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Vertis Hayes and the Johnson Hall Carver Mural Vertis Hayes与Johnson Hall卡佛壁画
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2023-08-31 DOI: 10.1353/mss.2022.a905461
Brittany Myburgh
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引用次数: 0
Journalism and Jim Crow: White Supremacy and the Black Struggle for a New America ed. by Kathy Roberts Forde and Sid Bedingfield (review) 《新闻学与吉姆·克劳:白人至上与黑人为新美国的斗争》,凯西·罗伯茨·福德和西德·贝丁菲尔德主编(评论)
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2023-08-31 DOI: 10.1353/mss.2022.a905466
Philip Smith
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引用次数: 0
The Weirdness of Post-Traumatic Identity in Katherine Anne Porter's "Pale Horse, Pale Rider" 凯瑟琳·安妮·波特《苍白的马,苍白的骑士》中创伤后身份的怪异
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2023-08-31 DOI: 10.1353/mss.2022.a905465
Bailey Rhodes
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引用次数: 0
William Faulkner's Mink Snopes and Southern Livestock Control Practices 威廉·福克纳的《水貂Snopes与南方家畜控制实践》
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2023-08-31 DOI: 10.1353/mss.2022.a905464
Karl F. Zender
ARTICLE WILL EXAMINE THE LIFE AND ACTIONS OF M INK S NOPES , AS they are depicted in The Hamlet, revisited briefly in The Town, then substantially expanded in The Mansion, the three novels of William Faulkner’s Snopes trilogy. Its focus will fall on a collocation of activities central to Mink’s story, of livestock allowed to range freely, of (deliberately) uninstalled fencing, and of the resultant imposition of pound fees. In exploring this combination of activities
这篇文章将审视莫克·诺普斯的生活和行为,正如他们在《哈姆雷特》中所描绘的那样,在《小镇》中被短暂地重新审视,然后在威廉·福克纳的《诺普斯》三部曲的三部小说《大厦》中被大幅扩展。它的重点将落在Mink故事的核心活动、允许牲畜自由放养、(故意)拆除围栏以及由此产生的英镑费用的搭配上。在探索这种活动组合时
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引用次数: 0
The Traveling Word: Eudora Welty’s Literary Correspondence with the Postal South 旅行词:尤多拉·韦尔蒂与南方邮政的文学通信
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2023-05-23 DOI: 10.1353/mss.2022.0013
Donnie McMahand, Kevin L. Murphy
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引用次数: 0
Civilization, Outlawry, and a Declaration of Independence in Adventures of Huckleberry Finn 《哈克贝利·费恩历险记》中的文明、放逐和独立宣言
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2023-05-23 DOI: 10.1353/mss.2022.0016
Terrell L. Tebbetts
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引用次数: 0
Mapping the Lost Home: Psalm 137 and Jesmyn Ward’s Sing, Unburied, Sing 绘制失落的家园:诗篇137和Jesmyn Ward的《歌唱,未埋葬,歌唱》
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2023-05-23 DOI: 10.1353/mss.2022.0014
Rachel Ewing
JESMYN WARD’S 2017 NOVEL, SING, UNBURIED, SING, TELLS THE STORY OF Jojo, a thirteen-year-old biracial boy in coastal Mississippi, and his family as they struggle to navigate issues of grief and addiction rooted in the generational trauma of racist oppression. When Jojo’s father Michael, a former meth cook, is released from the Mississippi State Penitentiary, also known as Parchman Farm, Jojo accompanies his mother Leonie, baby sister Kayla, and questionable family friend Misty on a road trip across the state to bring Michael home. Although the family is temporarily reunited, theirs is not a happy ending. Grandmother and matriarch Philomène dies of cancer; Jojo learns the horrific truth about his beloved grandfather River’s own time as a prisoner; and Leonie and Michael’s meth addiction intensifies. Anxious and restless, Jojo begins walking the woods near his home. In the final pages of the novel, such a walk leads him to something strange: a tree full of ghosts, with birdlike spirits perched two or three to a branch “all the way up to the top, to the feathered leaves” (282). The vision, which Kayla also sees when she and River follow Jojo, evokes the horrors of lynching, the “strange fruit” of Abel Meeropol’s poem and Billie Holiday’s famous song. Readers might also think of the tree of crucifixion, or the baobab tree of African legend.1 Considered alongside the ghosts’ behavior, however—
JESMYN WARD 2017年的《歌唱,未埋葬,歌唱》讲述了密西西比州沿海一名13岁的混血男孩Jojo和他的家人的故事,他们正在努力解决种族主义压迫造成的世代创伤所带来的悲伤和成瘾问题。乔的父亲迈克尔曾是一名冰毒厨师,从密西西比州立监狱(也称为Parchman Farm)获释后,乔陪着母亲Leonie、小妹妹Kayla和可疑的家庭朋友Misty进行了一次穿越全州的公路旅行,将迈克尔带回家。虽然这家人暂时团聚了,但他们的结局并不幸福。祖母和女家长Philomène死于癌症;Jojo得知了他深爱的祖父River自己作为囚犯的可怕真相;Leonie和Michael的冰毒成瘾加剧。焦虑不安的乔开始在家附近的树林里散步。在小说的最后几页,这样的散步把他带到了一个奇怪的地方:一棵满是鬼魂的树,有两三个像鸟一样的精灵栖息在一根树枝上,“一直到顶端,一直到有羽毛的叶子”(282)。凯拉和里弗跟随乔时也看到了这种景象,它唤起了私刑的恐怖,私刑是亚伯·米罗波尔诗歌和比莉·霍利迪著名歌曲中的“奇异果实”。读者可能还会想到十字架树,或者非洲传说中的猴面包树--
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引用次数: 0
The Ethics of Unmeaning: Noise and the Non-inscribable Slave Voice 无声的伦理:噪音与难以逾越的奴隶声音
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2023-05-23 DOI: 10.1353/mss.2022.0015
Edward R. Piñuelas
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引用次数: 0
Class, Whiteness, and Southern Literature by Jolene Hubbs (review) 阶级、白人与南方文学作者:乔琳·哈布斯(书评)
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2023-05-23 DOI: 10.1353/mss.2022.0018
D. Davis
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引用次数: 0
Heidegger’s Idea of Dwelling: Narrative Style in Faulkner’s As I Lay Dying 海德格尔的居住观:福克纳《我弥留之际》的叙事风格
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2023-05-23 DOI: 10.1353/mss.2022.0017
Colleen Shuching Wu
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引用次数: 0
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MISSISSIPPI QUARTERLY
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