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Les illustrations de Mihail Strilbițchi du Ceaslov de Dubăsari de 1794
Pub Date : 1900-01-01 DOI: 10.33993/eb.2021.07
Cornel Tatai-Baltă
The "Ceaslov" of Dubăsari from 1794 represents the most extended volume illustrated by the typographer, editor, translator, bookbinder, author, secret agent and engraver Mihail Strilbițchi, of Ruthenian-Polish origin. He was active in Iași, Dubăsari and Movilău in the second half of the 18th century. The ecclesiastic themes approached in the 16 woodcuts, most of them signed, are varied and interesting. The present research is intended to analyze these illustrations and to find the sources of inspiration used by the industrious and skilful engraver.
1794年duburicsari的“凯撒洛夫”代表了由鲁塞尼亚-波兰血统的排版师,编辑,翻译,装订商,作者,特工和雕刻师米哈伊尔Strilbițchi绘制的最广泛的卷。他在18世纪下半叶活跃于Iași、dubalosari和movilalou。16幅木刻作品中涉及的宗教主题多样而有趣,其中大部分都有签名。本研究旨在分析这些插图,并找到勤劳而熟练的雕刻家使用的灵感来源。
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引用次数: 0
L’érudition et le plaisir de la lecture à Arad au début du XIXe siècle 19世纪初阿拉德的学术和阅读乐趣
Pub Date : 1900-01-01 DOI: 10.33993/eb.2020.06
Elena Rodica Colta
The interest in secular literature in Arad County manifested itself from the second half of the 18th century, when two booksellers from Budapest began to sell books at local fairs and when two libraries in Arad and Maria Radna were established by the Conventual Franciscans. In addition to the need to buy, own and read various books, at the beginning of the 19th century in the city of Arad appeared – as a late manifestation of the Enlightenment - a desire to produce, with dedication, small-sized books, on leaflets, and to give them to those attending public readings. At the same time, with this need for erudition, the first French and Italian novels, some of them considered licentious - thus satisfying "guilty" pleasures, appeared in the libraries of the nobles. From a time perspective, we are talking about rarities which were, at the moment of their acquisition, an illustration of the phenomenon of the readings of an epoch.
18世纪下半叶,两名来自布达佩斯的书商开始在当地的集市上卖书,阿拉德和玛丽亚拉德纳的两家图书馆也由方济各修道会建立,从此阿拉德县对世俗文学的兴趣就显露出来了。除了购买、拥有和阅读各种书籍的需要之外,在19世纪初,阿拉德市出现了一种愿望——作为启蒙运动的一种晚期表现——以奉献精神制作小册子,并将其分发给参加公共读书会的人。与此同时,由于对博学的需要,第一批法国和意大利小说出现在贵族的图书馆里,其中一些被认为是放荡的——从而满足了“罪恶”的乐趣。从时间的角度来看,我们谈论的是稀有的,在他们获得的那一刻,一个时代的阅读现象的例证。
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引用次数: 0
L ’évêque de Transylvanie Ignace Batthyány , le premier éditeur de l ’ œuvre de Saint Gérard de Cenad , découvert dans un manuscrit du XI e siècle. À propos du livre imprimé à Alba Carolina, en 1790 特兰西瓦尼亚主教伊格纳茨batthyany, Cenad的圣杰拉德作品的第一个出版商,在11世纪的手稿中发现。关于1790年在阿尔巴卡罗莱纳印刷的书
Pub Date : 1900-01-01 DOI: 10.33993/eb.2020.05
Doina Hendre Biro
While evaluating the Transylvanian Bishop Ignác Batthyány’s (1741-1798) life and activity, one can notice that there miss those aspects which would reconstitute his career as a historian, codicologist and textologist and, not least, his quality as a collector of early medieval manuscripts. Romanian historiography does not record his published works, although they appear in Hungarian historiography. Neither are the manuscripts of his books valued, nor the collections of medieval manuscripts, original or copied in large European archives that belonged to him, now preserved in Batthyaneum Library in Alba Iulia. For a well-deserved restitution, I propose an analysis of the methodology of research and interpretation of literary and archival sources, used by the bishop in the drafting and printing the 11th century manuscript containing the works of St. Gerard of Cenad in his own printing press for the first time, in 1790.
