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Some Remarks on the Genesis of One of the Images of Early Medieval Art 关于中世纪早期艺术形象之一的产生
Pub Date : 2019-02-01 DOI: 10.15688/nav.jvolsu.2019.2.2
I. Akhmedov
The article focuses on the origin of the image of a dragon with a serpentine body known in the early medieval antiquities of Eastern European nomads. Researchers have long been discussing such images found on the sites of the Volga region and the Urals. According to the most recent hypothesis proposed by N.A. Lifanov, these dragon figures generally match the image of ancient κyτος which was adopted as a result of the acquaintance of the steppe inhabitants with works of late antique or early Byzantine art. The present study addresses a wide range of sources allowing us to construct an alternative version of the genesis of the dragon image. The group of images of fantastic creatures associated with early Buddhist art can be found in East Turkestan. They show immediate morphological and stylistic conformity with Eastern European images. They are also similar to the figures of Sogdian mural and plastic arts. East Turkestan’s images reproduce the well-known patterns of the Buddhist art of Gandhara. Gandhara figures originate from the images of κÞτεα and other widespread in Hellenistic art of Bactria sea monsters. KÞτεα which were companions of sea deities in classical mythology were seamlessly included in the decoration of headwear of Buddha sculptures, worship or relic veneration scenes. They are often found on the architectural details of stūpas. Some believe that κÞτεα evolved from the creation of sea into the creation of sea, air, and earth in the Indo-Greek tradition. They became mediators between worlds. Finally, they could exercise some sort of soteriological function. Apparently, Turkic peoples who were actively involved in all processes that took place in Central Asia and East Turkestan could comprehend these properties. So, the κÞτεα images could be reinterpreted and integrated into their imagery.
这篇文章的重点是在中世纪早期东欧游牧民族的文物中发现的蛇形龙的形象的起源。研究人员长期以来一直在讨论在伏尔加地区和乌拉尔山脉遗址上发现的此类图像。根据N.A.Lifanov提出的最新假设,这些龙的形象通常与古代κyτις的形象相匹配,这是草原居民熟悉晚期古董或早期拜占庭艺术作品的结果。本研究涉及广泛的来源,使我们能够构建龙形象起源的另一个版本。在东突厥斯坦可以找到与早期佛教艺术有关的一组神奇生物的图像。它们在形态和风格上与东欧的图像直接一致。它们也类似于粟特壁画和造型艺术中的人物。东突厥斯坦的图像再现了佛教艺术中著名的Gandhara图案。犍陀罗形象源自κτεα等希腊化艺术中广泛存在的巴克特里亚海怪形象。KÞτεα是古典神话中海神的伴侣,它们被无缝地包含在佛像的头饰装饰、崇拜或遗迹崇拜场景中。它们经常出现在圣帕斯的建筑细节上。一些人认为κÞτεα在印度-希腊传统中从海洋的创造演变为海洋、空气和地球的创造。他们成为世界之间的媒介。最后,他们可以行使某种特殊的功能。显然,积极参与中亚和东突厥斯坦所有进程的突厥人能够理解这些特性。因此,κτεα图像可以被重新解释并整合到它们的图像中。
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引用次数: 0
Studies of the Burial Mound Panagia 2 on the Taman Peninsula 塔曼半岛Panagia 2号墓丘研究
Pub Date : 2018-12-01 DOI: 10.15688/NAV.JVOLSU.2018.2.11
Andrey Goroshnikov, Kubanarkheologiya Ltd.
Two barrows of the burial mound Panagia 2 were investigated in the neighborhood of Volna village on the Taman peninsula in the Krasnodar region. The barrows were erected in the Middle Bronze Age, with the secondary graves of the Late Bronze Age and the Middle Ages. Two graves belong to the early times of so-called ‘catacomb culture’, four – to the Late Bronze Age and one – to the Middle Ages. Barrow two was overlapped with a layer dating back to the Late Bronze Age settlement of Panagia 1, located near the burial mound. The pots of very simple shape with straight walls extending to the mouth were found in the burials. In the settlement’ layers pottery of the late Bronze Age were collected. There are vessels with convex rollers and loop-handles. The studied monument – Panagia 2 burial mound – gave a number of complexes, both funeral, and settlement, supplementing and expanding our ideas of material culture of the population of the Taman Peninsula during different eras, mainly, during the Bronze Age, which monuments on Taman were poorly studied until recently. The present publication is aimed at introduction of new sources for studying the ancient history of Northwest Pontic Region to modern archaeology.
