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The Semangat and the Mantra in Java, Indonesia 在印尼爪哇的圣言和咒语
Q4 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.47298/jala.v5-i1-a4
Michael Hadzantonis
The Javanese mantra is a communicative act, and a spiritual dialogue. During the mantra ritual, the shaman Orang Pinter and supplicant receiving the intervention select become equal agents, as they intervene for change in the cultural and spiritual disposition of the supplicant. But in this paper. The presentation discusses ethnographic work over 10 years during which over 1500 mantras were documented throughout central to east Java, Indonesia, To effect the documentation process, I engaged with a range of communities and individuals throughout Java, that is, Yogyakarta, Solo, Surabaya, Alas Purwo, Salatiga, Bali, and other localities, Spiritual interventions were witnessed, and we suggest religious affiliation tells only part of the story. Drawing on frameworks of symbolic interactionism, and phenomenological nominalism, the synopsis discusses how a poetic discourse analysis of mantras can describe a system employed by these shamans and the supplicants to discursively facilitate the spiritual process, by altering the dissociative state of the supplicant. The talk concludes by presenting a model for the mantra in Java, and possibly in other global regions. Within this model, several overlapping processes mediate the drawing on cultural symbolisms, and overlap in strategic designs, to to effect change in the supplicant. The paper draws on work by Rebecca Seligman, who has conducted similar ethnographic and theoretical work in the South American context.
爪哇人的咒语是一种交流行为,也是一种精神对话。在咒语仪式中,萨满Orang Pinter和接受干预选择的恳求者成为平等的代理人,因为他们干预改变恳求者的文化和精神倾向。但在这篇论文中。该报告讨论了10多年来的民族志工作,在此期间,在印度尼西亚爪哇中部到东部记录了1500多个咒语。为了影响记录过程,我与整个爪哇的一系列社区和个人进行了接触,即日惹,梭罗,泗水,阿拉斯普沃,萨拉提加,巴厘岛和其他地方,见证了精神干预,我们认为宗教信仰只是故事的一部分。利用符号互动主义和现象学唯名论的框架,摘要讨论了咒语的诗意话语分析如何描述这些萨满和祈求者所使用的系统,通过改变祈求者的游离状态,在话语上促进精神过程。演讲的最后介绍了Java中的咒语模型,也可能是全球其他地区的。在这个模型中,几个重叠的过程调解了文化符号的绘制,并在战略设计中重叠,以影响申请人的变化。这篇论文借鉴了丽贝卡·塞利格曼(Rebecca Seligman)的研究成果,她在南美的背景下进行了类似的人种学和理论研究。
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引用次数: 0
Capitalism in Language, and the Digital Era 语言中的资本主义与数字时代
Q4 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.47298/jala.v5-i1-a3
Janis Tennet
This paper examines salient features of linguistic capitalism in the digital era, focusing on the dimensions of space, speed, and marketplace. We attempt to reconstruct the linguistic and economic connections of computation and algorithmic or cybernetic capitalism that reinforces global industrialization. We draw on work that discusses the keystone of Google’s success, which is built on three algorithms, PageRank, Adwords, and auto-completion. Auto-completion transforms linguistic materials with little economic value into a potentially profitable economic resource. We discern some semiotic aspects of data-isation and monetization of digital language. In the digital language spaces dominated by algorithmic capitalism as an aspect of informationalism, signs are detached from their narrative function and temporal dimension, while referring only to other signs. We then explore touch on the question of speed and velocity, which define a new linguistic capitalism. Here, ‘fast language’ is a key element in the marketplace of digital language, both as content and as technology. With the current dominance of companies such as Google, such a study is significant, as it sheds light on the economy of language and linguistic capitalism in the current highly pervasive online context.
