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On Irish Poets Writing in Scotland 论爱尔兰诗人在苏格兰的创作
Q4 Arts and Humanities Pub Date : 2023-07-07 DOI: 10.14712/2571452x.2023.65.7
Peter Mackay
: Starting from the polyglot work of the Dublin-born and Skye-based Rody Gorman, who writes in Scottish and Irish Gaelic, English and his own invented translation of “intertonguing,” this essay explores recent poetic connections between the two countries through readings of Irish poets who live or have lived in Scotland: the Gaelic and Irish peregrinations of David Wheatley, and the “minoritized diasporic” position of poets in English such as Alan Gillis, Miriam Gamble, and Aoife Lyall. It discusses ways in which these poets engage with dislocation, linguistic multiplicity, the risks of being absorbed into a new environment, and the possibility of flitting – Sweeney-like – between places, literatures, and trees. It ends with a focus on the diasporic Gaelic writing of Niall O’Gallagher, and how he negotiates his Irish inheritance. There is an unexpected focus on bodybuilding, birds, and moths; on people being transformed into dolphins; and an unregretful Columba cheerily leaving Ireland behind.
本文从出生在都柏林、居住在斯基的罗迪·戈尔曼(Rody Gorman)的多语言作品(他用苏格兰和爱尔兰盖尔语、英语以及他自己发明的“跨语言”翻译进行写作)开始,通过阅读生活或曾经生活在苏格兰的爱尔兰诗人的作品,探讨了两国之间最近的诗歌联系:大卫·惠特利(David Wheatley)的盖尔语和爱尔兰诗歌,以及艾伦·吉利斯(Alan Gillis)、米利亚姆·甘伯(Miriam Gamble)和奥菲·莱尔(Aoife Lyall)等英语诗人的“少数民族散居”地位。它讨论了这些诗人如何处理错位、语言多样性、被新环境吸收的风险,以及像斯威尼一样在地方、文学和树木之间飞舞的可能性。本书以尼尔·奥加拉格尔(Niall O’gallagher)散居的盖尔语写作以及他如何协商自己的爱尔兰遗产作为结尾。人们对健美、鸟类和飞蛾的关注出乎意料;关于人被变成海豚;以及无怨无悔的哥伦布兴高采烈地离开爱尔兰。
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引用次数: 0
Modernising the Islands: Irish and Scottish Gaelic Fictions 使岛屿现代化:爱尔兰和苏格兰盖尔语小说
Q4 Arts and Humanities Pub Date : 2023-07-07 DOI: 10.14712/2571452x.2023.65.6
A. Titley
: The islands of Ireland and Scotland are geographically peripheral to the mainlands. Yet they occupy a significant part of both literatures. This may well be because they are perceived as being the least Anglicised, the least dominated by the cultural beasts from the east. For most of the last century this was certainly true. The Irish and Gaelic island literature of both countries was for the most part documentary rather than imaginative during that time. This is not to say that it was not sifted through powerful and individual minds, but just that they did not set forth to invent new or alternative worlds. They are often seen, with a wee little bit and often a dollop of justification, as social documents. As these islands have become as much part of what we call the modern world as anywhere else, writers have been forced to do something else rather than just describe. They had to use their imaginations. This essay examines this journey.
