{"title":"James E. McGirt's Periodical, Poetry, and Performance: Bringing the Southern Landscape to Popular Audiences in the Pre-Harlem Renaissance Period","authors":"A. Okuda","doi":"10.1353/mss.2021.0022","DOIUrl":"https://doi.org/10.1353/mss.2021.0022","url":null,"abstract":"","PeriodicalId":35190,"journal":{"name":"MISSISSIPPI QUARTERLY","volume":"74 1","pages":"363 - 392"},"PeriodicalIF":0.1,"publicationDate":"2022-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46222980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Postregional Fictions: Barry Hannah and the Challenges of Southern Studies by Clare Chadd (review)","authors":"James B. Potts","doi":"10.1353/mss.2021.0020","DOIUrl":"https://doi.org/10.1353/mss.2021.0020","url":null,"abstract":"","PeriodicalId":35190,"journal":{"name":"MISSISSIPPI QUARTERLY","volume":"74 1","pages":"467 - 470"},"PeriodicalIF":0.1,"publicationDate":"2022-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49226210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Discipline of Submission: Taste and Tension in Allen Tate and Paul Ricoeur","authors":"Robert Vaughan","doi":"10.1353/mss.2022.0011","DOIUrl":"https://doi.org/10.1353/mss.2022.0011","url":null,"abstract":"","PeriodicalId":35190,"journal":{"name":"MISSISSIPPI QUARTERLY","volume":"74 1","pages":"335 - 357"},"PeriodicalIF":0.1,"publicationDate":"2022-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42484026","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
T HE RICH PANORAMA OF E UDORA W ELTY ’ S LITERARY AND PHOTO graphic output reveals a lifelong interrogation of forms of consciousness that arise from the experience of embodied beings shaped by networks of cultural discourse. By embodied, I assume body theorist Carrie Noland’s 2009 definition in Agency and Embodiment when she identifies the “process whereby collective behaviors and beliefs, acquired through acculturation, are rendered individual and ‘lived’ at the level of the body” (9). To date, the most far-reaching examination of this notion of the body in Welty studies Pollack in Eudora Fiction
E UDORA W ELTY的《文学与摄影》的丰富PANORAMA图形输出揭示了对意识形式的终身审问，这些意识形式是由文化话语网络塑造的具体存在的体验产生的。通过具体化，我假设了身体理论家Carrie Noland 2009年在《代理与具体化》中的定义，她确定了“通过文化适应获得的集体行为和信仰被赋予个体并在身体层面上‘生活’的过程”（9）。迄今为止，韦尔蒂对身体这一概念最深远的研究是尤多拉小说中的波拉克
{"title":"Speaking Bodies, Kinesthetic Awareness, and Lacanian Performativity in Eudora Welty's \"Shower of Gold\"","authors":"Stephen M. Fuller","doi":"10.1353/mss.2022.0007","DOIUrl":"https://doi.org/10.1353/mss.2022.0007","url":null,"abstract":"T HE RICH PANORAMA OF E UDORA W ELTY ’ S LITERARY AND PHOTO graphic output reveals a lifelong interrogation of forms of consciousness that arise from the experience of embodied beings shaped by networks of cultural discourse. By embodied, I assume body theorist Carrie Noland’s 2009 definition in Agency and Embodiment when she identifies the “process whereby collective behaviors and beliefs, acquired through acculturation, are rendered individual and ‘lived’ at the level of the body” (9). To date, the most far-reaching examination of this notion of the body in Welty studies Pollack in Eudora Fiction","PeriodicalId":35190,"journal":{"name":"MISSISSIPPI QUARTERLY","volume":"74 1","pages":"251 - 269"},"PeriodicalIF":0.1,"publicationDate":"2022-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45706874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
consciousness together to form a connected whole. Creative talent, of whatever grade, is, in the last analysis, only the power of rearrangement— there is nothing new under the sun. I was the more firmly impressed with this thought after I had interviewed half a dozen old women, and a genuine “conjure doctor;” for I discovered that the brilliant touches, due, I had thought, to my own imagination, were after all but dormant ideas, lodged in my childish mind by old Aunt This and old Uncle That, and awaiting only the spur of imagination to bring them again to the surface.
