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Lilith: A Feminist History Journal最新文献

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‘I Don’t Want Anything Like That’: The Coercion of British Women and Girls into Domestic Service, 1918–1928 “我不想要那样的东西”:强迫英国妇女和女孩做家务,1918-1928
Pub Date : 2020-10-26 DOI: 10.22459/lfhj.26.09
Elmarí Whyte
Despite the First World War (WWI) challenging women’s traditional sphere of work (the home) as well as Britain’s class structure, domestic service remained the largest employer of women and girls until the end of the Second World War. Why, given the reluctance of working-class women to return to domestic service after WWI, did so many take up ‘hated domestic service’ in the decade following the war?1 WWI increased working-class households’ reliance on women’s income—whether obtained through employment or unemployment benefits. While others have shown the role of state coercion in women’s employment in domestic service in the aftermath of WWI, this article highlights the extent to which working-class families were complicit in that coercion. As many British families were deprived of male breadwinners as a result of the war, some pushed their daughters to work as servants as it was one job ‘that any girl could get’.2Others turned to the occupation as a means of protecting the ‘moral health’ of a daughter, where they considered it to be in danger.3 Drawing upon a range of oral history testimonies, this article examines the role of working-class families in ensuring that domestic service remained an important feature of working-class women’s and girls’ lives throughout the 1920s.
尽管第一次世界大战挑战了女性传统的工作领域(家庭)和英国的阶级结构,但直到第二次世界大战结束,家庭服务仍然是妇女和女孩最大的雇主。既然第一次世界大战后工人阶级妇女不愿重返家务服务,那么为什么在战后的十年里有那么多人从事“令人讨厌的家务服务”呢?第一次世界大战增加了工薪阶层家庭对女性收入的依赖,无论是通过就业还是失业救济金获得的收入。虽然其他人已经展示了在第一次世界大战之后,国家强迫妇女从事家政服务的作用,但这篇文章强调了工人阶级家庭在这种强迫中的同谋程度。由于战争,许多英国家庭失去了养家糊口的男性,一些人强迫他们的女儿做仆人,因为这是一份“任何女孩都能做的工作”。另一些人则把这一职业作为保护女儿“道德健康”的一种手段,因为他们认为这一职业处于危险之中根据一系列口述历史的证词,本文考察了工人阶级家庭在确保家务服务在整个20世纪20年代仍然是工人阶级妇女和女孩生活的重要特征方面所起的作用。
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引用次数: 0
‘Laugh and Grow Fat’: Resistance, Complicity, Fat Bodies and Community Amongst Rural Women in Interwar Western Australia, 1934–1939 “笑而长胖”:1934-1939年两次世界大战之间西澳大利亚农村妇女的反抗、同谋、肥胖身体和社区
Pub Date : 2020-10-26 DOI: 10.22459/lfhj.26.06
J. Matheson
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引用次数: 0
The Importance of Feminist History in a Global Pandemic 女权主义历史在全球流行病中的重要性
Pub Date : 2020-10-26 DOI: 10.22459/lfhj.26.00
Rachel Harris, Michelle Staff
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引用次数: 0
Religious Dress and the Making of Women Preachers in Australia, 1880–1934 宗教服饰与澳大利亚女传教士的培养,1880-1934
Pub Date : 2020-10-26 DOI: 10.22459/lfhj.26.05
Kerrie Handasyde
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引用次数: 0
Women’s Politics as Radical Politics: Reconceptualising Women’s Historical and Contemporary Political Practices with the Work of Luce Irigaray 作为激进政治的妇女政治:用卢斯·伊里加雷的作品重新定义妇女的历史和当代政治实践
Pub Date : 2020-10-26 DOI: 10.22459/lfhj.26.04
B. Eslick
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引用次数: 0
Body and Language: Enlivening Exhibitions of Colonial Women in Australian Museums 身体与语言:澳大利亚博物馆中生动的殖民地妇女展览
Pub Date : 2020-10-26 DOI: 10.22459/lfhj.26.02
T. Church
The representation of women in galleries informs perceptions of women in society. Fieldwork conducted in Australian museums since 2017 has highlighted the discord between understandings of the historical role and autonomy of Australian women and the accurate embodiment of their stories in exhibition spaces. Museum exhibitions are imbued with qualitative cultural information and meaning led by curatorial intent, but also inflected with visitormade meaning. Subtle nuances of language and physicality in curatorial and exhibition design communicate messages, overt or subliminal, to audiences who carry pre-conceived cultural understandings about the world around them. This article addresses how curatorial intent and visitor interpretation produces understandings of Australian womanhood within museum exhibitions, and ways in which the methodology of displays can be adjusted to more accurately portray these women’s autonomous voices and experiences. ‘In this country, there are more statues of animals than there are of real Australian women’, wrote Tracey Spicer in an editorial in The Sydney Morning Herald in September 2017.1 Spicer targeted the physical representation, including language, used to commemorate real (non-fictional, non-royal) women, who have been publicly cast as statues across Australia, and around the Western world.2 She further reflected that women are severely underrepresented, in their own right, in public memorialisation in Australia’s 1 Tracey Spicer, ‘Why Aren’t More Women Immortalised in Stone?’, Sydney Morning Herald, 29 September 2017, www.smh.com.au/lifestyle/tracey-spicer-why-arent-more-women-immortalisedin-stone-20170928-gyqm59.html.
妇女在画廊中的表现反映了社会对妇女的看法。自2017年以来在澳大利亚博物馆进行的实地调查突显了对澳大利亚女性历史角色和自主性的理解与在展览空间中准确体现她们的故事之间的不和谐。博物馆展览充满了由策展意图主导的定性文化信息和意义,但也受到参观者的影响。在策展和展览设计中,语言和形体的细微差别或公开或潜意识地向观众传达信息,这些观众对周围的世界有着先入为主的文化理解。本文探讨了策展意图和参观者解释如何在博物馆展览中产生对澳大利亚女性的理解,以及如何调整展示方法以更准确地描绘这些女性的自主声音和经历。2017年9月,特蕾西·斯派塞在《悉尼先驱晨报》的一篇社论中写道:“在这个国家,动物雕像比真正的澳大利亚女性雕像要多。”斯派塞针对的是用于纪念真实(非虚构的、非王室的)女性的物理表现,包括语言,这些女性在澳大利亚和西方世界都被公开塑造成雕像她进一步表示,在澳大利亚的特蕾西·斯派塞(Tracey Spicer)的公开纪念活动中,女性的代表性严重不足,“为什么没有更多的女性在石头上不朽?”,《悉尼先驱晨报》2017年9月29日www.smh.com.au/lifestyle/tracey-spicer-why-arent-more-women-immortalisedin-stone-20170928-gyqm59.html。
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引用次数: 0
Beyond the Pale: White women, racism and history [Book Review] 超越苍白:白人女性、种族主义与历史[书评]
Pub Date : 1900-01-01 DOI: 10.5860/choice.30-1119
Fiona Paisley
Review(s) of: Beyond the Pale: White women, racism and history, by Vron Ware, Verso; London, 1992, $39.95.
书评:《超越苍白:白人女性、种族主义与历史》,弗朗·韦尔,Verso;伦敦,1992年,39.95美元。
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引用次数: 0
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Lilith: A Feminist History Journal
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