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Epicurean Questions: From Tradition to Theology 伊壁鸠鲁问题:从传统到神学
Q4 Arts and Humanities Pub Date : 2018-12-13 DOI: 10.14746/PEA.2018.1.8
Enrico Piergiacomi
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引用次数: 0
Mixture and Transformation in Aristotle’s De generatione et corruptione 亚里士多德《生成与腐败》中的混合与转化
Q4 Arts and Humanities Pub Date : 2018-12-13 DOI: 10.14746/PEA.2018.1.4
Arman Zarifian
In his works on natural sciences, primarily in the Physics, Aristotle focuses on different forms of metabolē and distinguishes movement in general from substantial change. The On generation and corruption deals with the latter. When reading this treatise, one should pay particular attention to the concept of mixture. Apart from being the subject of a specific chapter (I 10), the problem of mixture permeates the whole work. But what exactly is mixture? Is it a simple combination of small parts? Can a compound of water and wine be called mixture? If so, is this mixture and nothing more? In the course of the discussion, it is argued that the Aristotelian idea of mixis does not correspond to the concept that is usually associated with it. Rather, it is shown that mixis is fundamental for comprehending the physical world and constitutes not only the term per quem the first elements of all material bodies originate, but also plays a fundamental role in all natural sciences, particularly, in biology.
在他关于自然科学的著作中,主要是在《物理学》中,亚里士多德关注新陈代谢的不同形式,并将运动与实质性变化区分开来。《论生成与腐败》论述了后者。在阅读这篇论文时,应该特别注意混合的概念。除了作为一个特定章节的主题(I 10)之外,混合的问题贯穿了整个工作。但究竟什么是混合物呢?它是小部件的简单组合吗?水和酒的混合物能被称为混合物吗?如果是这样,这就是混合物,仅此而已吗?在讨论过程中,有人认为亚里士多德的混合性观念并不符合通常与之相关的概念。相反,它表明混合是理解物理世界的基础,不仅构成了所有物质物体起源的第一个元素的术语,而且在所有自然科学,特别是生物学中起着基本作用。
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引用次数: 0
The Analytical Perspective of Aristotle’s Categorical and Modal Syllogisms 亚里士多德直言三段论与模态三段论的分析视角
Q4 Arts and Humanities Pub Date : 2018-12-13 DOI: 10.14746/PEA.2018.1.5
M. Wesoły
What is meant under the genuine title of Aristotle’s ta Analytika is rarely properly understood. Presumably, his analytics was inspired by the method of geometric analysis. For Aristotle, this was a regressive or heuristic procedure, departing from a proposed conclusion (or prob­lem) and asking which premises could be found in order to syllogize, demonstrate or explain it. The terms that form categorical and modal propositions play a fundamental role in analytics. Aristotle introduces letters in lieu of the triples of terms (major – middle – minor) constitut­ing the propositions and the three syllogistic figures that schematize them. His formulation of the three syllogistic figures refers to a syntacti­cal and predicative order and position of the triples of terms, arranged in some diagrammed schemata, which, regrettably, are missing from the extant text of the Prior Analytics. Considering planar and graphic arrangements, both vertical and horizontal orders as well as the posi­tion of the three terms involved, we propose a reconstruction, at least to some extent, of these probable lettered diagrams. In such reconstructed diagrams, we can appropriately capture the definition of syllogism as a predicative connexion of terms, and easier survey a synoptic account of all valid predicative relations and transpositions, and also reduce the imperfect syllogisms into the moods of the first figure. Aristotle’s syllogistic is an analytical calculation of terms, understood as predicates and subjects within the categorical propositions, and more precisely of three terms schematized in three figures in predicative links such that, by means of a middle, follows from necessity a conclusion of the extreme terms. The necessity of the consequence is not based on the implication or inference of the propositions, but on a predictive transi­tivity through the middle term within the syllogistic figures. Syllogism must draw its conclusion through the way its terms are predicated of one another. Aristotle in his Prior Analytics (I 3, 8–22) developed also a complex account of modal syllogisms within necessity and possibility of belonging (predicating). This account involves also such an analyti­cal reduction to the syllogistic figures. In this analytical perspective, we try to throw some light on his modal syllogisms, although this difficult and nowadays thoroughly discussed topic would require a much wider treatment.