{"title":"A Marriage between Tricksters: Literary Heritage in Charles W. Chesnutt's \"The Wife of His Youth\"","authors":"Yuki Miyazawa","doi":"10.1353/mss.2022.0008","DOIUrl":"https://doi.org/10.1353/mss.2022.0008","url":null,"abstract":"consciousness together to form a connected whole. Creative talent, of whatever grade, is, in the last analysis, only the power of rearrangement— there is nothing new under the sun. I was the more firmly impressed with this thought after I had interviewed half a dozen old women, and a genuine “conjure doctor;” for I discovered that the brilliant touches, due, I had thought, to my own imagination, were after all but dormant ideas, lodged in my childish mind by old Aunt This and old Uncle That, and awaiting only the spur of imagination to bring them again to the surface.","PeriodicalId":35190,"journal":{"name":"MISSISSIPPI QUARTERLY","volume":"74 1","pages":"271 - 287"},"PeriodicalIF":0.1,"publicationDate":"2022-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47333464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Into their realism of social history or satire come doctrinaire attitudes which are as unhealthy as the undue exaggeration of southern traditions for which writers of the older school have been blamed. They are imported, not native attitudes, and they cause one to reflect how poor an exchange scorn is for sentimentality. In the novels of Frances Newman [her fellow Atlanta native] or the lighter works of Isa Glenn, the deliberate puncturing of pretensions thought to be southern smacks of a paying-off of old scores: the southern woman, now intellectually as emancipated as her northern sister, takes a dig at the tradition that would have kept her in “woman’s place.”
{"title":"The Southern Lady from Pedestal to Terra Firma: Isa Glenn's Southern Charm","authors":"Veronica A. Makowsky","doi":"10.1353/mss.2022.0009","DOIUrl":"https://doi.org/10.1353/mss.2022.0009","url":null,"abstract":"Into their realism of social history or satire come doctrinaire attitudes which are as unhealthy as the undue exaggeration of southern traditions for which writers of the older school have been blamed. They are imported, not native attitudes, and they cause one to reflect how poor an exchange scorn is for sentimentality. In the novels of Frances Newman [her fellow Atlanta native] or the lighter works of Isa Glenn, the deliberate puncturing of pretensions thought to be southern smacks of a paying-off of old scores: the southern woman, now intellectually as emancipated as her northern sister, takes a dig at the tradition that would have kept her in “woman’s place.”","PeriodicalId":35190,"journal":{"name":"MISSISSIPPI QUARTERLY","volume":"74 1","pages":"289 - 311"},"PeriodicalIF":0.1,"publicationDate":"2022-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47578783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Old,\" \"New,\" and \"Problem\" Souths: Historical Change and Ideological Instability in Thomas Nelson Page's In Ole Virginia","authors":"P. Templeton, A. Dix","doi":"10.1353/mss.2022.0010","DOIUrl":"https://doi.org/10.1353/mss.2022.0010","url":null,"abstract":"","PeriodicalId":35190,"journal":{"name":"MISSISSIPPI QUARTERLY","volume":"74 1","pages":"313 - 333"},"PeriodicalIF":0.1,"publicationDate":"2022-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44721069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry ed. by Joy Harjo et al. (review)","authors":"Lauren Adams","doi":"10.1353/mss.2022.0012","DOIUrl":"https://doi.org/10.1353/mss.2022.0012","url":null,"abstract":"","PeriodicalId":35190,"journal":{"name":"MISSISSIPPI QUARTERLY","volume":"74 1","pages":"359 - 361"},"PeriodicalIF":0.1,"publicationDate":"2022-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47069099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Wearing Down the Fence: Disrupting the Black–White Binary in Ernest J. Gaines’s Of Love and Dust","authors":"Maria Hebert-Leiter","doi":"10.1353/mss.2022.0001","DOIUrl":"https://doi.org/10.1353/mss.2022.0001","url":null,"abstract":"","PeriodicalId":35190,"journal":{"name":"MISSISSIPPI QUARTERLY","volume":"74 1","pages":"143 - 160"},"PeriodicalIF":0.1,"publicationDate":"2022-06-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41722480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
