was set from the late 8th century to the early 9th century in that the construction period of the 11-sided Gwaneum Bodhisattva in the Unified Silla Period was in the 8th to 9th centuries. \u0000The existence name of each statue placed on the slope was \"Kofuku Jiryugi\" and \"Kofukuji Acting\" described in the 3rd year of Changtae (900), and under the control of the Southern Buddha, it was established as \"Shin Line-hyungil\" and \"Amitabha-myeon\" in the north of Silla.","PeriodicalId":343790,"journal":{"name":"THE RESEARCH INSTITUTE FOR THE MAHAN-BAEKJE CULTURE","volume":"179 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114908552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.34265/mbmh.2022.39.136
완규 최
{"title":"A Study on Gilt Bronze Belt Ornaments from the Mireuksa Temple Site","authors":"완규 최","doi":"10.34265/mbmh.2022.39.136","DOIUrl":"https://doi.org/10.34265/mbmh.2022.39.136","url":null,"abstract":"<jats:p />","PeriodicalId":343790,"journal":{"name":"THE RESEARCH INSTITUTE FOR THE MAHAN-BAEKJE CULTURE","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129819947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.34265/mbmh.2022.39.100
Yeo-chang Yoon
{"title":"A Study on Dome-shaped Mural painting of the Buddhist Caves in Kucha","authors":"Yeo-chang Yoon","doi":"10.34265/mbmh.2022.39.100","DOIUrl":"https://doi.org/10.34265/mbmh.2022.39.100","url":null,"abstract":"<jats:p />","PeriodicalId":343790,"journal":{"name":"THE RESEARCH INSTITUTE FOR THE MAHAN-BAEKJE CULTURE","volume":"394 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114914799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.34265/mbmh.2022.39.302
A-Reum Kim
Bogwangsa temple (普光寺) located at the foot of Goryeongsan mountain, Paju city, Gyeonggi province is well-known as the temple dedicated to Soryeongwon(昭寧園), the tomb of Sukbin Ms Choi (淑嬪崔氏, 1670-1718), mother of King Yeongjo(英祖, r. 1724-1776) in late Joseon Dynasty. At the same time, the temple had long been closely related with the royal family of Joseon Dynasty, serving as the temple for royal family members. The year 1898 was one of the important occasions when constructions and repairs of the structures of the temple had been made throughout the history. In 1896, Inpa Yeonghyeon(仁坡 英玄) advised Court Lady Cheon to reconstruct Chwijeon(鷲殿), a building in the temple, leading the court to decide to do that. In 1897, construction began, and, in spring 1898, Empress Eom and Court Lady Hong donated funds to paint the new building of Chwijeon. In addition, distinguished painters in Seoul city and Gyeonggi province were asked to draw Buddhist paintings, and they produced six pieces of Buddhist painting: Samjangbosaldo, Hyeonwangdo, Chilseongdo, Dokseongdo, and Gamrodo in addition to Shakyamuni Preaching at the Vulture Peak. The director of painting works was Inpa Yeonghyeon as in the case of the construction works of Daeungjeon Hall. The Buddhist monk-painters who drew the Buddhist paintings were over 20 painter monks in the Seoul and Gyeonggi region from the late 19th century to the early 20th century including Gyeongseon Eungseok (慶船應釋), Yewun Sanggyu (禮芸尙奎) and Geumhwa Gihyeong (錦華機炯). They had began to know each other before participating in producing Buddhist paintings in Bogwangsa, and, continued to cooperate in producing Buddhist paintings ever since. The Buddhist Services and Buddhist paintings of Paju Bogwangsa in 1898 are important sources to allow us to recognize the power of Bogwangsa temple and how the court supported the works. The Buddhist paintings are precious sources from which we can figure out the characteristics of Buddhist paintings in the Seoul and Gyeonggi region from the late 19th century to the early 20th century, and painting styles of those artists. In addition, those paintings are precious sources from which we can comprehensively examine the times when they were drawn, the places they were devoted, the backgrounds of drawing them, artists who created them, other people who were involved in drawing those paintings with various services, and exchanges among painter monks, etc.