在克拉斯诺达尔地区塔曼半岛Volna村附近,研究人员对Panagia 2号墓地的两个坟墓进行了调查。这些坟墓建于青铜时代中期,其次是青铜时代晚期和中世纪的坟墓。两座坟墓属于所谓的“地下墓穴文化”的早期,四座属于青铜时代晚期,一座属于中世纪。巴罗2号与一层可以追溯到青铜时代晚期的帕纳吉亚1号定居点重叠,位于墓丘附近。在墓葬中发现了形状非常简单,直壁延伸到口的罐子。在定居层中收集了青铜时代晚期的陶器。有带有凸滚轮和环柄的容器。研究的纪念碑- Panagia 2墓葬丘-提供了许多复杂的葬礼和定居点,补充和扩展了我们对塔曼半岛不同时代人口物质文化的看法,主要是在青铜时代,塔曼的纪念碑直到最近才得到很少的研究。本出版物旨在为现代考古学研究西北庞蒂克地区古代史提供新的资料来源。
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引用次数: 0
The Problems of Physical and Chemical Research of Ceramics from Archaeological Sites of the Lower Don 下顿河考古遗址陶瓷的理化研究问题
Pub Date : 2018-12-01 DOI: 10.15688/NAV.JVOLSU.2018.2.6
S. Vostrikov, V. Borodina
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引用次数: 1
Сhronology of Early Scythian Complexes in the Insular Area of the Don River Delta 顿河三角洲岛屿地区早期斯基泰人杂岩的年代
Pub Date : 2018-12-01 DOI: 10.15688/NAV.JVOLSU.2018.2.2
M. Rusakov
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引用次数: 0
About the Social Status of the Woman from Barrow 34 of the Kalinovskiy Burial Mound 从加里诺夫斯基墓34号墓看妇女的社会地位
Pub Date : 2018-12-01 DOI: 10.15688/NAV.JVOLSU.2018.2.4
A. Skripkin
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引用次数: 0
To the Anthropological Type of the Sarmatian Elite (Based on the Materials from Burial of the Middle Sarmatian Time of the Lower Volga Region) 萨尔马提亚精英的人类学类型(基于下伏尔加地区萨尔马提亚中期墓葬资料)
Pub Date : 2018-12-01 DOI: 10.15688/nav.jvolsu.2018.2.3
M. Balabanova
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引用次数: 1
The Identification of Wool by the Number of Keratinolytic Microorganisms in the Ground of Ancient and Medieval Burials 用古、中世纪墓葬中角质分解微生物数量鉴定羊毛
Pub Date : 2018-12-01 DOI: 10.15688/nav.jvolsu.2018.2.8
N. Kashirskaya, L. Plekhanova, A. Petrosyan, A. Potapova, A. Syrovatko, A. Kleshchenko, A. Borisov
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引用次数: 2
Zoomorphic Jug from the Village Sidory (the Lower Volga Region). To the Problem of Ceramic Import from the Kuban Region 来自西多里村(伏尔加河下游地区)的兽形壶。论库班地区陶瓷进口问题
Pub Date : 2018-12-01 DOI: 10.15688/NAV.JVOLSU.2018.2.7
B. Raev
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引用次数: 1
Horse Forehead Pieces from Nomadic Barrows of the Scythian Time in the Southern Urals 乌拉尔山脉南部斯基泰人时代游牧巴罗斯的马头像
Pub Date : 2018-12-01 DOI: 10.15688/NAV.JVOLSU.2018.2.1
Vladimir Myshkin
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引用次数: 1
The Ritual Hoard from Barrow 1 of the Burial Mound Restumov II in the Rostov Region 罗斯托夫地区列斯图莫夫II墓丘1号墓的仪式宝藏
Pub Date : 2018-12-01 DOI: 10.15688/nav.jvolsu.2018.2.5
M. Vlaskin, V. Glebov, V. Kuzmin
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引用次数: 0
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Nizhnevolzhskii arkheologicheskii vestnik
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