Abstract All buildings move under the effect of physical forces of the earth. It is unperceivable, but they move. Some of them are also designed to move to perform their functions. However, most of them look absolutely still. Nevertheless, architects, critics, and historians of architecture often borrowed terms from scientific disciplines to describe a building or parts of it as if it is actually moving. Since antiquity, artistic literature has been full of »dynamized« descriptions of artwork virtually set in motion to enhance the narrative quality of the communication, but in architecture this happens only from the end of the 18th century onward. Since the end of the 19th century, a sequence of scholars and architects Heinrich Wölfflin, Colin Rowe, Peter Eisenman, and Greg Lynn have been developing a series of analytical and design tools that were used to introduce (or to query) time and motion in architecture, whose different forms are here presented, classified, and discussed.
所有建筑物都是在地球物理力的作用下移动的。这是无法察觉的，但它们在移动。其中一些还被设计为移动来执行它们的功能。然而，他们中的大多数看起来绝对静止。然而，建筑师、评论家和建筑历史学家经常从科学学科中借用术语来描述一座建筑物或它的一部分，就好像它真的在移动一样。自古以来，艺术文学就充满了对艺术作品的“动态化”描述，这种描述实际上是为了提高交流的叙事质量，但在建筑领域，这种情况只发生在18世纪末以后。自19世纪末以来，一系列学者和建筑师Heinrich Wölfflin, Colin Rowe, Peter Eisenman和Greg Lynn一直在开发一系列分析和设计工具，用于介绍(或查询)建筑中的时间和运动，其不同的形式在这里被呈现，分类和讨论。
{"title":"The Thread of the Virtual Movement from Wölfflin to Lynn","authors":"Fabio Colonnese","doi":"10.14361/dak-2021-0208","DOIUrl":"https://doi.org/10.14361/dak-2021-0208","url":null,"abstract":"Abstract All buildings move under the effect of physical forces of the earth. It is unperceivable, but they move. Some of them are also designed to move to perform their functions. However, most of them look absolutely still. Nevertheless, architects, critics, and historians of architecture often borrowed terms from scientific disciplines to describe a building or parts of it as if it is actually moving. Since antiquity, artistic literature has been full of »dynamized« descriptions of artwork virtually set in motion to enhance the narrative quality of the communication, but in architecture this happens only from the end of the 18th century onward. Since the end of the 19th century, a sequence of scholars and architects Heinrich Wölfflin, Colin Rowe, Peter Eisenman, and Greg Lynn have been developing a series of analytical and design tools that were used to introduce (or to query) time and motion in architecture, whose different forms are here presented, classified, and discussed.","PeriodicalId":366028,"journal":{"name":"Dimensions. Journal of Architectural Knowledge","volume":"96 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127216874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Editorial Summary With a focus on experiential qualities Maria da Piedade Ferreira distinguishes her research object from classical (rather technical) quantities such as load-bearing capacities. In her text she illustrates how she employs methods, techniques, and instruments from performance art and neurosciences to investigate the effects of spatial conditions on the human body. In doing so, she explores a mix of qualitative and quantitative approaches, namely by experimenting with emotion measurement: Qualitative research, by including methodologies which attribute measurable values to the felt experience, might help us better understand the effects of the built environment in the human body during the design process itself, and after building. Accordingly, her aim is to integrate art and science methodologies that allow us to design spaces as intelligent extensions of the human body and positively impact how this feels and acts in the world. [Ferdinand Ludwig]
Maria da Piedade Ferreira专注于体验品质，将她的研究对象与传统的(相当技术性的)数量(如承重能力)区分开来。在她的文章中，她说明了她如何运用表演艺术和神经科学的方法、技术和工具来研究空间条件对人体的影响。在此过程中，她探索了定性和定量方法的混合，即通过实验情绪测量:定性研究，通过包括将可测量值归因于感觉体验的方法，可以帮助我们更好地理解建筑环境在设计过程中对人体的影响，以及在建造之后。因此，她的目标是将艺术和科学方法结合起来，使我们能够将空间设计为人体的智能延伸，并积极影响人体在世界上的感觉和行为。(费迪南德Ludwig)
{"title":"Playing Seriously: An Introduction to Corporeal Architecture, Neuroscience, and Performance Art","authors":"M. P. Piedade Ferreira","doi":"10.14361/dak-2021-0115","DOIUrl":"https://doi.org/10.14361/dak-2021-0115","url":null,"abstract":"Editorial Summary With a focus on experiential qualities Maria da Piedade Ferreira distinguishes her research object from classical (rather technical) quantities such as load-bearing capacities. In her text she illustrates how she employs methods, techniques, and instruments from performance art and neurosciences to investigate the effects of spatial conditions on the human body. In doing so, she explores a mix of qualitative and quantitative approaches, namely by experimenting with emotion measurement: Qualitative research, by including methodologies which attribute measurable values to the felt experience, might help us better understand the effects of the built environment in the human body during the design process itself, and after building. Accordingly, her aim is to integrate art and science methodologies that allow us to design spaces as intelligent extensions of the human body and positively impact how this feels and acts in the world. [Ferdinand Ludwig]","PeriodicalId":366028,"journal":{"name":"Dimensions. Journal of Architectural Knowledge","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124773694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Editorial Summary Steffen Bösenberg’s contribution »Thinking the Transformative« reflects the dynamic momentum of reflexive design and research. In reference to the working process of his doctoral thesis, he highlights the procedural circularity of reflexive, concept-driven research approaches, tracing the »circular motion of constant reflection and rethinking«. Hereby a transdisciplinary concept of »plasticity« is explored as a productive tool in the analysis of design methods in adaptive reuse. Decision-making, reconsideration, comparison or evaluation thereby become considerable as reciprocally interlinked processes, which equally depend upon and shape each other. Most interestingly, the transformation and plasticity of the process mirrors the dynamic dimension of the investigated case studies. [Katharina Voigt]
