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Den inkarnerade kyrkan – synliggjord 化身教堂-可见
Q4 Arts and Humanities Pub Date : 2022-10-19 DOI: 10.7146/dtt.v85i2.134338
Martin Berntson
The theme of the Festschrift to Carsten Bach-Nielsen in Aarhus is den sete kirke, i. e. “the seen church”. The theme derives its meaning from the fact that the Church is not just an abstraction or an invisible community, but also something that is incarnated, as it were, in the world. From the various articles in the volume, I have derived four themes concerning this “seen” Church. First, the “seen Church” always takes different material forms. The physical materials, such as church buildings, have according to the “material turn” the ability to transform us. During the Enlightenment and Pietism, the material forms of the physical church were often regarded as something negative. The “outward” forms were even considered dangerous whereas true Christianity was to be found deeply inside of man. Second, the survival of the “seen Church” has often been discussed. Should the cultural ecclesiastical heritage be something made for eternity, or has it an intrinsic value in always adjusting to the present situation? In either case, it is seldom possible to liberate the forms from its presumed content. Third, despite the skepticism from Pietism and the Enlightenment, the material forms in church culture regained their value during the 20th century. The “true church” could actually manifest itself in “seen” forms. Fourth, the “seen Church” cannot be isolated from its context. The Church as an institution is not limited to its buildings, and the activities in these buildings were, at least in earlier times, aimed at preserving society as a whole. Finally, it can be said that since history is always present in the “seen Church”, it is of importance to relate consciously to this history.
奥尔胡斯巴赫-尼尔森音乐节的主题是“看得见的教堂”。这个主题的意义来源于这样一个事实,即教会不仅是一个抽象的或无形的社区,而且是在世界上化身的东西。从该卷的各种文章中,我得出了关于这个“看得见”的教会的四个主题。首先,“看得见的教会”总是采取不同的物质形式。物质物质,如教堂建筑,根据“物质转向”具有改变我们的能力。在启蒙运动和Pietrism时期,物质教堂的物质形式经常被视为负面的东西。“外在”的形式甚至被认为是危险的,而真正的基督教是在人的内心深处发现的。第二,“可见教会”的生存问题经常被讨论。教会文化遗产应该是永恒的东西吗?还是总是适应现状的内在价值?无论哪种情况,都很少有可能将形式从其假定的内容中解放出来。第三,尽管受到了Pietrism和启蒙运动的怀疑,但教会文化中的物质形式在20世纪重新获得了价值。“真正的教会”实际上可以以“看得见”的形式表现出来。第四,“看得见的教会”不能脱离其背景。教会作为一个机构并不局限于其建筑,这些建筑中的活动至少在早期是为了保护整个社会。最后,可以说,既然历史总是存在于“看得见的教会”中,那么有意识地与这段历史联系起来是很重要的。
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引用次数: 0
Katolicisme i Ingemanns danmarkshistorie 英格曼舞蹈故事中的天主教
Q4 Arts and Humanities Pub Date : 2022-10-19 DOI: 10.7146/dtt.v85i2.134333
Lone Kølle Martinsen
This study presents a reading of Catholicism in the historical novels of the Danish author Bernhard Severin Ingemann, written between 1824 and 1836, in the light of the so-called Nordic Sonderweg. The idea of a Nordic Sonderweg has been propounded in historical studies since the early 1990s and has gained significance ever since. The main idea is that the notion of a free peasant class, combined with Lutheranism, played a crucial role in the rise of modern democratic societies. Nordic peasants – so it is argued – enjoyed more freedom and equality, were more trusting, and earned greater respect and prestige than their fellows in southern European countries, who were hampered by feudalism, coercion, and Catholicism. My main argument is that Ingemann, as a pastoral enlightener in the North, represents the idea of a Nordic Sonderweg in his novels too and that his conception of Catholicism can be understood in the light of this grand narrative.
本研究根据所谓的北欧Sonderweg,对丹麦作家Bernhard Severin Ingemann 1824年至1836年间的历史小说中的天主教进行了解读。北欧Sonderweg的概念自20世纪90年代初以来就在历史研究中提出,并从那时起获得了重要意义。其主要思想是,自由农民阶级的概念与路德主义相结合,在现代民主社会的兴起中发挥了至关重要的作用。有人认为,北欧农民比南欧国家的农民享有更多的自由和平等,更信任他们,赢得了更大的尊重和声望,南欧国家受到封建主义、胁迫和天主教的阻碍。我的主要论点是,英格曼作为北方的田园启蒙者,在他的小说中也代表了北欧Sonderweg的思想,他的天主教观可以从这种宏大的叙事中理解。
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引用次数: 0
Det bevægende billede – billedets bevægelse 运动图像-图像的运动
Q4 Arts and Humanities Pub Date : 2022-10-19 DOI: 10.7146/dtt.v85i2.134332
Joakim Garff
It takes time to get through Kierkegaard’s edifying discourses, not because philosophical and theological terminology complicates appropriation, as is the case with the pseudonymous works, but rather because of their rhetorical complexity. This is due, in turn, to the fact that the discourses ought to be read slowly. The reader is thereby exposed to time, experiences time, which is what the discourses are about. In each text, the rhetoric is not just a meaning­ful dimension, but also a part of the meaning. The text’s images are emotively moving, but they also move before the eyes of the reader, who is drawn into the movement and is transformed by it.
