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Ego fui per omnia loca sancta: Maruša of Dubrovnik and Her Pilgrimage to the Holy Land in 1394 Ego fui per omnia loca sancta: Maruša杜布罗夫尼克和她1394年的圣地朝圣
Pub Date : 2019-09-09 DOI: 10.21857/M3V76T6LLY
Nella Lonza
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引用次数: 1
La Relazione sincera della Chiesa di Ragusa per l’arcivescovo Giovanni Vincenzo Lucchesini (1689). 拉古萨教堂为大主教乔瓦尼·文森佐·卢切西尼所作的真诚报告(1689)。
Pub Date : 2019-09-09 DOI: 10.21857/MWO1VCZQGY
Tanja Trška
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引用次数: 0
The Closing of the Nobility and Council of Dubrovnik in the Political and Social Context of the Thirteenth and Fourteenth Century 13和14世纪政治和社会背景下的杜布罗夫尼克贵族和议会的关闭
Pub Date : 2019-01-01 DOI: 10.21857/9XN31CRG8Y
Zdenka Janeković Römer
This article addresses the closing of the nobility and Major Council of Dubrovnik as a long-term process most clearly articulated in the course of the thirteenth and fourteenth century. Analysed are the criteria used for the definition of nobility and its closing before the actual closure of the council, while special attention has been given to the preserved lists of the Major Council membership from the mid-thirteenth and early fourteenth century, their purpose and effect. As the Venetian Serrata of the last decades of the thirteenth and first decades of the fourteenth century proved to have been a model and impetus for the closing of the Ragusan along with other Dalmatian councils, its meaning as well as different interpretations of this process are being thoroughly considered. The article compares the method and effects of the closing of the Ragusan council with those of other cities of the Eastern Adriatic. The interpretation of these processes as presented in Ragusan chronicles inaugurates the final assessment of the significance and consequences of the closing of the Major Council of Dubrovnik.
这篇文章将贵族和杜布罗夫尼克大议会的结束作为一个长期的过程,在13和14世纪的过程中最清楚地表达出来。在议会实际结束之前,分析了用于贵族定义及其结束的标准,同时特别注意了从十三世纪中期到十四世纪早期保存的主要议会成员名单,它们的目的和效果。正如13世纪最后几十年和14世纪头几十年的威尼斯塞拉塔被证明是拉古桑和其他达尔马提亚议会关闭的典范和推动力一样,它的意义以及对这一过程的不同解释正在被彻底考虑。本文比较了拉古桑议会关闭的方法和效果与其他城市的东亚得里亚海。拉古桑编年史对这些进程的解释开启了对杜布罗夫尼克大议会关闭的意义和后果的最后评估。
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引用次数: 0
From Ashes and Dust: Hospitale Misericordiae in Dubrovnik and its Operation in the Aftermath of the 1667 Earthquake 《灰烬与尘埃:杜布罗夫尼克的慈善医院及其在1667年地震后的运作》
Pub Date : 2019-01-01 DOI: 10.21857/YK3JWHRLK9
Rina Kralj-Brassard
Based mainly on the oldest ledger of the Hospitale misericordiae started in the immediate aftermath of the Great Earthquake of 1667, along with other sources, this article examines the impact of this natural disaster on the operation of the foundling hospital located in the heavily devastated heart of the city of Dubrovnik. Analysis of the frequency of wet-nursing payment entries allows an insight into the normalisation of the functioning of this state-run charity institution in the time of crisis. The study of the restoration of the foundling hospital in the aftermath contributes to a better understanding of the extraordinary vitality and perseverance of the Dubrovnik Republic institutions, as well as organisational capacity of the individuals, members of the elites, who headed them.
本文主要根据1667年大地震后开办的医院最古老的台本,以及其他资料,探讨了这次自然灾害对育婴堂运营的影响,该育婴堂位于杜布罗夫尼克市遭受严重破坏的中心地带。对湿护理支付条目的频率进行分析,可以深入了解这个国营慈善机构在危机时期的正常运作。对弃婴医院重建的研究有助于更好地了解杜布罗夫尼克共和国各机构的非凡活力和毅力,以及领导这些机构的个人、精英成员的组织能力。
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引用次数: 0
Foundation of the Library of the Institute for Historical Sciences CASA in Dubrovnik: Preliminary Insight 杜布罗夫尼克CASA历史科学研究所图书馆的基础:初步见解
Pub Date : 2019-01-01 DOI: 10.21857/Y7V64T5G5Y
Relja Seferović
The library of the Institute for Historical Sciences of the Croatian Academy of Sciences and Arts in Dubrovnik was founded soon after the Institute’s establishment in 1949. In addition to a general survey of the library’s growth, this article traces the origins of the founding collections which include many treasured manuscripts and rare editions acquired through purchases and donations from private owners.
