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Notes on Contributors 投稿人说明
Q1 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/08989575.2023.2205749
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引用次数: 0
Voicing Female Power through Biofiction: A Conversation with Mary Sharratt 通过小说表达女性的力量:与玛丽·沙拉特的对话
Q1 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/08989575.2023.2192612
Michael Lackey
Mary Sharratt, the author of eight critically acclaimed novels, is on a mission to write strong women back into history. Her novels include Daughters of the Witching Hill, Illuminations: A Novel of Hildegard von Bingen (winner of the Nautilus Book Award), The Dark Lady’s Mask: A Novel of Shakespeare’s Muse, and Ecstasy, about the life, loves, and music of Alma Mahler. Sharratt’s articles and essays have appeared in the Wall Street Journal, Huffington Post, Publishers Weekly, Enchanted Living, Lit Hub, Minnesota Magazine, and Historical Novels Review.
玛丽·沙拉特(Mary Sharratt)是八部广受好评的小说的作者,她的使命是把坚强的女性写回历史。她的小说包括女巫山的女儿,照亮:希尔德加德·冯·宾根的小说(鹦鹉螺图书奖得主),黑暗女士的面具:莎士比亚缪斯的小说,以及关于阿尔玛·马勒的生活,爱情和音乐的《狂喜》。Sharratt的文章和随笔曾出现在《华尔街日报》、《赫芬顿邮报》、《出版人周刊》、《奇幻生活》、《文学中心》、《明尼苏达杂志》和《历史小说评论》上。
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引用次数: 0
Klaus Mann, Music, and the Art of Transformation in Biofiction 克劳斯·曼:《生物小说中的音乐与转换艺术》
Q1 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/08989575.2023.2192048
M. Rensen
Abstract In Symphonie Pathétique (1935) Klaus Mann takes readers into the heart and soul of the famous composer Tchaikovsky. He makes them understand the hardship Tchaikovsky endured as a queer, European-minded composer in Russia’s musical world in the nineteenth century, which is dominated by national thought. Tapping into the transcendent power of music, Mann counters the national frame by highlighting fertile transnational connections in the life and music of his protagonist. As such, the novel is a critical response to the nationalist Nazi-Germany he fled in 1933.
克劳斯·曼在《pathacimtique交响曲》(1935)中带领读者进入著名作曲家柴可夫斯基的内心和灵魂。他让他们了解柴可夫斯基作为一个古怪的、有欧洲思想的作曲家,在十九世纪被民族思想主导的俄罗斯音乐界所经历的艰辛。利用音乐的超凡力量,曼恩通过突出主人公生活和音乐中丰富的跨国联系来对抗国家框架。因此,这部小说是对他在1933年逃离的民族主义纳粹德国的批判性回应。
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引用次数: 0
The Biographical Novelist as an Agent of Pain: A Conversation with Daniel Kehlmann 作为痛苦代理人的传记小说家:与丹尼尔·凯尔曼的对话
Q1 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/08989575.2023.2192592
Michael Lackey
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引用次数: 0
Unresolving Characters in Biofiction: A Conversation with Colm Tóibín 传记小说中无法解决的角色:与科尔姆的对话Tóibín
Q1 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/08989575.2023.2192615
Mike Lackey
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引用次数: 1
Nonpolitical Mann? Faustian Bargains and False Romanticism in Colm Tóibín’s The Magician 非政治性的曼吗?科尔姆Tóibín《魔术师》中的浮士德式交易与虚假浪漫主义
Q1 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/08989575.2023.2191537
V. Rademacher
Abstract This essay explores how Colm Toíbín’s biographical novel The Magician, alongside Thomas Mann’s own writings, exposes contradictions in Mann’s definition of “nonpolitical,” the relationship to today’s culture wars, the risks of virtue signaling and cancel culture, and the Faustian bargain of literary fame and external validation versus empathy and real human connection. Building on her study, Derivative Lives: Biofiction, Uncertainty, and Speculative Risk in Contemporary Spanish Narrative, Rademacher argues that what biofiction does especially well is to illuminate powerful spaces of uncertainty. Such gaps of knowledge and “not seeing” are not internalized, apolitical actions, but expose unsettled, contentious questions that continue to act on our lives. Within this framework, it is fear of and retreat from the uncertain that complicates Mann’s thinking and fiction. Toíbín’s novel exposes how Thomas Mann internalized a false Romanticism that rationalized personal and political forms of detachment and disengagement. In turn, the biofiction reveals how individuals become lost when they use imagination not as a means of contesting reality to understand the always incomplete and evolving nature of the human condition, but in order to conceal or evade this inquiry—deepening deceptive fictions.
