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Passage - Tidsskrift for litteratur og kritik最新文献

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Intim planetaritet 亲密的星球关系
Pub Date : 2024-01-10 DOI: 10.7146/pas.v38i90.143025
Agnethe Bennedsgaard
This article aims to show how planetary comparativism, inspired by Gayatri Chakravorty Spivak, can be used as a framework that embraces the alienating state of the world. Herein, I study how intimate and planetary perspectives melt together in the neogothic feminist novels of Hang Kang and Samanta Schweblin. I thus conclude that planetarity can function both as planetary perspectives within novels but also as an alienating planetary reading strategy.
本文旨在说明,受盖特里-查克拉沃蒂-斯皮瓦克(Gayatri Chakravorty Spivak)启发的行星比较主义如何被用作一种包容世界异化状态的框架。在此,我研究了在姜杭(Hang Kang)和萨曼塔-施韦布林(Samanta Schweblin)的新哥特式女性主义小说中,亲密视角和行星视角是如何融为一体的。由此,我得出结论,行星性既可以作为小说中的行星视角,也可以作为一种异化的行星阅读策略。
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引用次数: 0
Planetariske infrastrukturer 行星基础设施
Pub Date : 2024-01-10 DOI: 10.7146/pas.v38i90.143021
Erik Granly Jensen
Ifølge den engelske arkitekturteoretiker Keller Easterling markerer året 1869 begyndelsen på en ny æra i den imperiale kapitalismes historie. Easterling bestemmer denne æra som “infrastrukturens paradigme” og nævner den transkontinentale amerikanske jernbane og åbningen af Suez Kanalen som åbenlyse eksempler. Den iransk-amerikanske infrastrukturforsker Laleh Khalili har dog foreslået, at udviklingen af telegrafiske søkabler også skal føjes til denne liste. Det er præcis denne infrastrukturelle og teknologiske udvikling (jernbaner, udgravninger og telegrafiske netværk), der udgør bagtæppet i den franske forfatter Jules Vernes berømte roman om den engelske eventyrer Phileas Foggs væddemål om at rejse Jorden rundt på 80 dage (1872). Artiklen analyserer romanen i dens infrastrukturelle, teknologihistoriske og imperiale kontekst og foreslår, at romanformen i perioden transformeres af såvel 1800-tallets kulturindustrielle kredsløb som af de nye kommunikationsteknologier.
英国建筑理论家凯勒-伊斯特林认为,1869 年标志着帝国资本主义历史新纪元的开始。伊斯特林将这一时代定义为 "基础设施的典范",并以横贯美国大陆的铁路和苏伊士运河的开通为例。不过,美籍伊朗人、基础设施研究员拉莱赫-哈利利(Laleh Khalili)认为,海底电报电缆的发展也应被列入这一名单。法国作家儒勒-凡尔纳的著名小说《菲利亚斯-福格》(1872 年)讲述了英国冒险家菲利亚斯-福格打赌在 80 天内环游世界的故事。文章从基础设施、技术和帝国背景的角度分析了这部小说,并指出这一时期的小说形式受到了十九世纪文化工业线路和新通信技术的影响。
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引用次数: 0
Forord Forord
Pub Date : 2024-01-10 DOI: 10.7146/pas.v38i90.143015
Redaktionen
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引用次数: 0
Anmeldelser 评论
Pub Date : 2024-01-10 DOI: 10.7146/pas.v38i90.143023
Nils Gunder Hansen, Steen Klitgård Povlsen
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引用次数: 0
Det planetariske blik 行星凝视
Pub Date : 2024-01-10 DOI: 10.7146/pas.v38i90.143022
Adam Paulsen
With the breakthrough of the space industry after World War II, it became possible for the first time to view the Earth from space, resulting in two of the most spectacular images in history, “Earthrise” (1968) and “The Blue Marble” (1972). Building on these images and the new sensitivity to the Earth that emerged as a result of space technologies and satellite-based observations of the planet during the Cold War, the article argues that German writer Günter Kunert (1929-2019) was one of the few who understood from the very beginning the importance and significance of this “Copernican revolution of the gaze”, and that in his poetry from the early 1960s onwards, he continuously explored man’s place in the cosmos in the age of space travel.