克罗地亚科学和艺术学院杜布罗夫尼克历史科学研究所的图书馆是在该研究所于1949年成立后不久建立的。除了对图书馆发展的总体调查外,本文还追溯了创始收藏的起源,其中包括许多通过私人所有者购买和捐赠获得的珍贵手稿和稀有版本。
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引用次数: 0
Thurifer Angels of the Crucifixion Groups in Ragusan Friaries: Wonders, Images and Cults 拉古桑修道会中钉十字架团体的瑟弗天使:奇迹、形象和崇拜
Pub Date : 2018-09-20 DOI: 10.21857/m16wjc6op9
Matija Matko Marušić
This paper sets out to explore the miraculous accounts concerning the Crucifixion groups in two Ragusan mendicant churches. The starting point is a well-documented case of the Franciscan high cross, which was embellished by a pair of wooden thurible-bearing angels by the prominent fifteenth-century preacher, Giacomo della Marca, later to become a blessed and saint. As legend has it, Giacomo announced a miracle, as was later corroborated at high feast days when the angels were incensing the cross by swinging their censers. Apart from a number of early modern accounts of these wondrous occurrences, the miracle-working imagery that graced the triumphal arch of St Francis’ church has come down to us through an early seventeenth-century drawing, which allows for the examination of the iconographical features of the venerated object lost in the aftermath of the 1667 earthquake. As scholars have already rightly recognised, the illustration shares remarkable closeness to the mid-fourteenth-century Crucifixion group in the Ragusan Dominican church, a surviving composition that was endowed with the same miraculous narrative. Admittedly, different early modern writers accredited the trope of the miraculous thurible-swinging angels to both the Franciscan and Dominican crucifixions. These sources, therefore, testify to the complex yet understudied histories of the Ragusan Crucifixion groups, and call for a more attentive examination of wonders reverberated centuries after the enshrinement of these imposing compositions in the city’s principal mendicant churches.
本文旨在探讨两个拉古桑乞丐教会中有关钉十字架群体的奇迹般的叙述。故事的起点是一个有充分文献记载的方济各会高十字架的案例,15世纪著名的传教士贾科莫·德拉·马卡(Giacomo della Marca)在十字架上装饰了一对木制的带烛台的天使,后来他成为了一位受祝福的圣人。据传说,贾科莫宣布了一个奇迹,后来在盛大的节日里,天使们挥舞着香炉在十字架上烧香,这一点得到了证实。除了一些关于这些奇妙事件的早期现代描述外,圣弗朗西斯教堂凯旋门上的奇迹图像通过一幅17世纪早期的绘画流传下来,这使得我们可以对1667年地震后失去的受人尊敬的物体的图像特征进行检查。正如学者们已经正确认识到的那样,这幅插图与十四世纪中期拉古桑多米尼加教堂的十字架组有着惊人的相似之处,这是一幅幸存下来的作品,被赋予了同样神奇的叙述。不可否认的是,不同的早期现代作家认为,圣方济会和多明尼加的十字架上都有神奇的摇摆天使的比喻。因此,这些资料证明了拉古桑钉十字架团体的复杂而未被充分研究的历史,并呼吁对这些壮观的作品在城市主要的乞丐教堂中被神圣化几个世纪后所产生的奇迹进行更仔细的研究。
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引用次数: 0
Architecture of the Placa in Dubrovnik: A Sixteenth-Century Project 杜布罗夫尼克广场建筑:一个16世纪的项目
Pub Date : 2018-09-20 DOI: 10.21857/90836CWEZY
Danko Zelić
Based on the results of most recent research concerning the so-called fourth block of communal houses in the early 1560s, this article argues in favour of the assumption that the facade of this particular block was used as a model for all the house facades later constructed on the north side of the Placa, at first, directly—in the hitherto unknown construction undertakings of two new blocks of communal houses in the westernmost part of the city’s main thoroughfare (near the Franciscan Church) in the early, i.e., mid-seventeenth century—and later, indirectly, in the reconstruction after the 1667 earthquake. Further examined are the issues that result from the analysis of present-day architectural structures in the light of previously known and recently discovered archival and visual evidence, as well as the role of certain participants in the processes of decision-making, design and construction, notably Ragusan authorities as initiators, investors and commissioners, along with two foreign architects—Jacques de Spinis, who arrived in Dubrovnik from Venice in the mid-sixteenth century, and papal architect Giulio Cerruti, sent directly from Rome in the autumn of 1667.
