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Filolaos z Krotony, O naturze (Περὶ φύσεως) doksografia i fragmenty
Q4 Arts and Humanities Pub Date : 2022-12-23 DOI: 10.14746/pea.2022.1.2
M. Wesoły
The present article consists of two parts. First, we provide some general information on the life and views of Philolaus. This serves as an intro­duction to the second part which offers a new Polish translation of the most important ancient testimonies on Philolaus and the preserved fragments from his book On Nature (the latter are quoted along with the Greek original). According to the most recent research, these fragments are authentic and give an important insight into the Pythagorean and early Greek philosophy. The present selection of Philolaus’ testimonies and fragments has been arranged in a novel and accessible manner.
本文由两部分组成。首先,我们提供了一些关于菲洛劳斯的生活和观点的一般信息。这是对第二部分的介绍,第二部分提供了对菲洛劳斯最重要的古代证词的波兰语翻译,以及他的《论自然》一书中保存下来的片段(后者与希腊原文一起被引用)。根据最近的研究,这些碎片是真实的,并为了解毕达哥拉斯和早期希腊哲学提供了重要的见解。目前选择的菲洛劳斯的证词和片段已经安排在一个新颖和易于理解的方式。
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引用次数: 0
André Motte (1936-2021) Belgian Friend of Classical Philologists and Ancient Philosophy Specialists in Poznań 安德列·莫特(1936-2021),古典语言学家和古代哲学专家在波兹纳斯的朋友
Q4 Arts and Humanities Pub Date : 2022-12-23 DOI: 10.14746/pea.2022.1.10
Ignacy Lewandowski
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引用次数: 0
Platońska eudajmonia. Autor Politei o życiu szczęśliwym
Q4 Arts and Humanities Pub Date : 2022-12-23 DOI: 10.14746/pea.2022.1.7
Zbigniew Danek
The article deals with several issues related to the concept of happiness that emerge from Plato’s triptych: the Gorgias, the Republic and the Laws. The focus is on (1) the question of the alleged overcoming of the eudaimonistic imperative, i.e., natural human pursuit of happiness, in the didactic message of the Republic; (2) the question of to what extent the path of cognition ending in the contemplation of the perfect being is at the same time a strive for the supreme happiness; (3) the dilemma of choosing between a reductive and a cumulative model of complete satisfaction in human life; and finally (4) the problem of affiliative condi­tions of full life satisfaction.
本文讨论了柏拉图的三联画《高尔吉亚论》、《理想国论》和《律法论》中出现的几个与幸福概念相关的问题。重点是(1)在《理想国》的说教信息中,所谓的克服幸福主义的必要性,即人类对幸福的自然追求的问题;(2)认识的道路在多大程度上以对完美存在的观照为目的,同时也是追求最高的幸福;(3)在人类生活中完全满足的简化模式和累积模式之间进行选择的困境;最后(4)完全生活满意度的隶属条件问题。
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引用次数: 0
The (Un)bearable Lightness of Being. The Cyrenaics on Residual Solipsism 生命的(不可忍受的)轻盈。昔兰尼派论剩余唯我论
Q4 Arts and Humanities Pub Date : 2022-12-23 DOI: 10.14746/pea.2022.1.4
Ugo Zilioli
The aim of this paper is to assess the evidence on Cyrenaic solipsism and show how and why some views endorsed by the Cyrenaics appear to be committing them to solipsism. After evaluating the fascinating case for Cyrenaic solipsism, the paper shall deal with an (often) underestimated argument on language attributed to the Cyrenaics, whose logic – if I reconstruct it well – implies that after all the Cyrenaics cannot have endorsed a radical solipsism. Yet, by drawing an illuminating parallel with Wittgenstein’s argument on private language and inner sensations, a case is to be made for the Cyrenaics to have subscribed to a sort of ‘residual solipsism’, which in turn helps us to understand the notion of Cyrenaic privacy at a fuller extent.