在评价特兰西瓦尼亚主教Ignác Batthyány(1741-1798)的生活和活动时,人们可以注意到,他错过了那些可以重建他作为历史学家、法典学家和文本学家的职业生涯的方面,尤其是他作为中世纪早期手稿收藏家的品质。罗马尼亚史学没有记录他出版的作品,尽管它们出现在匈牙利史学中。他的书籍手稿也不值钱,他收藏的中世纪手稿,无论是原始的还是复制的,都属于他的大型欧洲档案馆,现在保存在阿尔巴尤利亚的巴特西尼姆图书馆。为了一个当之无愧的补偿,我建议对文学和档案资料的研究和解释方法进行分析,主教在起草和印刷11世纪的手稿时使用了这种方法,其中包含圣热勒德的作品,1790年他第一次在自己的印刷机上印刷。
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引用次数: 0
Illuminating the Page in Transylvania Around 1500. The First Contact/Enluminer la page en Transylvanie vers 1500. Le premier contact 1500年左右,照亮特兰西瓦尼亚的书页。第一次接触/照明者在1500年的特兰西瓦尼亚。总理联系
Pub Date : 1900-01-01 DOI: 10.33993/eb.2019.02
Adinel Dincă
The purpose of this paper is to make an introductory presentation of the existing information regarding the decoration of the manuscript book in Transylvania at the end of the Middle Ages. At the same time, the author suggests a series of connections between apparently disparate data and proposes the identification of a group of works that seem to belong to the same artist. This “Vigiliale group” comprises three manuscript volumes of liturgical content, but also a papal indulgence, probably decorated in Braşov around 1500. This fact, along with other forms of decorations in various places within Transylvania, in addition to documentary information, shows a surprisingly intense activity of book and charter illumination in Transylvania in the decades before the Protestant Reformation.
本文的目的是对中世纪末期特兰西瓦尼亚手稿书装饰的现有信息进行介绍性介绍。与此同时,作者提出了一系列明显不同的数据之间的联系,并提出了一组似乎属于同一艺术家的作品的识别。这个“守夜组”包括三卷礼仪内容的手稿,也是教皇的放纵,可能是在1500年左右的布劳伊洛夫装饰的。这一事实,以及特兰西瓦尼亚各地其他形式的装饰,以及文献资料,表明在新教改革前的几十年里,特兰西瓦尼亚的书籍和宪章照明活动惊人地激烈。
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引用次数: 0
Échanges de bonnes pratiques ou espionnage pédagogique? Le rapport de George Costa‑Foru études sur “L’instruction publique dans certains des états les plus avancés d’Europe”, București, Tipografia Sf. Sava, 1860 交流良好实践还是教育间谍?研究报告,乔治·科斯塔‑Foru“公共教育在一些欧洲最先进的国家”,București, Tipografia顺丰。萨瓦河,1860年
Pub Date : 1900-01-01 DOI: 10.33993/eb.2021.05
Cora Saurer-Chiorean
A rare book for us but a compulsory object of study for Romanian-speaking teachers in all Romanian schools of Transylvania in the year 1861. In a research related to school plurilingualism in Transylvania of the 19th century, in the correspondence of the studied author, George Bariț, I discovered an order of over 100 books with the title "Studii asupra instructiunii publice în unele din statele cele mai înaintate ale Europei" ("Studies on Public "Instruction in Some of the Most advanced States of Europe"  by George Costa-Foru, published at the Printing House of the National College of St. Sava, in Bucharest, in 1860. The order will be sent to all the Romanian schools in Transylvania, with which George Bariț was in permanent exchange. The author, George Costa-Foru, director of the schools Ephoria in 1857, received an important mission from the representative of the Ottoman Porte in Bucharest, the caimacan Dimitrie Al. Ghica: in four months, he will have to travel across Europe and bring back information about the most advanced schools and educational institutions in the visited states. The way they function will be the model of a school and public education reform in Wallachia, but also, as it will be historically demonstrated, they will constitute the basis of the first Public Education Act in the newly formed Romania, a state created after the union of the two historical Romanian-speaking principalities, Moldova and Wallachia. In the present article, the interest is to introduce the volume with some observations about George Costa-Foru's journey and to put for the first time in the equation the importance of this journey, presented in the book more as a report to a mission then a literary diary. A list of all the institutions he visited is for the first time made available to the general public in our article.  Was this really a baiting mission for the Turks or a simple gathering of information that will be the basis for the modernization of public education in the future sovereign state? The research in progress, of which this article is a part, will endeavour to shed light on this problem of pedagogical espionage: Costa-Foru returns with more than 480 original documents from the institutions visited, which he lists at the end of the report and officially hands over to the Minister of Public Instruction in 1857, the year of his trip. The book is the final report, Costa-Foru gives to his commander, but it does not tell us how these documents were obtained. They are still unknown to the public, but they are summarised in the appendix of the report written by George Costa-Foru.
