C. Claeys, Arlette Hérat, Carole Barthélémy, V. Deldrève
Since 2008, our research has involved sociological monitoring of the political construction of the Calanques National Park, its social uses and the environmental controversy that has arisen. We have addressed these issues in the context of their interaction with urban policies. This article analyses the interactions between the Calanques National Park and the city of Marseille through the analytical framework of environmental effort. Environmental effort can be defined as the socially differentiated and potentially unequal contribution of social actors to public environmental protection policies. First, we show how the territorial make-up of Marseille has always involved a great deal of crossover between the city, the countryside and nature. Second, we examine the boundaries between the city and nature today, a result of convergence between a prevailing naturalist vision that dominated the creation of the Calanques National Park and the city’s urbanism strategy. Third, we show how the environmental effort required of the population in some districts to protect the Calanques in the context of park policy is compounded by an additional urban environmental effort required of inhabitants to support the transformations imposed on their immediate environment.
{"title":"The Calanques National Park, between environmental effort and urban effort","authors":"C. Claeys, Arlette Hérat, Carole Barthélémy, V. Deldrève","doi":"10.4000/ARTICULO.3252","DOIUrl":"https://doi.org/10.4000/ARTICULO.3252","url":null,"abstract":"Since 2008, our research has involved sociological monitoring of the political construction of the Calanques National Park, its social uses and the environmental controversy that has arisen. We have addressed these issues in the context of their interaction with urban policies. This article analyses the interactions between the Calanques National Park and the city of Marseille through the analytical framework of environmental effort. Environmental effort can be defined as the socially differentiated and potentially unequal contribution of social actors to public environmental protection policies. First, we show how the territorial make-up of Marseille has always involved a great deal of crossover between the city, the countryside and nature. Second, we examine the boundaries between the city and nature today, a result of convergence between a prevailing naturalist vision that dominated the creation of the Calanques National Park and the city’s urbanism strategy. Third, we show how the environmental effort required of the population in some districts to protect the Calanques in the context of park policy is compounded by an additional urban environmental effort required of inhabitants to support the transformations imposed on their immediate environment.","PeriodicalId":38124,"journal":{"name":"Articulo - Journal of Urban Research","volume":"262 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83507134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This special issue addresses the inconspicuous geography of globalization, constructed through invisible transnational connections. To bring these spaces out of the shadows, it is essential to shift our gaze from the center towards the spatial as well as the social margins. This rescaling also needs to be rethought in order to grasp the complex interactions between the local and the global. Finally, the various studies in this special issue reveal three types of interstitial spaces on which this inconspicuous globalization is based: routes, secondary cities, and market places. Thus, a broad and vast research fields opens up before us, whose main lines we sketch out below.
{"title":"The Inconspicuous spaces of globalization","authors":"Armelle Choplin, Olivier Pliez","doi":"10.4000/articulo.2905","DOIUrl":"https://doi.org/10.4000/articulo.2905","url":null,"abstract":"This special issue addresses the inconspicuous geography of globalization, constructed through invisible transnational connections. To bring these spaces out of the shadows, it is essential to shift our gaze from the center towards the spatial as well as the social margins. This rescaling also needs to be rethought in order to grasp the complex interactions between the local and the global. Finally, the various studies in this special issue reveal three types of interstitial spaces on which this inconspicuous globalization is based: routes, secondary cities, and market places. Thus, a broad and vast research fields opens up before us, whose main lines we sketch out below.","PeriodicalId":38124,"journal":{"name":"Articulo - Journal of Urban Research","volume":"27 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79403069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The SAGUAPAC cooperative in the city of Santa Cruz de la Sierra (Eastern Bolivia) is regularly presented as an example of cooperative successes regarding water supply and sanitation. Its efficiency, both economic and technical, is widely considered as the main reason for its reproduction. However, without denying its importance, we show, through a discourse analysis from and about SAGUAPAC in local media, that moral and non-instrumental factors are crucial in the reproduction of the cooperative. These factors create attachment and affection toward the cooperative, through a storytelling technique using a four-dimensional rhetoric (mythification, identification, emotionalisation and personification). This storytelling technique, internalized in the local media discourse and materializing the so-called new spirit of capitalism, exploits the affects and instrumentalises local myths and legends, as well as the ‘camba’ ethnic identity. In that, it tends to retain SAGUAPAC members and to canvass new ones, by providing them with recognition in their quality of local community members. However, the mobilisation of social norms and power hierarchies might end up reinforcing the social exclusion of Andean non-camba immigrants, inspite of an a priori inclusive and democratic organisation of the cooperative.
