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Abolition and the Prophetic Imagination 废止与预言想象
Q2 Arts and Humanities Pub Date : 2021-12-12 DOI: 10.22439/fs.vi31.6464
P. Zurn
There is something prophetic about abolition; some element of the elsewhere that marks its practice, and its discourse. In the work of undoing, there is a crack. In the refusal, a moment of imagination. Abolition is driven by definitive demands as much as by what is yet to come and what is still unfinished.3 For some, Michel Foucault is a prophet. He is a prophet in exile and a prophet in extremity.4 As the “power-thinker,” he offers a diagnosis of oppressive power formations and a vision of resistance—always at the edge of what is and in the hope of what is to come. But Foucault himself has a certain allergy to the prophetic, a certain visceral intolerance for the word. “I never behave like a prophet,”5 he insists, and “the role of the
废除死刑有一些预言性的东西;其他地方的一些元素标志着它的实践和话语。在撤销的工作中,有一条裂缝。在拒绝中,一瞬间的想象。废除死刑是由明确的要求驱动的,也是由尚未到来和尚未完成的事情驱动的。3对一些人来说,米歇尔·福柯是一位先知。他是一位流亡海外的先知,也是一位极端的先知。4作为“权力思想家”,他对压迫性的权力形成进行了诊断,并提出了抵抗的愿景——始终处于现状的边缘,并对未来抱有希望。但福柯本人对预言有某种过敏,对这个词有某种发自内心的不容忍。他坚持说:“我从来没有表现得像个先知
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引用次数: 0
Dianna Taylor, Sexual Violence and Humiliation: A Foucauldian-Feminist Perspective (Interdisciplinary Research in Gender). London and New York: Routledge, 2020. Pp. 128. 戴安娜·泰勒,《性暴力与羞辱:傅女权主义视角》(跨学科性别研究)。伦敦和纽约:劳特利奇,2020年。第128页。
Q2 Arts and Humanities Pub Date : 2021-12-12 DOI: 10.22439/fs.vi31.6468
Sara Cohen Shabot
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引用次数: 0
Marco Checchi, The Primacy of Resistance: Power, Opposition and Becoming. London: Bloomsbury Academic, 2021. 马尔科·切奇:《抵抗的首要地位:权力、反对与形成》。伦敦:布鲁姆斯伯里学术出版社,2021。
Q2 Arts and Humanities Pub Date : 2021-12-12 DOI: 10.22439/fs.vi31.6472
Tomas Pewton
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引用次数: 0
Abolitionist Broken Windows and the Violence of Power Relations 废奴主义者的破窗与权力关系的暴力
Q2 Arts and Humanities Pub Date : 2021-12-12 DOI: 10.22439/fs.vi31.6462
Ren-yo Hwang
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引用次数: 0
Pierre Hadot, The Selected Writings of Pierre Hadot: Philosophy as Practice. London: Bloomsbury, 2020. Pp. 320. 《皮埃尔·哈多文集:作为实践的哲学》。伦敦:布鲁姆斯伯里出版社,2020年。320页。
Q2 Arts and Humanities Pub Date : 2021-12-12 DOI: 10.22439/fs.vi31.6469
Émile Lévesque-Jalbert
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引用次数: 0
Robert Mitchell, Infectious Liberty. Biopolitics between Romanticism and Liberalism. New York, NY: Fordham University Press, 2021. Pp. 304. 罗伯特·米切尔,传染自由。浪漫主义和自由主义之间的生物政治。纽约,纽约:福特汉姆大学出版社,2021年。第304页。
Q2 Arts and Humanities Pub Date : 2021-12-12 DOI: 10.22439/fs.vi31.6479
Antonia Karaisl
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引用次数: 0
Shirts and Hearts 衬衫和红心
Q2 Arts and Humanities Pub Date : 2021-12-12 DOI: 10.22439/fs.vi31.6461
S. Tyson
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引用次数: 0
Sexuality and/as Art, Power, and Reconciliation 性与/作为艺术,权力与和解
Q2 Arts and Humanities Pub Date : 2021-12-12 DOI: 10.22439/fs.vi31.6452