{"title":"The Buddhist Temple and Buddhist Painting of Bogwangsa Temple in Paju in 1898","authors":"A-Reum Kim","doi":"10.34265/mbmh.2022.39.302","DOIUrl":"https://doi.org/10.34265/mbmh.2022.39.302","url":null,"abstract":"Bogwangsa temple (普光寺) located at the foot of Goryeongsan mountain, Paju city, Gyeonggi province is well-known as the temple dedicated to Soryeongwon(昭寧園), the tomb of Sukbin Ms Choi (淑嬪崔氏, 1670-1718), mother of King Yeongjo(英祖, r. 1724-1776) in late Joseon Dynasty. At the same time, the temple had long been closely related with the royal family of Joseon Dynasty, serving as the temple for royal family members. \u0000The year 1898 was one of the important occasions when constructions and repairs of the structures of the temple had been made throughout the history. In 1896, Inpa Yeonghyeon(仁坡 英玄) advised Court Lady Cheon to reconstruct Chwijeon(鷲殿), a building in the temple, leading the court to decide to do that. In 1897, construction began, and, in spring 1898, Empress Eom and Court Lady Hong donated funds to paint the new building of Chwijeon. In addition, distinguished painters in Seoul city and Gyeonggi province were asked to draw Buddhist paintings, and they produced six pieces of Buddhist painting: Samjangbosaldo, Hyeonwangdo, Chilseongdo, Dokseongdo, and Gamrodo in addition to Shakyamuni Preaching at the Vulture Peak. The director of painting works was Inpa Yeonghyeon as in the case of the construction works of Daeungjeon Hall. The Buddhist monk-painters who drew the Buddhist paintings were over 20 painter monks in the Seoul and Gyeonggi region from the late 19th century to the early 20th century including Gyeongseon Eungseok (慶船應釋), Yewun Sanggyu (禮芸尙奎) and Geumhwa Gihyeong (錦華機炯). They had began to know each other before participating in producing Buddhist paintings in Bogwangsa, and, continued to cooperate in producing Buddhist paintings ever since. \u0000The Buddhist Services and Buddhist paintings of Paju Bogwangsa in 1898 are important sources to allow us to recognize the power of Bogwangsa temple and how the court supported the works. The Buddhist paintings are precious sources from which we can figure out the characteristics of Buddhist paintings in the Seoul and Gyeonggi region from the late 19th century to the early 20th century, and painting styles of those artists. In addition, those paintings are precious sources from which we can comprehensively examine the times when they were drawn, the places they were devoted, the backgrounds of drawing them, artists who created them, other people who were involved in drawing those paintings with various services, and exchanges among painter monks, etc.","PeriodicalId":343790,"journal":{"name":"THE RESEARCH INSTITUTE FOR THE MAHAN-BAEKJE CULTURE","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130866061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.34265/mbmh.2022.39.26
minhye yu
{"title":"Unfulfilled Dream of Globalization: Kim Cheolsoon’s Zen Series Woodprint Project","authors":"minhye yu","doi":"10.34265/mbmh.2022.39.26","DOIUrl":"https://doi.org/10.34265/mbmh.2022.39.26","url":null,"abstract":"<jats:p />","PeriodicalId":343790,"journal":{"name":"THE RESEARCH INSTITUTE FOR THE MAHAN-BAEKJE CULTURE","volume":"118 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123497690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.34265/mbmh.2022.39.80
S. H. Kim
{"title":"The introduction and spread of Japanese bell patterns in the modern period of Korea and the succession of traditional bells","authors":"S. H. Kim","doi":"10.34265/mbmh.2022.39.80","DOIUrl":"https://doi.org/10.34265/mbmh.2022.39.80","url":null,"abstract":"<jats:p />","PeriodicalId":343790,"journal":{"name":"THE RESEARCH INSTITUTE FOR THE MAHAN-BAEKJE CULTURE","volume":"87 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116109057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.34265/mbmh.2022.39.190
Byung-nam Kim
Mireuksanseong has functioned as an important base in Iksan since early times. Therefore, it is important to pay attention to the meaning of this Mireuksanseong and its future preservation and utilization. In this regard, We looked at how it was described in the existing documentary records, and also looked into the tradition and heritage of Iksan by identifying important relics around it. First of all, It is recorded that Iksan is related to Mahan in the geography records of the Samguksagi and the Goryeosa. However, considering that most of the geography records of this period is a description of the origin of the place names in Gunhyeon, the fact that Mireuksanseong was specially added means that it occupies a large proportion in Iksan. After that, most of the geography records compiled during the Joseon Dynasty were written that Iksan was the place where King Kijun came down to the south, and that it became Geummajeo during the reign of King Onjo of Baekje. However, changes such as the exclusion of the connection between Iksan and Mahan were observed in the Daedongjiji in the late Joseon Dynasty, but the general view was still there. In addition, most of the cultural resource elements of Iksan did not differ significantly from the description of Sinjeungdonggukyeojiseungram. In