{"title":"Collecting and Collectors from Antiquity to Modernity","authors":"G. Lobay","doi":"10.1515/etst-2020-0014","DOIUrl":"https://doi.org/10.1515/etst-2020-0014","url":null,"abstract":"","PeriodicalId":373793,"journal":{"name":"Etruscan Studies","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127332171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"L’Intrepido Larth: storia di un guerriero etrusco","authors":"Theresa Huntsman","doi":"10.1515/ETST-2020-0004","DOIUrl":"https://doi.org/10.1515/ETST-2020-0004","url":null,"abstract":"","PeriodicalId":373793,"journal":{"name":"Etruscan Studies","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133773302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Iconografia del leone in Etruria. Tra la fine dell’età arcaica e l’età ellenistica","authors":"P. G. Warden","doi":"10.1515/etst-2020-0013","DOIUrl":"https://doi.org/10.1515/etst-2020-0013","url":null,"abstract":"","PeriodicalId":373793,"journal":{"name":"Etruscan Studies","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114301673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An Etruscan Affair: The Impact of Early Etruscan Discoveries on European Culture","authors":"R. De Puma","doi":"10.1515/etst-2020-0003","DOIUrl":"https://doi.org/10.1515/etst-2020-0003","url":null,"abstract":"","PeriodicalId":373793,"journal":{"name":"Etruscan Studies","volume":"25 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116638231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper examines depictions of boxing in Late Archaic (ca. 540–480 B. C. E.) Etruscan tomb paintings. In it, I consider the indigenous elements of the sport and suggest that several of the boxers are, in fact, performing a boxing-dance. The existence of such a combat-dance is suggested by the event’s regular accompaniment by tibia (pipes), the frequent emphasis on performance rather than competition, and the enigmatic stances of several boxers who pose with raised legs. The identification of this combat-dance is further aided by a close analysis of the depictions within the tombs’ decorative cycles and contemporary images of dancing and revelry. Although Jannot previously suggested that there was a similar boxing-dance at Chiusi, this paper demonstrates that the Etruscan boxing-dance was more widespread than he initially believed. I also propose that its performance may be related to the later Roman dance genre, the tripudium, in its form and ludic context of performance.
{"title":"A Late Archaic Boxing-Dance in Etruria: Identification, Comparison, and Function","authors":"Kyle A. Jazwa","doi":"10.1515/etst-2017-0029","DOIUrl":"https://doi.org/10.1515/etst-2017-0029","url":null,"abstract":"This paper examines depictions of boxing in Late Archaic (ca. 540–480 B. C. E.) Etruscan tomb paintings. In it, I consider the indigenous elements of the sport and suggest that several of the boxers are, in fact, performing a boxing-dance. The existence of such a combat-dance is suggested by the event’s regular accompaniment by tibia (pipes), the frequent emphasis on performance rather than competition, and the enigmatic stances of several boxers who pose with raised legs. The identification of this combat-dance is further aided by a close analysis of the depictions within the tombs’ decorative cycles and contemporary images of dancing and revelry. Although Jannot previously suggested that there was a similar boxing-dance at Chiusi, this paper demonstrates that the Etruscan boxing-dance was more widespread than he initially believed. I also propose that its performance may be related to the later Roman dance genre, the tripudium, in its form and ludic context of performance.","PeriodicalId":373793,"journal":{"name":"Etruscan Studies","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126082059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Catalogue of Etruscan Objects in the World Museum, Liverpool","authors":"J. Swaddling","doi":"10.1515/etst-2020-0006","DOIUrl":"https://doi.org/10.1515/etst-2020-0006","url":null,"abstract":"","PeriodicalId":373793,"journal":{"name":"Etruscan Studies","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116594185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract An unusual circular funerary monument in the National Archaeological Museum in Perugia (inv. no. 634) depicts a remarkable, multifigured narrative combining generic and unique scenes of Etruscan funerary ritual. Despite its singular character, this Archaic-period monument has never been the focus of an in-depth study. The monument features a frieze with two distinct scenes, each composed around a central focal point. On one side appears a prothesis scene in which a corpse occupies the central space with figures aligned on each side of the funerary bed. On the opposite side, figures are arranged on both sides of an altar featuring a burning fire, a scene without comparison in Etruscan funerary iconography. Though many of the figures have parallels within Etruscan imagery in both gesture and in attribute, much about this monument from its morphology to its pendant scenes is exceptional. Prothesis scenes, which appear almost exclusively in the Chiusi area and only during the Archaic period, are typically combined with images of funerary banqueting, dancing, and/or lamentation scenes. The pairing here with the altar/fire image raises interesting interpretive questions about the constitutive effect of these two events and how these may have been read and comprehended by the ancient viewer. Formally, the scenes invite connection and comparison, perhaps even to convey a symbolic and/or temporal relationship between these two events. The prothesis may have preceded and necessitated some sort of ritual purification by fire. Alternatively, the fire may reference a type of sacrifice part of funerary ritual. Neither, however, was part of the iconographic tradition. In attempting to these scenes, this paper uses a proxemics-based approach (a model used frequently in New World archaeology), to understand how the formal and physical characteristics of the monument reflect aspects of ancient visuality that is, the interplay between viewer, perception, and space. The figuration, composition, and morphology of this monument suggest that these scenes were intended less as narratives to be read and more as evocations of a ritual landscape whose broad contours could be perceived and understood with even a cursory engagement. These scenes are the visual evocation of ritual performance and environments. Though unusual in many aspects, the Perugia monument may have more far-reaching implications for ancient viewership.
