Pub Date : 2023-12-01DOI: 10.24197/bsaaa.89.2023.383-385
Ramón Pérez de Castro
{"title":"reliquias de Martioda. Historia y restauración\", de VV.AA.","authors":"Ramón Pérez de Castro","doi":"10.24197/bsaaa.89.2023.383-385","DOIUrl":"https://doi.org/10.24197/bsaaa.89.2023.383-385","url":null,"abstract":"","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":" 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138617296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-01DOI: 10.24197/bsaaa.89.2023.61-83
Raquel Sáenz Pascual
Las pinturas murales de la iglesia de San Salvador de Moro (Ribadesella, Asturias) son un buen ejemplo de la pervivencia de la pintura mural en zonas periféricas peninsulares durante el Renacimiento. La distribución de sus escenas y sus motivos decorativos enlazan la tradición medieval con las nuevas modas renacentistas llegadas a través de grabados. Sus características formales y temas iconográficos permiten mostrar un conjunto que desborda el panorama meramente local para plantear una conexión con otros conjuntos pictóricos del entorno (Galicia, Cantabria, Castilla y León) e, incluso, más alejados, como algunos de Portugal.
{"title":"pintura mural renacentista en Asturias: el ejemplo de San Salvador de Moro (Ribadesella). Tradición y novedad en las decoraciones de las parroquias rurales","authors":"Raquel Sáenz Pascual","doi":"10.24197/bsaaa.89.2023.61-83","DOIUrl":"https://doi.org/10.24197/bsaaa.89.2023.61-83","url":null,"abstract":"Las pinturas murales de la iglesia de San Salvador de Moro (Ribadesella, Asturias) son un buen ejemplo de la pervivencia de la pintura mural en zonas periféricas peninsulares durante el Renacimiento. La distribución de sus escenas y sus motivos decorativos enlazan la tradición medieval con las nuevas modas renacentistas llegadas a través de grabados. Sus características formales y temas iconográficos permiten mostrar un conjunto que desborda el panorama meramente local para plantear una conexión con otros conjuntos pictóricos del entorno (Galicia, Cantabria, Castilla y León) e, incluso, más alejados, como algunos de Portugal.","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":" 20","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138618932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-01DOI: 10.24197/bsaaa.89.2023.369-370
Patricia Andrés González
{"title":"\"Paisajes del románico en tierras de Castilla\", de Miguel Cortés Arrese","authors":"Patricia Andrés González","doi":"10.24197/bsaaa.89.2023.369-370","DOIUrl":"https://doi.org/10.24197/bsaaa.89.2023.369-370","url":null,"abstract":"","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":"6 19","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138623835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.24197/bsaaa.88.2022.423-426
Fernando Gutiérrez Baños
{"title":"bestiario de la catedral de Santiago de Compostela. Espacio, función y audiencia\", de Victoriano Nodar Fernández","authors":"Fernando Gutiérrez Baños","doi":"10.24197/bsaaa.88.2022.423-426","DOIUrl":"https://doi.org/10.24197/bsaaa.88.2022.423-426","url":null,"abstract":"","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47712790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.24197/bsaaa.88.2022.453-455
Cruz María Martínez Marín
{"title":"\"Mujeres, promoción artística e imagen del poder en los siglos XV al XIX\", de José Javier Vélez Chaurri y Aintzane Erkizia Martikorena (coords.)","authors":"Cruz María Martínez Marín","doi":"10.24197/bsaaa.88.2022.453-455","DOIUrl":"https://doi.org/10.24197/bsaaa.88.2022.453-455","url":null,"abstract":"","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41880731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.24197/bsaaa.88.2022.436-438
Ángel Fuentes Ortiz
{"title":"\"Patronazgo real en los monasterios jerónimos de la Corona de Castilla. Arte y arquitectura\", de Miguel Herguedas Vela","authors":"Ángel Fuentes Ortiz","doi":"10.24197/bsaaa.88.2022.436-438","DOIUrl":"https://doi.org/10.24197/bsaaa.88.2022.436-438","url":null,"abstract":"","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69259246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.24197/bsaaa.88.2022.13-15
Juan Manuel Monterroso Montero
Obituario dedicado a Ana Goy, Catedrática de la Universidade de Santiago de Compostela
献给圣地亚哥德孔波斯特拉大学教授安娜·戈伊的讣告
{"title":"In memoriam: Ana Goy (1966-2022)","authors":"Juan Manuel Monterroso Montero","doi":"10.24197/bsaaa.88.2022.13-15","DOIUrl":"https://doi.org/10.24197/bsaaa.88.2022.13-15","url":null,"abstract":"Obituario dedicado a Ana Goy, Catedrática de la Universidade de Santiago de Compostela","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47045938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.24197/bsaaa.88.2022.429-432
Santiago Manzarbeitia Valle
{"title":"pinturas murales de la capilla de Santa Bárbara de la catedral vieja de Salamanca. Contar historias en la Castilla del siglo XIV\", de Fernando Gutiérrez Baños","authors":"Santiago Manzarbeitia Valle","doi":"10.24197/bsaaa.88.2022.429-432","DOIUrl":"https://doi.org/10.24197/bsaaa.88.2022.429-432","url":null,"abstract":"","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41534572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.24197/bsaaa.88.2022.247-273
Javier Baladrón Alonso
Siempre se ha venido señalando que la escultura vallisoletana sufrió un periodo de acusada decadencia durante el siglo XVIII, afirmación matizable que sin duda se debe al escaso conocimiento y falta de investigación de la misma, dado que la escuela contó con maestros tan destacados como Pedro de Ávila (1678-1755), Pedro de Sierra (1702-1761) y Felipe de Espinabete (1719-1799). Hoy presentamos a un interesantísimo escultor, casi desconocido, que por sus méritos artísticos bien merece ocupar un puesto de honor en la escultura barroca vallisoletana. Estamos hablando de José Fernández (1713-1783).
{"title":"escultor rococó José Fernández (1713-1783)","authors":"Javier Baladrón Alonso","doi":"10.24197/bsaaa.88.2022.247-273","DOIUrl":"https://doi.org/10.24197/bsaaa.88.2022.247-273","url":null,"abstract":"Siempre se ha venido señalando que la escultura vallisoletana sufrió un periodo de acusada decadencia durante el siglo XVIII, afirmación matizable que sin duda se debe al escaso conocimiento y falta de investigación de la misma, dado que la escuela contó con maestros tan destacados como Pedro de Ávila (1678-1755), Pedro de Sierra (1702-1761) y Felipe de Espinabete (1719-1799). Hoy presentamos a un interesantísimo escultor, casi desconocido, que por sus méritos artísticos bien merece ocupar un puesto de honor en la escultura barroca vallisoletana. Estamos hablando de José Fernández (1713-1783).","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49419324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.24197/bsaaa.88.2022.434-436
Ruth María Campbell Ávila
{"title":"Libro de los bienhechores del monasterio de San Benito el Real de Valladolid. Estudio y edición\", de César Olivera Serrano (dir.)","authors":"Ruth María Campbell Ávila","doi":"10.24197/bsaaa.88.2022.434-436","DOIUrl":"https://doi.org/10.24197/bsaaa.88.2022.434-436","url":null,"abstract":"","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45561567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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