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Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān最新文献

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Mention of the ʿAbbāsid Caliphs’ Sons Who Sang [fol. 59a; ZY 68] 提到真主Abbāsid哈里发的儿子们唱歌[傻瓜]。59岁;ZY 68]
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引用次数: 0
Mention of the Slave Singers and Songstresses in the ʿAbbāsid Era [fol. 56a; ZY 65] 提到在al - Abbāsid时代的奴隶歌手和女歌手[j]。56个;ZY 65]
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引用次数: 0
The Names of Voices (ḥalq), Their Good and Bad Qualities [fols. 27a–28a; ZY 34–5] 声音的名称(ḥalq),他们的好与坏的品质[页]。27 a-28a;ZY 34-5]
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引用次数: 0
The Inventor of the Lute and Differing Views about It [fols. 83b–85b; ZY 93–5] 琵琶的发明者和对琵琶的不同看法[下]。83 b - 85 b;ZY 93 - 5)
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引用次数: 0
On Dance, Its Types and Names [Ibn al-Ṭaḥḥān’s Passage Quoted by al-Tīfāshī][fols. 100a–100b; ZY 112] 论舞蹈,它的类型和名称[伊本·阿尔-Ṭaḥḥān的段落引用al-Tīfāshī][补页]。100 - 100 b;ZY 112]
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引用次数: 0
Mention of the ʿAbbāsid Caliphs’ Daughters Who Sang [fol. 59b; ZY 68] 提到真主Abbāsid哈里发的女儿们唱歌[傻瓜]。59 b;ZY 68]
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引用次数: 0
[Al-Tīfāshī’s Chapter 34: The Characteristics of the urghānīn Copied from Ibn al-Ṭaḥḥān’s Treatise.] [Mutʿat fols. 75–80; al-Sillāmī 197–200] [Al-Tīfāshī第34章:《urghānīn》抄袭自伊本·艾尔·-Ṭaḥḥān《论》的特点。[Mut ā at fols]75 - 80;al-Sillāī197 - 200)
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引用次数: 0
Mention of the One Hundred Chosen Songs [fols. 61b–63a; ZY 70–4] 提到100首精选歌曲[页]。61 b - 63 a;ZY 70 - 4]
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引用次数: 0
The Strings, Their Characters, Names, Choosing [Them], and Stringing Them on the Lute [fols. 89b–91b; ZY 99–101] 弦,他们的字符,名称,选择[他们],并在琵琶上弦[fols]。89 b - 91 b;ZY 99 - 101)
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引用次数: 0
Stories about Male Singers in Earlier Times and Their Pedigree [fols. 78b–79a; ZY 89–90] 早期男歌手的故事及其谱系[页]。78 b - 79 a;ZY 89 - 90)
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引用次数: 0
期刊
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān
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