本文考察了数字时代语言资本主义的显著特征,重点关注空间、速度和市场的维度。我们试图重建计算和算法或控制论资本主义之间的语言和经济联系,这些联系加强了全球工业化。我们借鉴了讨论谷歌成功的基石的工作,它建立在三个算法上,PageRank, Adwords和自动完成。自动补全将没有什么经济价值的语言材料转化为具有潜在利润的经济资源。我们发现了数字语言数据化和货币化的一些符号学方面的问题。作为信息主义的一个方面,在由算法资本主义主导的数字语言空间中,符号脱离了它们的叙事功能和时间维度,而只是参考其他符号。然后,我们探讨了速度和速度的问题,这定义了一种新的语言资本主义。在这里,“快速语言”是数字语言市场的关键要素,无论是作为内容还是作为技术。鉴于谷歌等公司目前占据主导地位,这样的研究意义重大,因为它揭示了当前高度普及的网络环境下的语言经济和语言资本主义。
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引用次数: 0
Helming Malaysia:Najib Razak’s Metaphors inMalaysian Supply Bills 领导马来西亚:纳吉布·拉扎克在马来西亚供应法案中的隐喻
Q4 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.47298/jala.v5-i1-a1
Farrah Diebaa Rashid Ali
This paper discusses the vocational roles constructed by Najib Razak, the sixth Prime Minister of Malaysia for himself, his government, and relational identities for the Malaysian people and others, through Supply Bills. I model the study on Charteris-Black’s Critical Metaphor Analysis and Sack’s Membership Categorisation Analysis, as frameworks. The findings indicate that Najib Razak and his government enacted a role as a ship captain, where the Malaysian people were positioned as passengers, sailing in a sea of world economy, and heading towards a status as a high-income developed nation. Through these metaphors, the people were reminded that without the government as helm of the ship, it is to reach the intended destination. Therefore, the use of metaphors in the Supply Bills serve predicative, empathetic, ideological, and mythical purposes, to legitimize both the government and its purposes as agents of governmentality.
本文讨论了马来西亚第六任总理纳吉布·拉扎克(Najib Razak)通过《供应法案》为他自己、他的政府以及马来西亚人民和其他人构建的职业角色。本文以Charteris-Black的批判性隐喻分析和Sack的隶属性分类分析为研究框架。研究结果表明,纳吉布和他的政府扮演了船长的角色,马来西亚人民被定位为乘客,在世界经济的海洋中航行,朝着高收入发达国家的地位前进。通过这些比喻,提醒人们,没有政府掌舵,这艘船就会到达预定的目的地。因此,在《供应法案》中使用隐喻具有预言性、移情性、意识形态性和神话性的目的,使政府及其作为治理代理人的目的合法化。
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引用次数: 0
Towards an Ethnography of Pagdihon: The Art and Language of Pottery Making in Antique Province, the Philippines 走向帕迪洪的民族志:菲律宾古玩省陶器制作的艺术和语言
Q4 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.47298/jala.v4-i4-a2
Edbert Jay M. Cabrillos, Weng Cabrillos
Pottery is a creation of ornamentals, cookware, or material storage devices. Yet, while economic gain is often considered when producing these materials, the artistic and linguistic aspects have been ignored. This study discusses factors influencing the culture, process and language of pottery making, in Bari, Antique, in the Philippines. The study documents the community of pottery makers in the region, and begins to record and expose the efficacy of the language intertwining with the pottery making culture. The ethnography included video and audio recording. The study reveals that environmental factors influence the culture of pottery making in the barangay, and as such, eight main processes emerge during the making of the pottery. Together the other processes, the language used in pottery making is an archaic form of Kinaray-a, the language of the province., suggesting a specialized pottery making.
陶器是一种装饰品、炊具或材料储存装置。然而,虽然在制作这些材料时经常考虑经济利益,但艺术和语言方面却被忽视了。本研究探讨影响菲律宾古玩巴里的陶器制作文化、工艺和语言的因素。该研究记录了该地区的陶艺社区,并开始记录和揭示与陶艺文化交织在一起的语言的功效。人种学包括录像和录音。研究表明,环境因素影响了村寨的制陶文化,因此,制陶过程中出现了八个主要过程。加上其他工艺,陶器制作中使用的语言是一种古老的kinaray语——该省的语言。表明这是一种专门的制陶工艺。
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引用次数: 0
Visibility Dependency of Morphosyntactic Variations: A Study on Malabar Mappila Malayalam 形态句法变异的可视性依赖:马拉巴尔麻皮的研究
Q4 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.47298/jala.v4-i4-a4
Thapasya Jayaraj
The paper introduces the concept of ‘visibility’ of the linguistic variant and looks at how it influences language variation by examining the morphosyntactic variations in the discourses in Mappila Malayalam, a sociolect of Malayalam spoken by the Muslim community in Northern Kerala, India namely Mappilas. The study maps the variations in serial verb constructions, case marking, and the perfect aspect marker within the socio-historical context of Mappila Malayalam. The paper also develops towards a theoretical understanding of variation based on the visibility of the variants. Throughout, I observe the variants in Mappila Malayalam that contribute to a unique identity of the community and its extended variations. As such, I adopt a Labovian framework and included aspects of discourse analysis. I advance the work on sociolinguistics and linguistic anthropology by discussing the development of a progressive model of variation, while further evidencing that the structure of the variation and social factors conjointly promote further variation concurrently dependent on the visibility of the variant, while considering instances from Mappila Malayalam.