亚里士多德的《分析》的真正标题下的含义很少被正确理解。据推测,他的分析方法受到了几何分析方法的启发。对于亚里士多德来说,这是一个回归或启发式的过程,从提出的结论(或问题)出发,询问可以找到哪些前提,以便进行三段论,证明或解释它。构成直言命题和模态命题的术语在分析学中起着基本的作用。亚里斯多德引入字母来代替构成命题的三个术语(大-中-小)和三个三段论的图形来概括它们。他对三个三段论图的表述指的是一种句法和谓词的顺序,以及术语三元组的位置,它们被安排在一些图解的图式中,遗憾的是,这些图式在《先验分析》现存的文本中缺失了。考虑到平面和图形的排列,垂直和水平的顺序,以及所涉及的三个术语的位置,我们建议重建,至少在某种程度上,这些可能的字母图。在这样的重构图中,我们可以适当地捕捉到三段论的定义,即词语的谓词连接,并更容易地概括性地考察所有有效的谓词关系和换位,也可以将不完善的三段论简化为第一个图形的语气。亚里士多德的三段论是一种分析式的计算,把术语理解为直言命题中的谓词和主词,更确切地说,是把三个术语用三个表语的形式表达出来,这样,通过一个中间环节,必然地得出一个极端术语的结论。结果的必然性,不是建立在命题的意涵或推论上,而是建立在通过三段论表象的中间项的一种预言性的传递性上。三段论必须通过它的项之间相互谓词的方式得出结论。亚里士多德在他的《先验分析》(I 3, 8-22)中也在必然性和归属(谓词)的可能性中发展了一个复杂的模态三段论。这种叙述也包括对三段论数字的这种分析化简。在这个分析的角度,我们试图对他的模态三段论抛出一些光,尽管这个困难的和现在彻底讨论的话题需要更广泛的处理。
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引用次数: 0
Koinon and koinônia: A Particular Case of Participation in John Philoponus Koinon和koinônia:参与约翰·菲洛波诺斯的一个特殊案例
Q4 Arts and Humanities Pub Date : 2018-12-13 DOI: 10.14746/PEA.2018.1.6
Daniele Granata
The aim of this study is to discuss an original philosophical contribution made by Philoponus, who in In Cat. 18, 14–22 equates koinon in its most peculiar meaning with the concept of koinônia understood as a particu­lar case of Platonic methexis. First, the paper analyzes the passages where the Neoplatonic commentators of the Categories distinguish four distinct meanings of the Aristotelian concept of koinon. Subsequently, this article emphasizes the differences between Philoponus’ herme­neutical suggestions and those of the other commentators. Philopo­nus clarifies that while every koinon is methekton, Aristotle’s koinon is characterized by the fact that the participation is ex isou and kata meros. Thus, koinônia, according to Philoponus, is a particular case of methexis, where everyone participating in something participates in it equally and singly. The example cited by Philoponus to explain Aristotle’s koinon is that of men participating equally and singly in human nature. The study concludes with a discussion of the relationship among the concepts of koinon, koinônia and methexis.
本研究的目的是讨论Philoponus的原始哲学贡献,他在第18章14-22节中将最特殊意义上的koinon与koinônia概念等同起来,将其理解为柏拉图式的methesis的一个特殊案例。首先,本文分析了新柏拉图主义《范畴论》的评注者对亚里斯多德“公数”概念的四种不同含义的区分。随后,本文强调了菲洛波诺斯与其他评论者之间的差异。Philopo-nus澄清说,虽然每个硬币都是methekton,但亚里士多德的硬币的特点是参与是独立的和katatmeros。因此,根据菲洛波诺斯的说法,koinônia是methe西斯的一个特例,每个人都平等地、单独地参与其中。菲洛波诺斯引用的例子来解释亚里士多德的共币论,是指人们平等地、单独地参与人性。最后讨论了koinon、koinônia和methe西斯这三个概念之间的关系。
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引用次数: 0
Following Sextus: Demonstrative Argument in Gorgias’ Peri tou mē ontos 继塞克斯图斯之后:高尔吉亚的《我的生命》中的论证论证
Q4 Arts and Humanities Pub Date : 2018-12-13 DOI: 10.14746/pea.2018.1.1
Stefania Giombini
The two extant versions of Gorgias’ Peri tou mē ontos (PTMO) have been preserved by an anonymous author (MXG) and by Sextus Empiricus (S.E.). Both versions have been differently interpreted by scholars who examine either the doctrine or the rhetorical-communicational dimen­sion (the first option being dominant). When comparing the PTMO with the rest of Gorgias’ works, the present paper aims to demonstrate that S.E. offers a more precise account of Gorgias’ modus argumentandi. Thus, S.E. shows the following, typical features of Gorgias’ demonstra­tive reasoning: 1) application of demonstrandum and quod erat demon­strandum, 2) continuous employment of reductio ad absurdum and 3) a refined formulation of the principle of non-contradiction (similar to the one in Pal. 25). The MXG, on the other hand, is accurate in the discussion of particular arguments (e.g. the third kephalaion), but presents an interpreter who is more interested in questioning Gorgias rather than doing justice to his thought. Hence, this article concludes that it was S.E., who had the text or at least a relatively accurate summa­ry of the PTMO.
