{"title":"Emblematische Gratulationsschriften, Stammbäume und Porträts von Dominik Franz Calin von Marienberg für das Haus Habsburg","authors":"Polona Vidmar","doi":"10.3986/ahas.26.2.05","DOIUrl":"https://doi.org/10.3986/ahas.26.2.05","url":null,"abstract":"","PeriodicalId":38175,"journal":{"name":"Acta Historiae Artis Slovenica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45690850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Članek obravnava usodo zbirke slik, ki jo je grof Ferdinand Marija III. Attems do leta 1945 hranil v svojem gradu v Slovenski Bistrici, ter na podlagi analize različnih arhivskih virov in ugotovljene konkordance med zapisi utemeljuje predlagane identifikacije posameznih slik, ki jih zdaj hranijo slovenske javne ustanove. Poleg provenience posamez- nih umetnin iz Attemsove zbirke je v prispevku predstavljen eden najpomembnejših elementov njihove zgodbe: kon- tekst povojne zaplembe, prenosov, skladiščenja v Federalnem zbirnem centru in nadaljnje distribucije po različnih slovenskih ustanovah.
本文讨论了Ferdinand Marija III伯爵收藏的画作的命运。1945年之前，这些作品一直保存在他位于斯洛文斯卡-比斯特里察的城堡中。根据对各种档案来源的分析和记录之间的一致性，文章证明了对现由斯洛文尼亚公共机构保存的个别画作进行鉴定的建议是合理的。除了Attems收藏的个人作品的来源外，文章还介绍了他们故事中最重要的元素之一：战后没收、转移、在联邦收藏中心储存以及进一步分发给斯洛文尼亚各机构的背景。
{"title":"Zaplemba – prenos – distribucija","authors":"Renata Komić Marn","doi":"10.3986/ahas.26.2.04","DOIUrl":"https://doi.org/10.3986/ahas.26.2.04","url":null,"abstract":"\u0000 \u0000 \u0000Članek obravnava usodo zbirke slik, ki jo je grof Ferdinand Marija III. Attems do leta 1945 hranil v svojem gradu v Slovenski Bistrici, ter na podlagi analize različnih arhivskih virov in ugotovljene konkordance med zapisi utemeljuje predlagane identifikacije posameznih slik, ki jih zdaj hranijo slovenske javne ustanove. Poleg provenience posamez- nih umetnin iz Attemsove zbirke je v prispevku predstavljen eden najpomembnejših elementov njihove zgodbe: kon- tekst povojne zaplembe, prenosov, skladiščenja v Federalnem zbirnem centru in nadaljnje distribucije po različnih slovenskih ustanovah. \u0000 \u0000 \u0000","PeriodicalId":38175,"journal":{"name":"Acta Historiae Artis Slovenica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42687624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The ceiling decoration of the Great Hall of Brežice Castle was executed for the Attems family by the painter Franz Carl Remp in 1702–1703. Its form had most probably been inspired by an engraving, reproducing the fresco by Pietro da Cortona in the hall of the Palazzo Barberini in Rome. During the 17th century, many engravings of various motifs and types were used as models for monumental paintings in Central Europe. However, it was above all graphic reproductions of famous ceiling paintings in different artistic centres in Italy which inspired the qualitative turn of Central European ceiling painting around 1700.
Brežice城堡大厅的天花板装饰是由画家Franz Carl Remp在1702-1703年为atts家族制作的。它的形式很可能是受到了雕刻的启发，复制了彼得罗·达·科尔托纳在罗马巴贝里尼宫大厅里的壁画。在17世纪，许多不同主题和类型的雕刻被用作中欧纪念性绘画的模型。然而，最重要的是，意大利不同艺术中心的著名天花板画的图形复制品激发了1700年左右中欧天花板画的质的转变。
{"title":"The Patterns of the Transformation in Central European Ceiling Painting around 1700 and Franz Carl Remp in Brežice Castle","authors":"M. Mádl","doi":"10.3986/ahas.26.2.08","DOIUrl":"https://doi.org/10.3986/ahas.26.2.08","url":null,"abstract":"\u0000 \u0000 \u0000The ceiling decoration of the Great Hall of Brežice Castle was executed for the Attems family by the painter Franz Carl Remp in 1702–1703. Its form had most probably been inspired by an engraving, reproducing the fresco by Pietro da Cortona in the hall of the Palazzo Barberini in Rome. During the 17th century, many engravings of various motifs and types were used as models for monumental paintings in Central Europe. However, it was above all graphic reproductions of famous ceiling paintings in different artistic centres in Italy which inspired the qualitative turn of Central European ceiling painting around 1700. \u0000 \u0000 \u0000","PeriodicalId":38175,"journal":{"name":"Acta Historiae Artis Slovenica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48829357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Višnjegorski slikarji 17. in 18. stoletja, njihovo socialno in naročniško okolje. Frančišek Karel (Francesco) Faenzi, Franc Faenzi, Janez Jakob Menhard (Mönhardt), Jakob Killer, Karel Ludvik Gentilli, Peter Straspurger, Franc Anton Nirenberger, Franc