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AHM Conference 2022: ‘Witnessing, Memory, and Crisis’最新文献

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Fallow Land: An (Inter)medial Approach to Biography 休耕地:传记的(内部)媒介方法
Pub Date : 1900-01-01 DOI: 10.5117/9789048557578/ahm.2022.011
Marina Morello
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引用次数: 0
Ruins of Utopia: Trauma in Post-Soviet Cuban Culture and Literature 乌托邦的废墟:后苏联古巴文化和文学的创伤
Pub Date : 1900-01-01 DOI: 10.5117/9789048557578/ahm.2022.003
Delia M. García
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引用次数: 0
Witnessing Occupation: Memory Activism in Kashmir after the Abrogation of Article 370 目睹占领:废除第370条后克什米尔的记忆活动
Pub Date : 1900-01-01 DOI: 10.5117/9789048557578/ahm.2022.016
Diviani Chaudhuri
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引用次数: 0
Who are the Witnesses of the Covid-19 Lockdown? The Case of France 谁是Covid-19封锁的见证人?法国案例
Pub Date : 1900-01-01 DOI: 10.5117/9789048557578/ahm.2022.002
Louis Gabrysiak, S. Gensburger
In the wake of the COVID lockdowns implemented all around the world, and in particular since March 2020, private and public initiatives have emerged to collect diaries, testimonies, and perspectives on the pandemic from ordinary citizens. These calls for witnesses have been presented as a way to preserve traces of the pandemic for the future and to give a voice to all kinds of people confronted with the health crisis, in order to build an "ordinary memory" of the event. In this paper, we will study these social practices of witnessing in a time of crisis. Who were the people who answered these callouts? Who will be considered the witnesses of this pandemic in the future What social groups do they come from in terms of level of education, income, marital status, place of residence, birthplace, ethnicity, religion, and gender? This article will ask to what extent ordinary memories of crisis can really be preserved. It argues that institutional calls for witnesses of the health crisis cannot avoid reproducing some of the social inequalities that have been central in framing ordinary people's experience of the pandemic and the lockdown.
在世界各地实施COVID封锁之后,特别是自2020年3月以来,出现了私人和公共倡议,以收集普通公民对大流行的日记、证词和观点。这些证人的呼吁是为了为未来保留大流行病的痕迹,并让面临健康危机的各种人发出声音,以便建立对这一事件的“普通记忆”。在本文中,我们将研究这些在危机时刻见证的社会实践。回答这些呼号的人是谁?谁将被视为未来这场大流行病的见证人,他们在教育水平、收入、婚姻状况、居住地、出生地、种族、宗教和性别方面来自哪些社会群体?本文将探讨,普通的危机记忆究竟能在多大程度上得以保存。它认为,机构要求卫生危机目击者的呼吁无法避免再现一些社会不平等现象,而这些不平等在塑造普通人对大流行和封锁的经历方面发挥了核心作用。
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引用次数: 0
Echoes of Nazi Propaganda in a Collaborator Diary: The Case of Dutch Police Investigator Douwe Bakker 纳粹宣传在合作者日记中的回响:荷兰警察调查员杜威·巴克的案例
Pub Date : 1900-01-01 DOI: 10.5117/9789048557578/ahm.2022.005
Nina Siegal
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引用次数: 0
Home is Where the Government isn’t: Lygia Pape’s Depictions of Favelas in Chácara do Cabeça and Maré 政府不在的地方就是家:Lygia Pape对Chácara do cabea和mar<s:1>贫民窟的描绘
Pub Date : 1900-01-01 DOI: 10.5117/9789048557578/ahm.2022.015
Julia Kershaw
In the wake of Russia's invasion of Ukraine and the Covid-19 pandemic, the home has played a precarious role. Not unique to the world's present circumstances, history has shown that domestic spaces often resided in unstable political environments, particularly within many countries in twentieth-century Latin America. Such was the case for many who lived in Brazil during the military dictatorship (1964-1985). Seeking more freedom, some artists and historians left Brazil, while some who remained were taken from their homes and imprisoned. As a witness to such atrocities, Brazilian artist Lygia Pape (1927-2004) used her artwork to emphasize the home as a site to contest the military dictatorship's actions. While scholarship has tended to focus on Pape's woodcuts and Neoconcrete works, this paper investigates Pape's artwork Divisor [Divider] (1967) and the photographic series Favela da Mare (1974-1976). In doing so, I emphasize an understudied site in her career: working class areas called favelas. Overlooking favelas' importance in Pape's career is problematic because during the dictatorship the government instituted a favela eradication policy. Using social art historical analysis, this paper argues that Pape's depictions of favela communities in Chacara do Cabeca and Favela da Mare counteracted favelas' destruction by documenting their presence. I find that Pape's works provide an alternative analysis as one not focused on favelas' connection to poverty, but rather in relation to innovative spatial syntax and scenes of everyday life. It is through Pape that one learns how artwork functions not merely as an aesthetic choice, but also as a way to confront societal assumptions about space, geography, and ultimately the places people call "home."
