Pub Date : 2022-07-12DOI: 10.7146/pas.v37i87.133268
Even Teistung
In Jenny Erpenbeck’s novel Heimsuchung (2008), the German national border is subject to continual change as the history of the 20th century is played out over the course of 11 main chapters, in which different occupants of a lakeside property move in and out of the narrative. The article examines the national border as struc- turing principle in Erpenbeck’s novel, and the interplay between border, national identity, Heimat and the plight of the refugee.
{"title":"Idet landet forsvinder","authors":"Even Teistung","doi":"10.7146/pas.v37i87.133268","DOIUrl":"https://doi.org/10.7146/pas.v37i87.133268","url":null,"abstract":"\u0000 \u0000 \u0000In Jenny Erpenbeck’s novel Heimsuchung (2008), the German national border is subject to continual change as the history of the 20th century is played out over the course of 11 main chapters, in which different occupants of a lakeside property move in and out of the narrative. The article examines the national border as struc- turing principle in Erpenbeck’s novel, and the interplay between border, national identity, Heimat and the plight of the refugee. \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"109 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125173400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-12DOI: 10.7146/pas.v37i87.133260
Adam Paulsen
Introduktion til Abbas Khider
阿巴斯-希德简介
{"title":"Introduktion til Abbas Khider","authors":"Adam Paulsen","doi":"10.7146/pas.v37i87.133260","DOIUrl":"https://doi.org/10.7146/pas.v37i87.133260","url":null,"abstract":"Introduktion til Abbas Khider","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128858884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-12DOI: 10.7146/pas.v37i87.133267
Sofie Axelsen
This article examines the ability of literature and art to uncover, reflect and differentiate important dimensions in the present-day refugee and migrant crisis in and around the Mediterranean. Through an interdisciplinary study, in which theories of comparative literature and the science of religion are used to gain insight into some of the anthropological and metaphysical complications of the border-crossing, the article concludes that the aesthetic flight narratives bring a multifaceted, nuanced contribution to the complicated migrant and refugee crisis.
{"title":"Drømmen om Europa","authors":"Sofie Axelsen","doi":"10.7146/pas.v37i87.133267","DOIUrl":"https://doi.org/10.7146/pas.v37i87.133267","url":null,"abstract":"\u0000 \u0000 \u0000This article examines the ability of literature and art to uncover, reflect and differentiate important dimensions in the present-day refugee and migrant crisis in and around the Mediterranean. Through an interdisciplinary study, in which theories of comparative literature and the science of religion are used to gain insight into some of the anthropological and metaphysical complications of the border-crossing, the article concludes that the aesthetic flight narratives bring a multifaceted, nuanced contribution to the complicated migrant and refugee crisis. \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129617680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-12DOI: 10.7146/pas.v37i87.133262
Johan Schimanski
Many border-crossings take an extended form where it seems that travelers and mi- grants crossing a national border have not really crossed the border at all. It is as if they have taken the border with them and still exist in bubble-like extension of the territory they come from. They visit or live in another country, but are bordered off from their surroundings by the symbolic boundaries of culture and language, a border which can follow the topographical contours of a diasporic or touristic community or their own bodies. Or they live on these borders they have nominally crossed, in hybrid cultures and ambivalent spaces: they have both crossed and not crossed the border. In both cases, the external border has moved into the territory and become an internal border, either to the territory or the border-crosser’s self. The (il)logic of ext/internal borders may also apply to larger territories. But mul- tinational continental spaces pose their own challenges, since the folding of exter- nal territorial borders onto internal spaces through travel and migration overlays a space which is already divided into nations and, in the European case, the divides between “real Europes” and “other Europes”. The location of the outer border of Europe is unsure: It may only be an outer border in one conception of Europe, and at the same time be an inner European border in another conception of Europe. In this article, I use border poetics to analyze how memories of in/external borders on both national and continental scales are publicly negotiated in the novel Spaltkopf (2008) by Julya Rabinowich, a coming-of-age narrative whose protagonist migrates from Russia to Vienna as a child.
{"title":"Europæiske grænser (ud)foldet","authors":"Johan Schimanski","doi":"10.7146/pas.v37i87.133262","DOIUrl":"https://doi.org/10.7146/pas.v37i87.133262","url":null,"abstract":"\u0000 \u0000 \u0000 \u0000Many border-crossings take an extended form where it seems that travelers and mi- grants crossing a national border have not really crossed the border at all. It is as if they have taken the border with them and still exist in bubble-like extension of the territory they come from. They visit or live in another country, but are bordered off from their surroundings by the symbolic boundaries of culture and language, a border which can follow the topographical contours of a diasporic or touristic community or their own bodies. Or they live on these borders they have nominally crossed, in hybrid cultures and ambivalent spaces: they have both crossed and not crossed the border. In both cases, the external border has moved into the territory and become an internal border, either to the territory or the border-crosser’s self. The (il)logic of ext/internal borders may also apply to larger territories. But mul- tinational continental spaces pose their own challenges, since the folding of exter- nal territorial borders onto internal spaces through travel and migration overlays a space which is already divided into nations and, in the European case, the divides between “real Europes” and “other Europes”. The location of the outer border of Europe is unsure: It may only be an outer border in one conception of Europe, and at the same time be an inner European border in another conception of Europe. In this article, I use border poetics to analyze how memories of in/external borders on both national and continental scales are publicly negotiated in the novel Spaltkopf (2008) by Julya Rabinowich, a coming-of-age narrative whose protagonist migrates from Russia to Vienna as a child. \u0000 \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"131 8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122193432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-12DOI: 10.7146/pas.v37i87.133264
Mikkel Nørregaard Jørgensen
This article explores how, and in which ways, the poems “Home” by poet Warsan Shire and “Brev till Europa” by poet Athena Farrokhzad performs an aesthetic critique of contemporary borders by establishing the figures “the home” and “Europe” as imaginary utopian borderscape formations. Through an analysis of the function of the two figures, the article concludes that the poems offer ways to re-imagine bordered spaces as spaces of solidarity. Utopi, Dystopi, Borderscape, Grænseforestillinger, Grænseæstetik
本文探讨了诗人Warsan Shire的《家》和诗人Athena Farrokhzad的《到欧罗巴的短暂》这两首诗如何以及以何种方式，通过将“家”和“欧洲”这两个数字建立为想象中的乌托邦式边界景观，对当代边界进行美学批判。通过对这两个人物的功能分析，文章得出结论，这两首诗提供了将边界空间重新想象为团结空间的途径。乌托邦，反乌托邦，Borderscape, gr æ nseforetillinger, Grænseæstetik
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Pub Date : 2022-07-12DOI: 10.7146/pas.v37i87.133271
Sophie Wennerscheid
Anmeldelse af: Camilla Schwartz: Take me to neverland. Voksenfobi og ungdomsdyrkelse i skandinavisk samtidslitteratur. Hellerup: Spring 2021. 265 sider.
