Review of: Electric Wizards: A Tapestry of Heavy Music, 1968 to the Present, J. R. Moores (2021)London: Reaktion Books Ltd, 480 pp.,ISBN 978-1-78914-448-2, h/bk, GBP £20.00
{"title":"Electric Wizards: A Tapestry of Heavy Music, 1968 to the Present, J. R. Moores (2021)","authors":"Yorgos Paschos","doi":"10.1386/punk_00153_5","DOIUrl":"https://doi.org/10.1386/punk_00153_5","url":null,"abstract":"Review of: Electric Wizards: A Tapestry of Heavy Music, 1968 to the Present, J. R. Moores (2021)London: Reaktion Books Ltd, 480 pp.,ISBN 978-1-78914-448-2, h/bk, GBP £20.00","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87914922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Directions to the Outskirts of Town: Punk Rock Tour Diaries from Nineties North America, Welly Artcore (2021)Ticehurst: Earth Island Books, 316 pp.,ISBN 978-1-83835-674-3, p/bk, GBP £14.99
《城郊方向:90年代北美朋克摇滚之旅日记》，Welly Artcore (2021)Ticehurst: Earth Island Books, 316页，ISBN 978-1-83835-674-3, p/bk, GBP£14.99
{"title":"Directions to the Outskirts of Town: Punk Rock Tour Diaries from Nineties North America, Welly Artcore (2021)","authors":"Russell Bestley","doi":"10.1386/punk_00125_5","DOIUrl":"https://doi.org/10.1386/punk_00125_5","url":null,"abstract":"Review of: Directions to the Outskirts of Town: Punk Rock Tour Diaries from Nineties North America, Welly Artcore (2021)Ticehurst: Earth Island Books, 316 pp.,ISBN 978-1-83835-674-3, p/bk, GBP £14.99","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"20 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78062017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘There goes my hero’: Taylor Hawkins (17 February 1972‐25 March 2022)","authors":"Matt Grimes","doi":"10.1386/punk_00151_7","DOIUrl":"https://doi.org/10.1386/punk_00151_7","url":null,"abstract":"","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78584736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Faster! Louder! How a Punk Rocker from Yorkshire Became British Champion Fell Runner, Boff Whalley (2021)Bradford: Great Northern Books, 232 pp.,ISBN 978-1-91210-129-0, p/bk, GBP £9.99
回顾:更快!大声点!一个来自约克郡的朋克摇滚歌手是如何成为英国冠军的，Boff Whalley (2021)Bradford: Great Northern Books, 232页，ISBN 978-1-91210-129-0, p/bk, GBP£9.99
{"title":"Faster! Louder! How a Punk Rocker from Yorkshire Became British Champion Fell Runner, Boff Whalley (2021)","authors":"Russell Bestley","doi":"10.1386/punk_00156_5","DOIUrl":"https://doi.org/10.1386/punk_00156_5","url":null,"abstract":"Review of: Faster! Louder! How a Punk Rocker from Yorkshire Became British Champion Fell Runner, Boff Whalley (2021)Bradford: Great Northern Books, 232 pp.,ISBN 978-1-91210-129-0, p/bk, GBP £9.99","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"92 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73905496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This interview contextualizes the work of Steve Taylor, within and without the Christian music industry, as solo musician, band member, producer, video artist and filmmaker. The discussion touches upon faith, satire, performance, controversy, the music business, influences and the craft of songwriting.