阅读克尔凯郭尔富有启发性的话语需要时间,这并不是因为哲学和神学术语使挪用变得复杂,就像假名作品一样,而是因为它们的修辞复杂性。这反过来又是由于话语应该慢慢阅读。因此,读者接触时间,体验时间,这就是话语的意义所在。在每一篇文本中,修辞不仅仅是一个有意义的维度,也是意义的一部分。文本的图像在情感上是感人的,但它们也在读者眼前移动,读者被这场运动所吸引并被它所改变。
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引用次数: 0
Real presence under digital conditions? 数字化条件下的真实存在?
Q4 Arts and Humanities Pub Date : 2022-06-14 DOI: 10.7146/dtt.v85i1.132856
Dorothee Bauer, Jan-Heiner Tück
During the Covid-19 pandemic, Christians were prevented from receiving the Eucharist for the first time in history due to the suspension of public church services. Various digital liturgical offers such as live-stream services were developed and improved to compensate for this loss. Discussing the pastoral chances and theological limits of digitalization in religious contexts, the authors conclude that physical participation in the Eucharistic liturgy cannot be substituted by virtual offers. Regarding the often-distorted perception of time during the pandemic, they highlight the therapeutic dimension of the Eucharist, in which the past, present, and future are interwoven (signum rememorativum, signum demonstrativum, and signum prognosticum). To realize the gift of the Eucharist and to gain a new awareness of the salutary and transforming presence of Christ, the authors point to the practice of Eucharistic adoration, which nevertheless remains oriented towards the communal celebration of the Eucharist and the real encounter with Christ in Communion.
在新冠肺炎疫情期间,由于公共教堂服务暂停,基督徒在历史上第一次被禁止接受圣餐。为了弥补这一损失,开发和改进了各种数字礼仪服务,如直播服务。讨论了在宗教环境中数字化的牧灵机会和神学限制,作者得出的结论是,物理参与圣体礼仪不能被虚拟奉献所取代。关于大流行期间经常被扭曲的时间观念,他们强调了圣餐的治疗层面,其中过去、现在和未来交织在一起(signum rememativum、signum demonstrativum和signum prognosticum)。为了实现圣体圣事的恩赐,并获得对基督的有益和转化存在的新认识,作者指出了圣体崇拜的实践,尽管如此,它仍然面向集体庆祝圣体圣事和与基督共融的真正相遇。
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引用次数: 0
Indhold og kolofon DTT 2022-1
Q4 Arts and Humanities Pub Date : 2022-06-10 DOI: 10.7146/dtt.v85i1.132861
Bo Kristian Holm
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引用次数: 0
Temanummer om “digital nadver” 「数码晚餐」专题
Q4 Arts and Humanities Pub Date : 2022-06-10 DOI: 10.7146/dtt.v85i1.132854
Bo Kristian Holm, Jette Bendixen Rønkilde, Jakob Egeris Thorsen
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引用次数: 0
Celebrating the Last Supper Online: A (Swiss) Reformed Perspective 在线庆祝最后的晚餐:(瑞士)改革视角
Q4 Arts and Humanities Pub Date : 2022-06-10 DOI: 10.7146/dtt.v85i1.132858
Katrin Kusmierz
Can the Last Supper be celebrated online? In German-speaking Reformed Switzerland this question has not been debated widely or even controversially. There are several reasons to explain this – among others, the article suggests, the Reformed understanding of the Last Supper. So what are its liturgical and theological core characteristics? The article explores five central aspects: the Last Supper as an act of commemoration; of building and sustaining community; the importance of the Holy Spirit; the idea that the congregation should take an active role in the celebration; and the symbolic understanding of the elements of bread and wine. Can an online celebration give expression to these aspects and what are the consequences with regard to the way such a celebration is put into practice?
最后的晚餐可以在网上庆祝吗?在讲德语的改革派瑞士,这个问题没有得到广泛的辩论,甚至没有争议。有几个原因可以解释这一点——文章指出,其中包括改革派对《最后的晚餐》的理解。那么,它的礼拜仪式和神学核心特征是什么呢?文章探讨了五个核心方面:作为纪念行为的《最后的晚餐》;建设和维持社区;圣灵的重要性;会众应该在庆祝活动中发挥积极作用;以及对面包和葡萄酒元素的象征性理解。在线庆祝活动能表达这些方面吗?这种庆祝活动的实施方式会产生什么后果?