现存的两个版本的《高尔吉亚的生命》(PTMO)由一位匿名作者(MXG)和塞克斯图斯·恩皮里库斯(S.E.)保存。学者们对这两个版本有不同的解释,他们从理论或修辞-交际的角度进行研究(第一种选择占主导地位)。当将《PTMO》与戈尔吉亚的其他作品进行比较时,本文旨在证明S.E.对戈尔吉亚的论证方式提供了更精确的描述。因此,S.E.表现出以下戈尔吉亚论证推理的典型特征:1)论证和论证的运用,2)持续运用反证法,3)非矛盾原则的精炼表述(类似于Pal. 25)。另一方面,MXG在特定论点的讨论中是准确的(例如第三个kephalaion),但呈现出一个对质疑戈尔吉亚更感兴趣的诠释者,而不是公正地对待他的思想。因此,本文的结论是,是s.e.掌握了PTMO的文本,或者至少是相对准确的总结。
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引用次数: 0
Providential Disorder in Plato’s Timaeus? 柏拉图的《蒂迈奥》中的天意紊乱?
Q4 Arts and Humanities Pub Date : 2018-12-13 DOI: 10.14746/PEA.2018.1.3
S. Maso
Plato tries to explain the becoming of the cosmos by referring to the concepts of order and disorder. Scholars have usually focused on the relationship between the cosmos and the demiurge that Plato puts forward to explain the reasonable (i.e., well-ordered) development. Along these lines, scholarship has examined the providential role played by both the demiurge and the soul of the world. Yet, an interesting prob­lem still remains open: what exactly is the function of disorder? What is the sense of the concept of a perfectly established order if we do not know the manner in which it is achieved, since we have no understand­ing of the conditions that make it possible? Pursuing this line of thought, one may point to a providential role of the disorder given the balance of forces that operates in Plato’s cosmic becoming.
柏拉图试图通过引用有序和无序的概念来解释宇宙的形成。学者们通常把注意力集中在柏拉图提出的宇宙和造物主之间的关系上,以解释合理的(即有序的)发展。沿着这条路线,学者们研究了造物主和世界灵魂所扮演的天意角色。然而,一个有趣的问题仍然悬而未决:无序的功能究竟是什么?既然我们不了解使之成为可能的条件,如果我们不知道实现完美秩序的方式,那么建立完美秩序的概念又有什么意义呢?沿着这条思路,人们可能会指出,在柏拉图的宇宙形成中,由于力量的平衡,混乱的作用是天意的。
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引用次数: 0
Sacral and Anagogical Aspects of the “Marvellous” in Damascius. An Interpretation 大马士革“奇妙”的神圣和神秘方面。一个解释
Q4 Arts and Humanities Pub Date : 2018-12-13 DOI: 10.14746/pea.2018.1.7
Valerio Napoli
In the fragments of Damascius’ Vita Isidori one can observe a significant presence of the “marvellous.” In many cases, the marvellous seems to manifest a sacral and anagogical value in line with the philosophical and religious conceptions of late Neo-Platonism. A similar value of the marvellous can also be found in a passage of De Principiis (I, 14, 1–19), where Damascius hails the totally ineffable Principle as supremely marvellous, upon which he presents it as absolutely unknowable and expressible only in an aporetic way.