本文探讨了科尔姆Toíbín的传记小说《魔术师》如何与托马斯·曼自己的作品一起,揭示了曼对“非政治”定义的矛盾,与当今文化战争的关系,美德信号和取消文化的风险,以及文学名声和外部认可与同情和真正的人际关系的浮士德交易。在她的研究《衍生生活:当代西班牙叙事中的传记小说、不确定性和投机风险》的基础上,Rademacher认为传记小说做得特别好,因为它阐明了强大的不确定性空间。这样的知识差距和“看不到”不是内化的、非政治的行为,而是暴露出未解决的、有争议的问题,这些问题继续影响着我们的生活。在这个框架内,正是对不确定性的恐惧和逃避使曼恩的思想和小说变得复杂。Toíbín的小说揭露了托马斯·曼如何内化了一种虚假的浪漫主义,这种浪漫主义使个人和政治形式的超然和脱离合理化。反过来,这部传记小说揭示了个人是如何迷失的,当他们不是把想象力作为一种与现实相竞争的手段来理解人类状况的永远不完整和不断发展的本质,而是为了隐藏或逃避这种探究——深化欺骗性的小说。
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引用次数: 0
Refashioning Diary Studies: The Tradition of Black Women’s Diaries 重塑日记研究:黑人女性日记的传统
Q1 Arts and Humanities Pub Date : 2022-12-09 DOI: 10.1080/08989575.2022.2135892
P. Smith
Abstract To read Black women’s diaries as a distinct literary tradition—a project grounded by work in feminist and African American studies—is to gain new perspectives on the diary itself. Diaries piece together narrative fragments to configure interiority, weave change into history, and speak in code to multiple audiences.
将黑人女性日记作为一种独特的文学传统来阅读——这是一个基于女权主义和非裔美国人研究工作的项目——是对日记本身获得新的视角。日记将叙事碎片拼凑在一起,以配置内部,将变化编织到历史中,并以密码方式向多个受众说话。
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引用次数: 0
Of Edible Grandmothers, Culinary Cosmopolitanisms, and Casteized Domesticities: The Contradictory Ideologies of Shoba Narayan’s Food Memoir Monsoon Diary 可食用的祖母,烹饪世界主义,和种姓化的家庭:Shoba Narayan的食物回忆录季风日记的矛盾意识形态
Q1 Arts and Humanities Pub Date : 2022-12-02 DOI: 10.1080/08989575.2022.2127285
Nandini Dhar
Abstract This essay analyses Indian-Tamil food memoirist Shoba Narayan’s memoir, Monsoon Diary (2003), arguing that the Indian diasporic feminized food-memoir is a crucial site through which to interrogate the class aspirations of a “new” globalized Indian elite. Narayan’s text was one of the first Indian diasporic food memoirs to be published in the early years of the twenty-first century, and played a decisive role in popularizing the genre of the feminized Indian food memoir. Switching between her life-story and recipes of everyday South Indian home-cooked fare, Narayan established a new hybrid genre within the cultural field of Indian Anglophone life-writing.
本文分析了印度-泰米尔美食回忆录作家Shoba Narayan的回忆录《季风日记》(2003),认为印度流散的女性化美食回忆录是一个重要的场所,通过它来询问“新”全球化的印度精英的阶级愿望。纳拉扬的文本是21世纪初出版的第一批印度侨民美食回忆录之一,在普及女性化印度美食回忆录类型方面发挥了决定性作用。在她的生活故事和南印度日常家常菜的食谱之间切换,纳拉扬在印度英语生活写作的文化领域中建立了一种新的混合类型。
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引用次数: 0
No Apologies: Jenny Diski’s Apology for the Woman Writing as Fictional Memoir 不道歉:珍妮·迪斯基为女性写作的虚构回忆录道歉
Q1 Arts and Humanities Pub Date : 2022-11-11 DOI: 10.1080/08989575.2022.2135342
G. Bayer
Abstract This essay argues that Jenny Diski’s final novel, Apology for the Woman Writing, adds to the understanding of Diski’s view on literature and the arts, thus complementing her nonfiction writing. Drawing on notions of survival and the Freudian uncanny, the essay shows how the relationships between Michel de Montaigne and Marie de Gournay and between De Gournay and her servant Jamyn are built around notions of affective engagement, where the intellectual labor of writing conjoins physical experiences of excitement. Such a view of literature as affect is then directly connected to the force of a text to survive.
摘要本文认为,珍妮·迪斯基的最后一部小说《为女性写作道歉》充实了人们对她的文艺观的理解,对她的非虚构作品形成了补充。利用生存的概念和弗洛伊德的神秘,这篇文章展示了米歇尔·德·蒙田和玛丽·德·古尔内以及德·古尔内和她的仆人雅明之间的关系是如何建立在情感参与的概念之上的,在情感参与的概念中,写作的智力劳动结合了兴奋的身体体验。这种将文学视为情感的观点直接与文本生存的力量联系在一起。
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引用次数: 0
Rev. of Dreams of Archives Unfolded: Absence and Caribbean Life Writing 《展开档案之梦:缺席与加勒比生活写作》
Q1 Arts and Humanities Pub Date : 2022-10-28 DOI: 10.1080/08989575.2022.2123595
Lindsay D. Peart
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引用次数: 0
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a/b: Auto/Biography Studies
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