{"title":"The conditions for the reproduction of the SAGUAPAC water cooperative in the city of Santa Cruz de la Sierra, Bolivia: discourse analysis","authors":"Florence Bétrisey","doi":"10.4000/ARTICULO.2764","DOIUrl":"https://doi.org/10.4000/ARTICULO.2764","url":null,"abstract":"The SAGUAPAC cooperative in the city of Santa Cruz de la Sierra (Eastern Bolivia) is regularly presented as an example of cooperative successes regarding water supply and sanitation. Its efficiency, both economic and technical, is widely considered as the main reason for its reproduction. However, without denying its importance, we show, through a discourse analysis from and about SAGUAPAC in local media, that moral and non-instrumental factors are crucial in the reproduction of the cooperative. These factors create attachment and affection toward the cooperative, through a storytelling technique using a four-dimensional rhetoric (mythification, identification, emotionalisation and personification). This storytelling technique, internalized in the local media discourse and materializing the so-called new spirit of capitalism, exploits the affects and instrumentalises local myths and legends, as well as the ‘camba’ ethnic identity. In that, it tends to retain SAGUAPAC members and to canvass new ones, by providing them with recognition in their quality of local community members. However, the mobilisation of social norms and power hierarchies might end up reinforcing the social exclusion of Andean non-camba immigrants, inspite of an a priori inclusive and democratic organisation of the cooperative.","PeriodicalId":38124,"journal":{"name":"Articulo - Journal of Urban Research","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75096784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay focuses on public authorities utilising the notion of ‘neighbourhood identity’ for guidance in city making. It was born of a twofold fascination: in both Switzerland and France, the concept of ‘neighbourhood’ is omnipresent in urban policymaking and town planning projects, albeit with constantly shifting meanings, such that the extent of its influence might be surprising. In both Switzerland and France, the neighbourhood seems to be the scale by which a specific type of anchoring is understood, which deserves special treatment in terms of identity. I am interested in the tactical use of such categories (to the extent that they may be a means to an end) within the framework of a strategic moment of city making: the urban project.
{"title":"‘Political sensitivity’. Subjective feedback on the unexpected effects of an urban planning study","authors":"L. Matthey","doi":"10.4000/ARTICULO.2861","DOIUrl":"https://doi.org/10.4000/ARTICULO.2861","url":null,"abstract":"This essay focuses on public authorities utilising the notion of ‘neighbourhood identity’ for guidance in city making. It was born of a twofold fascination: in both Switzerland and France, the concept of ‘neighbourhood’ is omnipresent in urban policymaking and town planning projects, albeit with constantly shifting meanings, such that the extent of its influence might be surprising. In both Switzerland and France, the neighbourhood seems to be the scale by which a specific type of anchoring is understood, which deserves special treatment in terms of identity. I am interested in the tactical use of such categories (to the extent that they may be a means to an end) within the framework of a strategic moment of city making: the urban project.","PeriodicalId":38124,"journal":{"name":"Articulo - Journal of Urban Research","volume":"1 1","pages":"1-10"},"PeriodicalIF":0.0,"publicationDate":"2015-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77232662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Almost thirty years ago, as the social sciences underwent their ‘discursive turn’, Bernardo Secchi (1984) drew, in what he called the ‘urban planning narrative’, the attention of planners to the production of myths, turning an activity often seen as primarily technical into one centred around the production of images and ideas. This conception of planning practice gave rise to a powerful current of research in English-speaking countries. Efforts were made to both combine the urban planning narrative with storytelling and to establish storytelling as a prescriptive or descriptive model for planning practice. Thus, just as storytelling is supposed to have led democratic communication off track through a pronounced concern for a good story, storytelling applied to the field of urban production may have led to an increasing preoccupation with staging and showmanship for projects to the detriment of their real inclusion in political debate. It is this possible transformation of the territorial action that will be the focus of the articles collected in this special issue of Articulo – Journal of Urban Research.
