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Lviv’s Banknotes in the Period of the Russian Occupation During the First World War 第一次世界大战期间俄罗斯占领时期利沃夫的纸币
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.26485/aal/2020/66/4
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引用次数: 0
The Coins of the Emperor Nerva From the Collection of the Archaeological and Etnographical Museum In Łódź 考古和民族志博物馆收藏的涅尔瓦皇帝硬币,网址:Łódź
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.26485/aal/2020/66/7
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引用次数: 0
Western Gate in Leptis Magna (Porta Oea) as Antoninus Pius Triumphal Arch 大Leptis的西门(Porta Oea)作为安东尼努斯·庇护的凯旋门
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.26485/aal/2020/66/3
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引用次数: 0
Fireplaces in Late Medieval Houses. An Attempt to Reconstruct the Appearance and Functions Based on Iconographic Sources 中世纪晚期房屋中的壁炉。基于图像来源的外观与功能重构尝试
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.26485/aal/2020/66/8
A. Marciniak-Kajzer
The main aim of this work is to show what fireplaces looked like in the Middle Ages, and more importantly, what functions they could have performed. In the archaeological literature until now, it has been claimed that they were not kitchen hearths, but could only be used to heat meals. In this paper, I show that this claim is unfounded. A long search for suitable illustrations led to the discovery of a number of unique representations of fireplaces. Thanks to its frequent presentation in medieval painting, significant differences are noticeable in the way of presenting material culture and its details. The analysis presented in this paper made it possible to identify one more important issue concerning fireplaces that has not yet received any comments. So far, it has been emphasized that religious-themed performances are marked by symbolism and show typical scenes in a fairly unified way. Other ways of presentation of religious scenes have not been taken into account. Scenes showing saints in manuscripts present them in more everyday circumstances than in the panel painting. Unfortunately, such images are extremely rare, here I present one of the more interesting scenes at the fireplace – the Holy Family having dinner.
这项工作的主要目的是展示中世纪壁炉的样子,更重要的是,它们可以发挥什么功能。在迄今为止的考古文献中,人们一直声称它们不是厨房的壁炉,而只能用来加热食物。在本文中,我证明了这种说法是没有根据的。经过长时间寻找合适的插图,发现了许多独特的壁炉表现形式。由于它在中世纪绘画中的频繁出现,在物质文化的表现方式和细节上都有明显的差异。本文中提出的分析使我们有可能确定一个尚未收到任何评论的关于壁炉的更重要的问题。到目前为止,一直强调以宗教为主题的表演具有象征意义,并以相当统一的方式展示典型场景。宗教场景的其他表现方式没有被考虑在内。手稿中圣徒的场景比嵌板画中更贴近日常生活。不幸的是,这样的图像是极其罕见的,在这里我呈现一个更有趣的场景在壁炉-神圣的家庭吃晚饭。
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引用次数: 0
Where Coins Were Hidden in the Early Medieval Kalisz and its Vicinity 中世纪早期卡利什及其附近地区的硬币藏在哪里
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.26485/aal/2020/66/2
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引用次数: 0
Money and Exchange Mechanisms in the Near East. Some Introductory Remarks 近东的货币和交换机制。一些引言
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.26485/aal/2020/66/9
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引用次数: 0
Greek City: War, Art And 3d-Visualization 希腊城市:战争、艺术和三维可视化
Q2 Arts and Humanities Pub Date : 2019-12-30 DOI: 10.26485/aal/2019/65/7
A. V. Silnov
The article discusses issues related to the evolution and development of the Greek polis. The types of urban planning and architectural-spatial elements of the ancient city are analyzed. As a graphical application are presented some computer reconstructions performed at the Department of History and Theory of Architecture at St. Petersburg State University of Architecture and Civil Engineering.
本文论述了与希腊城邦的演变和发展有关的问题。分析了古城的城市规划类型和建筑空间要素。作为一种图形化的应用,本文介绍了在圣彼得堡国立建筑与土木工程大学建筑历史与理论系进行的一些计算机重建。
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引用次数: 0
Bosporan Tumulus With Imprint Of Rhodian Coin 博斯普兰古墓上印着罗得亚钱币
Q2 Arts and Humanities Pub Date : 2019-12-30 DOI: 10.26485/aal/2019/65/10
Y. Vinogradov
In the Hellenistic period Rhodes was an important centre of trade and wine production. Finds of Rhodian amphorae stamps are very common in the Northern Black sea region, but Rhodian coins are quite rare. Some finds from the tumuli of the Cimmerian Bosporus demonstrate Rhodian influence also. One tumulus excavated on the Tuzla cape (the Taman peninsula) in 1885 is especially interesting. A rich grave dating to the end of the 3rd or beginning of the 2nd century BC was excavated. The grave inventory consists of two Greek vases, one gold wreath, a silver ladle (kyathos), a silver strainer of unusual form, and a silver footless bowl of mastos type, bearing a gold indication of a Rhodian coin. It is the only find of such type in the aristocratic burials of the Bosporan Kingdom.
