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Finally Available: Maura Laverty’s Dublin Dramas 终于上市了莫拉-拉弗蒂的都柏林戏剧
Q4 Arts and Humanities Pub Date : 2024-02-01 DOI: 10.14712/2571452x.2023.66.10
O. Pilny
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引用次数: 0
Hospitality, Home, and the Environment in the Works of Ailbhe Ní Ghearbhuigh and Simon Ó Faoláin Ailbhe Ní Ghearbhuigh 和 Simon Ó Faoláin 作品中的好客、家园与环境
Q4 Arts and Humanities Pub Date : 2024-02-01 DOI: 10.14712/2571452x.2023.66.4
Daniela Theinová
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引用次数: 0
Listening to the Environment: Alice Oswald’s D(eco)nstruction 倾听环境:爱丽丝-奥斯瓦尔德的 D(eco)nstruction
Q4 Arts and Humanities Pub Date : 2024-02-01 DOI: 10.14712/2571452x.2023.66.8
M. Szuba, Julian Wolfreys
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引用次数: 0
“A bird, or boat, or any thing”: Weedy Entanglement and Oceanic Freedom in Eliza Cook’s Anthropomorphous World "鸟、船或任何东西":伊丽莎-库克拟人世界中的杂草缠绕与海洋自由
Q4 Arts and Humanities Pub Date : 2024-02-01 DOI: 10.14712/2571452x.2023.66.3
Rachael Eleanor Murray
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引用次数: 0
Resisting Domination: Merfolk and the Beach in Amy Sackville’s Orkney 抵抗统治:艾米-萨克维尔《奥克尼》中的人鱼与海滩
Q4 Arts and Humanities Pub Date : 2024-02-01 DOI: 10.14712/2571452x.2023.66.6
Marion Troxler
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引用次数: 0
Staging Myles: Performance and Performativity in Brian O’Nolan 迈尔斯的舞台布莱恩-奥诺兰的表演与表演性
Q4 Arts and Humanities Pub Date : 2024-02-01 DOI: 10.14712/2571452x.2023.66.11
Einat Adar
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引用次数: 0
Deireadh an Fhoghair and the Environment Deireadh an Fhoghair 与环境
Q4 Arts and Humanities Pub Date : 2024-02-01 DOI: 10.14712/2571452x.2023.66.5
P. Poncarová
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引用次数: 0
Finally Available: Maura Laverty’s Dublin Dramas 终于上市了莫拉-拉弗蒂的都柏林戏剧
Q4 Arts and Humanities Pub Date : 2024-02-01 DOI: 10.14712/2571452x.2023.66.10
O. Pilny
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引用次数: 0
Kafka’s Scottish Translators: Willa and Edwin Muir between Anglophone and Central European Modernism 卡夫卡的苏格兰翻译家:英国现代主义与中欧现代主义之间的维拉和埃德温-缪尔
Q4 Arts and Humanities Pub Date : 2024-02-01 DOI: 10.14712/2571452x.2023.66.9
Charles Sabatos
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引用次数: 0
A Mirror to Ireland: Máirtín Ó Cadhain’s Articles about Scotland 爱尔兰的一面镜子:Máirtín Ó Cadhain关于苏格兰的文章
Q4 Arts and Humanities Pub Date : 2023-07-07 DOI: 10.14712/2571452x.2023.65.4
Radvan Markus
: In the last twenty lines of what is arguably Ó Cadhain’s most important literary manifesto, Páipéir Bhána agus Páipéir Bhreaca (1969), one may be surprised to find two references to Scotland, pointing to Scottish Gaelic as well as Scots. This article uses archival and newspaper sources in order to explore Ó Cadhain’s manifold relationship to Scotland. Ó Cadhain’s interest in Scotland can be seen in the context of the author’s complex positioning of himself as an international writer, while always remaining loyal to the Irish language and his native Gaeltacht. An outreach to literatures in other small languages, especially of the Celtic branch, was an integral part of this strategy. The essay concentrates principally on a series of twenty-four articles, mostly in Irish, which Ó Cadhain published in the Irish Times in 1953 and 1954. In these, he gives an account of the 1953 Jubilee Mòd in Oban and informs the readers about the history and prospects of Scottish Gaelic, as well as the Scottish struggle for autonomy within the UK. Ó Cadhain draws multiple comparisons with the situation in Ireland, showcases his knowledge of Scottish Gaelic song and modern literature, and displays a keen sense of paradox as well as his characteristic wit and humour.
在可说是Ó Cadhain最重要的文学宣言Páipéir Bhána agus Páipéir Bhreaca(1969)的最后二十行中,人们可能会惊讶地发现有两处提到苏格兰,既指苏格兰盖尔语,也指苏格兰语。本文利用档案和报纸资料来探讨Ó卡德温与苏格兰的多重关系。Ó卡德汉对苏格兰的兴趣可以从他对自己作为国际作家的复杂定位中看出,同时他始终忠于爱尔兰语和他的母语盖尔语。扩展到其他小语种的文学,特别是凯尔特语系的文学,是这一策略的组成部分。这篇文章主要集中在一系列24篇文章上,大部分是用爱尔兰语写的,这些文章于1953年和1954年在Ó Cadhain的《爱尔兰时报》上发表。在这些书中,他讲述了1953年在奥巴马举行的禧年Mòd,并向读者介绍了苏格兰盖尔语的历史和前景,以及苏格兰在联合王国内争取自治的斗争。Ó卡德汉将爱尔兰的情况进行了多重比较,展示了他对苏格兰盖尔语歌曲和现代文学的了解,并表现出敏锐的悖论感以及他特有的机智和幽默。
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引用次数: 0
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Litteraria Pragensia
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