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Guabancex Guabancex
Q3 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/00086495.2022.2037261
J. Bryce
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引用次数: 0
Dancing in a Hurricane 在飓风中跳舞
Q3 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/00086495.2022.2037242
Victoria Carpenter
HURRICANE GILBERT WAS A CATEGORY 5 STORM which struck Jamaica on 12 September 1988 before continuing on to the Yucatán peninsula in Mexico where it made landfall two days later. Gilbert was called the storm of the century as it set records for size, amount of rainfall, atmospheric pressure, track, and total energy.1 Forty-five people were killed in Jamaica and the island suffered widespread infrastructural damage (75 percent of housing stock was damaged),2 and significant loss of crops and livestock.3 It took Jamaica over six months to move everyone out of shelters and into new houses.4 By December 1988, tourist resorts were once again open to the public5 as the island saw the end of the emergency response period, and the beginning of a lengthy process of economic and social recovery. From September 1988 onwards, a number of texts were produced to narrate the story of Gilbert’s landing and the destruction the storm caused on the island. There were two types of texts: those representing the state’s view of the hurricane and its aftermath (statements by officials and government reports), and those representing the public’s view of Gilbert (witnesses’ testimonials, artistic works reflecting public sentiment, and so on). We will examine how Hurricane Gilbert was described in the two types of texts. We will begin with the statements by government officials and newspaper coverage of the effects the hurricane had on the island immediately after the landfall, and within the first three months of the aftermath. The texts used for this purpose come from a compilation of newspaper reports and statements by government officials.6 We will then proceed to the analysis of two songs written shortly after the hurricane: “Wild Gilbert” by Lloyd Lovindeer7 and “Gilbert Attack Us” by Banana Man.8 We aim to determine whether the way these songs depict Gilbert is similar to that presented in the state texts or whether there are significant
飓风吉尔伯特是一场5级风暴,于1988年9月12日袭击牙买加,两天后继续登陆墨西哥尤卡坦半岛。吉尔伯特被称为本世纪风暴,因为它在规模、降雨量、大气压力、路径和总能量方面都创下了纪录。1牙买加有45人死亡,该岛的基础设施遭到广泛破坏(75%的住房受损),2以及农作物和牲畜的严重损失。3牙买加花了六个多月的时间才把所有人从避难所转移到新房子里。4到1988年12月,随着该岛紧急反应期的结束和漫长的经济和社会复苏进程的开始,旅游胜地再次向公众开放。从1988年9月起,制作了许多文本来讲述吉尔伯特登陆的故事以及风暴对该岛造成的破坏。有两种类型的文本:代表该州对飓风及其后果的看法的文本(官员的声明和政府报告),以及代表公众对吉尔伯特的看法的文字(目击者的证词、反映公众情绪的艺术作品等)。我们将研究飓风吉尔伯特是如何在这两类文本中被描述的。我们将从政府官员的声明和报纸对飓风登陆后以及飓风过后前三个月对该岛影响的报道开始。用于此目的的文本来自报纸报道和政府官员的声明汇编。6然后,我们将继续分析飓风过后不久创作的两首歌曲:Lloyd Lovendeer的《狂野的吉尔伯特》7和Banana Man的《吉尔伯特袭击我们》8。我们旨在确定这些歌曲对吉尔伯特的描述是否与州文本中的描述相似或者是否存在
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引用次数: 1
Between a Rock and a Sea Place 在岩石和海洋之间
Q3 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/00086495.2022.2037240
Keilah Mills
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引用次数: 0
Endemism and Artivism 地方主义和艺术主义
Q3 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/00086495.2022.2037239
D. Walker
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引用次数: 0