My reading of Cane is based on Jean Toomer’s use of entropy and the second law of thermodynamics within the text in order to communicate his political aim of a racial equilibrium. Toomer uniquely defined his race as “purely American,” and this was the vision he had hoped to share with the nation by way of his text. He was inspired to write Cane after a stint in Sparta, Georgia, resulted in a formative encounter with what he called the “folk-spirit”—a cultural energy that, even at his first encounter, he found to be degenerating. My research shows that his hope for Cane was to show how the eventual heat-death in the text mirrors his conception of racial equilibrium for the nation. My analysis of the events in Cane shows that Toomer uses his text to lament the folk-spirit that he saw as precious yet inexorably linked to outmoded social and racial models. Toomer sought to dissolve racial barriers through his personal proclamation of his race as purely American, and Cane harbors the creative force of an author freshly inspired by the folk-spirit. My thesis shows that the central theme of Yeats’s The Wind Among the Reeds is one of creation through destruction. My work centers upon one of his lesser-known poems, “The Valley of the Black Pig,” but also focuses on other works from the volume, such as “The Song of Wandering Aengus,” as well as the poem turned play, The Shadowy Waters. I analyze how Yeats’s stylistic choices in his poems and plays reflect his intellectual processes at the time of their composition. The stability of bibliography allows me to read an imaginative context into these works while remaining grounded in evidence that is strongly supported by chronology and publication data. Much of the research that I have done makes use of both published and unpublished manuscripts of Yeats’s poems and plays. The information I glean from early drafts allows me to trace Yeats’s intellectual process through several revisions of each text. Through this method I am able to show that the regenerative cycles of creation through destruction—rebirth via sacrifice—in 1899’s The Wind Among the Reeds are the result of a creative process that Yeats began as early as 1884, with the composition of the earliest unpublished draft of his play The Shadowy Waters. He ultimately finds empowerment and stability of identity through the embodiment of diverse personae throughout his body of work.
{"title":"Entropy and Equilibrium in Jean Toomer’s Cane","authors":"Matthew Phillips","doi":"10.1353/mss.2022.0004","DOIUrl":"https://doi.org/10.1353/mss.2022.0004","url":null,"abstract":"My reading of Cane is based on Jean Toomer’s use of entropy and the second law of thermodynamics within the text in order to communicate his political aim of a racial equilibrium. Toomer uniquely defined his race as “purely American,” and this was the vision he had hoped to share with the nation by way of his text. He was inspired to write Cane after a stint in Sparta, Georgia, resulted in a formative encounter with what he called the “folk-spirit”—a cultural energy that, even at his first encounter, he found to be degenerating. My research shows that his hope for Cane was to show how the eventual heat-death in the text mirrors his conception of racial equilibrium for the nation. My analysis of the events in Cane shows that Toomer uses his text to lament the folk-spirit that he saw as precious yet inexorably linked to outmoded social and racial models. Toomer sought to dissolve racial barriers through his personal proclamation of his race as purely American, and Cane harbors the creative force of an author freshly inspired by the folk-spirit. My thesis shows that the central theme of Yeats’s The Wind Among the Reeds is one of creation through destruction. My work centers upon one of his lesser-known poems, “The Valley of the Black Pig,” but also focuses on other works from the volume, such as “The Song of Wandering Aengus,” as well as the poem turned play, The Shadowy Waters. I analyze how Yeats’s stylistic choices in his poems and plays reflect his intellectual processes at the time of their composition. The stability of bibliography allows me to read an imaginative context into these works while remaining grounded in evidence that is strongly supported by chronology and publication data. Much of the research that I have done makes use of both published and unpublished manuscripts of Yeats’s poems and plays. The information I glean from early drafts allows me to trace Yeats’s intellectual process through several revisions of each text. Through this method I am able to show that the regenerative cycles of creation through destruction—rebirth via sacrifice—in 1899’s The Wind Among the Reeds are the result of a creative process that Yeats began as early as 1884, with the composition of the earliest unpublished draft of his play The Shadowy Waters. He ultimately finds empowerment and stability of identity through the embodiment of diverse personae throughout his body of work.","PeriodicalId":35190,"journal":{"name":"MISSISSIPPI QUARTERLY","volume":"74 1","pages":"203 - 225"},"PeriodicalIF":0.1,"publicationDate":"2022-06-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48808645","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：