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Временник Зубовского института最新文献

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‘Importing’ European Repertoire: The Saint Petersburg Russian Opera Troupe during the First Quarter of the 19th Century “引进”欧洲曲目:19世纪前25年的圣彼得堡俄罗斯歌剧团
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_2_51
M. Konstantinova
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引用次数: 0
Suites for Two Pianos by Anton Arensky Through the Lens of His Compositional Style 从安东·阿伦斯基的作曲风格看他的双钢琴组曲
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_3_103
I. Skvortsova, Anna Gorshkova
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引用次数: 0
20th-Century Developments in the Art of Accompaniment in Russia 20世纪俄罗斯伴奏艺术的发展
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_2_113
A. Yudin
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引用次数: 0
On a Grammar Construction Used by Carl Dahlhaus 卡尔·达尔豪斯的语法结构
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_2_123
Stephan Naumovich
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引用次数: 0
The Diary of Good Hope: Pavel Chesnokov’s Music for the Play Cain (Moscow Art Theatre, 1920) 《希望日记:帕维尔·切斯诺科夫为该隐戏剧创作的音乐》(莫斯科艺术剧院,1920年)
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_2_164
Alexander Naumov
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引用次数: 0
An Innovative Approach to the Portrayal of Vladimir Lenin in Mark Zakharov’s Production of Revolutionary Etude(Lenkom, 1979) 扎哈罗夫《革命练习曲》对列宁形象的创新解读(Lenkom出版社,1979)
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_2_163
V. Shelest
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引用次数: 0
The Birth of the Art of Accompaniment in 18th-Century Russia 18世纪俄罗斯伴奏艺术的诞生
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_2_37
A. Yudin
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引用次数: 0
The Culture of the Cypriot Wedding Rite: Traditions and Modern Transformations 塞浦路斯婚礼仪式的文化:传统和现代变革
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_3_196
Elena Ursolenko
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引用次数: 0
The Artistic Method of the Red Army Theater and Drama Workshop in Petrograd, 1919-1920 1919-1920年彼得格勒红军戏剧工作室的艺术方法
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_2_145
A. Kibardin
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引用次数: 0
Contemporary Manifestations of Epic Genres of Ukrainian Folklore in the Carpathian Region 喀尔巴阡地区乌克兰民间传说史诗体裁的当代表现
Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_2_181
Iwan Strutynski
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引用次数: 0
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Временник Зубовского института
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