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Book Review: Palaces for the People: How Social Infrastructure Can Help Fight Inequality, Polarization, and the Decline of Civic Life, Eric Klinenberg 书评:《人民的宫殿:社会基础设施如何帮助对抗不平等、两极分化和公民生活的衰落》,埃里克·克林伯格著
Pub Date : 2019-06-15 DOI: 10.31979/2575-2499.090105
Georgia Westbrook
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引用次数: 0
Contemporary Art and Historical Archives: Collaborations and Convergences in a Digital Multicultural Age 当代艺术与历史档案:数字多元文化时代的合作与融合
Pub Date : 2019-06-15 DOI: 10.31979/2575-2499.090104
Suzanne S. LaPierre
Literature illuminating the relationship between contemporary art and historical archives around the turn of the twenty-first century and how these interactions inform the evolution of archives in a digital multicultural age is the topic of this review. The literature reveals the extent to which art has been a means for members of marginalized groups to address their representation in historical archives, and also a means for archives to connect with a broader audience. Collaborations between artists and historical archives add new dimension to the debate about the nature of the archive as a creation in and of itself, and in turn the question of whether participatory culture may be a necessary component in achieving more complete representation of all segments of the community. Types of relationships explored in this review include: the questioning of and re-imagining of the archive by artists, particularly those from marginalized groups; the blending of art and digital archives; and how such collaborations have informed the mission and practical concerns of archives. As digitization leads to increasing convergence of previously distinct cultural heritage collections and enthusiasm for participatory platforms accelerates, interactions between individual artists, people from marginalized communities, and GLAM (galleries, libraries, archives and museums) will continue to evolve and expand. From this literature review emerge observations about prior collaborations from around the world as they inform future developments.
这篇综述的主题是阐明 21 世纪之交当代艺术与历史档案之间关系的文献,以及这些互 动如何为数字多元文化时代的档案演变提供信息。这些文献揭示了艺术在多大程度上成为边缘化群体成员解决他们在历史档案中的代表性问题的一种手段,同时也是档案馆与更广泛的受众建立联系的一种手段。艺术家与历史档案之间的合作为有关档案作为一种创造本身的性质的辩论增添了新的维度,反过来也为有关参与性文化是否是实现更全面地代表社会各阶层的必要组成部分的问题增添了新的维度。本综述探讨的关系类型包括:艺术家,特别是来自边缘群体的艺术家对档案的质疑和重新认识;艺术与数字档案的融合;以及此类合作如何为档案馆的使命和实际关切提供信息。随着数字化导致以前不同的文化遗产藏品日益融合,以及人们对参与式平台的热情日益高涨,艺术家个人、边缘化群体和 GLAM(画廊、图书馆、档案馆和博物馆)之间的互动将继续发展和扩大。通过本次文献综述,我们对世界各地先前的合作有了一些看法,这些看法为未来的发展提供了参考。
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引用次数: 0
Digital Commons and CONTENTdm: Not Entirely Accessible 数字共享和内容共享:不完全可访问
Pub Date : 2019-06-15 DOI: 10.31979/2575-2499.090103
Channon Arabit
Objective: To explore the accessibility for visually impaired users in Digital Commons and CONTENTdm software. Design: Unstructured interview of prearranged pages in each system. Setting : The Maureen and Mike Mansfield Library and their instance of Digital Commons by Bepress and CONTENTdm by OCLC. Subjects: A student that is visually impaired participated in the interview. Methods: The authors interviewed a student using prearranged pages in Digital Commons and CONTENTdm system. The student examined home pages, browsing entities, papers, an overview of policies, and collections. More specifically, the pages ranged from ScholarWorks, the Student Research Experience, the Montana Memory Project, and the Boone and Crockett Club Records. In total, 20 pages were used in the interview; nine of those pages were based on the CONTENTdm software and 11 of the pages were from the Digital Commons platform. The authors did not prepare questions for the interview and allowed the student to “think-aloud” and provide feedback during the session (van Someren, Barnard, & Sandberg, 1994). Also, the authors provided an introductory explanation of the interview and assistance when necessary. Main Results: The student noted similar accessibility features in Digital Commons and CONTENTdm software, which include headings, descriptive links, and downloadable files. However, the student noted varying challenges in both systems that prohibited straightforward navigation. This includes inconsistent headings and the structure of the content. Comparing the two platforms, the student was not able to understand the content hosted on CONTENTdm, whereas Digital Commons had fewer problems with its accessibility. The authors indicate that the pages and structure of Digital Commons and CONTENTdm have varying accessibilities, which could hinder visually impaired users.