{"title":"Fractured and elliptical sensibilities: An interview with Steve Taylor","authors":"Rupert Loydell","doi":"10.1386/punk_00150_7","DOIUrl":"https://doi.org/10.1386/punk_00150_7","url":null,"abstract":"This interview contextualizes the work of Steve Taylor, within and without the Christian music industry, as solo musician, band member, producer, video artist and filmmaker. The discussion touches upon faith, satire, performance, controversy, the music business, influences and the craft\u0000 of songwriting.","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78976263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Decolonize the Disenfranchised: Gregg Deal, Tutse Nakoekwu (Minor Threat) and the Disruption of Indigenous Stereotypes, Emmanuel Gallery, Denver, USA, 28 January‐1 March, 2022","authors":"Emily Owens","doi":"10.1386/punk_00157_5","DOIUrl":"https://doi.org/10.1386/punk_00157_5","url":null,"abstract":"","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81048836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article examines women’s experiences in the punk scenes of Tallinn (Estonia) during the late Soviet (1970s–80s) and the initial post-Soviet period (1990s–2000s). The author is interested in how women perceived their identity inside those scenes and in relation to mainstream culture, as well as in the role of Tallinn’s urban space in scene creation. The article places a particular emphasis on examining the consistency in women’s experience of those scenes in the context of a society that witnessed the crumbling of Soviet rule. Theoretical background for the article is provided by subculture and gender studies. The material for analysis is drawn primarily from in-depth interviews with members of the subcultures concerned but also includes data from participatory observation and personal experience. In interpreting the data, the author has combined qualitative content analysis and discourse analysis (including context analysis).
{"title":"Women’s experience in Estonian punk scenes during the transition from Soviet to post-Soviet society","authors":"Brigitta Davidjants","doi":"10.1386/punk_00145_1","DOIUrl":"https://doi.org/10.1386/punk_00145_1","url":null,"abstract":"The article examines women’s experiences in the punk scenes of Tallinn (Estonia) during the late Soviet (1970s–80s) and the initial post-Soviet period (1990s–2000s). The author is interested in how women perceived their identity inside those scenes and in relation to mainstream culture, as well as in the role of Tallinn’s urban space in scene creation. The article places a particular emphasis on examining the consistency in women’s experience of those scenes in the context of a society that witnessed the crumbling of Soviet rule. Theoretical background for the article is provided by subculture and gender studies. The material for analysis is drawn primarily from in-depth interviews with members of the subcultures concerned but also includes data from participatory observation and personal experience. In interpreting the data, the author has combined qualitative content analysis and discourse analysis (including context analysis).","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81147433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The 1980s was a time of discontinuity in the United Kingdom as the country was restructured through an extensive reconfiguration of economic, social and political relations. This shift towards what would subsequently be termed neo-liberalism included the deliberate dismantling of organized labour as a political force, privatization, deregulation, cuts to the welfare state and a belief in the pre-eminence of the market as the most effective processor of information. Test Dept formed in 1981 and evolved politically in the socio-economic context of the early imposition of neo-liberalism. Test Dept’s visual art practice contested neo-liberal representation and discourse, opening up space and providing resources for alternative identities and the perpetuation of models of identity based around collectivism and solidarity. This article explores Test Dept’s practice, focusing on three aspects of identity that neo-liberalism attempted to restructure: class, gender and national identity.
{"title":"Contesting class, gender and national identity: The visual art practice of Test Dept","authors":"T. Forster","doi":"10.1386/punk_00130_1","DOIUrl":"https://doi.org/10.1386/punk_00130_1","url":null,"abstract":"The 1980s was a time of discontinuity in the United Kingdom as the country was restructured through an extensive reconfiguration of economic, social and political relations. This shift towards what would subsequently be termed neo-liberalism included the deliberate dismantling of organized labour as a political force, privatization, deregulation, cuts to the welfare state and a belief in the pre-eminence of the market as the most effective processor of information. Test Dept formed in 1981 and evolved politically in the socio-economic context of the early imposition of neo-liberalism. Test Dept’s visual art practice contested neo-liberal representation and discourse, opening up space and providing resources for alternative identities and the perpetuation of models of identity based around collectivism and solidarity. This article explores Test Dept’s practice, focusing on three aspects of identity that neo-liberalism attempted to restructure: class, gender and national identity.","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88317589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tears of a Nation: Mick Crudge","authors":"Gary Watts (Gaz Suspect)","doi":"10.1386/punk_00132_7","DOIUrl":"https://doi.org/10.1386/punk_00132_7","url":null,"abstract":"","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"34 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83096650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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