Pub Date : 1900-01-01DOI: 10.5117/9789048557578/ahm.2022.020
Haitian Ma
{"title":"Towards an Aesthetic of Ephemerality: Curating Documentation Footage at the EYE Filmmuseum 2021 Exhibition All about Theatre about Film","authors":"Haitian Ma","doi":"10.5117/9789048557578/ahm.2022.020","DOIUrl":"https://doi.org/10.5117/9789048557578/ahm.2022.020","url":null,"abstract":"","PeriodicalId":347966,"journal":{"name":"AHM Conference 2022: ‘Witnessing, Memory, and Crisis’","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121019099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5117/9789048557578/ahm.2022.014
Priyam Ghosh
{"title":"Lives Worth Grieving for: Representation of Lesbian Suicides in Print and Cinema in India","authors":"Priyam Ghosh","doi":"10.5117/9789048557578/ahm.2022.014","DOIUrl":"https://doi.org/10.5117/9789048557578/ahm.2022.014","url":null,"abstract":"","PeriodicalId":347966,"journal":{"name":"AHM Conference 2022: ‘Witnessing, Memory, and Crisis’","volume":"149 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115584759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5117/9789048557578/ahm.2022.010
Assel Kadyrkhanova
{"title":"Becoming a Secondary Witness: Art, Trauma, and (non-) Memory of the Kazakh Famine, 1930 – 1933","authors":"Assel Kadyrkhanova","doi":"10.5117/9789048557578/ahm.2022.010","DOIUrl":"https://doi.org/10.5117/9789048557578/ahm.2022.010","url":null,"abstract":"","PeriodicalId":347966,"journal":{"name":"AHM Conference 2022: ‘Witnessing, Memory, and Crisis’","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130766617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5117/9789048557578/ahm.2022.009
M. Sülek
{"title":"“Tell me whom you haunt and I’ll tell you who you are”: Aby Warburg, Memory and Artistic Practices in the 21st Century","authors":"M. Sülek","doi":"10.5117/9789048557578/ahm.2022.009","DOIUrl":"https://doi.org/10.5117/9789048557578/ahm.2022.009","url":null,"abstract":"","PeriodicalId":347966,"journal":{"name":"AHM Conference 2022: ‘Witnessing, Memory, and Crisis’","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114493421","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5117/9789048557578/ahm.2022.008
S. N. Gül Durukan
{"title":"Archival Tendencies, Living Memory and Witnessing in the Contemporary Art Scene in Istanbul","authors":"S. N. Gül Durukan","doi":"10.5117/9789048557578/ahm.2022.008","DOIUrl":"https://doi.org/10.5117/9789048557578/ahm.2022.008","url":null,"abstract":"","PeriodicalId":347966,"journal":{"name":"AHM Conference 2022: ‘Witnessing, Memory, and Crisis’","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129831781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5117/9789048557578/ahm.2022.004
Berfin Çiçek
{"title":"Telling the Memories of a Massacre: Testimonies from Dersim’s 38","authors":"Berfin Çiçek","doi":"10.5117/9789048557578/ahm.2022.004","DOIUrl":"https://doi.org/10.5117/9789048557578/ahm.2022.004","url":null,"abstract":"","PeriodicalId":347966,"journal":{"name":"AHM Conference 2022: ‘Witnessing, Memory, and Crisis’","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114891521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5117/9789048557578/ahm.2022.006
Eleri Connick
{"title":"‘Novels of Witness’: Palestinian Novels as Acts of Witnessing the Everyday","authors":"Eleri Connick","doi":"10.5117/9789048557578/ahm.2022.006","DOIUrl":"https://doi.org/10.5117/9789048557578/ahm.2022.006","url":null,"abstract":"","PeriodicalId":347966,"journal":{"name":"AHM Conference 2022: ‘Witnessing, Memory, and Crisis’","volume":"125 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113972774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5117/9789048557578/ahm.2022.019
Chiara Calzana
{"title":"Witnesses, Memories, and Places of after Catastrophe: The Vajont Dam Case","authors":"Chiara Calzana","doi":"10.5117/9789048557578/ahm.2022.019","DOIUrl":"https://doi.org/10.5117/9789048557578/ahm.2022.019","url":null,"abstract":"","PeriodicalId":347966,"journal":{"name":"AHM Conference 2022: ‘Witnessing, Memory, and Crisis’","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126339938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5117/9789048557578/ahm.2022.017
Dawid Grabowski