基于1560年代初对所谓的第四块公共房屋的最新研究结果,本文支持这样一种假设,即该特定街区的立面被用作后来在普拉卡北侧建造的所有房屋立面的模型,起初,直接——在17世纪初,即17世纪中期,在城市主干道最西部(方济各会教堂附近)建造了两栋迄今为止不为人知的公共房屋——后来,在1667年地震后的重建中,间接地。进一步研究了根据先前已知和最近发现的档案和视觉证据对当今建筑结构进行分析所产生的问题,以及某些参与者在决策、设计和施工过程中的作用,特别是作为发起人、投资者和委员的拉古桑当局,以及两位外国建筑师——十六世纪中期从威尼斯抵达杜布罗夫尼克的雅克·德·斯皮尼斯和1667年秋天从罗马直接派来的教皇建筑师朱利奥·塞鲁蒂。
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引用次数: 0
Per favore della Soltana: powerful Ottoman women and Ragusan diplomats Per favore della Soltana:强大的奥斯曼女人和拉古桑外交官
Pub Date : 2018-01-01 DOI: 10.21857/ydkx2cr1r9
Vesna Miović
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引用次数: 1
Maestri di scuola a Ragusa (Dubrovnik) nel medioevo, 1300-1450 中世纪拉古萨(杜布罗夫尼克)的学校教师,1300-1450
Pub Date : 2018-01-01 DOI: 10.21857/M8VQRTZPQ9
Nicolo Villanti
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引用次数: 0
Radulović lineage of Dubrovnik and the Modena armorial 杜布罗夫尼克的raduloviki血统和摩德纳的纹章
Pub Date : 2018-01-01 DOI: 10.21857/yrvgqtk4n9
Stjepan Ćosić
This article examines the genealogical, heraldic and culturalhistorical aspects of the recently online accessible armorial from the holdings of the Biblioteca Estense Universitaria in Modena. It has been established that this is one of the copies of Korjenić-Neorić Armorial dating from 1595, produced for the Radulović lineage of Ragusan Antunini. The legend of their Bosnian-Hum origin, settlement in Dubrovačko Primorje, social status and relations with the Kingdom of Naples link the Radulović captains and shipowners with the circle of the founders of the ‘Illyrian heraldry’. At the start of the seventeenth century, the Radulović bought a feudal estate and the city of Polignano in Apulia, received the title of marquis and moved there permanently. Radulović coat of arms is based on that of the Radijelović from the Korjenić-Neorić Armorial, whilst its composite variant includes another six coats of arms from the same collection. Radulović Armorial probably dates from the end of the seventeenth century, and was made for the most influential member of the lineage at the time, Cardinal Nikola Radulović (1627-1702), Archbishop of Chieti.
本文考察了最近在线访问的摩德纳大学图书馆收藏的纹章的家谱、纹章学和文化历史方面。已经确定这是Korjenić-Neorić Armorial的副本之一,可追溯到1595年,为Ragusan Antunini的raduloviki血统制作。关于他们的波斯尼亚-胡姆族起源的传说、在杜布罗瓦河普里莫杰的定居、社会地位以及与那不勒斯王国的关系,将拉杜洛维奇船长和船主与“伊利里亚纹章”的创始人圈子联系在一起。17世纪初,拉杜洛维奇家族买下了阿普利亚的一个封建庄园和波利尼亚诺城,获得了侯爵的头衔,并永久地搬到了那里。raduloviki盾徽是基于Korjenić-Neorić Armorial中的radijeloviki盾徽,而它的复合变体包括来自同一系列的另外六种盾徽。拉杜洛维奇勋章可能可以追溯到17世纪末,是为当时最有影响力的家族成员,基耶蒂大主教尼古拉·拉杜洛维奇枢机主教(1627-1702)制作的。
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Dubrovnik Annals
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