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Philip Roth Studies最新文献

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A Biography and Roth's Most Experimental Work to Date 传记与罗斯迄今为止最具实验性的作品
Q2 Arts and Humanities Pub Date : 2022-04-19 DOI: 10.1353/prs.2022.0009
Eric Vanderwall
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引用次数: 1
"Momma, Do We Believe in Winter?": Yiddishe Mama and Judaism in Portnoy's Complaint “妈妈,我们相信冬天吗?”《波特诺伊的抱怨》中的意第绪语妈妈和犹太教
Q2 Arts and Humanities Pub Date : 2022-04-19 DOI: 10.1353/prs.2022.0006
Olga B. Karasik-Updike
Abstract:In Portnoy's Complaint (1969), Philip Roth created a particularly vivid image of a Jewish mother. Now, more than fifty years after the novel was published, it is hard to define whether this novel produced the Jewish mother jokes or whether the jokes produced the novel. Sophie Portnoy is the embodiment of Jewishness as well as Judaism in the novel. "Hundreds of thousands of little rules" of the Portnoys' household go back to the laws of Judaism but are interpreted and presented by the mother in an odd and distorted way. Jewish philosophy is lowered to the everyday taboos that regulate Alex Portnoy's life even when he becomes an adult and lives separately from his parents. The belief in these taboos subsumes Judaism and its real laws, becoming the only Judaism Alex knows.
摘要:菲利普·罗斯在《波特诺伊的控诉》(1969)中塑造了一个犹太母亲形象。现在,在这部小说出版50多年后,很难确定这部小说是否产生了犹太母亲的笑话,或者这些笑话是否产生了这部小说。索菲·波特诺伊在小说中既是犹太的化身,也是犹太教的化身。波特诺家的“数十万条小规则”可以追溯到犹太教的法律,但母亲以一种奇怪和扭曲的方式解释和呈现。即使亚历克斯·波特诺伊成年后与父母分开生活,犹太哲学也被降为日常禁忌,这些禁忌规范着他的生活。对这些禁忌的信仰包含了犹太教及其真正的法律,成为亚历克斯唯一知道的犹太教。
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引用次数: 2
Philip Roth's View of Mid-Twentieth-Century American Jews as Seen in Three Stories from Goodbye, Columbus 菲利普·罗斯从《再见,哥伦布》的三个故事看二十世纪中期的美国犹太人
Q2 Arts and Humanities Pub Date : 2022-04-19 DOI: 10.1353/prs.2022.0003
Phil M. Cohen
Abstract:This paper examines three stories in Philp Roth's Goodbye, Columbus. The stories are united in their concern for the challenges posed to Jewish identity in mid-twentieth century America, a generation of Jews separated from their immigrant parents and grandparents. Roth, a keen observer of American Jewish life, shines a perceptive, occasionally critical, often humorous light on his characters; he teaches the reader some hard truths about American Jews, truths that remain relevant more than half a century later.
摘要:本文考察了《再见,哥伦布》中的三个故事。这些故事在关注20世纪中期美国犹太人身份所面临的挑战方面是一致的,这一代犹太人与移民父母和祖父母分离。罗斯是一位敏锐地观察美国犹太人生活的人,他对自己的角色有着敏锐的洞察力,偶尔也会提出批评,通常是幽默的;他向读者讲述了一些关于美国犹太人的残酷真相,这些真相在半个多世纪后仍然存在。
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引用次数: 1
"Portnoy's Complaint at 50": A Podcast About Roth's Most Infamous Book “波特诺伊50岁时的抱怨”:关于罗斯最臭名昭著的书的播客
Q2 Arts and Humanities Pub Date : 2022-04-19 DOI: 10.1353/prs.2022.0010
B. Kaplan, Samuel Kessler
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引用次数: 0
Roth's Jewish Weequahic: Perception or Reality and Why It Matters 罗斯的《犹太Weequahic:感知还是现实及其重要性》
Q2 Arts and Humanities Pub Date : 2022-04-19 DOI: 10.1353/prs.2022.0007
Stuart S. Miller
Abstract:Philip Roth gets a lot of things right about Jewish Weequahic, at least for the time in which he lived there. Nevertheless, there are some aspects of the Jewish landscape of Weequahic and Newark that escaped him. Some of what he misses explains a development he was surely unaware of, the rejuvenation of traditional Jewish life in Weequahic after his departure from Newark, which takes place in the very period in which Roth has "the Swede," Seymour Levov, cast off any connection to his Jewish roots. It is argued here that Roth misreads some of what he witnessed and was ill-informed about developments in Weequahic beyond 1950. Had it been otherwise, his take on the local and national Jewish condition might have been very different. Much of the story of the Jewish community of Newark has yet to receive the full scholarly treatment it deserves. When it is written, it will shed new light not only on Roth's writings but also on the struggles, realities, and meaning of being Jewish in mid-twentieth-century America.