{"title":"Tales of the City. Storytelling as a contemporary tool of urban planning and design","authors":"Christophe Mager, L. Matthey","doi":"10.4000/ARTICULO.2779","DOIUrl":"https://doi.org/10.4000/ARTICULO.2779","url":null,"abstract":"Almost thirty years ago, as the social sciences underwent their ‘discursive turn’, Bernardo Secchi (1984) drew, in what he called the ‘urban planning narrative’, the attention of planners to the production of myths, turning an activity often seen as primarily technical into one centred around the production of images and ideas. This conception of planning practice gave rise to a powerful current of research in English-speaking countries. Efforts were made to both combine the urban planning narrative with storytelling and to establish storytelling as a prescriptive or descriptive model for planning practice. Thus, just as storytelling is supposed to have led democratic communication off track through a pronounced concern for a good story, storytelling applied to the field of urban production may have led to an increasing preoccupation with staging and showmanship for projects to the detriment of their real inclusion in political debate. It is this possible transformation of the territorial action that will be the focus of the articles collected in this special issue of Articulo – Journal of Urban Research.","PeriodicalId":38124,"journal":{"name":"Articulo - Journal of Urban Research","volume":"6 1","pages":"6"},"PeriodicalIF":0.0,"publicationDate":"2015-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75434529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper explores the creation and implementation of two different public art initiatives on the Northwest side of Chicago. The first is a sculpture park and healing garden in the Albany Park neighborhood planned by a local community development organization, while the second is a mural initiative in the 45th Ward coordinated by the alderman’s office. Through analysis of both interviews and site visits, this paper demonstrates that communities take up art initiatives for the perceived benefits of both economic growth and community development. This paper finds that political fragmentation is a major problem for urban art initiatives. Art initiatives led by the 45th Ward alderman have been generally more successful in the short-term because political leadership avoids the worst effects of fragmentation, but this paper theorizes that community-led projects have the potential to be more durable over time because they don’t have to contend with electoral turnover. While there is no direct evidence demonstrating a positive connection between art initiatives and economic development, the paper concludes that community development is a tangible result of art initiatives. Along with focused leadership, community involvement in the planning and implementation stages of an art initiative is of vital importance to the overall success of the project. Furthermore, the successful inclusion of local aerosol artists within the 45th Ward project signals the benefits of integrating this vital arts community in urban art initiatives.
{"title":"Public Art Beyond Downtown: Assessing Art Initiatives on the Northwest Side of Chicago","authors":"Clifford D. Deaton","doi":"10.4000/ARTICULO.2828","DOIUrl":"https://doi.org/10.4000/ARTICULO.2828","url":null,"abstract":"This paper explores the creation and implementation of two different public art initiatives on the Northwest side of Chicago. The first is a sculpture park and healing garden in the Albany Park neighborhood planned by a local community development organization, while the second is a mural initiative in the 45th Ward coordinated by the alderman’s office. Through analysis of both interviews and site visits, this paper demonstrates that communities take up art initiatives for the perceived benefits of both economic growth and community development. This paper finds that political fragmentation is a major problem for urban art initiatives. Art initiatives led by the 45th Ward alderman have been generally more successful in the short-term because political leadership avoids the worst effects of fragmentation, but this paper theorizes that community-led projects have the potential to be more durable over time because they don’t have to contend with electoral turnover. While there is no direct evidence demonstrating a positive connection between art initiatives and economic development, the paper concludes that community development is a tangible result of art initiatives. Along with focused leadership, community involvement in the planning and implementation stages of an art initiative is of vital importance to the overall success of the project. Furthermore, the successful inclusion of local aerosol artists within the 45th Ward project signals the benefits of integrating this vital arts community in urban art initiatives.","PeriodicalId":38124,"journal":{"name":"Articulo - Journal of Urban Research","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79937200","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In a race for the sky marked by the proliferation of skyscrapers in cities of emerging market economies, the historic European metropolises are faced with intense debates on the relevance and significance of the return of towers. Their skylines are changing, revealing a new local geopolitical order in which developers have gained backing from local authorities. With more than 200 towers planned, London exemplifies this new high-rise governance that manages to overcome often strict legislations. The new London skyline has now become the materialisation of convergent private and public interests that, in turn, translate into a set of territorial markers instrumented by what Sklair identifies as the transnational capitalist class (TCC). Real estate actors with the help of local authorities have taken control of the skyline, redrawing it rather than erasing it. A new ‘glocal’ landscape is emerging where picturesque vistas on iconic historical buildings are protected, serving as the decor for the new skyscrapers. This enables the adoption of a standardised architectural language common to global real estate actors but also a distinction provided by their setting in the London landscape. Our hypothesis is tested through the study of the controversial construction of the Shard and the Pinnacle, two skyscrapers redrawing the skyline of Central London.