目的:探讨视障用户在Digital Commons和CONTENTdm软件中的可及性。设计:对每个系统中预先安排好的页面进行非结构化的面试。背景:莫林和迈克·曼斯菲尔德图书馆和他们的数字共享的实例由Bepress和CONTENTdm由OCLC。对象:一名视障学生参加访谈。方法:使用Digital Commons和CONTENTdm系统中的预排页面对一名学生进行访谈。学生检查了主页、浏览实体、论文、政策概述和收藏。更具体地说,这些页面包括ScholarWorks、学生研究经历、蒙大拿记忆项目和布恩和克罗克特俱乐部记录。访谈共使用了20页;其中9个页面基于CONTENTdm软件,11个页面来自数字共享平台。作者没有为面试准备问题,而是允许学生在面试过程中“大声思考”并提供反馈(van Someren, Barnard, & Sandberg, 1994)。此外,作者还提供了采访的介绍性解释和必要时的协助。主要结果:学生注意到数字共享和内容共享软件中类似的可访问性特征,包括标题、描述性链接和可下载文件。然而,这名学生指出,这两种系统都存在不同的挑战,它们禁止直接导航。这包括不一致的标题和内容结构。比较这两个平台,该学生无法理解CONTENTdm上的内容,而Digital Commons在可访问性方面的问题较少。作者指出,数字共享资源和CONTENTdm的页面和结构具有不同的可访问性,这可能会阻碍视障用户。
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引用次数: 0
Challenging Girlhood 具有挑战性的少女时代
Pub Date : 2019-06-15 DOI: 10.31979/2575-2499.090102
M. Harlan
Part of the Bilingual, Multilingual, and Multicultural Education Commons, Child Psychology Commons, Collection Development and Management Commons, Educational Psychology Commons, Feminist, Gender, and Sexuality Studies Commons, Gender and Sexuality Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Inequality and Stratification Commons, Information Literacy Commons, Multicultural Psychology Commons, Personality and Social Contexts Commons, Politics and Social Change Commons, Reading and Language Commons, School Psychology Commons, Social Control, Law, Crime, and Deviance Commons, Social Psychology Commons, Social Psychology and Interaction Commons, Sociology of Culture Commons, and the Theory, Knowledge and Science Commons Acknowledgements .
双语、多语言和多元文化教育共享、儿童心理学共享、馆藏开发和管理共享、教育心理学共享、女权主义、性别和性研究共享、性别和性研究共享、性别、种族、性和种族交流共享、不平等和分层共享、信息素养共享、多元文化心理学共享、个性和社会背景共享的一部分。政治和社会变革共享,阅读和语言共享,学校心理学共享,社会控制,法律,犯罪和越轨共享,社会心理学共享,社会心理学和互动共享,文化社会学共享,以及理论,知识和科学共享。
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引用次数: 0
The More You Know, the More You Owe 你知道的越多,你欠的越多
Pub Date : 2019-06-15 DOI: 10.31979/2575-2499.090101
M. Price
Follow this and additional works at: https://scholarworks.sjsu.edu/ischoolsrj Part of the Accessibility Commons, Archival Science Commons, Cataloging and Metadata Commons, Collection Development and Management Commons, Gender Equity in Education Commons, Information Literacy Commons, Museum Studies Commons, Online and Distance Education Commons, Scholarly Communication Commons, and the Scholarly Publishing Commons Acknowledgements .
请访问:https://scholarworks.sjsu.edu/ischoolsrj部分无障碍公共资源、档案科学公共资源、编目和元数据公共资源、馆藏发展和管理公共资源、教育中的性别平等公共资源、信息素养公共资源、博物馆研究公共资源、在线和远程教育公共资源、学术交流公共资源以及学术出版公共资源致谢。
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引用次数: 0
Who Votes for Libraries? 谁为图书馆投票?
Pub Date : 2019-01-15 DOI: 10.31979/2575-2499.080202
P. Sweeney
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引用次数: 0
Promoting Inclusivity in the Archive: A literature review reassessing tradition through theory and practice 促进档案的包容性:从理论和实践重新评估传统的文献综述
Pub Date : 2019-01-15 DOI: 10.31979/2575-2499.080204
Autumn Wetli
Abstract The call for social justice and rise of postmodernism in the second half of the 20th century forced the critical re-evaluation of the traditional archive and its presumed neutral role in the collection and creation of history. Reappraisal of traditional archive theory and practice was forced by heightened critical conscious among the field and its constituents. This literature review examines contemporary methodologies and methods influenced by the postmodern movement and call for social justice in the archive. Affect theory, radical empathy, and queer/ed methodology provide new frameworks for the thinking about the archive space and work towards the creation of a more diverse and inclusive archive. The collection of oral histories and participatory, community archiving practices provide concrete methods for employing the aforementioned theories. This paper purports that these ideas may be better framed within the context of the post-postmodern movement of metamodernism and calls for the continual evaluation of archival theory and practice within this vein.
20世纪下半叶,社会正义的呼声和后现代主义的兴起迫使人们对传统档案及其在历史收集和创造中的中立作用进行批判性的重新评估。对传统档案理论和实践的重新评价是由该领域及其组成部分的高度批判意识所迫的。这篇文献综述考察了当代的方法论和方法,受到后现代运动的影响,并在档案中呼吁社会正义。情感理论、激进同理心和酷儿/ed方法论为思考档案空间提供了新的框架,并致力于创造一个更加多样化和包容性的档案。口述历史的收集和参与式社区档案实践为运用上述理论提供了具体的方法。本文认为,在元现代主义的后后现代运动的背景下,这些思想可能会得到更好的框架,并呼吁在这种脉络下对档案理论和实践进行持续的评估。
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引用次数: 4
SRJ 100K Download Milestone srj100k下载里程碑
Pub Date : 2018-06-20 DOI: 10.31979/2575-2499.080102
M. Schutten
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引用次数: 0
Reaching New Scholarly Heights: School of Information Student Research Journal Hits Milestone with 100,000 Full Text Downloads 达到新的学术高度:信息学院学生研究期刊达到里程碑100,000全文下载
Pub Date : 2018-06-20 DOI: 10.31979/2575-2499.080103
S. Hirsh
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引用次数: 0
Memories and Milestones 回忆和里程碑
Pub Date : 2018-06-20 DOI: 10.31979/2575-2499.080101
Holley Cornetto
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引用次数: 0
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School of Information Student Research Journal
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