Review of: Blank Canvas: Art School Creativity from Punk to New Wave, Simon Strange (2022) Bristol: Intellect, 297 pp., ISBN 978-1-78938-631-8, p/bk, £20.00
{"title":"Blank Canvas: Art School Creativity from Punk to New Wave, Simon Strange (2022)","authors":"Rupert Loydell","doi":"10.1386/punk_00186_5","DOIUrl":"https://doi.org/10.1386/punk_00186_5","url":null,"abstract":"Review of: Blank Canvas: Art School Creativity from Punk to New Wave, Simon Strange (2022)\u0000 Bristol: Intellect, 297 pp.,\u0000 ISBN 978-1-78938-631-8, p/bk, £20.00","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80054684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The queen of punk is dead: Vivienne Westwood, 8 April 1941–29 December 2022","authors":"M. Skov","doi":"10.1386/punk_00193_7","DOIUrl":"https://doi.org/10.1386/punk_00193_7","url":null,"abstract":"","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"39 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87988938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: A Kiss across the Ocean: Transatlantic Intimacies of British Post-Punk and US Latinidad, Richard T. Rodríguez (2022) Durham, NC and London: Duke University Press, 256 pp., ISBN 978-1-47801-858-2, p/bk, £17.59
《跨洋之吻:英国后朋克和美国拉丁主义的跨大西洋亲密关系》，Richard T. Rodríguez(2022)达勒姆，北卡罗来纳州和伦敦:杜克大学出版社，256页，ISBN 978-1-47801-858-2, p/bk, 17.59英镑
{"title":"A Kiss across the Ocean: Transatlantic Intimacies of British Post-Punk and US Latinidad, Richard T. Rodríguez (2022)","authors":"M. Buszek","doi":"10.1386/punk_00184_5","DOIUrl":"https://doi.org/10.1386/punk_00184_5","url":null,"abstract":"Review of: A Kiss across the Ocean: Transatlantic Intimacies of British Post-Punk and US Latinidad, Richard T. Rodríguez (2022)\u0000 Durham, NC and London: Duke University Press, 256 pp.,\u0000 ISBN 978-1-47801-858-2, p/bk, £17.59","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90960506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Goudvishal DIY or DIE! Punk in Arnhem 1977–1990, Marcel Stol and Henk Wentink (eds) Ticehurst: Earth Island Books, 520 pp., ISBN 978-1-73979-557-3, p/bk, £24.99
{"title":"Goudvishal DIY or DIE! Punk in Arnhem 1977–1990, Marcel Stol and Henk Wentink (eds)","authors":"Greg Bull","doi":"10.1386/punk_00192_5","DOIUrl":"https://doi.org/10.1386/punk_00192_5","url":null,"abstract":"Review of: Goudvishal DIY or DIE! Punk in Arnhem 1977–1990, Marcel Stol and Henk Wentink (eds)\u0000 Ticehurst: Earth Island Books, 520 pp.,\u0000 ISBN 978-1-73979-557-3, p/bk, £24.99","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72827418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: A Book of Days, Patti Smith (2022) London: Bloomsbury, 400 pp., ISBN 978-1-52665-098-6, h/bk, £25.00 Surrender: 40 Songs, One Story, Bono (2022) London: Hutchinson Heinemann, 576 pp., ISBN 978-1-52915-178-7, h/bk, £25.00
{"title":"A Book of Days, Patti Smith (2022)","authors":"Rupert Loydell","doi":"10.1386/punk_00185_5","DOIUrl":"https://doi.org/10.1386/punk_00185_5","url":null,"abstract":"Review of: A Book of Days, Patti Smith (2022)\u0000 London: Bloomsbury, 400 pp.,\u0000 ISBN 978-1-52665-098-6, h/bk, £25.00\u0000 \u0000 \u0000 Surrender: 40 Songs, One Story, Bono (2022)\u0000 London: Hutchinson Heinemann, 576 pp.,\u0000 ISBN 978-1-52915-178-7, h/bk, £25.00","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82376867","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A non-obituary for D. H. Peligro","authors":"Temmuz Süreyya Gürbüz","doi":"10.1386/punk_00190_7","DOIUrl":"https://doi.org/10.1386/punk_00190_7","url":null,"abstract":"","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"52 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85439392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Scene Unseen, Abdul Nizam and Friends (2021), Singapore: M’Go Films.","authors":"Ginette Chittick","doi":"10.1386/punk_00189_5","DOIUrl":"https://doi.org/10.1386/punk_00189_5","url":null,"abstract":"","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"57 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79810116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Damaged: Musicality and Race in Early American Punk, Evan Rapport (2020) Jackson, MS: University Press of Mississippi, 364 pp., ISBN 978-1-49683-122-4, p/bk, $30.00
{"title":"Damaged: Musicality and Race in Early American Punk, Evan Rapport (2020)","authors":"Maxwell Woods","doi":"10.1386/punk_00188_5","DOIUrl":"https://doi.org/10.1386/punk_00188_5","url":null,"abstract":"Review of: Damaged: Musicality and Race in Early American Punk, Evan Rapport (2020)\u0000 Jackson, MS: University Press of Mississippi, 364 pp.,\u0000 ISBN 978-1-49683-122-4, p/bk, $30.00","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"35 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84297452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article argues that music criticism from the early 1990s was central to media backlash against feminism in this period. As Daphne A. Brooks has noted, music criticism remains widely untheorized, despite being so entangled with the sustainability of popular music. In this article, I give focused attention to a small body of critical writing, exploring the relationship between recordings and the reviews that describe and evaluate the music. I present a reading of backlash against the riot grrrl band Bratmobile from 1993 to 1994, including reviews from the zines Cake, Snipe Hunt, trust kill and Genetic Disorder as well as from Artforum, SPIN and Option. I apply Janice A. Radway’s concept of ‘rhetorical containment’ to this set of criticism, highlighting shared critical manoeuvres evident in the reviews. This builds on Peter Szendy’s idea of ‘punctuation’ as that which shapes phrasing in a dialogue; on one level, criticism of Bratmobile punctuated the musical releases by legitimizing them and by reinforcing key themes in the music. But the critics also undermined the band in ways both subtle and explicit. I conclude by suggesting that critical backlash against riot grrrl can be understood as a matter of power and solidarity, with every critical utterance containing elements of both.