{"title":"Skyscrapers and the redrawing of the London skyline: a case of territorialisation through landscape control","authors":"M. Appert, Christian Montès","doi":"10.4000/ARTICULO.2784","DOIUrl":"https://doi.org/10.4000/ARTICULO.2784","url":null,"abstract":"In a race for the sky marked by the proliferation of skyscrapers in cities of emerging market economies, the historic European metropolises are faced with intense debates on the relevance and significance of the return of towers. Their skylines are changing, revealing a new local geopolitical order in which developers have gained backing from local authorities. With more than 200 towers planned, London exemplifies this new high-rise governance that manages to overcome often strict legislations. The new London skyline has now become the materialisation of convergent private and public interests that, in turn, translate into a set of territorial markers instrumented by what Sklair identifies as the transnational capitalist class (TCC). Real estate actors with the help of local authorities have taken control of the skyline, redrawing it rather than erasing it. A new ‘glocal’ landscape is emerging where picturesque vistas on iconic historical buildings are protected, serving as the decor for the new skyscrapers. This enables the adoption of a standardised architectural language common to global real estate actors but also a distinction provided by their setting in the London landscape. Our hypothesis is tested through the study of the controversial construction of the Shard and the Pinnacle, two skyscrapers redrawing the skyline of Central London.","PeriodicalId":38124,"journal":{"name":"Articulo - Journal of Urban Research","volume":"58 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84560953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
How does the image of a metropolis come to be? Despite being the third agglomeration in Europe, Madrid suffers from a lack of international outreach, despite being a city that, with 270,000 students, one of the most important university centres in Europe. If the presence of universities is required to access the rank of metropolis, it is obviously not enough. Their international image must be built to be recognised abroad. However Madrid has no historically ancient academic tradition. Indeed, it was not until 1836 when the University of Alcala transferred to Madrid and took the name of Central University. Therefore, Madrid must invent an academic story and filiation. The city does this through a narrative that is based on academic projects included in image policies. Consequently, the question is how such projects are a way to question the fictionality of the Madrid metropolisation? This article examines how a higher education project is a symbol of the construction of a Madrid metropolitan mythology in its manifestations and limitations. After identifying the part played by higher education projects in fictional urban planning, the strategies of project developers are analysed, raising the question of the sustainability of the Madrid university system.