本文介绍了语言变体的“可见性”概念,并通过检查Mappila Malayalam(印度喀拉拉邦北部穆斯林社区所说的马拉雅拉姆语的一个社会)话语中的形态句法变化来研究它如何影响语言变化。本研究绘制了马拉雅拉姆语社会历史语境中连续动词结构、格标记和完美体标记的变化。本文还发展了基于变异可见性的变异的理论理解。在整个过程中,我观察到马皮拉马拉雅拉姆语的变体,这些变体有助于形成社区的独特身份及其扩展变体。因此,我采用了Labovian框架,并纳入了语篇分析的各个方面。我通过讨论变化的渐进模型的发展来推进社会语言学和语言人类学的工作,同时进一步证明变化的结构和社会因素共同促进进一步的变化,同时依赖于变体的可见性,同时考虑到来自Mappila Malayalam的实例。
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引用次数: 0
Casting Shadows over Malay: Palliating Voice, Palliating the Wayang 在马来语上投下阴影:缓和声音,缓和大阳
Q4 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.47298/jala.v4-i4-a3
Michael Hadzantonis
Wayang Kulit shadow puppetry has, for over one millennium, enacted both political and secular voice, for the maintenance of cultural heritage and social critical opinion. Throughout Malaysia, Wayang has mediated shifts in language ideologies and socialization. Yet, shifts in the Wayang have correlated positively with shifts in the Malay language, in light of Malaysian government efforts to palliate social voice through its control of Wayang and the Malay language and its poetics. This paper addresses the Wayang Kulit and its relevant to the Malay language, as well as its semiotic complexities during performance and in larger society, as a tool for the expansion or suppression of critical social voice. The study exposes these shifts in the Wayang, its stylizations, symbolisms, and its performativities, in the latter 20th century. These changes have aligned with cultural and language shifts, against government attempts to legitimize both pro Islamic and neoliberal ideologies. The data set includes a multi-year ethnography of the Wayang in Malaysia, and a corpus of discussions, documentations, and scripts of Wayang performances and narratives, grounded in an abduction theory methodical framework.
一千多年来,Wayang Kulit皮影戏为维护文化遗产和社会批评意见,发出了政治和世俗的声音。在整个马来西亚,Wayang介导了语言意识形态和社会化的转变。然而,根据马来西亚政府通过控制Wayang、马来语及其诗学来缓和社会声音的努力,Wayang的变化与马来语的变化呈正相关。本文讨论了Wayang Kulit及其与马来语的关系,以及其在表演和更大社会中的符号学复杂性,作为扩大或压制批判性社会声音的工具。本研究揭示了20世纪后期大阳戏在风格、象征和表演上的这些变化。这些变化与文化和语言的转变一致,反对政府试图使亲伊斯兰和新自由主义意识形态合法化。数据集包括马来西亚多年的Wayang民族志,以及基于绑架理论系统框架的讨论、文件和Wayang表演和叙事脚本的语料。
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引用次数: 0
Consonant Changes in Loanwords Borrowed from Indonesian into Dialects of Acehnese 印尼语外来词在亚齐语方言中的辅音变化
Q4 Arts and Humanities Pub Date : 2022-10-01 DOI: 10.47298/jala.v4-i4-a1
Z. Aziz, Rob Amery, Faisal Mustafa
Acehnese, like other regional languages throughout Indonesia, is in constant and intense contact with the Indonesian standard language, bahasa Indonesia. Not surprisingly, a great many Indonesian loanwords are flooding into Acehnese. Some interesting sound changes have affected various aspects pf the consonants, vowels, phonotactics, and stress, and so forth. The sound changes affecting the vowels and, to a lesser extent, the consonants of Indonesian loanwords, appear in most unusual ways. This paper explores this topic in detail, drawing on data from a range of sources. We compiled a list of 285 loanwords, which we recorded when read by native speakers of each of four main Acehnese dialects. The Acehnese language consultants to this study were all either academics or postgraduate students in Aceh, and hence fluent bilingual speakers of both Acehnese and Indonesian. We compared phonemic transcriptions of these recordings with their Indonesian correspondences. This paper is the second such paper emerging from this investigation, where the first focused on the behaviour of the vowels. As such, this paper concerns the behaviour of the consonants in Indonesian loanwords migrating into Acehnese dialects. The study evidences the fact that consonant changes do not always constitute a simple case of phonological assimilation, as usually occurs in loanword phonology. Consequently, some consonant changes during the migration of loanwords expose the phenomenon of loanwords becoming an expression of Acehnese identity.