本文认为，20世纪90年代初的音乐批评是这一时期媒体对女权主义的强烈反对的核心。正如达芙妮·a·布鲁克斯(Daphne A. Brooks)所指出的，尽管音乐批评与流行音乐的可持续性纠缠在一起，但它在很大程度上仍然没有理论化。在这篇文章中，我将重点关注一小部分批判性写作，探索录音与描述和评价音乐的评论之间的关系。我列举了1993年至1994年间人们对暴动女孩乐队Bratmobile的强烈反对，包括来自《Cake》、《Snipe Hunt》、《trust kill》和《Genetic Disorder》等杂志以及《Artforum》、《SPIN》和《Option》的评论。我将珍妮丝·a·拉德韦(Janice A. Radway)的“修辞遏制”概念应用于这组批评，强调评论中明显存在的共同批评策略。这是建立在Peter Szendy关于“标点符号”在对话中塑造措辞的观点之上的;在某种程度上，对《Bratmobile》的批评通过合法化和强化音乐中的关键主题来打断音乐的发行。但评论家们也以微妙和明显的方式破坏了乐队。我的结论是，对暴乱的批判反弹可以被理解为权力和团结的问题，每一个批评话语都包含了这两者的元素。
{"title":"Criticism as punctuation in the riot grrrl backlash","authors":"Elizabeth Newton","doi":"10.1386/punk_00179_1","DOIUrl":"https://doi.org/10.1386/punk_00179_1","url":null,"abstract":"This article argues that music criticism from the early 1990s was central to media backlash against feminism in this period. As Daphne A. Brooks has noted, music criticism remains widely untheorized, despite being so entangled with the sustainability of popular music. In this article, I give focused attention to a small body of critical writing, exploring the relationship between recordings and the reviews that describe and evaluate the music. I present a reading of backlash against the riot grrrl band Bratmobile from 1993 to 1994, including reviews from the zines Cake, Snipe Hunt, trust kill and Genetic Disorder as well as from Artforum, SPIN and Option. I apply Janice A. Radway’s concept of ‘rhetorical containment’ to this set of criticism, highlighting shared critical manoeuvres evident in the reviews. This builds on Peter Szendy’s idea of ‘punctuation’ as that which shapes phrasing in a dialogue; on one level, criticism of Bratmobile punctuated the musical releases by legitimizing them and by reinforcing key themes in the music. But the critics also undermined the band in ways both subtle and explicit. I conclude by suggesting that critical backlash against riot grrrl can be understood as a matter of power and solidarity, with every critical utterance containing elements of both.","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79429334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This interview contextualizes the music of two bands, Stress and Attrition, their relationship to time and place (Coventry in the early 1980s) and the zines produced at the time by both interviewees. Bowes and Rider consider DIY zine and tape culture, their bands’ relationship to punk, post-punk and indie labels, other contemporaneous music which was often the focus of the music press’ interest in the city, as well as their current music and publishing activities.
{"title":"Totally inspired by punk: An interview with Martin Bowes and Alan Rider","authors":"Rupert Loydell","doi":"10.1386/punk_00178_7","DOIUrl":"https://doi.org/10.1386/punk_00178_7","url":null,"abstract":"This interview contextualizes the music of two bands, Stress and Attrition, their relationship to time and place (Coventry in the early 1980s) and the zines produced at the time by both interviewees. Bowes and Rider consider DIY zine and tape culture, their bands’ relationship to punk, post-punk and indie labels, other contemporaneous music which was often the focus of the music press’ interest in the city, as well as their current music and publishing activities.","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"98 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81051015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：