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引用次数: 0
This is my Body ... 这是我的身体……
Q4 Arts and Humanities Pub Date : 2022-06-10 DOI: 10.7146/dtt.v85i1.132857
Alexander Deeg
In times of the Covid-19 pandemic, many congregations had to stop celebrating the Eucharist or find new ways to do so – one of these being online Eucharist services in synchronous and diachronous settings. The article describes developments in the Protestant Churches of Germany and shows that the interplay of theology and church practices is essential. On the background of the fundamental dialectics of absence and presence in (Christian) liturgy and Luther’s writings on the Lord’s Supper, the article proposes two axes that open up a ‘field’ of diverse ritual practices: community and gift. Many different ways of celebrating the Lord’s Supper seem to be possible in this field – also celebrations in synchronous digital settings (video conferences). The Covid-19 crisis is seen as a chance to rethink sacramental theology and ways of celebration – in the context of a permanent change of liturgical practices.
在2019冠状病毒病大流行期间,许多会众不得不停止庆祝圣餐,或寻找新的方式来庆祝圣餐,其中一种方式是同步和跨时设置的在线圣餐服务。文章描述了德国新教教会的发展,并表明神学和教会实践的相互作用是必不可少的。在(基督教)礼拜仪式中缺席和在场的基本辩证法和路德关于圣餐的著作的背景下,文章提出了两个轴线,它们打开了一个不同仪式实践的“领域”:社区和礼物。在这个领域,许多庆祝圣餐的不同方式似乎是可能的——也包括同步数字环境(视频会议)的庆祝。2019冠状病毒病危机被视为在礼仪实践永久改变的背景下重新思考圣事神学和庆祝方式的机会。
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引用次数: 0
Dansk nadverpraksis 2020-21
Q4 Arts and Humanities Pub Date : 2022-06-10 DOI: 10.7146/dtt.v85i1.132855
Johanne Stubbe Teglbjærg Kristensen, N. Enggaard
In this article, we describe and analyze the discussion of the celebration of the Lords Supper in the Danish Evangelical Lutheran Church during the pandemic 2020-21. We notice that the Lutheran World Federation as well the Swedish and Norwegian bishops expressed or recommended a no to any attempts at a digital celebration of the Lords Supper. We also emphasize that most Danish pastors were spontaneously careful in their practice and hesitated towards the attempt at a digital celebration. Nonetheless, some Danish bishops seemed to assume that this was possible and their assumption became the beginning of a discussion in a few Danish media, primarily in Kristeligt Dagblad. In the article, we analyze this Danish discussion in the context of the confessional writings of the Danish Evangelical Lutheran Church and argue for a hesitating position that calls for more research. This presupposes that the confessional writings were written in a different, non-digitalized, context, and it takes into account knowledge that already exist on Lutheran understandings of the Lords Supper e.g. in the Book of Concord.
在这篇文章中,我们描述并分析了2020-21年疫情期间丹麦福音路德教会庆祝上议院晚餐的讨论。我们注意到,世界路德会联合会以及瑞典和挪威主教表示或建议反对任何关于贵族晚餐的数字庆祝活动。我们还强调,大多数丹麦牧师在实践中都非常谨慎,对数字庆祝活动的尝试犹豫不决。尽管如此,一些丹麦主教似乎认为这是可能的,他们的假设成为了一些丹麦媒体讨论的开始,主要是在Kristeligt Dagblad。在这篇文章中,我们结合丹麦福音路德教会的忏悔著作来分析丹麦的这一讨论,并提出了一个需要更多研究的犹豫立场。这预设了忏悔书是在一个不同的、非数字化的背景下写成的,并考虑到了路德对上议院晚餐的理解中已经存在的知识,例如《协和书》中的知识。
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引用次数: 0
Whisky eller tonic? Narrativ eksistensteologi 威士忌还是滋补品?叙事现存神学
Q4 Arts and Humanities Pub Date : 2021-12-13 DOI: 10.7146/dtt.v84i2.129658
Mikael Brorson
At least since Svend Bjerg’s doctoral dissertation, narrative and existentialist theology has, in a Danish context, been considered to be fundamentally opposed to each other. The main goal of the present article is to question this dichotomy. The theoretical foundation for this is an evaluation of the strength of Bjerg’s critique of Rudolf Bultmann and his program of demythologization. This is succeeded by a new interpretation of Johannes Sløk’s authorship focusing on the category of ‘proclamation’, which points to the practical possibility of formulating a narrative existentialist theology, utilizing insights from both theological traditions.
至少从send Bjerg的博士论文开始,叙事神学和存在主义神学在丹麦的语境中就被认为是根本对立的。本文的主要目的是质疑这种二分法。这一观点的理论基础是对比格对鲁道夫·布特曼的批判及其去神话化计划的力量的评价。这是对约翰内斯·斯洛克(Johannes Sløk)的作者身份的一种新的解释,其重点是“宣言”的范畴,它指出了利用两种神学传统的见解,形成叙事存在主义神学的实际可能性。
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引用次数: 0
期刊
Dansk Teologisk Tidsskrift
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