在达马西乌斯的《维塔·伊西多里》的片段中,我们可以观察到“奇妙”的重要存在。在许多情况下,奇迹似乎表现出一种神圣和神秘的价值,这与新柏拉图主义晚期的哲学和宗教观念是一致的。在《论原理》(I, 14, 1-19)的一段话中,也可以找到类似的“奇妙”的价值。在这一段话中,达马西乌斯称赞那完全不可言说的原则,说它是极其奇妙的,在此基础上,他把它说成是绝对不可知的,只能用一种比喻的方式来表达。
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引用次数: 0
Orthotes and Diairesis of Names. The Question of Method in Prodicus 名字的正字法和描记法。Prodicus中的方法问题
Q4 Arts and Humanities Pub Date : 2018-10-24 DOI: 10.14746/peitho.2017.12223
A. Brancacci
The question of the method was central in the thought and teaching of Prodicus. We have abundant information on this method but it is, probably, closely connected to various other issues (natural investigations, rhetoric and rhetorical theory, questions concerning the gods, ethics), on which we are less well informed. The right method to solve diverse linguistic problems comprised two moments and not just one as it frequently assumed. Similarly, the terms orthotes and diairesis of names, which appear in the sources, do not designate one single and simple procedure, but rather a double and more complex one, which is reconstructed in this article and whose objectives are clarified.
方法问题是普罗迪修斯思想和教学的中心。我们对这种方法有丰富的信息,但它可能与其他各种问题(自然调查、修辞和修辞理论、关于神的问题、伦理)密切相关,而我们对这些问题知之甚少。解决各种语言问题的正确方法包括两个时刻,而不是像通常认为的那样只有一个时刻。同样,在资料中出现的术语“名称的正字法”和“名称的diairesis”并不是指一个单一和简单的程序,而是指一个双重和更复杂的程序,本文对其进行了重建,并澄清了其目的。
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引用次数: 0
The Concept of ‘Matter’ in Archaic Greece, 1: Khaos/Aèr in Hesiod’s Theogony 古希腊的“物质”概念,1:赫西奥德神学家中的Khaos/ a<e:1>
Q4 Arts and Humanities Pub Date : 2017-10-01 DOI: 10.14746/PEA.2017.1.3
G. Cerri
The essay considers synthetically the passages of Hesiod’s Theogony concerning Khaos, Gaia, Uranòs, and Tàrtaros as describing the cosmic structure at its very beginning and at its present state. The final result of the cosmogenetic process consists of three solid parallel disks of equal size separated from one another by the space of Khaos/Aèr. The whole structure is conceived of as an ideal cylinder (ideal because it has no real lateral walls), whose superior base is Uranòs (the Sky), the inferior one is Tàrtaros (the Hell) and the median section is Gaia (the Earth), dividing the whole cylinder into two high semicylinders full of Khaos/Aèr. From this Khaos/Aèr, the primal Four Elements (earth, water, misty air and fire) derive, as plants do from their roots, from which all other substances of the universe originate in turn. Thus, Khaos is arkhè (the ‘beginning’) not only in the chronological-historical sense, but also in the sense of an eternal generative substance of all things. We may conclude that the Hesiodic word khaos is a lexical ancestor of the later physical and philosophical term hyle because it conveys the primeval notion of ‘matter’.
本文综合考虑了赫西奥德的《神权论》中关于卡俄斯、盖亚、Uranòs和Tàrtaros的段落,这些段落描述了宇宙起源和现在的状态。宇宙形成过程的最终结果是由三个大小相等的平行圆盘组成,它们被koos / a空间彼此隔开。整个结构被设想为一个理想的圆柱体(理想是因为它没有真正的侧壁),其上层的基础是Uranòs(天空),下层是Tàrtaros(地狱),中间部分是Gaia(地球),将整个圆柱体分成两个高的半圆柱体,充满了Khaos/ a。最初的四大元素(土、水、云雾和火)就是从这个Khaos/ a中衍生出来的,就像植物从它们的根中衍生出来一样,宇宙中所有其他物质都是依次从根中衍生出来的。因此,Khaos不仅在时间-历史意义上是arkhè(“开始”),而且在所有事物的永恒生成物质的意义上也是如此。我们可以得出结论,Hesiodic单词khaos是后来的物理和哲学术语hyle的词汇祖先,因为它传达了“物质”的原始概念。
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