在俄罗斯入侵乌克兰和新冠肺炎大流行之后,家扮演了一个不稳定的角色。历史表明,国内空间往往处于不稳定的政治环境中,特别是在20世纪拉丁美洲的许多国家,这并非世界当前环境所独有的。在军事独裁时期(1964-1985年),许多生活在巴西的人就是这样。为了寻求更多的自由,一些艺术家和历史学家离开了巴西,而一些留下来的人则被带离家园并被监禁。作为这些暴行的见证者,巴西艺术家Lygia Pape(1927-2004)用她的艺术作品强调了住宅作为对抗军事独裁行动的场所。虽然学术界倾向于关注佩普的木版画和新具体主义作品,但本文研究了佩普的艺术作品《除法者》(1967)和摄影系列《Favela da Mare》(1974-1976)。在这样做的过程中,我强调了她职业生涯中一个未被充分研究的地方:被称为贫民窟的工人阶级地区。忽视贫民窟在佩普职业生涯中的重要性是有问题的,因为在独裁统治期间,政府制定了一项铲除贫民窟的政策。运用社会艺术史分析,本文认为,佩普对卡贝卡查卡拉和马雷贫民窟社区的描绘,通过记录贫民窟的存在,抵消了贫民窟的破坏。我发现佩普的作品提供了另一种分析,它不是关注贫民窟与贫困的联系,而是关注创新的空间句法和日常生活场景。通过佩普,人们了解到艺术作品不仅是一种审美选择,而且是一种对抗社会对空间、地理以及最终人们称之为“家”的地方的假设的方式。
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引用次数: 0
Witnessing Absent Pasts: The Urgency and Difficulty of Memorializing Wartime Sexual Violence 见证缺席的过去:纪念战时性暴力的紧迫性和难度
Pub Date : 1900-01-01 DOI: 10.5117/9789048557578/ahm.2022.018
Réka Deim
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引用次数: 0
In the Presence of Absence: Curating the Unseen, Ignored and Forgotten 在缺席的存在中:策划看不见的,被忽视的和被遗忘的
Pub Date : 1900-01-01 DOI: 10.5117/9789048557578/ahm.2022.007
Britte Sloothaak, Fadwa Naamna
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引用次数: 0
Gazes from Syria: Media Witnessing in Times of Crisis 来自叙利亚的目光:危机时期的媒体见证
Pub Date : 1900-01-01 DOI: 10.5117/9789048557578/ahm.2022.013
F. Göttke
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引用次数: 0
“I believe the world out there will hear it and the suffering will end soon”: Witnessing Refugee Suffering “我相信外面的世界会听到它,痛苦很快就会结束”:见证难民的苦难
Pub Date : 1900-01-01 DOI: 10.5117/9789048557578/ahm.2022.001
Michal Pavlásek
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引用次数: 0
期刊
AHM Conference 2022: ‘Witnessing, Memory, and Crisis’
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