Female Adolescents’ Weight Perceptions and Weight Control Behaviours 女性青少年的体重感知与体重控制行为
Q3 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/00086495.2022.2037244
Sasha R. Drummond-Lewis
THE CARIBBEAN FOOD AND NUTRITIONAL INSTITUTE (CFNI) reports that the problem of childhood obesity is widespread across the Caribbean region. Data indicates that rates of obesity are high among Caribbean adolescent females compared to their male counterparts.1 Global School-based Student Health Survey (GSHS) data revealed high reported rates of overweight female students in several Caribbean countries including The Bahamas (47.1%), Barbados (31.8%), Dominica (25.9%), Guyana (15.9%), Jamaica (28.2%), Saint Kitts and Nevis (32.5%), and Trinidad (34.1%).2 These patterns not only elucidate a trend in the prevalence of childhood obesity in the region, but also potential associated health risks. Self-perceptions of overweight body size may not only contribute to the rising obesity rate, but also influence whether weight reduction methods are sought to address this health concern. Yet, research on childhood obesity in the Caribbean rarely explores the relationship between self-perception and methods used for weight loss among adolescents. Self-perception is an important consideration for adolescent girls, as body image is a problem among this group.3 During adolescence, negative body perceptions occur at a time when youth are forming identity and developing self-image. While accurate measurements of body weight help achieve a healthy body size,4 they alone might not be sufficient for weight loss. In fact, weight perception is one of the motivating factors for weight control behaviours and is a better predictor than actual weight for adolescents to diet or exercise.5 For instance, as studies have shown, if adolescent girls are overweight/obese but do not perceive themselves to be, the likelihood of them engaging in weight-altering methods will be reduced, increasing the risk for comorbidity-
加勒比食品和营养研究所(CFNI)报告称,儿童肥胖问题在整个加勒比地区普遍存在。数据表明,加勒比地区青少年女性的肥胖率高于同龄男性全球校本学生健康调查(GSHS)数据显示,一些加勒比国家的女学生超重率较高,包括巴哈马(47.1%)、巴巴多斯(31.8%)、多米尼加(25.9%)、圭亚那(15.9%)、牙买加(28.2%)、圣基茨和尼维斯(32.5%)和特立尼达(34.1%)这些模式不仅说明了该地区儿童肥胖流行的趋势,而且说明了潜在的相关健康风险。对超重体型的自我认知不仅可能导致肥胖率上升,而且还会影响是否寻求减肥方法来解决这一健康问题。然而,加勒比地区关于儿童肥胖的研究很少探讨自我认知与青少年减肥方法之间的关系。自我认知是青春期女孩的一个重要考虑因素,因为身体形象是这个群体的一个问题在青少年时期,消极的身体感知发生在青少年形成身份和发展自我形象的时期。虽然准确的体重测量有助于获得健康的体型,但仅靠体重测量可能不足以减肥。事实上,体重感知是体重控制行为的激励因素之一,并且比实际体重更能预测青少年的饮食或运动例如,研究表明,如果青春期女孩超重/肥胖,但没有意识到自己超重/肥胖,那么她们采用改变体重方法的可能性就会降低,从而增加了合并症的风险
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引用次数: 0
Tracing Errantry 跟踪骑士精神
Q3 Arts and Humanities Pub Date : 2021-10-02 DOI: 10.1080/00086495.2021.1996012
A. Bryan
CHILD SEXUAL ABUSE / CHILDHOOD SEXUAL VIOLENCE / childhood sexual assault. The lexicon labelling the sexual trauma placed upon children’s bodies and minds changes, unlike that of the current power struggles behind such trauma. Patriarchal and antiquated views of female bodies and female agency, allowing sexual abuse and the often-resulting victimisation to continue, must be challenged at all levels of society, individually, institutionally, and politically. I begin such a task by focusing on literature – specifically contemporary, newly emerging canonical literature