{"title":"Thinking the Transformative","authors":"Steffen Bösenberg","doi":"10.14361/dak-2021-0111","DOIUrl":"https://doi.org/10.14361/dak-2021-0111","url":null,"abstract":"Editorial Summary Steffen Bösenberg’s contribution »Thinking the Transformative« reflects the dynamic momentum of reflexive design and research. In reference to the working process of his doctoral thesis, he highlights the procedural circularity of reflexive, concept-driven research approaches, tracing the »circular motion of constant reflection and rethinking«. Hereby a transdisciplinary concept of »plasticity« is explored as a productive tool in the analysis of design methods in adaptive reuse. Decision-making, reconsideration, comparison or evaluation thereby become considerable as reciprocally interlinked processes, which equally depend upon and shape each other. Most interestingly, the transformation and plasticity of the process mirrors the dynamic dimension of the investigated case studies. [Katharina Voigt]","PeriodicalId":366028,"journal":{"name":"Dimensions. Journal of Architectural Knowledge","volume":"241 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132394005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Editorial Summary In her contribution »Reflexive, Reflexivity, and the Concept of Reflexive Design« Margitta Buchert frames the notion of reflexive design and research, pitting the various underlying concepts against one another and forming the framework for reflexive design research. As such, she emphasizes the punctuated distinction of reflection as an integrated component of research and of design and reflexion as alignment and attitude. In this sense she highlights the reciprocal interdependence of theory and practice as well as of the thinking and the making. Buchert introduces reflexive research in an attempt to investigate processes of architectural creation and design as well as their proceedings. »Reflexive Design« forms an open method to allow practices and processes of design and research to intertwine. [Katharina Voigt]
{"title":"Reflexive, Reflexivity, and the Concept of Reflexive Design","authors":"M. Buchert","doi":"10.14361/dak-2021-0109","DOIUrl":"https://doi.org/10.14361/dak-2021-0109","url":null,"abstract":"Editorial Summary In her contribution »Reflexive, Reflexivity, and the Concept of Reflexive Design« Margitta Buchert frames the notion of reflexive design and research, pitting the various underlying concepts against one another and forming the framework for reflexive design research. As such, she emphasizes the punctuated distinction of reflection as an integrated component of research and of design and reflexion as alignment and attitude. In this sense she highlights the reciprocal interdependence of theory and practice as well as of the thinking and the making. Buchert introduces reflexive research in an attempt to investigate processes of architectural creation and design as well as their proceedings. »Reflexive Design« forms an open method to allow practices and processes of design and research to intertwine. [Katharina Voigt]","PeriodicalId":366028,"journal":{"name":"Dimensions. Journal of Architectural Knowledge","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123681074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Editorial Summary Typically, design projects leave traces in building archives. Benedikt Boucsein sees great potential in this practice, as it can be used for a research methodology that explores archival material from the designer’s perspective, especially for work that is otherwise not archived. In his text Benedikt Boucsein illustrates this through the example from everyday architecture of the reconstruction period after World War II, which he denominated as »Grey Architecture«. One major insight of this research was that the building files were more important for the research than the actual buildings, and that working in the archive helped make this particular architecture »speak« for the first time, unveiling how the built environment is produced. He concludes that archival material may, especially for everyday architecture, be more important than the actual building, and that the designer’s view is decisive in understanding this material. [Ferdinand Ludwig]