第二次世界大战后,随着航天工业的突破,人们第一次有可能从太空观测地球,从而产生了历史上最壮观的两幅图像,即 "地球升起"(1968 年)和 "蓝色大理石"(1972 年)。文章认为,德国作家京特-库纳特(Günter Kunert,1929-2019 年)是少数几个从一开始就理解这场 "哥白尼式凝视革命 "的重要性和意义的人之一,他从 20 世纪 60 年代初开始就在诗歌中不断探索人类在太空旅行时代的宇宙中的位置。
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引用次数: 0
Planetens floder 地球上的河流
Pub Date : 2024-01-10 DOI: 10.7146/pas.v38i90.143020
Malte Damgaard Hansen
By examining river motifs in the works of Jean-Antoine de Baïf, Michel de Montaigne, and Samuel de Champlain, this article discusses rivers in the French Renaissance as a destabilizing figure, which questions human position within a nonhuman environment.
通过研究让-安托万-德-巴伊夫、米歇尔-德-蒙田和塞缪尔-德-尚普兰作品中的河流主题,本文讨论了法国文艺复兴时期的河流作为一种不稳定的形象,对人类在非人类环境中的地位提出了质疑。
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引用次数: 0
“Ulvetid, stormtid til verden ender” "狼时间,暴风雨时间,直到世界末日"
Pub Date : 2024-01-09 DOI: 10.7146/pas.v38i90.143014
Rikke Andersen Kraglund
This article explores how Karl Ove Knausgård, in his ongoing Morning Star-series (2020-), incorporates a planetary perspective on the consequences of the climate crisis. Within his series, he introduces a time where no one dies, prompting reflections on the reasons behind morality and the potentialchallenges to Earth's ecosystem if death were to disappear or if humans lived significantly longer. The narrative adopts an estranged perspective to shed light on tendencies in our current society that may contribute to the climate catastrophe, highlighting mankind's role as a destructive geological force.
这篇文章探讨了卡尔-奥维-克瑙斯高在他正在创作的《晨星》系列(2020-)中,如何从地球的角度来看待气候危机的后果。在他的系列作品中,他引入了一个无人死亡的时代,引发人们思考道德背后的原因,以及如果死亡消失或人类寿命大幅延长,地球生态系统可能面临的挑战。叙事采用了一种疏离的视角,揭示了我们当前社会中可能导致气候灾难的倾向,突出了人类作为一种破坏性地质力量的作用。
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引用次数: 0
Mindefalskneren
Pub Date : 2022-07-12 DOI: 10.7146/pas.v37i87.133261
Abbas Khider
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引用次数: 0
Asiatisk resignation
Pub Date : 2022-07-12 DOI: 10.7146/pas.v37i87.133269
Anders Ehlers Dam
This article offers a reading of Herman Bang’s Novel De uden Fædreland – (Those Without a Nation–) under the perspective of the so-called “Yellow Peril”, a wide- spread theory at the beginning of the 20th century, which believed that Europe was threatened by a pan-Asian movement. The article claims that Bang’s fear of Asia and of European decline is mixed with a certain sympathy for Buddhism and the idea of resignation.
本文从20世纪初流传甚广的“黄祸论”的视角解读了赫尔曼·邦的小说《没有民族的人》。“黄祸论”认为欧洲受到了泛亚洲运动的威胁。这篇文章声称,Bang对亚洲和欧洲衰落的恐惧夹杂着对佛教的某种同情和放弃的想法。
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引用次数: 0
157 ting, man ikke må gå glip af i ny dansk litteratur – mindst
Pub Date : 2022-07-12 DOI: 10.7146/pas.v37i87.133270
Per Stounbjerg
Anmeldelse af: Anne-Marie Mai: Litteraturland. En GPS. Kbh.: Hans Reitzel 2022. 463 sider.
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引用次数: 0
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Passage - Tidsskrift for litteratur og kritik
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