本文的目的是评估关于昔兰尼唯我论的证据,并展示昔兰尼人所认可的一些观点是如何以及为什么会使他们陷入唯我论的。在评估了昔兰尼唯我论的引人入胜的案例之后,本文将处理一个(经常)被低估的关于语言的争论,该争论被归于昔兰尼人,其逻辑——如果我重构得好——意味着昔兰尼人毕竟不可能认可激进的唯我论。然而,通过与维特根斯坦关于私人语言和内在感觉的论证进行有启发意义的类比,我们可以证明昔兰尼派赞同一种“残余唯我论”,这反过来有助于我们在更全面的程度上理解昔兰尼派的隐私概念。
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引用次数: 0
Alētheia in Gorgias of Leontini. An Excerpt from the History of Truth Alētheia列昂蒂尼的戈尔吉亚。摘自《真理的历史》
Q4 Arts and Humanities Pub Date : 2022-12-23 DOI: 10.14746/pea.2022.1.3
Lars Leeten
It is often assumed that the concept of alētheia, or ‘truth’, in Gorgias of Leontini belongs to the art of rhetoric. Along these lines, it is usually understood as an aesthetic concept or even a mere ‘adornment’ of speech. In this paper, it is argued, by contrast, that Gorgianic alētheia is a definable criterion of speech figuring in the practice of moral educa­tion. While the ‘truth’ of a logos indeed has to be assessed on aesthetic grounds, the underlying concept of alētheia is predominantly ethical. For Gorgias, speech is ‘true’ when it promotes virtue (aretē) by being expressive of virtue. The principle stated in the opening passage of the Encomium of Helen, that a speaker has ‘to praise what is praiseworthy and to blame what is blameworthy’, explains precisely this understand­ing of alētheia.
人们通常认为,在列昂蒂尼的《戈尔吉亚》中,alētheia或“真理”的概念属于修辞艺术。沿着这些思路,它通常被理解为一种美学概念,甚至仅仅是语言的“装饰”。与此相反,本文认为有机alētheia是道德教育实践中言语修辞的可定义标准。虽然徽标的“真实性”确实必须在美学基础上进行评估,但alētheia的潜在概念主要是道德的。对戈尔吉亚来说,当言语通过表达美德来促进美德时,它就是“真实的”。《海伦的赞美诗》开篇所述的原则,即说话者必须“赞美值得赞美的,责备该责备的”,准确地解释了对alētheia的理解。
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引用次数: 0
Platone, Prm. 133b4- c1 / 134e9- 135b2. Quali logoi nella gumnasia per un tis refrattario alla persuasione e sensibile alle contraddizioni come Antistene? 柏拉图,Prm. 133b4- c1 / 134e9- 135b2。在甘那西亚,对说服和矛盾敏感的人有什么反对意见?
Q4 Arts and Humanities Pub Date : 2022-12-23 DOI: 10.14746/pea.2022.1.5
Giuseppe Mazzara
In this study, I show how Plato in the Parmenides reprises the encounter with the Phaedo’s Antisthenes, whom I elsewhere assumed to be one of the various tis that get examined in the dialogue. Now, with the Parme­nides’ tis, a similar situation arises: this Antisthenes embodies such characteristics as being “an expert in many areas”, “not without natural gifts” and “capable of following with critical intelligence” the logoi taken from “distant premises.” In the four logoi of the gumnasia, I highlight how Plato, in developing his exercise, proceeds on his own way without openly arguing with any tis and how, despite his detached attitude, his hodos, while interweaving with that of his colleague Antisthenes, enters into a conflict. I then demonstrate how the two paths, despite having a common aporetic beginning (the objections of Gorgias to Parmenides and the testimony of Proclus against Antisthenes), at times overlap and at times are mutually exclusive. From this, I also argue that whoever wrote the dialogue must have been aware that the path, although appar­ently linear and rectilinear, was in fact bumpy and tortuous.
