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Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān最新文献

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Sayings and Poems of Praise about Male Singers and Songstresses in the Past [fols. 71a–72b; ZY 83–4] 历代男歌手和女歌手的赞美诗[续]。71 - 72 b;ZY 83 - 4]
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān
Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_078
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引用次数: 0
On the Proper Behavior to Praise Men and Women When They Reach a State of Ṭarab [fols. 60a–61b; ZY 69–70] 论男女达到Ṭarab状态时的恰当赞美行为[页]。60 - 61 b;ZY 69 - 70)
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān
Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_069
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引用次数: 0
Mention of the Male Singers in the ʿAlawid Era in Egypt [fols. 56b–57a; ZY 65–6] 提到埃及阿拉维德时代的男歌手[下]。56 b-57a;ZY 65 - 6]
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān
Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_058
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引用次数: 0
On Which Particular Genuses of Modes Should be Used in Which Types of Melodies; Modes Used Plainly (sādhij) without Mixing (tamzīj) and without Moving [from One to Another] (tanqīl) are Unpleasant and Do Not Cause ṭarab [fols. 108a–109a; ZY 116–7] 论在何种类型的旋律中应使用何种调式直接使用的模式(sādhij)没有混合(tamz<e:1> j)和没有移动[从一个到另一个](tanq<e:1> l)是不愉快的，不会导致ṭarab [fols]。108 - 109 a;ZY 116 - 7]
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān
Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_108
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引用次数: 0
The Inventor of the Lute and Differing Views about It [fols. 83b–85b; ZY 93–5] 琵琶的发明者和对琵琶的不同看法[下]。83 b - 85 b;ZY 93 - 5)
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān
Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_086
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引用次数: 0
Mention of the ʿAbbāsid Caliphs’ Sons Who Sang [fol. 59a; ZY 68] 提到真主Abbāsid哈里发的儿子们唱歌[傻瓜]。59岁;ZY 68]
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān
Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_065
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引用次数: 0
What Stimulates the Singer To Be Active and What Makes Him Sluggish [fols. 46b–48a; ZY 55–7] 是什么使歌手活跃，又是什么使他懒散[页]。46 b-48a;ZY 55-7]
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān
Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_046
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引用次数: 0
The Character, Effects, and Types of Melodies [fols. 16a–17a; ZY 21–3] 旋律的特征、效果和类型[页]。16 a-17a;ZY取得)
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān
Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_015
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引用次数: 0
The Care of Throats in General, and before and after Puberty [fols. 37b–38b; ZY 46–7] 一般的喉咙护理，青春期前后[页]。37 b-38b;ZY 46-7]
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān
Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_035
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引用次数: 0
The Names of Voices (ḥalq), Their Good and Bad Qualities [fols. 27a–28a; ZY 34–5] 声音的名称(ḥalq)，他们的好与坏的品质[页]。27 a-28a;ZY 34-5]
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān
Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_028
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引用次数: 0
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