{"title":"Pedagogical Witnesses Who Matter: “The New Knights in the Fight Against the Green Dragon”","authors":"Dawid Grabowski","doi":"10.5117/9789048557578/ahm.2022.017","DOIUrl":"https://doi.org/10.5117/9789048557578/ahm.2022.017","url":null,"abstract":"","PeriodicalId":347966,"journal":{"name":"AHM Conference 2022: ‘Witnessing, Memory, and Crisis’","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130513353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5117/9789048557578/ahm.2022.012
María Paula Suárez
Colombia has suffered from a complex internal armed conflict for over fifty years. The war has left millions of victims of crimes against humanity and a deeply wounded society. Most of the victims belong to marginal groups such as peasant and ethnic minority communities and have been systematically unrecognized in the public sphere. This paper will focus on two photographs of the exhibition El Testigo, first opened in 2018 but closed in 2020 due to the Covid-19 pandemic and now reopened again to become part of the permanent collection of the museum Claustro San Agustin. The exhibition displays a comprehensive collection of photographs taken by the photojournalist Jesus Abad Colorado between 1992-2018 and show the horrors of the violence that the victims of the conflict had to endure. The main goal of this paper is to compare the images of this exhibition with previous images circulating in the mass media to reflect on the framing of representations of violence and on how different framings of war can serve different purposes. I will argue that the photographs of El Testigo contribute to imagining the unimaginable nature of violence by bringing to the present fragments of the past that need recognition, especially today when Colombia is facing a stage of transition towards the maintenance of peace since a peace treaty was signed between the FARC guerrilla and the Colombian Government in 2016. The photographs therefore elicit an ethical treatment of violence and contribute to the configuration of a collective memory that strives for the victim's recognition and justice.
哥伦比亚五十多年来一直遭受复杂的国内武装冲突之苦。这场战争使数百万人成为危害人类罪的受害者，并使社会深受伤害。大多数受害者属于边缘群体，如农民和少数民族社区，他们在公共领域没有得到系统的承认。本文将重点关注El testgo展览的两张照片，该展览于2018年首次开放，但由于Covid-19大流行于2020年关闭，现在再次重新开放，成为Claustro San agutin博物馆永久收藏的一部分。展览展示了摄影记者Jesus Abad Colorado在1992年至2018年期间拍摄的一系列照片，展示了冲突受害者不得不忍受的暴力恐怖。本文的主要目的是将这次展览的图像与之前在大众媒体上流传的图像进行比较，以反思暴力表现的框架以及不同的战争框架如何服务于不同的目的。我认为El testgo的照片有助于想象暴力的难以想象的本质，通过将过去需要承认的片段带到现在，特别是在哥伦比亚正面临向维持和平过渡的阶段，因为哥伦比亚革命武装力量游击队与哥伦比亚政府于2016年签署了和平条约。因此，这些照片引发了对暴力的道德处理，并有助于形成一种集体记忆，争取受害者的承认和正义。
{"title":"El Testigo: Witnessing the Colombian Internal Armed Conflict through Journalistic Photography","authors":"María Paula Suárez","doi":"10.5117/9789048557578/ahm.2022.012","DOIUrl":"https://doi.org/10.5117/9789048557578/ahm.2022.012","url":null,"abstract":"Colombia has suffered from a complex internal armed conflict for over fifty years. The war has left millions of victims of crimes against humanity and a deeply wounded society. Most of the victims belong to marginal groups such as peasant and ethnic minority communities and have been systematically unrecognized in the public sphere. This paper will focus on two photographs of the exhibition El Testigo, first opened in 2018 but closed in 2020 due to the Covid-19 pandemic and now reopened again to become part of the permanent collection of the museum Claustro San Agustin. The exhibition displays a comprehensive collection of photographs taken by the photojournalist Jesus Abad Colorado between 1992-2018 and show the horrors of the violence that the victims of the conflict had to endure. The main goal of this paper is to compare the images of this exhibition with previous images circulating in the mass media to reflect on the framing of representations of violence and on how different framings of war can serve different purposes. I will argue that the photographs of El Testigo contribute to imagining the unimaginable nature of violence by bringing to the present fragments of the past that need recognition, especially today when Colombia is facing a stage of transition towards the maintenance of peace since a peace treaty was signed between the FARC guerrilla and the Colombian Government in 2016. The photographs therefore elicit an ethical treatment of violence and contribute to the configuration of a collective memory that strives for the victim's recognition and justice.","PeriodicalId":347966,"journal":{"name":"AHM Conference 2022: ‘Witnessing, Memory, and Crisis’","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123315632","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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