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‘Insects don’t have politics.’ The Fly scene-by-scene: Act Three “昆虫没有政治。《苍蝇》一场接一场:第三幕
Pub Date : 2018-11-06 DOI: 10.3828/liverpool/9781911325420.003.0008
Emma Westwood
This chapter explores the scenes of Act Three of David Cronenberg's The Fly (1986). When Veronica arrives at the warehouse, the degeneration of Seth is apparent: Seth walks on sticks like an old man whose hips and knees have given out; his skin has deteriorated further, his hair is stringy, and his clothing dirty and streaked with that milky ooze. Brundlefly's instincts are now his own, and he does not even realise he is displaying them. Despite the gravity of Seth's situation, he remains true to his human character and never stops being a scientist. The chapter then looks at the deleted scenes, which indicate Cronenberg's initial vision for The Fly was even grimmer and more violent than the version that made it to cinemas — something likely to have undercut the love story and Seth Brundle's affability. The Fly ends with the mercy death of Brundlefly at the hand of his lover; a faultless conclusion for a film that eschews unnecessary embellishment so as not to detract from the strength of its story.
本章探讨了大卫·柯南伯格的《苍蝇》(1986)第三幕的场景。当维罗妮卡到达仓库时,赛斯的堕落是显而易见的:赛斯拄着拐杖走路,像一个臀部和膝盖都不行了的老人;他的皮肤进一步恶化,他的头发是丝状的,他的衣服很脏,还有乳白色的软泥。布伦德利的本能现在是他自己的了,他甚至没有意识到他在展示它们。尽管塞斯的处境很严峻,但他仍然忠于自己的人性,从未停止过科学家的身份。这一章接着看了被删减的场景,这表明柯南伯格对《苍蝇》的最初设想比电影院上映的版本更冷酷、更暴力——这可能削弱了爱情故事和塞斯·布伦德尔的和蔼可亲。《苍蝇》以布伦德利蝇死于爱人之手而告终;这是一部完美的电影,避免了不必要的修饰,以免削弱故事的力量。
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引用次数: 0
‘The flesh. It should make the computer, uh, crazy’: 的肉。它应该会让电脑,呃,疯狂起来。”
Pub Date : 2018-11-06 DOI: 10.2307/j.ctv138428x.7
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引用次数: 0
‘There was an old lady who swallowed a fly’: A ‘Cronenfeld’ Film “有个老太太吞了一只苍蝇”:柯南菲尔德的电影
Pub Date : 2018-11-06 DOI: 10.3828/liverpool/9781911325420.003.0003
Emma Westwood
This chapter examines how the idea to remake The Fly reached David Cronenberg. Producer Stuart Cornfeld was introduced to the idea of remaking The Fly by way of playwright/screenwriter Charles Edward ‘Chuck’ Pogue. Cornfeld admits David Cronenberg was his first choice as director for The Fly. However, Cronenberg would not fully enter the picture until further down the track, when Cronenberg's relationship with Dino De Laurentiis on Total Recall had fallen apart. Cronenberg, who had worked with De Laurentiis previously on The Dead Zone (1983), reportedly undertook 13 rewrites of Total Recall but was still unable to reach a point of compromise on the project that satisfied all parties involved. But The Fly story is interesting, even before it became a David Cronenberg film.
本章探讨了大卫·柯南伯格是如何想到重拍《苍蝇》的。制片人斯图尔特·康菲尔德通过剧作家兼编剧查尔斯·爱德华·“查克”·波格获得了重拍《苍蝇》的想法。康菲尔德承认大卫·柯南伯格是他作为《苍蝇》导演的首选。然而,直到柯南伯格与《全面回忆》中的迪诺·德·劳伦蒂斯的关系破裂后,柯南伯格才完全进入画面。柯南伯格曾与德·劳伦蒂斯合作过《死亡地带》(1983),据报道,柯南伯格对《全面回忆》进行了13次重写,但仍未能达成让各方都满意的妥协。但是《苍蝇》的故事很有趣,甚至在它成为大卫·柯南伯格的电影之前。
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引用次数: 0
‘Insects don’t have politics.’ The Fly scene-by-scene: “昆虫没有政治。《苍蝇》一场接一场:
Pub Date : 2018-11-06 DOI: 10.2307/j.ctv138428x.10
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引用次数: 0
‘Am I becoming a one hundred-and-eighty-five pound fly?’: The Gestation of The Fly “我会变成一只185磅重的苍蝇吗?”《苍蝇的孕育》
Pub Date : 2018-11-06 DOI: 10.3828/liverpool/9781911325420.003.0004
Emma Westwood
This chapter evaluates British writer George Langelaan's short fiction titled ‘The Fly’ (1957), and its film adaptation by Kurt Neumann in 1958. David Cronenberg's The Fly (1986) can only truly be appreciated within the context of what preceded it. He was not remaking an unknown film; rather, he was taking on one that came with preconceptions and expectations. In considering Cronenberg's The Fly, one can clearly see that remaking the original 1958 film was not on Cronenberg's agenda. While Cronenberg's film should not be compared to any other because it has ‘its own personality, voice and experience’, to consider The Fly's history gives meaning to the simple genius of the central concept: the story of a scientist accidentally turning himself into a fly.
本章评价了英国作家乔治·兰格兰的短篇小说《苍蝇》(1957)和库尔特·诺伊曼1958年改编的电影。大卫·柯南伯格的《苍蝇》(1986)只有在它之前的背景下才能真正欣赏。他不是在翻拍一部不知名的电影;相反,他接手的是一个带有先入之见和期望的项目。在考虑柯南伯格的《苍蝇》时,人们可以清楚地看到,翻拍1958年的原版电影并不在柯南伯格的议程上。虽然柯南伯格的电影不应该与其他电影相比,因为它有“自己的个性、声音和经历”,但考虑到《苍蝇》的历史,就会对中心概念的简单天才产生意义:一位科学家意外地把自己变成了一只苍蝇的故事。
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引用次数: 0
‘Am I becoming a one hundred-and-eighty-five pound fly?’: “我会变成一只185磅重的苍蝇吗?””:
Pub Date : 2018-11-06 DOI: 10.2307/j.ctv138428x.6
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引用次数: 0
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The Fly
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