爱尔兰岛和苏格兰岛在地理上离大陆较远。然而,它们在两种文献中都占据了重要的部分。这很可能是因为他们被认为是最不英国化的,最不受东方文化野兽的支配。在上个世纪的大部分时间里,这当然是正确的。在那个时期,两国的爱尔兰和盖尔岛文学大部分都是纪实的,而不是富有想象力的。这并不是说它没有经过强大的个人思想的筛选,而是说他们没有着手创造新的或替代的世界。它们经常被看作是社会文件,带有一点点,通常是一团的理由。随着这些岛屿像其他地方一样成为我们所说的现代世界的一部分,作家们被迫做一些别的事情,而不仅仅是描述。他们必须运用他们的想象力。本文考察了这段旅程。
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引用次数: 0
Introduction: Cultural Intersections across the Irish Sea 简介:爱尔兰海两岸的文化交汇
Q4 Arts and Humanities Pub Date : 2023-07-07 DOI: 10.14712/2571452x.2023.65.1
P. Poncarová, Radvan Markus
A very interesting chapter in the history of international relations would be the narrative of those anciently subsisting between Ireland and Scotland. There exists abundant material for such a compilation; and we are inclined to marvel that no one has yet undertaken it, at least in a formal and connected way. [...] As a nation, we hear little of Ireland; and that which we do hear is obviously “cooked” for our consumption.1
国际关系史上一个非常有趣的章节将是对爱尔兰和苏格兰之间古老存在关系的叙述。这样的汇编有丰富的材料;我们不禁感到惊奇的是,迄今为止还没有人这样做,至少没有人以一种正式的、有联系的方式这样做。[…作为一个国家,我们很少听到有关爱尔兰的消息;而我们所听到的,显然是为了供我们食用而“烹制”的
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引用次数: 0
Principles and Curses: The Honourable Ruaraidh Erskine of Mar and Some Irish Connections 原则与诅咒:马尔的鲁拉伊·厄斯金阁下和一些爱尔兰人的关系
Q4 Arts and Humanities Pub Date : 2023-07-07 DOI: 10.14712/2571452x.2023.65.2
Gerard Cairns
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引用次数: 0
“Dáimh le hAlbain?: Depictions of Scotland in Twentieth-Century Irish-Language Prose “Dáimh le hAlbain?”20世纪爱尔兰语散文中对苏格兰的描写
Q4 Arts and Humanities Pub Date : 2023-07-07 DOI: 10.14712/2571452x.2023.65.5
Caoimhe Nic Lochlainn
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引用次数: 0
“What Horrors Worse Than These?”: Childhood and Adolescence in Catholic Glasgow “还有什么比这更可怕的?”:天主教格拉斯哥的童年和青春期
Q4 Arts and Humanities Pub Date : 2023-07-07 DOI: 10.14712/2571452x.2023.65.8
Christopher Whyte
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引用次数: 0
Derick Thomson and Ireland 德里克·汤姆森和爱尔兰
Q4 Arts and Humanities Pub Date : 2023-07-07 DOI: 10.14712/2571452x.2023.65.3
P. Poncarová
: This essay examines the diverse manifestations of a lifelong interest in Ireland in the work of the Scottish Gaelic poet, scholar, and activist Ruaraidh MacThòmais (Derick Thomson, 1921-2012). It touches upon Thomson’s academic engagement with Irish-related topics and follows his comments on the situation of the Irish language and revitalisation efforts in his “manifesto” essay “The Role of the Writer in a Minority Culture” (1966) and other articles, where it serves as a source of inspiration and a point of contrast. Detailed attention is paid to the generous space which was devoted to Irish affairs and literature in the Gaelic quarterly magazine Gairm which Thomson co-founded and steered for fifty years (1952-2002), including his reviews of Irish-related publications. Drawing on references in Gairm and in Thomson’s poetry collections, the essay also brings together evidence of his personal contacts with Irish writers and intel-lectuals, including Máirtín Ó Direáin, and of his sustained engagement with W.B. Yeats.
本文考察了苏格兰盖尔语诗人、学者和活动家Ruaraidh MacThòmais(德里克·汤姆森,1921-2012)对爱尔兰的毕生兴趣的各种表现形式。它触及了汤姆森对爱尔兰相关话题的学术参与,并遵循了他在其“宣言”文章《作家在少数民族文化中的角色》(1966)和其他文章中对爱尔兰语言状况和振兴努力的评论,在这些文章中,它作为灵感来源和对比点。书中还详细介绍了盖尔语季刊《盖尔姆》(Gairm)中关于爱尔兰事务和文学的大量版面,包括他对爱尔兰相关出版物的评论。汤姆森与人共同创办并主持了该杂志50年(1952-2002)。根据盖尔姆和汤姆逊诗集中的参考资料,这篇文章还汇集了他与爱尔兰作家和知识分子的个人接触的证据,包括Máirtín Ó Direáin,以及他与W.B.叶芝的持续交往。
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引用次数: 0
Challenging Intercultural Communicative Competence: Culture as an Emergent Phenomenon 挑战跨文化交际能力:文化作为一种新兴现象
Q4 Arts and Humanities Pub Date : 2023-02-09 DOI: 10.14712/2571452x.2022.64.3
M. Štefl
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引用次数: 0
“Everybody’s Just Working the Marks, Brother”: A Kayfabe Reading of Social Identity, Performativity and Performative Identity “每个人都在做标记,兄弟”:社会认同、表演和表演认同的Kayfabe解读
Q4 Arts and Humanities Pub Date : 2023-02-09 DOI: 10.14712/2571452x.2022.64.5
R. Gilbert
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引用次数: 0
Introduction: Culture as an Interface and Dialogue 引言:文化作为一种界面和对话
Q4 Arts and Humanities Pub Date : 2023-02-09 DOI: 10.14712/2571452x.2022.64.1
M. Procházka
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引用次数: 0
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Litteraria Pragensia
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