Pub Date : 2023-07-12DOI: 10.1080/24741604.2023.2213919
Paul Julian Smith
{"title":"Projection and Reflection in the Mexican Bioseries: Silvia Pinal, frente a ti (Televisa, 2019)","authors":"Paul Julian Smith","doi":"10.1080/24741604.2023.2213919","DOIUrl":"https://doi.org/10.1080/24741604.2023.2213919","url":null,"abstract":"","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49327421","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-11DOI: 10.1080/24741604.2023.2209422
A. Anderson
{"title":"Lorca’s New York Drawings: Fabulous Beasts, Leashed Wild Animals and the So-called Escena de domador","authors":"A. Anderson","doi":"10.1080/24741604.2023.2209422","DOIUrl":"https://doi.org/10.1080/24741604.2023.2209422","url":null,"abstract":"","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47886054","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-03DOI: 10.1080/24741604.2023.2274219
Anna Torres-Cacoullos
Abstract Through carnival’s protagonism and positioning within the metropolis, Orfeu Negro defamiliarizes the urban experience and depicts urban modernity as a hellish force through its imagery of confinement, tension-filled editing schemes, vertical framing and an aesthetics of darkness. Representing the modern forces of Rio de Janeiro’s institutional sites in mythic terms, Orfeu’s katabasis into the city’s infernal underworld exposes the hollowness of civil services, renders bankrupt the State facilitation of citizen welfare and lays bare police oppression, crowd control and racial divide. Via a nuanced rendition of Bakhtinian carnival, Orfeu Negro problematizes the status of modernity as a democratic project.
{"title":"Unmasking the Metropolis: An Interrogation of Modernity in Orfeu Negro (1959)","authors":"Anna Torres-Cacoullos","doi":"10.1080/24741604.2023.2274219","DOIUrl":"https://doi.org/10.1080/24741604.2023.2274219","url":null,"abstract":"Abstract Through carnival’s protagonism and positioning within the metropolis, Orfeu Negro defamiliarizes the urban experience and depicts urban modernity as a hellish force through its imagery of confinement, tension-filled editing schemes, vertical framing and an aesthetics of darkness. Representing the modern forces of Rio de Janeiro’s institutional sites in mythic terms, Orfeu’s katabasis into the city’s infernal underworld exposes the hollowness of civil services, renders bankrupt the State facilitation of citizen welfare and lays bare police oppression, crowd control and racial divide. Via a nuanced rendition of Bakhtinian carnival, Orfeu Negro problematizes the status of modernity as a democratic project.","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"31 1","pages":"245 - 270"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139364119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-04DOI: 10.1080/24741604.2023.2174672
{"title":"Mafias, comunidades criminales y colectividades de bandidos en el cine policial argentino de la pre-dictadura","authors":"","doi":"10.1080/24741604.2023.2174672","DOIUrl":"https://doi.org/10.1080/24741604.2023.2174672","url":null,"abstract":"","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46738890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-04DOI: 10.1080/24741604.2023.2182538
Maria Arruti Iparraguirre
{"title":"La cara B: reciclaje y resignificación de archivos de la Transición en Las más macabras de las vidas (2015) de Kikol Grau","authors":"Maria Arruti Iparraguirre","doi":"10.1080/24741604.2023.2182538","DOIUrl":"https://doi.org/10.1080/24741604.2023.2182538","url":null,"abstract":"","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44430458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-29DOI: 10.1080/24741604.2023.2180226
I. López
{"title":"Buñuel según Deleuze: Menjant garotes y el origen de Guillermo Tell","authors":"I. López","doi":"10.1080/24741604.2023.2180226","DOIUrl":"https://doi.org/10.1080/24741604.2023.2180226","url":null,"abstract":"","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41475770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-29DOI: 10.1080/24741604.2023.2177026
A. Bartolomé
{"title":"Atravesando fronteras: géneros y sexualidades en transición en El Calentito (2005) de Chus Gutiérrez","authors":"A. Bartolomé","doi":"10.1080/24741604.2023.2177026","DOIUrl":"https://doi.org/10.1080/24741604.2023.2177026","url":null,"abstract":"","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46361864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-10DOI: 10.1080/24741604.2022.2152957
R. Jarman
{"title":"Domestic Crises, International Opportunities: Trends and Preoccupations in New Venezuelan Cinema","authors":"R. Jarman","doi":"10.1080/24741604.2022.2152957","DOIUrl":"https://doi.org/10.1080/24741604.2022.2152957","url":null,"abstract":"","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42238454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-02DOI: 10.1080/24741604.2023.2166741
Darren Waldron
Abstract Pedro Almodóvar’s first film in English, The Human Voice (2021), was adapted from Jean Cocteau’s La Voix humaine (1930), which had already inspired two of his earlier films: La ley del deseo (1987) and Mujeres al borde de un ataque de nervios (1988). Drawing on French continental philosophy, this article examines how La ley del deseo approaches the themes of narcissism, bad faith, reciprocity and existential availability, which were already present in Cocteau’s work. Additionally, the conclusion argues that La ley del deseo can be read as prophetic in that its discourse on self-absorption still resonates today.
摘要Pedro Almodóvar的第一部英文电影《人声》（2021）改编自Jean Cocteau的《人类之声》（1930），这部电影已经启发了他早期的两部电影：《La ley del deseo》（1987）和《Mujeres al borde de un ataque de nervios》（1988）。本文借鉴法国大陆哲学，探讨了La ley del deseo是如何处理自恋、恶意、互惠和存在可用性等主题的，这些主题已经出现在Cocteau的作品中。此外，该结论认为，La ley del deseo可以被解读为预言性的，因为它关于自我吸收的论述在今天仍然引起共鸣。
{"title":"Narcissism and Bad Faith in Pedro Almodóvar’s La ley del deseo (1987)","authors":"Darren Waldron","doi":"10.1080/24741604.2023.2166741","DOIUrl":"https://doi.org/10.1080/24741604.2023.2166741","url":null,"abstract":"Abstract Pedro Almodóvar’s first film in English, The Human Voice (2021), was adapted from Jean Cocteau’s La Voix humaine (1930), which had already inspired two of his earlier films: La ley del deseo (1987) and Mujeres al borde de un ataque de nervios (1988). Drawing on French continental philosophy, this article examines how La ley del deseo approaches the themes of narcissism, bad faith, reciprocity and existential availability, which were already present in Cocteau’s work. Additionally, the conclusion argues that La ley del deseo can be read as prophetic in that its discourse on self-absorption still resonates today.","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"7 1","pages":"43 - 68"},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49215007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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