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Studies in African Languages and Cultures最新文献

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From cleaning to totality – the semantic core of the “dusting off palms” gesture among the Hausa of Northern Nigeria 从清洁到整体——尼日利亚北部豪萨人“掸掉手掌上的灰尘”手势的语义核心
Q2 Arts and Humanities Pub Date : 2018-11-20 DOI: 10.32690/SALC52.4
I. Will
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引用次数: 0
Sunni literary responses to the spread of Shia ideology in Northern Nigeria 逊尼派文学对尼日利亚北部什叶派意识形态传播的回应
Q2 Arts and Humanities Pub Date : 2018-11-20 DOI: 10.32690/salc52.5
Kabiru Saruna Isa
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引用次数: 5
Uncertainty, risk, and trust in nineteenth-century East African longdistance trade 19世纪东非长途贸易的不确定性、风险与信任
Q2 Arts and Humanities Pub Date : 2018-11-20 DOI: 10.32690/SALC52.1
M. Pawelczak
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引用次数: 0
Kinship metaphors in Swahili language and culture 斯瓦希里语和文化中的亲属隐喻
Q2 Arts and Humanities Pub Date : 2018-11-20 DOI: 10.32690/SALC52.2
Iwona Kraska-Szlenk
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引用次数: 0
Hyperbole as the building block of Hausa court-songs 夸张是豪萨族宫廷歌曲的基石
Q2 Arts and Humanities Pub Date : 2018-11-20 DOI: 10.32690/SALC52.3
Salisu Garba
Hyperbolic expression is one of the most common and effective foregrounding expressions employed as a literary device in the form of eulogy across the literary genres. But the most common ground for its usage, among the genres, and where its usage is more effective, is poetry. Hyperbole is manifested clearly in praise-songs, which in Hausa take the form of court-songs. This paper explores the forms and effects of literary devices employed by Hausa court singers. Attention is mainly given to Salihu Jankiɗi and his song Bubakar Ɗan Shehu Bakadire (Bubakar, Shehu’s son of Qadiriyya Sect) eulogizing Sultan Abubakar III, but also extoling Sardauna and the Sokoto Caliphate on the occasion of the durbar ceremony in 1965. The presentation includes various forms of the devices, such as irony, overstressing some facts and possibilities, cherishing both the religious and political ideals of Sultan Abubakar III, Sokoto and Sir Ahmadu Bello, the Sardauna of Sokoto, Premier of the defunct Northern Region, for whom the durbar was organized. The paper further highlights the ability of the artist to capture the political undertones of the durbar procession. DOI:  https://doi.org/10.32690/SALC52.3
双曲表达是各种文学体裁中最常见、最有效的一种以悼词形式出现的前景表达方式。但是,在各种体裁中,它的使用最普遍,也是最有效的,是诗歌。豪萨语的赞美歌曲以宫廷歌曲的形式出现,夸张手法在赞美歌曲中表现得尤为明显。本文探讨了豪萨宫廷歌手使用的文学手段的形式和效果。主要关注Salihu Janki š i和他的歌曲Bubakar Ɗan Shehu Bakadire (Bubakar, Shehu的儿子的Qadiriyya教派)歌颂苏丹阿布巴卡尔三世,但也颂扬Sardauna和索科托哈里发在1965年的durbar仪式上。展示包括各种形式的装置,例如讽刺,过度强调某些事实和可能性,珍惜索科托苏丹阿布巴卡尔三世和索科托的艾哈迈德·贝洛爵士的宗教和政治理想,索科托的萨道纳,已不复存在的北部地区的总理,durbar是为他们组织的。论文进一步强调了艺术家捕捉硬巴游行的政治含义的能力。DOI: https://doi.org/10.32690/SALC52.3
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引用次数: 0
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Studies in African Languages and Cultures
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