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Simonides, Part 1
Pub Date : 2021-05-11 DOI: 10.5422/fordham/9780823294237.003.0003
Harry Berger
This chapter is the first of a four-part reading of the Simonides poem (and how it is treated in surrounding dialogue) that treats its structure, implicit and explicit premises, and possible outcomes separately. Simonides, Part 1, introduces the poem in translation, concentrating on philological quirks foregrounding themes of poetry, sophistry, and how charismatically delivered argumentation can affect the argument and its participants.
这一章是西蒙尼德诗的四部分阅读的第一部分(以及它在周围对话中的处理方式),分别对待它的结构,隐含的和明确的前提,以及可能的结果。西蒙尼德斯,第一部分,介绍了这首诗的翻译,集中在语言学上的怪癖,诗歌的前景主题,诡辩,以及如何魅力传递的辩论可以影响辩论和它的参与者。
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引用次数: 0
Simonides, Part 3
Pub Date : 2021-05-11 DOI: 10.5422/fordham/9780823294237.003.0005
Harry Berger
This chapter concentrates on how Socrates dominates the exchange in divisions three through five, first devoting his posture—ironically or not—to rhemata nostalgic of the “superior wisdom” of Sparta, moving toward unwarranted sophistic logic himself, and then introducing a new metaphor of “good” doctors, re-evaluating Rosamund Sprague’s gloss of the doctor’s eumechania.
这一章集中于苏格拉底如何在第三到第五部分中主导交流,首先将他的姿态——无论是否具有讽刺意味——奉献给了对斯巴达“卓越智慧”的怀旧之情,转向了毫无根据的诡辩逻辑,然后引入了一个“好”医生的新隐喻,重新评价了罗莎蒙德·斯普拉格对医生的真机械的解释。
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引用次数: 0
Sophistry as Safemindedness in the Protagoras 《普罗泰哥拉》中的诡辩与坚定
Pub Date : 2021-05-11 DOI: 10.5422/fordham/9780823294237.003.0010
Harry Berger
Concluding the book, this chapter focuses its resolution on the premise of how hedonism should or should not be policed as it occurs in Socrates’s and Protagoras’s debate. Having made it deliberately difficult to resolve epistemologically the nature of the good, Socrates endeavors to “win” the debate over how to encourage hedonists to search for good by applying Protagoras’s own principles. Using the structural reading from earlier in the book as well as the notions of literary performance enumerated in chapters six through eight, Socrates ends by linking himself inextricably to Protagoras, that instead of searching for a winner, a reader or interlocutor should instead search for the “atopoi” that has resulted from their dialogue.
这一章是全书的结束语,主要讨论苏格拉底和普罗泰戈拉辩论中出现的享乐主义应该或不应该被监管的前提。苏格拉底故意让善的本质在认识论上难以解决,他试图通过运用普罗泰戈拉自己的原则,“赢得”关于如何鼓励享乐主义者寻找善的辩论。使用了书中早些时候的结构阅读以及第六章到第八章列举的文学表演的概念,苏格拉底将自己与普罗塔戈拉不可分割地联系在一起,而不是寻找胜利者,读者或对话者应该寻找从他们的对话中产生的“atopoi”。
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引用次数: 0
Simonides, Part 2
Pub Date : 2021-05-11 DOI: 10.5422/fordham/9780823294237.003.0004
Harry Berger
Having established the poem in the readers’ minds in the previous chapter, Simonides, Part 2, introduces a seven-part structure that the rest of the reading will follow, addressing each of the arguments included in the poem, as well as how Socrates and Protagoras use the poem in their argumentation. This chapter treats the first two of the seven divisions, focusing on the “opening debate” that introduces the poem into the dialog.