亚齐语,像印度尼西亚的其他地方语言一样,与印度尼西亚的标准语言印度尼西亚语(bahasa Indonesia)有经常和密切的联系。毫不奇怪,大量的印尼语外来词涌入亚齐语。一些有趣的声音变化影响了辅音、元音、语音策略和重音等等的各个方面。印尼语外来词的元音和辅音的发音变化,在较小程度上,以最不寻常的方式出现。本文利用各种来源的数据,详细探讨了这一主题。我们编制了一份285个外来词的清单,并在亚齐四种主要方言的母语人士阅读时记录下来。本研究的亚齐语顾问都是亚齐的学者或研究生,因此都能说流利的亚齐语和印尼语。我们将这些录音的音位转录与印尼语对应的音位转录进行了比较。这篇论文是这项研究中出现的第二篇论文,第一篇论文关注的是元音的行为。因此,本文关注印尼语外来词的辅音迁移到亚齐方言的行为。该研究证明,辅音的变化并不总是构成一个简单的音系同化的情况下,通常发生在外来词音系。因此,外来词在迁移过程中的一些辅音变化暴露了外来词成为亚齐人身份表达的现象。
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引用次数: 0
Symbolisation in Ancient Tales: A Special Reference to the Malay Text Hikayat Merong Mahawangsa 古代传说中的象征:马来文Hikayat Merong Mahawangsa的特殊参考
Q4 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.47298/jala.v4-i3-a2
A. Omar
Symbolisation can be interpreted as expressing what is real, not in terms of the actual thing that it is, but that which is represented in other forms. A narrative or a story that is in the mind of the writer or the storyteller is still in the form of ideas or concepts. It becomes a message when it is expressed in an organised form in the language medium that we call text. It is the text that forms the symbol to the story. In Ferdinand de Saussure’s theory of the sign, the story is the signifié or the signified, nd the text is the signifiant or the signifier. Language is an abstract and conventional symbol in the life of human beings. At the same time, there are non-language forms of symbols that have been identified as icons and indices, in particular by Charles Saunders Peirce with his theory of semiotics. This paper presents an interpretation of an ancient text, a composite of narratives of the founding of Kedah (which today is a sultanate in the north-western part of the Malay Peninsula) circa 3000 B.C.E., until the arrival of Islam circa 10th century C.E. Originally an oral tradition, the text was given a written form in the mid-18th century, using the Jawi (Malayised Arabic) script of the time. It was only in 1970 that the Jawi manuscript was transliterated using the Roman alphabet. Interpretation of the text goes through various layers of symbols, beginning with symbols in their Jawi script, and identifying words in their various forms. Making sense of linguistic elements suggests taking into account their usage within the text itself, as well as information from historical texts (in co-texts), and findings of research by relevant disciplines, specifically archaeology, geology dan geography.
符号化可以被解释为表达什么是真实的,而不是实际的东西,而是以其他形式表现出来的东西。在作家或讲故事的人心中的叙述或故事仍然是以想法或概念的形式存在的。当它以一种有组织的形式在我们称之为文本的语言媒介中表达出来时,它就成为了一种信息。正是文字构成了故事的象征。在索绪尔的符号理论中,故事是能指或所指,文本是能指或能指。语言是人类生活中抽象的、约定俗成的符号。与此同时,还有一些非语言形式的符号被认为是符号和指标,尤其是皮尔斯的符号学理论。本文介绍了一份古代文本的解释,该文本是关于大约公元前3000年吉打州(今天是马来半岛西北部的苏丹国)建立的叙述的综合,直到大约公元10世纪伊斯兰教的到来。最初是口头传统,文本在18世纪中期被给予书面形式,使用当时的爪哇语(马来化阿拉伯语)。直到1970年,爪哇文手稿才被用罗马字母音译。对文本的解释要经过不同层次的符号,从他们的爪哇文字中的符号开始,然后识别各种形式的单词。理解语言元素意味着要考虑到它们在文本本身中的用法,以及来自历史文本(在共同文本中)的信息,以及相关学科(特别是考古学、地质学和地理学)的研究结果。
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引用次数: 0
Constructing the Kam Ethnic Identity in Narratives 叙事中的金族身份建构
Q4 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.47298/jala.v4-i3-a1
Wei Wang
Against a backdrop of accelerating process of integration and assimilation of ethnic minorities in China, this study explores the Kam people’s representation and negotiation of their ethnic identity through a linguistic ethnography of examining the narratives embedded in interviews with the Kam villagers. Taking a social interactional approach to narrative, this study analyses the interview narratives as discursively constructed activities that provide profound insights into the mechanisms and dynamics of the Kam people’s social and cultural practices.The narratives of the Kam communities build our understandings of the ways in which their education, mobility experience, perceived and actual distance from home, and work experience impact on the identification and representation of their ethnic identities. In general, this study demonstrates a linear relinquishing of Kam ethnic identity along with distance from their Kam home village.