在这个研究中,我展示了柏拉图在巴门尼德中如何重复与费多的安提斯尼的相遇,我在其他地方假设安提斯尼是在对话中被考察的各种各样的人之一。现在,Parme-nides ' tis出现了类似的情况:这个Antisthenes体现了这样的特征:“在许多领域都是专家”,“不是没有天赋”,“能够用批判的智慧跟随”来自“遥远的前提”的标志。在gumnasia的四个标识中,我强调了柏拉图,在发展他的练习时,是如何以自己的方式进行的,而没有公开地与之争论,以及如何,尽管他的态度是超然的,他的头巾,当与他的同事Antisthenes的头巾交织在一起时,进入了一场冲突。然后我展示了这两条道路,尽管有一个共同的祝福开始(戈尔吉亚对巴门尼德的反对和普罗克罗斯对安提斯尼的证词),有时重叠,有时相互排斥。由此,我还认为,无论是谁写的对话必须意识到,虽然表面上是线性和直线的道路,实际上是颠簸和曲折的。
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引用次数: 0
The Figure of Socrates in Numenius of Apamea: Theology, Platonism, and Pythagoreanism (fr. 24 des Places) 《阿帕米亚的努曼纽斯》中苏格拉底的形象:神学、柏拉图主义和毕达哥拉斯主义(见第24章)
Q4 Arts and Humanities Pub Date : 2022-12-23 DOI: 10.14746/pea.2022.1.8
E. Volpe
Numenius is one of the most important authors who, in the Imperial Age, deal with the figure of Socrates. Socrates is important in the Platon­ic tradition, in particular in the sceptical tradition, when the Socratic dubitative “spirit” of the first Platonic dialogues became important to justify the “suspension of judgement.” Numenius criticises the whole Academic tradition by saying that the Academics (particularly the sceptics) betrayed the original doctrine of Plato and formulated a new image of Socrates. For Numenius, Socrates plays a central role because Plato would have inherited his doctrine. What does Socrates’s doctrine consist in? According to Numenius, Socrates theorised a “doctrine of three Gods” (which can be likely found in the second Platonic epistle) which is strictly bound up with the main aspect of Plato’s thought. In fact, in Numenius’s view, Plato belongs to a genealogy which can be linked to Pythagoras himself. From this perspective, Numenius says that Socrates’s original thought is a theology which also belongs to the Pythagorean tradition and which Plato further developed. For Nume­nius, Socrates is not the philosopher of doubt, but a theologian who first theorised the existence of three levels of reality (Gods), which is also the kernel of Numenius’s metaphysical system. For this reason, Numenius puts Socrates within a theological genealogy that begins with Pythago­ras and continues with Socrates and Plato, and that the Academics and the Socratics failed to understand.
努曼纽斯是帝国时代最重要的作家之一,他描写了苏格拉底的形象。苏格拉底在柏拉图传统中很重要,特别是在怀疑主义传统中,当柏拉图第一次对话中的苏格拉底怀疑“精神”成为证明“暂停判断”的重要理由时。努曼纽斯批评了整个学术传统,他说学术(尤其是怀疑论者)背叛了柏拉图最初的学说,并形成了苏格拉底的新形象。对努曼纽斯来说,苏格拉底扮演着中心角色,因为柏拉图会继承他的学说。苏格拉底的学说包含什么内容?根据努曼纽斯的说法,苏格拉底提出了“三神论”(很可能在柏拉图的第二封书信中找到),这与柏拉图思想的主要方面密切相关。事实上,在努门纽斯看来,柏拉图属于一个谱系,可以与毕达哥拉斯本人联系起来。从这个角度来看,努曼纽斯说,苏格拉底的原始思想是一种神学,它也属于毕达哥拉斯的传统,柏拉图进一步发展。对于纽曼纽斯来说,苏格拉底并不是一个怀疑的哲学家,而是一个神学家,他首先将三个层次的现实(神)的存在理论化,这也是纽曼纽斯形而上学体系的核心。出于这个原因,努曼纽斯把苏格拉底归入一个神学谱系,这个谱系从毕达哥拉斯开始,一直到苏格拉底和柏拉图,而学者和苏格拉底学派都没有理解这一点。
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引用次数: 0
Les deux manières d’expliquer la réalité proposées par Parménide 巴门尼德提出的解释现实的两种方法
Q4 Arts and Humanities Pub Date : 2022-12-23 DOI: 10.14746/pea.2022.1.1
N. Cordero
Towards the end of fragment 1 of his Poem, Parmenides puts forward two methods or paths that a priori explain the same object of study: the existence of the fact or state of being. One of the options leads to the core of the truth and is, therefore, pursued. The other is merely a set of contradictory opinions and is, accordingly, abandoned. These two paths are expounded in the rest of the Poem, while fragment 4 shows that even the erroneous conception, which had to be set aside, can still be fruitful. Once the firm foundation of truth has been established, fragments 10 and 11 propose to widen the inquiry to the whole of reality. This interpretation suggests a rejection of the arrangement of the Poem that has become canonical, and a criticism of the doxographic tradition that since Aristotle has “Platonised” the philosophy of Parmenides by assimilating the “opinions” (which are only points of view) to the “appearances” (in the Platonic sense of the term).