摘要:菲利普·罗斯对犹太Weequahic的许多看法是正确的,至少在他生活的那个时代是这样。尽管如此,维奎哈克和纽瓦克的犹太景观还是有一些方面没有被他注意到。他错过的一些东西解释了一个他肯定没有意识到的发展,在他离开纽瓦克后,传统犹太人生活在Weequahic的复兴,这发生在罗斯的“瑞典人”西摩·列沃夫(Seymour Levov)抛弃了他与犹太根源的任何联系的时期。这里有人认为,罗斯误读了他所目睹的一些情况,对1950年以后威奎契克的事态发展也不了解。如果不是这样,他对当地和全国犹太人状况的看法可能会非常不同。纽瓦克犹太社区的许多故事还没有得到应有的全面学术研究。当这本书完成后,它不仅将为罗斯的作品提供新的视角,还将为20世纪中期美国犹太人的斗争、现实和意义提供新的视角。
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引用次数: 2
Philip Roth's Deathmatch with Judaism 菲利普·罗斯与犹太教的死战
Q2 Arts and Humanities Pub Date : 2022-04-19 DOI: 10.1353/prs.2022.0008
Timothy L. Parrish
Abstract:Philip Roth famously and frequently resisted being identified as a Jewish writer, although he never resisted being identified as a Jew and was a frequent critic of anti-Semitism. While Roth's work often depicts Jews arguing with each other, these conflicts have less to do with being Jewish, per se, than with how Judaism is conceived in the modern world. Criticized since his earliest stories for attacking Jews, Roth has rebelled against the practice of Judaism. This essay explores Roth's conflict with the existence of Judaism and the implicit communal demand that he abide by its historic practices.
摘要:菲利普·罗斯(Philip Roth)以经常拒绝被认定为犹太作家而闻名,尽管他从未拒绝被认定为犹太人,并经常批评反犹太主义。虽然罗斯的作品经常描绘犹太人之间的争论,但这些冲突本身与犹太人的身份关系不大,而是与现代世界对犹太教的看法有关。自从他最早的作品被批评为攻击犹太人以来,罗斯一直反对犹太教的实践。本文探讨了罗斯与犹太教存在的冲突,以及他遵守其历史惯例的隐含的社区要求。
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引用次数: 1
An Ambivalent Nemesis: Philip Roth, Commentary, and the American Jewish Intellectual 矛盾的宿敌:菲利普·罗斯、《评论》和美国犹太知识分子
Q2 Arts and Humanities Pub Date : 2021-09-30 DOI: 10.1353/prs.2021.0015
I. L. Heister
ABSTRACT:The Anatomy Lesson (1983) features Philip Roth’s most extensive fictional treatment of Commentary, the magazine of Jewish affairs founded in 1945 and patronized by the American Jewish Committee. Before Roth’s apparent break with Commentary in the wake of Irving Howe’s and Norman Podhoretz’s one-two punch to his career in the December 1972 issue, the magazine was part of Roth’s emerging sense of a distinctly American Jewish intellectual identity while helping him separate from what he perceived to be his own limiting origins. A reconsideration of Roth’s dealings with the magazine complicates the sharp distinction often made between Commentary’s sometimes romanticized history as a bastion of postwar, left liberalism in the 1940s and 1950s, on the one hand, and its more familiar iteration as a flagship publication of neoconservatism in the 1970s and 1980s, on the other. Turning to Roth’s fiction as an additional source of insight yields an aesthetic theory of fiction as a space for an analytical encounter with ambivalence.
摘要:《解剖课》(1983)以菲利普·罗斯对《评论》的最广泛的虚构处理为特色,这本犹太事务杂志创办于1945年,由美国犹太委员会赞助。在欧文·豪和诺曼·波德霍雷茨在1972年12月的一期杂志上对自己的职业生涯进行了一记重拳之后,罗斯显然与《评论》决裂之前,这本杂志是罗斯逐渐形成的明显的美国犹太知识分子身份感的一部分,同时帮助他摆脱了他认为自己的局限性出身。重新审视罗斯与该杂志的交往,使《评论》有时被浪漫化的历史与它在20世纪70年代和80年代作为新保守主义旗舰出版物的更为熟悉的迭代之间的鲜明区别变得复杂。将罗斯的小说作为一种额外的洞察力来源,产生了一种小说美学理论,将其作为一种与矛盾心理进行分析的空间。
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引用次数: 1
His Own Ghost Writer: Blake Bailey’s Philip Roth 他自己的幽灵作家:布莱克·贝利的菲利普·罗斯
Q2 Arts and Humanities Pub Date : 2021-09-30 DOI: 10.1353/prs.2021.0018
Timothy Parrish
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引用次数: 1
Editors’ Note 编者按
Q2 Arts and Humanities Pub Date : 2021-09-30 DOI: 10.1353/prs.2021.0011
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引用次数: 0
The Palgrave Handbook of Holocaust Literature and Culture ed. by Victoria Aarons and Phyllis Lassner (review) 《帕尔格雷夫大屠杀文学与文化手册》,Victoria Aarons和Phyllis Lassner主编(综述)
Q2 Arts and Humanities Pub Date : 2021-09-30 DOI: 10.1353/prs.2021.0017
Kate Ferry-Swainson
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引用次数: 0
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Philip Roth Studies
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