在中国少数民族融合和同化进程加速的背景下,本研究通过考察与金族村民访谈中嵌入的叙事的语言民族志,探讨了金族人对其民族身份的表达和协商。本文采用社会互动的叙事方法,将访谈叙事作为话语建构的活动进行分析,为探讨金族社会文化实践的机制和动态提供了深刻的见解。卡姆社区的叙述建立了我们对他们的教育、流动经历、离家的感知和实际距离以及工作经历对其民族身份认同和表现的影响的理解。总的来说,本研究表明,随着与金族家乡的距离增加,金族身份的放弃呈线性增长。
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引用次数: 0
Investigating Rape Culture in the Philippines through #HijaAko: Towards A Multimodal Critical Discourse Analysis 透过#HijaAko调查菲律宾的强暴文化:迈向多模态批评话语分析
Q4 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.47298/jala.v4-i3-a3
Aileen C. Bautista
Rape culture is a form of violence against women. One factor influencing the continuing predominance of this rape culture, in a range of global contexts, is the fact that societies in these contexts tolerate and, to an extent, normalize such sexual violence. This normalizing occurs ubiquitously, and not least through online technologies, such as with netizens. Yet, these netizens also influence conceptions of a just world. The belief in a just world appears to operate through the views of netizens toward victims of sexual abuse, as reflected in social media platforms. One example of this activism is the hashtag #HijaAko, which, as with many other hashtags, is being appropriated by netizens used as a way to strengthen online anti-rape movements. These hashtags can be global and local, where, many focus on the locality of #MeToo hashtags, largely owing to identification with place and space, and the cultural memory of such violence within respective physical communities. This study explores the rape culture landscape as reflected in online discourse, specifically on the Twitter platform. Drawing on Dalbert’s (2009) ‘Belief in the Just World’ hypothesis, and also on work in critical technocultural discourse scholarship, in this paper, I argue that the localized #MeToo hashtag, #HijaAko, has provided and has constituted a techno weapon for victims of sexual violence such as rape to retaliate against the existing predominant rape culture in the Philippines. The #MeToo hashtag, #HijaAko purports to create an online shared community that itself aims at the restoration of online justice that has seemingly failed to appear and succeed through other legitimate means, such as through the legal system. A general concesual confirmation by the netizens who have become active in this movement provides the victims with a sense of ‘virtual justice’ in several ways, and ncluding through the use of ‘receipts’ as weapons. As such, and through a multimodal discourse analysis examining 340 tweets, I present data and its analysis, to reveal that Philippine society capitalizes on victim-blaming as the core advocates and perpetrators of the local rape culture.
强奸文化是对妇女的一种暴力形式。影响这种强奸文化在一系列全球背景下继续占主导地位的一个因素是,这些背景下的社会容忍并在一定程度上使这种性暴力正常化。这种常态化无处不在,尤其是通过网络技术,比如网民。然而,这些网民也影响着一个公正世界的观念。对公正世界的信念似乎通过网民对性侵受害者的看法发挥作用,这反映在社交媒体平台上。这种行动主义的一个例子是#HijaAko标签,与许多其他标签一样,它被网民用作加强在线反强奸运动的方式。这些标签可以是全球性的,也可以是地方性的,其中许多人关注#MeToo标签的地方性,这主要是由于对地点和空间的认同,以及在各自的实体社区内对此类暴力的文化记忆。本研究探讨了反映在网络话语中的强奸文化景观,特别是在Twitter平台上。根据达尔伯特(2009)的“公正世界的信念”假设,以及批判性技术文化话语学术的工作,在本文中,我认为本地化的#MeToo标签,#HijaAko,已经为强奸等性暴力的受害者提供并构成了一种技术武器,以报复菲律宾现有的主流强奸文化。#MeToo标签#HijaAko旨在创建一个在线共享社区,旨在恢复似乎未能通过其他合法手段(如法律体系)出现和成功的在线正义。积极参与这场运动的网民普遍承认,以多种方式为受害者提供了一种“虚拟正义”的感觉,其中包括使用“收据”作为武器。因此,通过对340条推文的多模态话语分析,我提出了数据及其分析,以揭示菲律宾社会利用受害者指责作为当地强奸文化的核心倡导者和肇事者。
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引用次数: 0
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Journal on Asian Linguistic Anthropology
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