{"title":"What the Files Reveal: Making Everyday Architecture Talk","authors":"Benedikt Boucsein","doi":"10.14361/dak-2021-0121","DOIUrl":"https://doi.org/10.14361/dak-2021-0121","url":null,"abstract":"Editorial Summary Typically, design projects leave traces in building archives. Benedikt Boucsein sees great potential in this practice, as it can be used for a research methodology that explores archival material from the designer’s perspective, especially for work that is otherwise not archived. In his text Benedikt Boucsein illustrates this through the example from everyday architecture of the reconstruction period after World War II, which he denominated as »Grey Architecture«. One major insight of this research was that the building files were more important for the research than the actual buildings, and that working in the archive helped make this particular architecture »speak« for the first time, unveiling how the built environment is produced. He concludes that archival material may, especially for everyday architecture, be more important than the actual building, and that the designer’s view is decisive in understanding this material. [Ferdinand Ludwig]","PeriodicalId":366028,"journal":{"name":"Dimensions. Journal of Architectural Knowledge","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129791551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Editorial Summary Entitled »Researching Non-Conscious Dimensions of Architectural Experience«, Marcus Weisen’s contribution explores the investigation of pre-reflexive ways of knowing, sensory thought, and the embodied mind. He introduces the micro-phenomenological interview as a successful methodology to exploit immanent, non-conscious aspects of architectural experience. He emphasizes the relevance of investigating the individual, subjective perspective in architectural research, proposing the first-person description of experience as a starting point from which to derive insights into overarching, essential principles of lived experiences of, and encounters with, architectural spaces. Tracing the elusive, embodied dimensions of architectural experience, he aims for an »embodied rationalism« in architectural research. [Uta Graff]
{"title":"Researching Non-Conscious Dimensions of Architectural Experience","authors":"Marcus Weisen","doi":"10.14361/dak-2021-0119","DOIUrl":"https://doi.org/10.14361/dak-2021-0119","url":null,"abstract":"Editorial Summary Entitled »Researching Non-Conscious Dimensions of Architectural Experience«, Marcus Weisen’s contribution explores the investigation of pre-reflexive ways of knowing, sensory thought, and the embodied mind. He introduces the micro-phenomenological interview as a successful methodology to exploit immanent, non-conscious aspects of architectural experience. He emphasizes the relevance of investigating the individual, subjective perspective in architectural research, proposing the first-person description of experience as a starting point from which to derive insights into overarching, essential principles of lived experiences of, and encounters with, architectural spaces. Tracing the elusive, embodied dimensions of architectural experience, he aims for an »embodied rationalism« in architectural research. [Uta Graff]","PeriodicalId":366028,"journal":{"name":"Dimensions. Journal of Architectural Knowledge","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130004437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Editorial Summary In her text, Anna-Maria Meister focuses on the production and dissemination of norms, normed objects, standards, bureaucratic measures, and administrative processes as social desires in German modern architecture. She states that we must treat them as formal and political acts of »Gestaltung« and critically probe their ideological intent and human consequence since the regulations in place, the order imagined, or the systems constructed were as formative to what we now know as Modern Architecture, as aesthetics or so-called Avant-Garde architects. As a result, rules and codes are »aesthetic tools« rather than mere »bureaucratic impediments«. She claims that it is necessary to research beyond the beaten path to include those contents that are usually left by the wayside, thus revealing and constructing alternative archives and histories. [Ferdinand Ludwig]
{"title":"Archives, Bureaucracies, Architecture: Now You See Me, Now You Don’t","authors":"Anna-Maria T. Meister","doi":"10.14361/dak-2021-0123","DOIUrl":"https://doi.org/10.14361/dak-2021-0123","url":null,"abstract":"Editorial Summary In her text, Anna-Maria Meister focuses on the production and dissemination of norms, normed objects, standards, bureaucratic measures, and administrative processes as social desires in German modern architecture. She states that we must treat them as formal and political acts of »Gestaltung« and critically probe their ideological intent and human consequence since the regulations in place, the order imagined, or the systems constructed were as formative to what we now know as Modern Architecture, as aesthetics or so-called Avant-Garde architects. As a result, rules and codes are »aesthetic tools« rather than mere »bureaucratic impediments«. She claims that it is necessary to research beyond the beaten path to include those contents that are usually left by the wayside, thus revealing and constructing alternative archives and histories. [Ferdinand Ludwig]","PeriodicalId":366028,"journal":{"name":"Dimensions. Journal of Architectural Knowledge","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125344876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article illustrates how the isomorphism between bodily form and emotional expression is manifest in architectural experience through applying research findings in the fields of cognitive science, phenomenology, and psychology to practical examples in the work of Aldo van Eyck, Alvar Aalto, Rosan Bosch, Herman Hertzberger, Steen Eiler-Rasmussen, and Gaston Bachelard. Beginning with the micro-scale movement in facial expressions to larger scale patterns of collective movement and mood, this work understands architecture in its activeverbal form, as a patterning force capable of modulating rhythms and resonances at individual and societal scales of interaction.