{"title":"“Reading the Ritual”: Representation and Meaning on an Etruscan Funerary Monument in Perugia","authors":"L. Taylor","doi":"10.1515/etst-2019-0009","DOIUrl":"https://doi.org/10.1515/etst-2019-0009","url":null,"abstract":"Abstract An unusual circular funerary monument in the National Archaeological Museum in Perugia (inv. no. 634) depicts a remarkable, multifigured narrative combining generic and unique scenes of Etruscan funerary ritual. Despite its singular character, this Archaic-period monument has never been the focus of an in-depth study. The monument features a frieze with two distinct scenes, each composed around a central focal point. On one side appears a prothesis scene in which a corpse occupies the central space with figures aligned on each side of the funerary bed. On the opposite side, figures are arranged on both sides of an altar featuring a burning fire, a scene without comparison in Etruscan funerary iconography. Though many of the figures have parallels within Etruscan imagery in both gesture and in attribute, much about this monument from its morphology to its pendant scenes is exceptional. Prothesis scenes, which appear almost exclusively in the Chiusi area and only during the Archaic period, are typically combined with images of funerary banqueting, dancing, and/or lamentation scenes. The pairing here with the altar/fire image raises interesting interpretive questions about the constitutive effect of these two events and how these may have been read and comprehended by the ancient viewer. Formally, the scenes invite connection and comparison, perhaps even to convey a symbolic and/or temporal relationship between these two events. The prothesis may have preceded and necessitated some sort of ritual purification by fire. Alternatively, the fire may reference a type of sacrifice part of funerary ritual. Neither, however, was part of the iconographic tradition. In attempting to these scenes, this paper uses a proxemics-based approach (a model used frequently in New World archaeology), to understand how the formal and physical characteristics of the monument reflect aspects of ancient visuality that is, the interplay between viewer, perception, and space. The figuration, composition, and morphology of this monument suggest that these scenes were intended less as narratives to be read and more as evocations of a ritual landscape whose broad contours could be perceived and understood with even a cursory engagement. These scenes are the visual evocation of ritual performance and environments. Though unusual in many aspects, the Perugia monument may have more far-reaching implications for ancient viewership.","PeriodicalId":373793,"journal":{"name":"Etruscan Studies","volume":"94 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116173240","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Northern Italy in the Roman World. From the Bronze Age to Late Antiquity","authors":"U. Tecchiati","doi":"10.1515/etst-2019-0016","DOIUrl":"https://doi.org/10.1515/etst-2019-0016","url":null,"abstract":"","PeriodicalId":373793,"journal":{"name":"Etruscan Studies","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131125108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gli Etruschi. La scrittura, la lingua, la società","authors":"Rex E. Wallace","doi":"10.1515/etst-2020-0001","DOIUrl":"https://doi.org/10.1515/etst-2020-0001","url":null,"abstract":"","PeriodicalId":373793,"journal":{"name":"Etruscan Studies","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123965390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Peoples of Ancient Italy","authors":"A. Vianello","doi":"10.1515/etst-2019-0015","DOIUrl":"https://doi.org/10.1515/etst-2019-0015","url":null,"abstract":"","PeriodicalId":373793,"journal":{"name":"Etruscan Studies","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123350022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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