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Postregional Fictions: Barry Hannah and the Challenges of Southern Studies by Clare Chadd (review) Clare Chadd的《后地区小说:巴里·汉纳与南方研究的挑战》(综述)
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2022-12-10 DOI: 10.1353/mss.2021.0020
James B. Potts
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引用次数: 0
A Discipline of Submission: Taste and Tension in Allen Tate and Paul Ricoeur 服从的纪律:泰特与里科的品味与张力
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2022-10-03 DOI: 10.1353/mss.2022.0011
Robert Vaughan
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引用次数: 0
Speaking Bodies, Kinesthetic Awareness, and Lacanian Performativity in Eudora Welty's "Shower of Gold" 说话的身体、动觉意识和拉康式的表演:尤多拉·韦尔蒂的《黄金阵雨》
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2022-10-03 DOI: 10.1353/mss.2022.0007
Stephen M. Fuller
T HE RICH PANORAMA OF E UDORA W ELTY ’ S LITERARY AND PHOTO graphic output reveals a lifelong interrogation of forms of consciousness that arise from the experience of embodied beings shaped by networks of cultural discourse. By embodied, I assume body theorist Carrie Noland’s 2009 definition in Agency and Embodiment when she identifies the “process whereby collective behaviors and beliefs, acquired through acculturation, are rendered individual and ‘lived’ at the level of the body” (9). To date, the most far-reaching examination of this notion of the body in Welty studies Pollack in Eudora Fiction
E UDORA W ELTY的《文学与摄影》的丰富PANORAMA图形输出揭示了对意识形式的终身审问,这些意识形式是由文化话语网络塑造的具体存在的体验产生的。通过具体化,我假设了身体理论家Carrie Noland 2009年在《代理与具体化》中的定义,她确定了“通过文化适应获得的集体行为和信仰被赋予个体并在身体层面上‘生活’的过程”(9)。迄今为止,韦尔蒂对身体这一概念最深远的研究是尤多拉小说中的波拉克
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引用次数: 0
A Marriage between Tricksters: Literary Heritage in Charles W. Chesnutt's "The Wife of His Youth" 骗子之间的婚姻:查尔斯·W·切斯纳特《年轻时的妻子》中的文学遗产
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2022-10-03 DOI: 10.1353/mss.2022.0008
Yuki Miyazawa
consciousness together to form a connected whole. Creative talent, of whatever grade, is, in the last analysis, only the power of rearrangement— there is nothing new under the sun. I was the more firmly impressed with this thought after I had interviewed half a dozen old women, and a genuine “conjure doctor;” for I discovered that the brilliant touches, due, I had thought, to my own imagination, were after all but dormant ideas, lodged in my childish mind by old Aunt This and old Uncle That, and awaiting only the spur of imagination to bring them again to the surface.
意识结合在一起形成一个相连的整体。归根结底,无论什么级别的创造性人才都只是重新安排的力量——阳光下没有什么新鲜事。在我采访了六位老妇人和一位真正的“魔术师”之后,我对这个想法印象更为深刻;因为我发现,我认为,由于我自己的想象,那些精彩的触动,几乎都是休眠的想法,这些想法是由老阿姨这个和老叔叔那个留在我幼稚的脑海中的,只是等待着想象力的刺激,让它们再次浮出水面。
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引用次数: 0
The Southern Lady from Pedestal to Terra Firma: Isa Glenn's Southern Charm 从基座到Terra Firma的南方女士:Isa Glenn的南方魅力
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2022-10-03 DOI: 10.1353/mss.2022.0009
Veronica A. Makowsky
Into their realism of social history or satire come doctrinaire attitudes which are as unhealthy as the undue exaggeration of southern traditions for which writers of the older school have been blamed. They are imported, not native attitudes, and they cause one to reflect how poor an exchange scorn is for sentimentality. In the novels of Frances Newman [her fellow Atlanta native] or the lighter works of Isa Glenn, the deliberate puncturing of pretensions thought to be southern smacks of a paying-off of old scores: the southern woman, now intellectually as emancipated as her northern sister, takes a dig at the tradition that would have kept her in “woman’s place.”