巴门尼德在他的诗的第一部分的结尾,提出了两种方法或路径,先验地解释了同样的研究对象:事实或存在状态的存在。其中一种选择通向真理的核心,因此被追求。另一种观点仅仅是一套相互矛盾的观点,因此被抛弃了。这两种途径在这首诗的其余部分得到了阐述,而片段4表明,即使是错误的观念,必须被搁置一边,仍然可以取得成果。一旦真理的坚实基础建立起来,章节10和11建议将探究扩大到整个现实。这种解释暗示了对已成为正典的《诗》安排的拒绝,以及对自亚里士多德通过将“意见”(只是观点)同化为“现象”(在柏拉图意义上的术语)而将巴门尼德哲学“柏拉图化”的文献传统的批评。
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引用次数: 0
Unwritten Doctrine of Pythagoras in Hermias of Alexandria 毕达哥拉斯在亚历山大的赫米亚斯的不成文学说
Q4 Arts and Humanities Pub Date : 2022-12-23 DOI: 10.14746/pea.2022.1.9
Rogério G. De Campos
In Hermias’ commentary on Phaedrus (In Platonis Phaedrum Scholia), it is possible to identify several direct references to the philosophers and pre-Socratic doctrines, including Pythagoras. We point out to three references to Pythagoras in Hermias: (1) Pythagoras is characterized as an unwritten philosopher, (2) there is a special connection with the divinities and Muses, and (3) there is a special connection with the Phaedrus dialogue, revealed by the affinity between Pythagoras and Socrates. We show how the explicit references to Pythagoras in Hermias constitute a certain method of interpreting Platonism: as a philosophy manifested in writing, but which, at the same time, values the unwritten tradition, represented especially by Pythagoras and Socrates. We also demonstrate how the references translated and examined here reveal the image of this Neoplatonic Pythagoras of Hermias, an image which is not necessarily in tune with the oldest doxography, and which permits the reevaluation of Plato’s position as a philosopher who sought to combine unwritten doctrines with his explicit activity as a writer.
在赫米亚斯对《费德鲁斯篇》的评论(《柏拉图篇》)中,可以确定几个直接引用哲学家和前苏格拉底学说的地方,包括毕达哥拉斯。我们指出在赫米阿斯中有三处提到毕达哥拉斯:(1)毕达哥拉斯被描述为一位未写的哲学家;(2)毕达哥拉斯与诸神和缪斯有特殊的联系;(3)毕达哥拉斯与苏格拉底之间的亲密关系,显示出毕达哥拉斯与费德鲁斯的对话有特殊的联系。我们展示了赫米亚斯对毕达哥拉斯的明确引用如何构成了解释柏拉图主义的某种方法:作为一种以书面形式表现出来的哲学,但同时也重视以毕达哥拉斯和苏格拉底为代表的非书面传统。我们还展示了这些参考文献是如何被翻译和检查的,揭示了这个新柏拉图主义的毕达哥拉斯的赫米亚斯形象,这个形象不一定与最古老的doxography一致,它允许重新评估柏拉图作为一个哲学家的地位,他试图将不书面的教义与他作为作家的明确活动结合起来。
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引用次数: 0
Why Is Plato’s Good Good? 为什么柏拉图的善是善?
Q4 Arts and Humanities Pub Date : 2022-12-23 DOI: 10.14746/pea.2022.1.6
Aidan R. Nathan
The form of the Good in Plato’s Phaedo and Republic seems, by our standards, to do too much: it is presented as the metaphysical princi­ple, the epistemological principle and the principle of ethics. Yet this seemingly chimerical object makes good sense in the broader context of Plato’s philosophical project. He sought certain knowledge of neces­sary truths (in sharp contrast to the contingent truth of modern science). Thus, to be knowable the cosmos must be informed by timeless princi­ples; and this leads to teleology and the Good. The form of the Good, it is argued, is what makes the world knowable insofar as it is knowable. This interpretation plugs a significant gap in the scholarship on the Good and draws attention to a deep connection between Plato’s episte­mology and his teleological understanding of the cosmos.
在柏拉图的《斐多篇》和《理想国》中,善的形式,按照我们的标准,似乎做得太多了:它被表现为形而上学的原则,认识论的原则和伦理学的原则。然而,这个看似虚幻的物体在柏拉图哲学计划的更广泛背景下是有意义的。他寻求关于必然真理的某些知识(与现代科学的偶然真理形成鲜明对比)。因此,宇宙若要可知,就必须遵循永恒的原则;这就引出了目的论和善。他们认为,善的形式,是使世界可知的东西,只要它是可知的。这种解释填补了关于善的学术研究的一个重要空白,并将人们的注意力吸引到柏拉图的认识论和他对宇宙的目的论理解之间的深刻联系上。
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