在希腊化时期,罗得岛是一个重要的贸易和葡萄酒生产中心。罗得岛双耳陶罐邮票的发现在黑海北部地区很常见,但罗得岛硬币却相当罕见。从西梅里亚博斯普鲁斯海峡的墓群中发现的一些文物也显示了罗得斯的影响。1885年在图兹拉角(塔曼半岛)出土的一个古坟特别有趣。发掘出一座可追溯到公元前3世纪末或公元前2世纪初的富丽堂皇的坟墓。坟墓的物品包括两个希腊花瓶,一个金花环,一个银勺子(kyathos),一个形状不寻常的银过滤器,一个mastos型的银无脚碗,上面刻有罗得斯硬币的金色标志。这是博斯普兰王国贵族墓葬中唯一发现的这种类型。
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引用次数: 0
Roman Provincial Coins Found in Lesser Poland: an Overview 在小波兰发现的罗马省硬币:概述
Q2 Arts and Humanities Pub Date : 2019-12-30 DOI: 10.26485/aal/2019/65/5
Jarosław Bodzek, Szymon Jellonek, Barbara Zając
The aim of the present article is to summarize a current state of research on the problem of inflow of Roman provincial coins into Lesser Poland in antiquity. The term “provincial coinage” as used here refers to coins from the mints producing coinages for the purpose of provincial circulation, as well as to the so-called pseudo-autonomous and autonomous coinages struck by various local mints. We consider coins produced in mints located in the Eastern part of the Roman Empire, beginning from Dacia and Moesia, and farther east and south to the provinces of Asia Minor, Syria, and Egypt as well as these struck by the rulers of the Bosporan Kingdom. The chronological scope of this presentation is defined by the final decades of the Roman Republic/the beginning of the Roman Empire and the Diocletian’s reform (AD 294). We shall concentrate on the relevant finds of bronze coinage and the so-called billon coins. Only one brief paragraph is devoted to silver issues.
本文的目的是总结了罗马省硬币流入小波兰在古代问题的研究现状。这里所说的“省币”,是指以省流通为目的的造币造币厂生产的硬币,也指各地各造币厂生产的所谓伪自治币和自治币。我们考虑的是位于罗马帝国东部的铸币厂生产的硬币,从达西亚和摩西亚开始,再向东和向南延伸到小亚细亚省、叙利亚和埃及,以及博斯普兰王国统治者制造的硬币。本次演讲的时间范围是根据罗马共和国的最后几十年/罗马帝国的开始和戴克里先的改革(公元294年)来定义的。我们将把重点放在铜币和所谓的十亿硬币的相关发现上。只有一个简短的段落专门讨论白银问题。
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引用次数: 1
Τὰ Ὅπλα Τῶν Γεφυρέων Of The Persian War: Herodotus On The Banishment Of The Barbarians Out Of Europe And The Issue Of The Completeness Of The First „The Histories”
Q2 Arts and Humanities Pub Date : 2019-12-30 DOI: 10.26485/aal/2019/65/6
A. Sinitsyn
The article discusses the principal “Herodotean question” of the completeness of the work done by the historian. How well did Herodotus manage to accomplish his design? Should we regard his work in the form it has reached us as complete and integral? Or does it end abruptly at the events of 479/8 BC, despite “the Father of History” having planned to continue his account of the Greek-Persian wars? Over the last century and a half, pluralism in the views the researchers on the issue of the completeness of Herodotus’ work has emerged. The author ventures some observations on the finale of the The Histories and draws our attention to the passage Hdt. 9.121 in which Herodotus emphasizes the fact that the barbarians transgressing the geographical boundaries of Europe had been punished: the cables of the bridges which the Persians had used to tie Asia and Europe were taken to Hellas by the victors. According to the author, the historian’s testimony τὰ ὅπλα τῶν γeφυρέων ὡς ἀναθήσοντeς ἐς τὰ ἱρά symbolizes the end of the war against the Barbarian, hence, the accomplishment of Herodotus’ design – the completion of the account of “great and marvellous deeds done by Greeks and foreigners and especially the reason why they warred against each other”.
这篇文章讨论了历史学家所做工作的完整性的主要“希罗多德问题”。希罗多德在多大程度上完成了他的设计?我们是否应该将他的作品视为完整和完整的作品?还是在公元前479/8年的事件中突然结束,尽管“历史之父”计划继续他对希腊-波斯战争的描述?在过去的一个半世纪里,研究者对希罗多德著作完整性问题的看法出现了多元化。作者对《历史》的结局进行了一些观察,并提请我们注意Hdt这段话。9.121希罗多德在书中强调,侵犯欧洲地理边界的野蛮人受到了惩罚:波斯人用来连接亚洲和欧洲的桥梁电缆被胜利者带到了希腊。根据作者的说法,历史学家的证词τὰ ὅπλατῶγeφυρέωὡςἀΓαθήστεςἐςτὰ ἱρά 象征着对野蛮人的战争的结束,因此,希罗多德的设计完成了——完成了“希腊人和外国人所做的伟大而奇妙的事情,尤其是他们相互争斗的原因”的描述。
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引用次数: 1
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Acta Archaeologica Lodziensia
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