在他们对社会历史或讽刺的现实主义中,出现了教条主义的态度,这种态度与对南方传统的过度夸大一样不健康,而老一辈的作家则被指责为这种夸大的原因。它们是外来的,而不是本土的态度,它们让人反思轻蔑对多愁善感的交换是多么糟糕。在弗朗西斯·纽曼(她的亚特兰大同胞)的小说或伊萨·格伦(Isa Glenn)的轻松作品中,故意刺破被认为是南方人的伪装,有点像是在偿还旧账:这位南方女性,现在在智力上和她的北方姐姐一样解放了,她挖掘了原本可以让她保持“女性地位”的传统
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引用次数: 0
"Old," "New," and "Problem" Souths: Historical Change and Ideological Instability in Thomas Nelson Page's In Ole Virginia “旧”、“新”和“问题”南方:托马斯·纳尔逊·佩奇的《在奥莱维吉尼亚》中的历史变迁和意识形态不稳定
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2022-10-03 DOI: 10.1353/mss.2022.0010
P. Templeton, A. Dix
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引用次数: 0
When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry ed. by Joy Harjo et al. (review) 当世界的光芒被压抑时,我们的歌曲出现了:《诺顿原住民诗歌选集》,乔伊·哈乔等人编。
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2022-10-03 DOI: 10.1353/mss.2022.0012
Lauren Adams
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引用次数: 0
Wearing Down the Fence: Disrupting the Black–White Binary in Ernest J. Gaines’s Of Love and Dust 冲破藩篱:打破欧内斯特·盖恩斯《爱与尘埃》中的黑白二元对立
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2022-06-08 DOI: 10.1353/mss.2022.0001
Maria Hebert-Leiter
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引用次数: 1
Entropy and Equilibrium in Jean Toomer’s Cane 简·图默手杖中的熵和平衡
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2022-06-08 DOI: 10.1353/mss.2022.0004
Matthew Phillips
My reading of Cane is based on Jean Toomer’s use of entropy and the second law of thermodynamics within the text in order to communicate his political aim of a racial equilibrium. Toomer uniquely defined his race as “purely American,” and this was the vision he had hoped to share with the nation by way of his text. He was inspired to write Cane after a stint in Sparta, Georgia, resulted in a formative encounter with what he called the “folk-spirit”—a cultural energy that, even at his first encounter, he found to be degenerating. My research shows that his hope for Cane was to show how the eventual heat-death in the text mirrors his conception of racial equilibrium for the nation. My analysis of the events in Cane shows that Toomer uses his text to lament the folk-spirit that he saw as precious yet inexorably linked to outmoded social and racial models. Toomer sought to dissolve racial barriers through his personal proclamation of his race as purely American, and Cane harbors the creative force of an author freshly inspired by the folk-spirit. My thesis shows that the central theme of Yeats’s The Wind Among the Reeds is one of creation through destruction. My work centers upon one of his lesser-known poems, “The Valley of the Black Pig,” but also focuses on other works from the volume, such as “The Song of Wandering Aengus,” as well as the poem turned play, The Shadowy Waters. I analyze how Yeats’s stylistic choices in his poems and plays reflect his intellectual processes at the time of their composition. The stability of bibliography allows me to read an imaginative context into these works while remaining grounded in evidence that is strongly supported by chronology and publication data. Much of the research that I have done makes use of both published and unpublished manuscripts of Yeats’s poems and plays. The information I glean from early drafts allows me to trace Yeats’s intellectual process through several revisions of each text. Through this method I am able to show that the regenerative cycles of creation through destruction—rebirth via sacrifice—in 1899’s The Wind Among the Reeds are the result of a creative process that Yeats began as early as 1884, with the composition of the earliest unpublished draft of his play The Shadowy Waters. He ultimately finds empowerment and stability of identity through the embodiment of diverse personae throughout his body of work.
我对凯恩的阅读是基于吉恩·图默在文本中使用熵和热力学第二定律来传达他种族平衡的政治目标。图默独特地将他的种族定义为“纯粹的美国人”,这是他希望通过他的文本与全国分享的愿景。在乔治亚州的斯巴达呆了一段时间后,他受到了写《甘蔗》的启发,这导致了他与他所谓的“民间精神”的形成性接触——一种文化能量,甚至在他第一次接触时,他就发现这种文化能量正在退化。我的研究表明,他对凯恩的希望是展示文本中最终的热死如何反映了他对国家种族平衡的看法。我对凯恩事件的分析表明,图默用他的文字来哀叹民间精神,他认为这种精神是宝贵的,但却与过时的社会和种族模式无情地联系在一起。图默试图通过他个人宣称他的种族是纯粹的美国人来消除种族障碍,而凯恩则拥有一位受到民间精神启发的作家的创造力。我的论文表明叶芝的《芦苇间的风》的中心主题是通过破坏创造。我的研究主要集中在他的一首不太为人所知的诗《黑猪谷》上,但也关注他的其他作品,比如《流浪的安古斯之歌》,以及由诗歌改编的戏剧《暗水》。我分析了叶芝在诗歌和戏剧中的风格选择如何反映了他创作时的思维过程。参考书目的稳定性使我能够在这些作品中阅读一个富有想象力的背景,同时保持在年表和出版数据强有力支持的证据基础上。我所做的大部分研究都使用了叶芝已发表和未发表的诗歌和戏剧手稿。我从早期草稿中收集到的信息使我能够通过对每篇文章的几次修改来追踪叶芝的思想历程。通过这种方法,我能够证明,在1899年的《芦苇间的风》中,通过破坏创造的再生循环——通过牺牲获得重生——是叶芝早在1884年就开始创作的过程的结果,他的戏剧《暗影之水》最早的未发表的草稿就已经开始了。他最终通过在他的作品中体现不同的人物,找到了身份的授权和稳定。
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引用次数: 0
Policing Intimacy: Law, Sexuality, and the Color Line in Twentieth-Century Hemispheric American Literature by Jenna Grace Sciuto (review) 《亲密警务:20世纪半球美国文学中的法律、性和肤色界线》,珍娜·格蕾丝·休托著(书评)
IF 0.1 4区 文学 Q4 Arts and Humanities Pub Date : 2022-06-08 DOI: 10.1353/mss.2022.0006
T. Whalen
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引用次数: 0
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