the case of Mireuksanseong, the geography records of Goryeosa and Sejongsilrok in the 15th century was recorded as ‘Mireuksan-sanseong’, but by the 16th century, it was changed to ‘Kijunseong’. This is related to the legitimacy of the establishment of a nation called ‘Joseon’, and it appears in most of the various records related to geography. Meanwhile, the situation of Iksan in the 18th century, the late Joseon Dynasty, can be confirmed through the records of Yugeummaseonggi(1738) and Geummaji(1756). However, despite a direct visit to Mireuksa Site, Wanggung-ri Remains, Mireuksanseong, and Ssangneung, Yugeummaseongki maintained the point of view that the Geumma(Iksan) area was related to King Kijun, thus reducing the value of the record. Geummaji also subdivided the ruins of Wanggung-ri into palace sites, royal palace sites, royal towers, and royal palace wells, but it did not escape the tendency to link the grounds of related ruins with Mahan. In the 19th century, various maps of Iksan-gun contained the contents of the same relics as those of geography records, and as time went on, more geography and cultural information were included. Accordingly, Iksangunjido(1872) recorded the current status and location of villages, which are the core of local history, and made ‘Mireuksanseong(Kijungoseong)’ and Wanggung-ri sites substantively recognized. In this way, Mireuksanseong has been around since Goryeosa, Sejongsillokjriji, Sinjeungdonggukyeojiseungram, Donggukyeoji, Yugeummaseonggi, Geummaji, Daedongjiji and Haedongjiji, Yeojido, Gwangyeodo, Iksangunjido(1872) etc., It appears in all kinds of geography- related records. This is one proof that the historical status
{"title":"Understanding of Iksan Mireuksanseong and Surrounding Sites in the Documentary Records","authors":"Byung-nam Kim","doi":"10.34265/mbmh.2022.39.190","DOIUrl":"https://doi.org/10.34265/mbmh.2022.39.190","url":null,"abstract":"Mireuksanseong has functioned as an important base in Iksan since early times. Therefore, it is important to pay attention to the meaning of this Mireuksanseong and its future preservation and utilization. In this regard, We looked at how it was described in the existing documentary records, and also looked into the tradition and heritage of Iksan by identifying important relics around it. \u0000First of all, It is recorded that Iksan is related to Mahan in the geography records of the Samguksagi and the Goryeosa. However, considering that most of the geography records of this period is a description of the origin of the place names in Gunhyeon, the fact that Mireuksanseong was specially added means that it occupies a large proportion in Iksan. \u0000After that, most of the geography records compiled during the Joseon Dynasty were written that Iksan was the place where King Kijun came down to the south, and that it became Geummajeo during the reign of King Onjo of Baekje. However, changes such as the exclusion of the connection between Iksan and Mahan were observed in the Daedongjiji in the late Joseon Dynasty, but the general view was still there. In addition, most of the cultural resource elements of Iksan did not differ significantly from the description of Sinjeungdonggukyeojiseungram. \u0000In the case of Mireuksanseong, the geography records of Goryeosa and Sejongsilrok in the 15th century was recorded as ‘Mireuksan-sanseong’, but by the 16th century, it was changed to ‘Kijunseong’. This is related to the legitimacy of the establishment of a nation called ‘Joseon’, and it appears in most of the various records related to geography. \u0000Meanwhile, the situation of Iksan in the 18th century, the late Joseon Dynasty, can be confirmed through the records of Yugeummaseonggi(1738) and Geummaji(1756). However, despite a direct visit to Mireuksa Site, Wanggung-ri Remains, Mireuksanseong, and Ssangneung, Yugeummaseongki maintained the point of view that the Geumma(Iksan) area was related to King Kijun, thus reducing the value of the record. Geummaji also subdivided the ruins of Wanggung-ri into palace sites, royal palace sites, royal towers, and royal palace wells, but it did not escape the tendency to link the grounds of related ruins with Mahan. \u0000In the 19th century, various maps of Iksan-gun contained the contents of the same relics as those of geography records, and as time went on, more geography and cultural information were included. Accordingly, Iksangunjido(1872) recorded the current status and location of villages, which are the core of local history, and made ‘Mireuksanseong(Kijungoseong)’ and Wanggung-ri sites substantively recognized. \u0000In this way, Mireuksanseong has been around since Goryeosa, Sejongsillokjriji, Sinjeungdonggukyeojiseungram, Donggukyeoji, Yugeummaseonggi, Geummaji, Daedongjiji and Haedongjiji, Yeojido, Gwangyeodo, Iksangunjido(1872) etc., It appears in all kinds of geography- related records. This is one proof that the historical status","PeriodicalId":343790,"journal":{"name":"THE RESEARCH INSTITUTE FOR THE MAHAN-BAEKJE CULTURE","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116363444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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