{"title":"When Madrid’s higher education projects sell dreams: Metropolitan stagecraft or reality?","authors":"Lisa Fournier","doi":"10.4000/ARTICULO.2799","DOIUrl":"https://doi.org/10.4000/ARTICULO.2799","url":null,"abstract":"How does the image of a metropolis come to be? Despite being the third agglomeration in Europe, Madrid suffers from a lack of international outreach, despite being a city that, with 270,000 students, one of the most important university centres in Europe. If the presence of universities is required to access the rank of metropolis, it is obviously not enough. Their international image must be built to be recognised abroad. However Madrid has no historically ancient academic tradition. Indeed, it was not until 1836 when the University of Alcala transferred to Madrid and took the name of Central University. Therefore, Madrid must invent an academic story and filiation. The city does this through a narrative that is based on academic projects included in image policies. Consequently, the question is how such projects are a way to question the fictionality of the Madrid metropolisation? This article examines how a higher education project is a symbol of the construction of a Madrid metropolitan mythology in its manifestations and limitations. After identifying the part played by higher education projects in fictional urban planning, the strategies of project developers are analysed, raising the question of the sustainability of the Madrid university system.","PeriodicalId":38124,"journal":{"name":"Articulo - Journal of Urban Research","volume":"2015 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88264580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A partir de l’analyse du renouveau de demarches prospectives territoriales s’enoncant de plus en plus participatives, il est propose de revenir ici sur la place des figures et des visions dans l’urbanisme. La demande croissante de recit territorial, le recours a l’imagination et a la necessite d’emettre des hypotheses sur le futur, et ce a l’echelle metropolitaine, renvoient a une certaine saturation de la sphere publique. Aussi est-il propose de reactiver une critique urbanistique qui puisse a la fois prendre au serieux les fonctions de composition du collectif que realisent les images iconiques et verbales par le travail de visualisation- visibilisation qu’elles operent et une inscription plus realiste dans l’experience urbaine contemporaine.
{"title":"Figures urbanistiques en régime prospectif. Pour une critique des pouvoirs de l’évocation","authors":"Laurent Devisme","doi":"10.4000/ARTICULO.2731","DOIUrl":"https://doi.org/10.4000/ARTICULO.2731","url":null,"abstract":"A partir de l’analyse du renouveau de demarches prospectives territoriales s’enoncant de plus en plus participatives, il est propose de revenir ici sur la place des figures et des visions dans l’urbanisme. La demande croissante de recit territorial, le recours a l’imagination et a la necessite d’emettre des hypotheses sur le futur, et ce a l’echelle metropolitaine, renvoient a une certaine saturation de la sphere publique. Aussi est-il propose de reactiver une critique urbanistique qui puisse a la fois prendre au serieux les fonctions de composition du collectif que realisent les images iconiques et verbales par le travail de visualisation- visibilisation qu’elles operent et une inscription plus realiste dans l’experience urbaine contemporaine.","PeriodicalId":38124,"journal":{"name":"Articulo - Journal of Urban Research","volume":"125 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86049592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The intricate links between the Olympics and urban change have been theorised in diverse ways in critical urban studies, including readings of Olympic city-making in terms of enforcement of neoliberal entrepreneurial governance, gentrification through large-scale redevelopment projects, reproduction of growth-machine politics, and acquisition of symbolic capital through city branding politics. Following these points, we reflect in this paper on how the Olympics exacerbate wider trends in urban political economy under contemporary capitalism in the case of Rio 2016. We attempt to do so by turning to David Harvey’s (2003) conceptualisation of accumulation by dispossession. Our hypothesis is that this concept holds a sizeable heuristic value for making sense of the not-so-exceptional character of Olympic city-making in the present configuration of capitalism. Our findings confirm the relevance of Harvey’s elaboration on the empirical ground of sport mega-events but also outline limitations.
{"title":"Transforming Rio de Janeiro for the Olympics: another path to accumulation by dispossession?","authors":"Luanda Vannuchi, Mathieu Van Criekingen","doi":"10.4000/ARTICULO.2813","DOIUrl":"https://doi.org/10.4000/ARTICULO.2813","url":null,"abstract":"The intricate links between the Olympics and urban change have been theorised in diverse ways in critical urban studies, including readings of Olympic city-making in terms of enforcement of neoliberal entrepreneurial governance, gentrification through large-scale redevelopment projects, reproduction of growth-machine politics, and acquisition of symbolic capital through city branding politics. Following these points, we reflect in this paper on how the Olympics exacerbate wider trends in urban political economy under contemporary capitalism in the case of Rio 2016. We attempt to do so by turning to David Harvey’s (2003) conceptualisation of accumulation by dispossession. Our hypothesis is that this concept holds a sizeable heuristic value for making sense of the not-so-exceptional character of Olympic city-making in the present configuration of capitalism. Our findings confirm the relevance of Harvey’s elaboration on the empirical ground of sport mega-events but also outline limitations.","PeriodicalId":38124,"journal":{"name":"Articulo - Journal of Urban Research","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87266739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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