{"title":"Mellem oprør og konformitet. Om uviljen mod at blive voksen i nordisk samtidslitteratur","authors":"Sophie Wennerscheid","doi":"10.7146/pas.v37i87.133271","DOIUrl":"https://doi.org/10.7146/pas.v37i87.133271","url":null,"abstract":"Anmeldelse af: Camilla Schwartz: Take me to neverland. Voksenfobi og ungdomsdyrkelse i skandinavisk samtidslitteratur. Hellerup: Spring 2021. 265 sider.","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"194 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114008346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-12DOI: 10.7146/pas.v37i87.133266
Helle Egendal
The article explores the aesthetic and political potential of multilingual literature to describe and transgress borders. During the past 30 years, a new subgenre of transcultural literature has emerged, in which the author’s multilingual biography is mobilized for aesthetic experiments loaded with subversive power. The article refers to case studies from Denmark, Germany and Sweden: Yahya Hassan’s Yahya Hassan (2013) and Yahya Hassan 2 (2019), Feridun Zaimoğlu’s Kanak Sprak. 24 Misstöne vom Rande der Gesellschaft (1995), and Jonas Hassen Khemiri’s Ett öga rött (2003). The works are compared in respect to their ability to create voices that manage to break through the wall of the ghetto, interfering with the political dis- course on themes like migration, racism, and social inequality. The focus of the in- vestigation is on Yahya Hassan.
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Pub Date : 2022-02-14DOI: 10.7146/pas.v36i86.130768
Hans Kristian S. Rustad
Anmeldelse af Erik Skyum-Nielsen: En særlig del af naturen. Læsninger af 20 danske digte, Informations Forlag, 2021.
{"title":"Hvad naturdigterne altid har fornemmet, og hvad lyrikhistorie også kan være","authors":"Hans Kristian S. Rustad","doi":"10.7146/pas.v36i86.130768","DOIUrl":"https://doi.org/10.7146/pas.v36i86.130768","url":null,"abstract":"Anmeldelse af Erik Skyum-Nielsen: En særlig del af naturen. Læsninger af 20 danske digte, Informations Forlag, 2021.","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117181922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-14DOI: 10.7146/pas.v36i86.130754
Monica Wenusch
In my article I examine the diverging and manifold images of the novel Kongens Fald as depicted in resp. the Danish and German-speaking contemporary reception, due to the different conditions and contextualizations in the resp. book markets. Theoretically my analysis is mainly based on D.F. McKenzie’s thoughts outlined in “The Book as an Expressive Form” (1985).
在我的文章中，我研究了小说《国王法尔德》中不同的和多样的形象。丹麦语和德语的当代接受，由于在各自的条件和语境的不同。书市场。从理论上讲，我的分析主要基于D.F. McKenzie在1985年的《The Book as a Expressive Form》一书中概述的思想。
{"title":"Kongens Falds positionering på tværs af markeder","authors":"Monica Wenusch","doi":"10.7146/pas.v36i86.130754","DOIUrl":"https://doi.org/10.7146/pas.v36i86.130754","url":null,"abstract":"\u0000 \u0000 \u0000In my article I examine the diverging and manifold images of the novel Kongens Fald as depicted in resp. the Danish and German-speaking contemporary reception, due to the different conditions and contextualizations in the resp. book markets. Theoretically my analysis is mainly based on D.F. McKenzie’s thoughts outlined in “The Book as an Expressive Form” (1985). \u0000 \u0000 \u0000","PeriodicalId":360035,"journal":{"name":"Passage - Tidsskrift for litteratur og kritik","volume":"99 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133143274","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-14DOI: 10.7146/pas.v36i86.130758
Stefan Iversen
Reading Jensen’s The Fall of the King, this essay pursues the idea that the novel’s descriptions of hate, hate speech and idiosyncrasies not only serve as insights into troubled subjectivities and dehumanizing social logics but that they are crucial elements of the particular aesthetic practices that have helped turn the novel into a key document in Danish literary history. Drawing on recent theoretical work on the relationships between hate, hate-speech and literature, the article argues that the novel owes much of its shocking and undecidable qualities, its ability to make its reader flinch at the knife, to its engagement with the rhetoric and phenomenology of hate.
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