{"title":"Designing Movement, Modulating Mood","authors":"Sarah Robinson","doi":"10.14361/dak-2021-0209","DOIUrl":"https://doi.org/10.14361/dak-2021-0209","url":null,"abstract":"Abstract This article illustrates how the isomorphism between bodily form and emotional expression is manifest in architectural experience through applying research findings in the fields of cognitive science, phenomenology, and psychology to practical examples in the work of Aldo van Eyck, Alvar Aalto, Rosan Bosch, Herman Hertzberger, Steen Eiler-Rasmussen, and Gaston Bachelard. Beginning with the micro-scale movement in facial expressions to larger scale patterns of collective movement and mood, this work understands architecture in its activeverbal form, as a patterning force capable of modulating rhythms and resonances at individual and societal scales of interaction.","PeriodicalId":366028,"journal":{"name":"Dimensions. Journal of Architectural Knowledge","volume":"279 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114431095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This research is motivated by our belief that artistic practices have a great potential for exchange and so can promote innovations in the creative processes. In particular, we are interested in how the corporeal lived experience can be integrated into the design process and used as a conceptual basis for an architectural design. Within this article, we propose an interdisciplinary approach to architectural design that includes somatic exercises taken from dance, and associated with a phenomenological recollection of the experiences in space. At the same time, in teaching, we recognize the challenge of bringing the design process closer to the secondsemester architecture students of the Coburg University of Applied Sciences and Arts. The research was carried out as part of a studio project which focused on the design of a kindergarten. We found that the corporeal approach to design helped the students to immerse themselves in the role of the different users, and so relate to the design in an intimate way. Consequently, the designs were surprisingly imaginative and showed a considerable variation in typology.
{"title":"Lived Experience as a Basis for Design: A Design Studio Kindergarten Project","authors":"Katja Vaghi, Tijana Vojnović Ćalić, Anja Ohliger","doi":"10.14361/dak-2021-0206","DOIUrl":"https://doi.org/10.14361/dak-2021-0206","url":null,"abstract":"Abstract This research is motivated by our belief that artistic practices have a great potential for exchange and so can promote innovations in the creative processes. In particular, we are interested in how the corporeal lived experience can be integrated into the design process and used as a conceptual basis for an architectural design. Within this article, we propose an interdisciplinary approach to architectural design that includes somatic exercises taken from dance, and associated with a phenomenological recollection of the experiences in space. At the same time, in teaching, we recognize the challenge of bringing the design process closer to the secondsemester architecture students of the Coburg University of Applied Sciences and Arts. The research was carried out as part of a studio project which focused on the design of a kindergarten. We found that the corporeal approach to design helped the students to immerse themselves in the role of the different users, and so relate to the design in an intimate way. Consequently, the designs were surprisingly imaginative and showed a considerable variation in typology.","PeriodicalId":366028,"journal":{"name":"Dimensions. Journal of Architectural Knowledge","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117052070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Editorial Summary In their contribution, Sören Schöbel, Julian Schäfer and Georg Hausladen ask how architectural design can be used as a method of gaining scientific knowledge. They state that this is only possible if architectural design, which is generally characterized by a specific, creative, subjective and case-by-case process, is embedded into a methodical framework that enables general, i.e. transferable and verifiable knowledge. By stating that qualitative research in the disciplines in which it was developed is essentially based on a creative but nevertheless systematic interpretation of data in search of new, previously unknown structures the authors see a proximity to design in architecture, and therefore suggest transfering the quality criteria of qualitative research to research-based design. They describe three basic principles - regularity, relevance, and universality - and illustrate how research through design can be carried out using these principles with the example of different teaching formats. [Ferdinand Ludwig]
{"title":"Research through Design under Systematic Quality Criteria: Methodology and Teaching Research","authors":"S. Schöbel, J. Schäfer, Georg Hausladen","doi":"10.14361/dak-2021-0113","DOIUrl":"https://doi.org/10.14361/dak-2021-0113","url":null,"abstract":"Editorial Summary In their contribution, Sören Schöbel, Julian Schäfer and Georg Hausladen ask how architectural design can be used as a method of gaining scientific knowledge. They state that this is only possible if architectural design, which is generally characterized by a specific, creative, subjective and case-by-case process, is embedded into a methodical framework that enables general, i.e. transferable and verifiable knowledge. By stating that qualitative research in the disciplines in which it was developed is essentially based on a creative but nevertheless systematic interpretation of data in search of new, previously unknown structures the authors see a proximity to design in architecture, and therefore suggest transfering the quality criteria of qualitative research to research-based design. They describe three basic principles - regularity, relevance, and universality - and illustrate how research through design can be carried out using these principles with the example of different teaching formats. [Ferdinand Ludwig]","PeriodicalId":366028,"journal":{"name":"Dimensions. Journal of Architectural Knowledge","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121379338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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