{"title":"Réflexions critiques sur l’agir anthropocénique : éléments d’une esthétique de la relation dans l’univers fictionnel de J. D. Kurtness","authors":"Jean-Jacques Defert","doi":"10.7202/1097235ar","DOIUrl":"https://doi.org/10.7202/1097235ar","url":null,"abstract":"","PeriodicalId":375742,"journal":{"name":"Analyses: Revue de littératures franco-canadiennes et québécoise","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126567840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"L’aliénation et l’exil : comment la situation minoritaire historique motive les choix éditoriaux dans l’Anthologie de la poésie franco-manitobaine","authors":"R. Labrecque","doi":"10.7202/1102055ar","DOIUrl":"https://doi.org/10.7202/1102055ar","url":null,"abstract":"","PeriodicalId":375742,"journal":{"name":"Analyses: Revue de littératures franco-canadiennes et québécoise","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127402292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"« Génie » de Nouvelle-France : entre altérité et différence dans les relations de voyage jésuites de Paul Lejeune","authors":"Madeleine Savart","doi":"10.7202/1097231ar","DOIUrl":"https://doi.org/10.7202/1097231ar","url":null,"abstract":"","PeriodicalId":375742,"journal":{"name":"Analyses: Revue de littératures franco-canadiennes et québécoise","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127699080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On a ajusté le ton : la narration de Halfbreed dans le contexte oral, culturel, relationnel et local de la Saskatchewan","authors":"Madeleine Blais-Dahlem, Janice Cindy Gaudet","doi":"10.7202/1102054ar","DOIUrl":"https://doi.org/10.7202/1102054ar","url":null,"abstract":"","PeriodicalId":375742,"journal":{"name":"Analyses: Revue de littératures franco-canadiennes et québécoise","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133910158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Résumé : Cet article se propose d’analyser la position rhétorique de la revue L’Inconvénient , fondée en 1999. Il tente de définir cette position sous la forme de « l’ironie essentialiste », laquelle doit être conçue comme défense des idéaux modernes contre la fête relativiste postmoderne. La démonstration s’appuie sur divers acteurs de la revue ainsi que sur leurs productions, parfois extérieures aux pages du périodique. Abstract: This article analyzes the rhetorical position of the journal L’Inconvénient , founded in 1999. It attempts to define this position in the form of “essentialist irony”, which must be conceived as a defense of modern ideals against the postmodern relativist party. The demonstrations are based on various actors of the journal as well as on their productions, sometimes outside the pages of the journal.
摘要:本文旨在分析1999年创办的《l’inconvenient》杂志的修辞立场。他试图用“本质主义反讽”的形式来定义这一立场，这种反讽必须被理解为对现代理想的捍卫，反对后现代相对主义的庆祝。这个演示是基于杂志的不同参与者和他们的作品，有时是在杂志的页面之外。摘要:本文分析了成立于1999年的《缺点》杂志的修辞地位。它试图以“本质主义讽刺”的形式定义这一立场，这必须被理解为对后现代相对主义政党的现代理想的辩护。are The演示基于不同的演员The journal of as well as on their productions,外面一看页面of The journal。
{"title":"L’Inconvénient : une ironie essentialiste","authors":"D. Bélanger","doi":"10.7202/1088500ar","DOIUrl":"https://doi.org/10.7202/1088500ar","url":null,"abstract":"Résumé : Cet article se propose d’analyser la position rhétorique de la revue L’Inconvénient , fondée en 1999. Il tente de définir cette position sous la forme de « l’ironie essentialiste », laquelle doit être conçue comme défense des idéaux modernes contre la fête relativiste postmoderne. La démonstration s’appuie sur divers acteurs de la revue ainsi que sur leurs productions, parfois extérieures aux pages du périodique. Abstract: This article analyzes the rhetorical position of the journal L’Inconvénient , founded in 1999. It attempts to define this position in the form of “essentialist irony”, which must be conceived as a defense of modern ideals against the postmodern relativist party. The demonstrations are based on various actors of the journal as well as on their productions, sometimes outside the pages of the journal.","PeriodicalId":375742,"journal":{"name":"Analyses: Revue de littératures franco-canadiennes et québécoise","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128520576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Polyphonie narrative et secrets dans Naissance de Rebecca à l’ère des tourments de Marie-Claire Blais","authors":"Mélitza Charest","doi":"10.7202/1097233ar","DOIUrl":"https://doi.org/10.7202/1097233ar","url":null,"abstract":"","PeriodicalId":375742,"journal":{"name":"Analyses: Revue de littératures franco-canadiennes et québécoise","volume":"145 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132111572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Récit d’héritage, de transmission et de passation : l’expérience corporelle et la construction identitaire dans Le corps des bêtes","authors":"É. Drouin","doi":"10.7202/1097234ar","DOIUrl":"https://doi.org/10.7202/1097234ar","url":null,"abstract":"","PeriodicalId":375742,"journal":{"name":"Analyses: Revue de littératures franco-canadiennes et