在前一章中,西蒙尼德斯在读者的脑海中建立了这首诗,在第二部分中,西蒙尼德斯介绍了一个由七部分组成的结构,接下来的阅读将会遵循这个结构,讨论这首诗中包含的每一个论点,以及苏格拉底和普罗塔哥拉是如何在他们的论点中使用这首诗的。本章将讨论七个部分中的前两个部分,重点关注将诗歌引入对话的“开场辩论”。
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引用次数: 0
The Parts of Gold and the Parts of Face 金子的部分和脸的部分
Pub Date : 2021-05-11 DOI: 10.5422/fordham/9780823294237.003.0009
Harry Berger
Whereas Chapter 7 focuses on a recurring trend in how Protagoras prevaricates, this chapter micro-analyzes one specific rhetorical avoidance: if Protagoras believes that good is divided into different parts, Socrates forces him to choose between which kind of division it most resembles, division between parts of the face or parts of a substance (gold). The chapter deals with Protagoras’s choice: its logical issues, ideas of saving face, and the performance of wearing a mask. The choice of gold, not taken, implicitly offers some insight into the substantial uniformity of the many agents at work in the dialogue, that Plato’s Socrates, Socrates’s Simonides, Protagoras’s Simonides, Socrates’s Protagoras, etc., begin to lose boundaries.
第七章关注的是普罗泰哥拉如何推诿的反复出现的趋势,而这一章微观分析了一种具体的修辞回避:如果普罗泰哥拉相信善被分成不同的部分,苏格拉底强迫他在哪一种划分中做出选择,是面部的部分还是物质(黄金)的部分。这一章讨论了普罗泰戈拉的选择:它的逻辑问题,保全面子的想法,以及戴着面具的表现。黄金的选择,没有被采用,隐含地提供了一些洞察,在对话中工作的许多代理人的实质一致性,柏拉图的苏格拉底,苏格拉底的西蒙尼德斯,普罗塔哥拉斯的西蒙尼德斯,苏格拉底的普罗塔哥拉斯,等等,开始失去界限。
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引用次数: 0
Macrological Mystification Macrological骗人的把戏
Pub Date : 2021-05-11 DOI: 10.5422/fordham/9780823294237.003.0007
Harry Berger
Leaving behind a strictly structural reading of the poem, this chapter investigates the implications of the Epimethean and Promethean myths that arise within the poem in an attempt to parse what share human beings have in the obtainment and exercise of virtue, and whether even the gods are able to pursue virtue in opposition to necessity. Failing that possibility, the chapter expounds on the necessary self-defeat of Socrates’s own argument.
撇开对这首诗的严格结构阅读,本章调查了诗中出现的厄毗米修斯和普罗米修斯神话的含义,试图解析人类在获得和行使美德方面有什么共同之处,以及即使是神也能在与必然性相反的情况下追求美德。如果没有这种可能性,这一章就阐述了苏格拉底自己的论证中必要的自我挫败。
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引用次数: 0
The Ethics of Etceteration 创造的伦理学
Pub Date : 2021-05-11 DOI: 10.5422/fordham/9780823294237.003.0008
Harry Berger
This chapter takes up discussion of the complexities inherent to the debate in two major parts: first, how Protagoras’s sophistry concentrates on perpetually deferred, implicit colophons to the premises that he fails to warrant; and secondly, the chapter involves Austinian speech-act theory in Socrates’s use of the poem, concentrating more specifically on how performance colors his rhetoric in ways not readily apparent in cold recitation.
本章从两个主要部分讨论了这场辩论固有的复杂性:第一,普罗泰哥拉的诡辩是如何将注意力集中在他无法保证的前提上的永久延迟的,隐含的colophon;第二,这一章涉及到苏格拉底对诗歌运用的奥斯丁语言行为理论,更具体地集中在表演如何以一种不容易在冷背诵中表现出来的方式,为他的修辞增添色彩。
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引用次数: 0
Couch City, or, The Discourse of the Couch 《沙发城》或《沙发的话语
Pub Date : 2021-05-11 DOI: 10.5422/fordham/9780823294237.003.0002
Harry Berger
This chapter offers a new gloss of the pivotal “bed” in book 10 of Plato’s Republic as the classical kline or triclinium, the couch. This new object introduces the stakes of Socrates’s position in his debate with Protagoras by way of the threat of the polis descending into a hedonistic city arranged around the determined hedonism of the couch, of uncontrolled or contagious leisure in contrast to searching for the good.