for young adults that writes openly about the occurrence of child sexual abuse and the emotional and psychological damage caused by such abuse. Teenagers and young adults often encounter canonical literature through educational texts. Scholars’ examination of such texts can lead to interpersonal challenges to power systems. The Jamaican-Canadian author Nalo Hopkinson’s novel Midnight Robber (2000)1 prominently positions the conversation about the prevalence of child sexual abuse occurring in society, along with the way in which society often responds, and then provides another model of addressing child sexual abuse to support the transformation of victims into survivors. Midnight Robber, Hopkinson’s second novel, emphasises the Afro-Caribbean protagonist’s body movements through various spaces. Many scholars have discussed how Hopkinson depicts technology, globalisation, modernity, high/ low cyberpunk, and postcolonial cybernetics in her work of speculative fiction.2 A few scholars have combined race and bodies, such as Elizabeth Boyle3 and Erin M. Fehskens,4 or spatial issues of migration, slavery, and dystopian spaces, such as Giselle L. Anatol5 and Myriam Moïse.6 Very few scholars have made child sexual abuse their primary focus, although it occurs towards the middle of the novel, propelling the rest of the narrative. Regarding assault, Shelby Crosby discusses the re-victimisation of the protagonist, Tan-Tan Habib, through the disregard of communities, which mirrors the re-victimisation that occurred during slavery and colonialism.7 However, while Crosby focuses on the disruption
儿童性虐待/儿童性暴力/儿童性侵犯。与当前这种创伤背后的权力斗争不同,给儿童身心带来的性创伤贴上标签的词汇发生了变化。对女性身体和女性机构的父权和陈旧观点,允许性虐待和经常导致的受害继续存在,必须在社会的各个层面,从个人、制度和政治上受到挑战。我从关注文学开始这项任务,特别是面向年轻人的当代新兴规范文学,公开写下儿童性虐待的发生以及这种虐待造成的情感和心理伤害。青少年和年轻人经常通过教育文本接触经典文学。学者们对这类文本的研究可能会给权力体系带来人际挑战。牙买加裔加拿大作家Nalo Hopkinson的小说《午夜强盗》(2000)1突出地阐述了社会中儿童性虐待的普遍性,以及社会通常的反应方式,然后提供了另一种解决儿童性虐待问题的模式,以支持受害者转变为幸存者。霍普金森的第二部小说《午夜强盗》强调了非裔加勒比人主人公在各种空间中的身体运动。许多学者讨论了霍普金森在她的推理小说作品中如何描绘技术、全球化、现代性、高/低赛博朋克和后殖民控制论。2一些学者将种族和身体结合在一起,如伊丽莎白·博伊勒3和埃林·M·费斯肯斯4,或移民、奴隶制和反乌托邦空间的空间问题,如吉赛尔·L。Anatol5和Myriam Moïse。6很少有学者将儿童性虐待作为他们的主要关注点,尽管它发生在小说的中间,推动了叙事的其余部分。关于袭击,Shelby Crosby讨论了主人公Tan Tan Habib通过无视社区而再次受害的问题,这反映了奴隶制和殖民主义时期发生的再次受害。7然而,Crosby关注的是破坏
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引用次数: 0
Tambourine 手鼓
Q3 Arts and Humanities Pub Date : 2021-10-02 DOI: 10.1080/00086495.2021.1996034
Amílcar Sanatan
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引用次数: 0
Indo-Caribbean Feminist Responses to Child Sexual Abuse 印度-加勒比女性主义者对儿童性虐待的反应
Q3 Arts and Humanities Pub Date : 2021-10-02 DOI: 10.1080/00086495.2021.1996010
Anita Baksh
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引用次数: 0
The Occupation of Havana: War, Trade, and Slavery in the Atlantic World 占领哈瓦那:大西洋世界的战争、贸易和奴隶制
Q3 Arts and Humanities Pub Date : 2021-10-02 DOI: 10.1080/00086495.2021.1996051
Devin Leigh
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引用次数: 0
The Fetish Revisited: Marx, Freud and the Gods Black People Make 重访恋物:马克思、弗洛伊德和黑人创造的神
Q3 Arts and Humanities Pub Date : 2021-10-02 DOI: 10.1080/00086495.2021.1996050
Scott Timcke
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引用次数: 0
期刊
Caribbean Quarterly
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