québécoise","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122290783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"« Aheumplace » : marges et marginalités dans Les héritiers de la mine de Jocelyne Saucier","authors":"Karine Beaudoin","doi":"10.7202/1097232ar","DOIUrl":"https://doi.org/10.7202/1097232ar","url":null,"abstract":"","PeriodicalId":375742,"journal":{"name":"Analyses: Revue de littératures franco-canadiennes et québécoise","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126601516","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Regards contemporains sur les marges dans les littératures de l’Ouest canadien","authors":"R. Labrecque, S. Rhéault","doi":"10.7202/1102053ar","DOIUrl":"https://doi.org/10.7202/1102053ar","url":null,"abstract":"","PeriodicalId":375742,"journal":{"name":"Analyses: Revue de littératures franco-canadiennes et québécoise","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126241220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Résumé : Le Franco-Manitobain Charles Leblanc, qui est à la fois poète, comédien et homme d’action, est un auteur prolifique, mais encore peu étudié. L’auteur affiche un parti pris marqué pour le peuple, pour les « déchets de la société » (Leblanc, 2008 : 30), comme en témoignent les sujets abordés crûment dans son œuvre et son emploi d’une langue parfois vulgaire et injurieuse. Dans cet article, il sera plus particulièrement question de montrer en quoi la production poétique de Leblanc s’inscrit dans une esthétique trash qui tend vers l’intersectionnalité. Sera discutée dans cette étude l’anti-poésie de l’auteur qui, à l’instar de l’esthétique trash , exprime le refus sous différentes formes, qu’il s’agisse du refus de l’universel, de l’embellissement ou encore de la « grande » littérature. Abstract : Franco-Manitoban Charles Leblanc, a poet, an actor, and a man of action, is a prolific but overlooked author. The poet tackles the lives of ordinary people and “ déchets de la société ” (Leblanc, 2008 : 30) , as shown by the subjects bluntly covered in his work and his use of a vulgar and offensive language. In this article, I will demonstrate how Leblanc’s poetry can be connected to a trash aesthetics that tends towards intersectionality. The poet’s anti-poetry, like trash aesthetics, formulates refusal under various forms; the refusal of the universal, of beautification, or of the “great” literature. Le Franco-Manitobain Charles Leblanc, qui
摘要:查尔斯Franco-Manitobain Leblanc,既是诗人、演员和实干家,是一位多产的作家,但研究还很少。海报作者为标志的偏见,为人民、为«»社会垃圾(Leblanc, 2008: 30),其作品中所反映的主题直白地和她的工作有时语言的粗俗和侮辱。本条中的问题,更特别的是,它将展示如何制作Leblanc的诗意的trash趋于交叉性的审美的一部分。将讨论本研究中笔者l’anti-poésie美学一样,trash,拒绝各种形式的表达,无论是世界性语言、美化、拒绝或者»«大文学。文摘:Charles Leblanc Franco-Manitoban喜剧诗人,an, and a man of action, is a prolific酒杯目的作者。普普通通诗人tackles The lives of people and“废物”公司(Leblanc, 2008: 30), as The受试者在残酷:p3 his work and his language use of客套话了攻势。In this, I will demonstrate条》(how Leblanc’s诗歌can be电子以to a trash aesthetics that迈向intersectionality山野。, like The poet’s anti-poetry trash aesthetics,拒绝formulates under各种形式;他of the universal of beautification、金色圣母“great”文学。查尔斯Franco-Manitobain Leblanc,
{"title":"La poésie trash de Charles Leblanc à l’épreuve de l’intersectionnalité","authors":"Isabelle Kirouac Massicotte","doi":"10.7202/1102056ar","DOIUrl":"https://doi.org/10.7202/1102056ar","url":null,"abstract":"Résumé : Le Franco-Manitobain Charles Leblanc, qui est à la fois poète, comédien et homme d’action, est un auteur prolifique, mais encore peu étudié. L’auteur affiche un parti pris marqué pour le peuple, pour les « déchets de la société » (Leblanc, 2008 : 30), comme en témoignent les sujets abordés crûment dans son œuvre et son emploi d’une langue parfois vulgaire et injurieuse. Dans cet article, il sera plus particulièrement question de montrer en quoi la production poétique de Leblanc s’inscrit dans une esthétique trash qui tend vers l’intersectionnalité. Sera discutée dans cette étude l’anti-poésie de l’auteur qui, à l’instar de l’esthétique trash , exprime le refus sous différentes formes, qu’il s’agisse du refus de l’universel, de l’embellissement ou encore de la « grande » littérature. Abstract : Franco-Manitoban Charles Leblanc, a poet, an actor, and a man of action, is a prolific but overlooked author. The poet tackles the lives of ordinary people and “ déchets de la société ” (Leblanc, 2008 : 30) , as shown by the subjects bluntly covered in his work and his use of a vulgar and offensive language. In this article, I will demonstrate how Leblanc’s poetry can be connected to a trash aesthetics that tends towards intersectionality. The poet’s anti-poetry, like trash aesthetics, formulates refusal under various forms; the refusal of the universal, of beautification, or of the “great” literature. Le Franco-Manitobain Charles Leblanc, qui","PeriodicalId":375742,"journal":{"name":"Analyses: Revue de littératures franco-canadiennes et québécoise","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114630829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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