本章将柏拉图《理想国》第10卷中关键的“床”作为经典的kline或triclinium,即沙发,提供了一个新的解释。这个新对象引入了苏格拉底在他与普罗泰戈拉的辩论中所处的位置,通过城邦沦为享乐主义城市的威胁,围绕着沙发上确定的享乐主义,不受控制的或传染性的休闲,而不是寻找美好的事物。
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引用次数: 0
Simonides, Part 4
Pub Date : 2021-05-11 DOI: 10.5422/fordham/9780823294237.003.0006
Harry Berger
Reading the final divisions, this chapter begins by considering how Socrates and Protagoras have proven Simonides’s poem to be fruitless and concludes by doing the same to Socrates himself. The chapter posits that Socrates has created a necessary aporia in his debate with Protagoras over the nature of good, wherein neither can be right or wrong without also countermanding their own position.
阅读最后的部分,本章开始考虑苏格拉底和普罗塔哥拉如何证明西蒙尼德斯的诗是徒劳的,并以对苏格拉底自己做同样的事情来结束。这一章假定苏格拉底在他与普罗泰戈拉关于善的本质的辩论中创造了一种必要的不安,在这种情况下,没有人能够在不推翻自己立场的情况下正确或错误。
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引用次数: 0
Introduction: Speech Bonds 引言:言语约束
Pub Date : 2021-05-04 DOI: 10.1515/9780823294251-001
Jill Frank
Jill Frank introduces Berger’s argument by addressing the ethicalities of Plato’s proposed Klinopolis—his “Couch City”—whether it promises to be the good city, the bad city, or perhaps something else, while highlighting Protagoras’s insistence on teaching a fixed program for making good decisions. Socrates names Protagoras’s stance “the political art.” Performing “political art” virtuously sits in the heart of Berger’s couch city. Although the Protagoras has traditionally been read as a resounding victory for Socrates over Protagoras’s claims of virtue, Berger, as Frank notes, sees the outcome differently. For Berger, Socrates, in “beating Protagoras at his own game,” becomes Protagoras’s double. This doubling of speech, however, fails to produce an ethical resolution from either Protagoras or Socrates; instead, their speeches become “occasions for weaponizing virtue” and evading responsibility for their words. According to Berger, both Socrates and Protagoras fail. But as Frank suggests, their failures prompt “readers of the dialogue to do otherwise”—to “open a different ethics, rhetoric, and politics of responsibility.”
吉尔·弗兰克介绍了伯杰的论点,通过阐述柏拉图提出的klinopolis(他的“沙发之城”)的伦理性——无论它承诺成为好城市、坏城市,还是其他什么,同时强调了普罗泰戈拉坚持教授一个做出正确决策的固定程序。苏格拉底将普罗泰戈拉的立场称为“政治艺术”。表演“政治艺术”在伯杰的“沙发城”中占据着核心地位。尽管普罗泰戈拉的作品传统上被解读为苏格拉底对普罗泰戈拉的美德主张的彻底胜利,但正如弗兰克指出的那样,伯杰对结果的看法不同。在伯杰看来,苏格拉底“在自己的游戏中打败普罗塔哥拉”,成了普罗塔哥拉的替身。然而,这种言语的双重并没有从普罗泰戈拉或苏格拉底那里产生一个伦理的解决方案;相反,他们的演讲成为“将美德武器化的场合”,并逃避对自己言论的责任。根据伯杰的说法,苏格拉底和普罗泰戈拉都失败了。但正如弗兰克所言,他们的失败促使“对话的读者做出不同的选择”——“开启一种不同的伦理、修辞和责任政治”。
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引用次数: 0
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Couch City
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