{"title":"The signification of the signed voice","authors":"A. MacIntyre","doi":"10.1386/JIVS.3.2.167_1","DOIUrl":"https://doi.org/10.1386/JIVS.3.2.167_1","url":null,"abstract":"","PeriodicalId":36145,"journal":{"name":"Journal of Interdisciplinary Voice Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41865707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Your voice is hair: Speculations toward a metaphor for styling vocal identity","authors":"Yvon Bonenfant","doi":"10.1386/JIVS.3.2.143_1","DOIUrl":"https://doi.org/10.1386/JIVS.3.2.143_1","url":null,"abstract":"","PeriodicalId":36145,"journal":{"name":"Journal of Interdisciplinary Voice Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41913694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines how police officers in the United States use a racialized and gendered way of speaking called ‘cop voice’ to provoke fear and extreme forms of compliance from people of colour. Through autoethnographic analysis coupled with sonic attention to how Jay-Z (‘99 Problems’), Public Enemy (‘Get the Fuck Out of Dodge’) and Prince Paul (‘The Men in Blue’) represent ‘cop voice’ through shifts in their rapping flow or by using white guest rappers, ‘Doing 55 in a 54’ argues that police weaponize their voices. Identifying and listening closely to these examples of cop voice reveal how people who are raced as ‘white’ in the United States mobilize this subject position in their voices through particular cadences that audibly signify racial authority, while at the same time, never hearing themselves as doing so.
这篇文章探讨了美国警察如何使用一种被称为“警察声音”的种族化和性别化的说话方式来激起有色人种的恐惧和极端顺从。通过民族志分析，再加上对Jay-Z（《99个问题》）、Public Enemy（《滚蛋吧》）和Prince Paul（《蓝衣男子》）如何通过说唱流程的转变或使用白人客串说唱歌手来代表“警察的声音”的声音关注，《Doing 55 in a 54》认为警察将他们的声音武器化。识别并仔细聆听这些警察声音的例子，可以发现在美国被视为“白人”的人是如何通过特定的节奏来调动他们声音中的这一主题地位的，这些节奏在听觉上象征着种族权威，同时，他们从未听说过自己这样做。
{"title":"‘Doing fifty-five in a fifty-four’: Hip hop, cop voice and the cadence of white supremacy in the United States","authors":"J. Stoever","doi":"10.1386/JIVS.3.2.115_1","DOIUrl":"https://doi.org/10.1386/JIVS.3.2.115_1","url":null,"abstract":"This article examines how police officers in the United States use a racialized and gendered way of speaking called ‘cop voice’ to provoke fear and extreme forms of compliance from people of colour. Through autoethnographic analysis coupled with sonic attention to how Jay-Z (‘99 Problems’), Public Enemy (‘Get the Fuck Out of Dodge’) and Prince Paul (‘The Men in Blue’) represent ‘cop voice’ through shifts in their rapping flow or by using white guest rappers, ‘Doing 55 in a 54’ argues that police weaponize their voices. Identifying and listening closely to these examples of cop voice reveal how people who are raced as ‘white’ in the United States mobilize this subject position in their voices through particular cadences that audibly signify racial authority, while at the same time, never hearing themselves as doing so.","PeriodicalId":36145,"journal":{"name":"Journal of Interdisciplinary Voice Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/JIVS.3.2.115_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42059643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Diverging voices together: An interview with Sara Clethero","authors":"Yvon Bonenfant, Sara Clethero","doi":"10.1386/JIVS.3.2.185_1","DOIUrl":"https://doi.org/10.1386/JIVS.3.2.185_1","url":null,"abstract":"","PeriodicalId":36145,"journal":{"name":"Journal of Interdisciplinary Voice Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49039150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Now she wanna lick my plum’: Azealia Banks and the undoing of antiblackness","authors":"J. Burton","doi":"10.1386/JIVS.3.2.133_1","DOIUrl":"https://doi.org/10.1386/JIVS.3.2.133_1","url":null,"abstract":"","PeriodicalId":36145,"journal":{"name":"Journal of Interdisciplinary Voice Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41917754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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