Stefano Marino
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引用次数: 0
Lynne Huffer, Foucault’s Strange Eros. Columbia: Columbia University Press, 2020. Pp. 280. 林恩·赫弗,福柯的《奇异的爱欲》哥伦比亚:哥伦比亚大学出版社,2020。280页。
Q2 Arts and Humanities Pub Date : 2021-12-12 DOI: 10.22439/fs.vi31.6474
Theo Mantion
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引用次数: 0
On the Interest in the Art of Loving: Richard Shusterman’s Ars Erotica 论对爱的艺术的兴趣:理查德·舒斯特曼的《情色艺术》
Q2 Arts and Humanities Pub Date : 2021-12-12 DOI: 10.22439/fs.vi31.6454
Leonardo V. Distaso
Here, finally, is a book that takes the path of Michel Foucault’s The History of Sexuality1 but goes beyond its limits. I refer to Richard Shusterman’s Ars Erotica.2 It took a little more than four decades, since the beginning of Foucault’s project of a genealogy of sexuality understood as an object of knowledge in relation to power, to develop a new, ambitious and complex project that does not limit itself to questioning Western thinking, and in particular that of the ancient Greek-Roman world. This book offers original reflections on the transcultural genealogies of the current globalized world; not from the usual economic and political perspective but rather from a novel philosophical point of view. In light of this, Shusterman’s Ars Erotica marks a movement of progress toward a new understanding of our globalized world: more precisely, a critical understanding, rooted in history but capable of offering a potential improvement of existing realties, rather than limiting itself to a mere confirmation of the status quo or to a sterile exercise of non-constructive critique. My contribution to this symposium on Ars Erotica will start from the author’s concluding hypothesis that, in a sense, also underlies the general thrust of his book: namely, the hypothesis according to which the traditional paradigm of modern aesthetics (starting from the eighteenth century) can and perhaps must be overcome by means of a return to the communion of eros and beauty that had characterized philosophical aesthetics over the span of time from Plato to the Renaissance. The idea is that as long as eros “was defined as the desiring love for beauty expressed by a longing to intimately know and somehow unite with the beautiful object desired,” and “beauty was conceived as
最后,这本书走了米歇尔·福柯(Michel Foucault)的《性史》(the History of sexuality)的道路,但超越了它的局限。我指的是理查德·舒斯特曼(Richard Shusterman)的《情色艺术》(Ars erotictic2)。2从福柯将性谱系理解为与权力相关的知识对象的计划开始,花了四十多年的时间,才发展出一个新的、雄心勃勃的、复杂的计划,它不局限于质疑西方思维,尤其是古希腊罗马世界的思维。这本书提供了对当前全球化世界的跨文化谱系的原始反思;不是从通常的经济和政治角度,而是从一种新颖的哲学角度。鉴于此,舒斯特曼的《色情艺术》标志着对我们全球化世界的新理解的进步:更准确地说,是一种批判性的理解,植根于历史,但能够提供对现有现实的潜在改进,而不是将自己局限于仅仅确认现状或进行无建设性批评的枯燥练习。我对这次关于情色艺术的研讨会的贡献将从作者的结论假设开始,从某种意义上说,这也奠定了他的书的总体主旨:即,根据这个假设,现代美学的传统范式(从18世纪开始)可以而且可能必须通过回归爱欲和美的共融来克服,这种共融是柏拉图到文艺复兴时期哲学美学的特征。这个观点是,只要厄洛斯“被定义为对美的渴望之爱,通过渴望亲密地了解并以某种方式与所渴望的美丽物体结合而表达出来”,并且“美被认为是
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引用次数: 0
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Foucault Studies
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