Ksav","authors":"B. Golec","doi":"10.3986/ahas.v24i1.7583","DOIUrl":"https://doi.org/10.3986/ahas.v24i1.7583","url":null,"abstract":"","PeriodicalId":38175,"journal":{"name":"Acta Historiae Artis Slovenica","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70400955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Podoba samogibljive skulpture malika, mehaničnega čudesa ali »avtomata« na Kranjskem oltarju","authors":"Jure Vuga","doi":"10.3986/ahas.v24i1.7582","DOIUrl":"https://doi.org/10.3986/ahas.v24i1.7582","url":null,"abstract":"","PeriodicalId":38175,"journal":{"name":"Acta Historiae Artis Slovenica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46704053","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Orfej med živalmi na ptujskem Orfejevem spomeniku – upodobitev ekfraze Filostrata Mlajšega?","authors":"Katarina Šmid","doi":"10.3986/ahas.v24i1.7581","DOIUrl":"https://doi.org/10.3986/ahas.v24i1.7581","url":null,"abstract":"","PeriodicalId":38175,"journal":{"name":"Acta Historiae Artis Slovenica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42675284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"»Če bo hotel muzej pridobiti kaj boljših stvari, bo moral za nakup tvegati večje vsote.« Nakupi za Narodni muzej na dražbi Szapáryjeve zbirke v Murski Soboti","authors":"Renata Komić Marn","doi":"10.3986/ahas.v24i1.7584","DOIUrl":"https://doi.org/10.3986/ahas.v24i1.7584","url":null,"abstract":"","PeriodicalId":38175,"journal":{"name":"Acta Historiae Artis Slovenica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41852173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The churches of the Archdiocese of Gorizia in Carniola, mentioned in the visitation records of the first archbishop of Gorizia, Karl Michael von Attems (1752–1774), will be presented in an extensive article, which will be divided into three parts. The churches that stood in the archdeaconry of the Bistra Carthusian monastery, the archdeaconry of Upper Carniola, and the archdeaconry of the German Teutonic Order in Bela krajina will be presented in Part 1. The patrocinia or the titulature of the altars are presented at the beginning of the article based on liturgical hierarchy, followed by introductions of individual churches according to the outlined structure.
第一任戈里齐亚大主教卡尔·迈克尔·冯·阿特姆斯（Karl Michael von Attems，1752–1774）的访问记录中提到的卡尼奥拉戈里齐亚总教区的教堂将在一篇内容广泛的文章中介绍，该文章将分为三部分。Bistra Carthusian修道院的副主教、上卡尼乌拉的副主教和Bela krajina的德国条顿骑士团的副主教的教堂将在第1部分中介绍。祭坛的圣职或圣职是在文章的开头根据礼拜仪式的等级制度提出的，然后根据概述的结构介绍各个教堂。
{"title":"Cerkve goriške nadškofije na Kranjskem v času nadškofa Karla Mihaela grofa Attemsa. 1. del: Bistrski, gorenjski in metliški arhidiakonat","authors":"Jure Volčjak","doi":"10.3986/ahas.v24i1.7586","DOIUrl":"https://doi.org/10.3986/ahas.v24i1.7586","url":null,"abstract":"The churches of the Archdiocese of Gorizia in Carniola, mentioned in the visitation records of the first archbishop of Gorizia, Karl Michael von Attems (1752–1774), will be presented in an extensive article, which will be divided into three parts. The churches that stood in the archdeaconry of the Bistra Carthusian monastery, the archdeaconry of Upper Carniola, and the archdeaconry of the German Teutonic Order in Bela krajina will be presented in Part 1. The patrocinia or the titulature of the altars are presented at the beginning of the article based on liturgical hierarchy, followed by introductions of individual churches according to the outlined structure.","PeriodicalId":38175,"journal":{"name":"Acta Historiae Artis Slovenica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47085072","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Restitucija predmetov kulturne dediščine iz Avstrije v Jugoslavijo po letu 1945","authors":"Barbara Vodopivec","doi":"10.3986/ahas.v24i1.7585","DOIUrl":"https://doi.org/10.3986/ahas.v24i1.7585","url":null,"abstract":"","PeriodicalId":38175,"journal":{"name":"Acta Historiae Artis Slovenica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44825613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Traces of the Rosary Confraternity, Albrecht Dürer, and Two Emperors in the Frescoes of the Church of St. Primus above Kamnik","authors":"Mija Oter Gorenčič","doi":"10.3986/AHAS.V23I2.7328","DOIUrl":"https://doi.org/10.3986/AHAS.V23I2.7328","url":null,"abstract":"","PeriodicalId":38175,"journal":{"name":"Acta Historiae Artis Slovenica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48248391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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