对我们来说是一本罕见的书,但在1861年,特兰西瓦尼亚所有罗马尼亚学校讲罗马尼亚语的教师都必须学习这本书。在研究相关学校plurilingualism特兰西瓦尼亚的19世纪,通信的研究作者乔治·巴里ț我发现订单超过100本书的标题“Studii asupra instructiunii publice在unele din statele肿物mai inaintate啤酒Europei”(“公共研究”指令的一些最先进的欧洲”乔治•Costa-Foru发表在全国大学圣萨瓦河,印刷厂在布加勒斯特,在1860年。该命令将被发送到特兰西瓦尼亚的所有罗马尼亚学校,乔治·巴利亚尼与这些学校长期交换。作者George Costa-Foru是1857年Ephoria学校的主任,他接受了奥斯曼帝国在布加勒斯特的代表caimacan Dimitrie Al. Ghica的重要任务:在四个月内,他必须穿越欧洲,并带回有关所访问国家最先进的学校和教育机构的信息。它们的运作方式将成为瓦拉几亚州学校和公共教育改革的典范,而且,正如历史所证明的那样,它们将构成新成立的罗马尼亚第一个公共教育法的基础。罗马尼亚是在两个历史上讲罗马尼亚语的公国摩尔多瓦和瓦拉几亚合并后成立的国家。在这篇文章中,我们的兴趣是介绍这本书,并对乔治·科斯塔-福鲁的旅程进行一些观察,并首次将这段旅程的重要性纳入考虑范围,这本书更像是一份使命报告,而不是一本文学日记。在我们的文章中,他访问的所有机构的清单首次向公众提供。这真的是一个引诱土耳其人的任务,还是一个简单的信息收集,将成为未来主权国家公共教育现代化的基础?正在进行的研究,这篇文章是其中的一部分,将努力阐明这个教育间谍问题:科斯塔-福鲁从访问过的机构带回了480多份原始文件,他在报告的最后列出了这些文件,并在1857年,也就是他旅行的那一年正式交给了公共教育部长。这本书是科斯塔-福鲁交给他的指挥官的最后报告,但它没有告诉我们这些文件是如何获得的。他们仍然不为公众所知,但他们在George Costa-Foru撰写的报告的附录中进行了总结。
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引用次数: 0
Islamic Calligraphy in the Special Collections of the Romanian Academy Library in Cluj-Napoca / La calligraphie islamique dans les collections speciales de la Bibliotheque de l’Academie Roumaine de Cluj-Napoca 克卢日-纳波卡罗马尼亚学院图书馆特别收藏中的伊斯兰书法/克卢日-纳波卡罗马尼亚学院图书馆特别收藏中的伊斯兰书法
Pub Date : 1900-01-01 DOI: 10.33993/eb.2019.06
Simona Fărcășan
Minor art in the West, calligraphy was revered in the Islamic world, developing in amazingly diverse and original ways and revealing the aspiration to devise a radically non-mimetic visual construction to exalt and spread the Divine Word in a culture that frowns on making an image of the divine and its creation. Paper and the emergence of bureaucratic elite prompted the development of sophisticated calligraphic styles with six standardized cursive scripts, the nature of the text or the prospective readers determining the type of writing employed for literary, religious, or administrative works. The Islamic manuscripts and books in the Romanian Academy Library of Cluj-Napoca, the legacy of the celebrated scholar Timotei Cipariu, illustrate a wide repertoire of styles, once again demonstrating the inherent potential of Islamic calligraphy for developing a variety of versatile ornamental forms, while remaining true to its key role to communicate facts and express thoughts and feelings.
作为西方的小艺术,书法在伊斯兰世界受到推崇,以惊人的多样化和原创的方式发展,并揭示了设计一种完全非模仿的视觉结构的愿望,以提升和传播神圣的话语,而这种文化对制作神圣的形象及其创造感到不满。纸和官僚精英的出现促进了六种标准化草书的复杂书法风格的发展,文本的性质或潜在读者决定了文学、宗教或行政作品所使用的书写类型。克卢日-纳波卡罗马尼亚学院图书馆的伊斯兰手稿和书籍是著名学者Timotei Cipariu的遗产,展示了广泛的风格,再次展示了伊斯兰书法在发展各种多功能装饰形式方面的内在潜力,同时保持了其沟通事实和表达思想和情感的关键作用。
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引用次数: 0
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Études bibliologiques/Library Research Studies
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