Pub Date : 2019-06-27DOI: 10.30687/ANNOR/2385-3042/2019/01/002
Andrea Facchin
In 1983 the eminent Egyptian linguist Tammām Ḥassān (1918-2011) wrote al-Tamhīd fī iktisāb al-luġa al-ʿarabiyya li-ġayr al-nāṭiqīn bi-hā (Introduction to the Acquisition of Arabic Language by Non Arabic Speakers), an essential work in the field of Teaching Arabic as a Foreign Language, where he theorised his three-level approach for the acquisition of Arabic language by non Arabs consisting of the first level of knowledge, the second of comprehension and the third, the ‘enjoyment level’ (marḥalat al-istimtāʿ). The aim of the study is to shed light on the third level of language acquisition, which allows learners to detect the beauty of a text and results particularly interesting since it considers certain aspects that characterise Arabic language specificity and legacy such as literary taste (taḏawwuq adabī), stylistic embellishments, figures of speech, etc.
1983年，著名的埃及语言学家Tammām Ḥassān(1918-2011)撰写了al- tamh d f ā iktisāb al-luġa al- tah arabiyya li-ġayr al-nāṭiqīn bi-hā(《阿拉伯语非母语者习得阿拉伯语概论》)一书，这是阿拉伯语作为外语教学领域的重要著作，他在书中提出了非阿拉伯人习得阿拉伯语的三层次方法，包括第一层次的知识、第二层次的理解和第三层次的理解。“享受水平”(marḥalat al- istimtahu - yi)。这项研究的目的是揭示语言习得的第三个层面，它允许学习者发现文本的美，结果特别有趣，因为它考虑了阿拉伯语特殊性和遗产的某些方面，如文学品味(taḏawwuq adabir)，风格修饰，修辞等。
{"title":"Il terzo stadio dell’imparare\u0000 Piacere e bellezza del testo ti Tammān Ḥassān","authors":"Andrea Facchin","doi":"10.30687/ANNOR/2385-3042/2019/01/002","DOIUrl":"https://doi.org/10.30687/ANNOR/2385-3042/2019/01/002","url":null,"abstract":"In 1983 the eminent Egyptian linguist Tammām Ḥassān (1918-2011) wrote al-Tamhīd fī iktisāb al-luġa al-ʿarabiyya li-ġayr al-nāṭiqīn bi-hā (Introduction to the Acquisition of Arabic Language by Non Arabic Speakers), an essential work in the field of Teaching Arabic as a Foreign Language, where he theorised his three-level approach for the acquisition of Arabic language by non Arabs consisting of the first level of knowledge, the second of comprehension and the third, the ‘enjoyment level’ (marḥalat al-istimtāʿ). The aim of the study is to shed light on the third level of language acquisition, which allows learners to detect the beauty of a text and results particularly interesting since it considers certain aspects that characterise Arabic language specificity and legacy such as literary taste (taḏawwuq adabī), stylistic embellishments, figures of speech, etc.","PeriodicalId":388818,"journal":{"name":"55 | 2019","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123997414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-27DOI: 10.30687/ANNOR/2385-3042/2019/01/021
Hirofumi Utsumi
The aim of this paper is to take issue with the opinion that, in sociology, the concept of ‘society’ was equated with the nation-state. Firstly, a diachronic analysis of the term ‘society’, as used by the general public, shall be attempted: ‘society as a whole’ and ‘the social’. Secondly, the article shall illustrate that sociology has developed its own analytical concept of society within the space between the two lay terms. Thirdly, the fact that the process of globalisation yet again problematizes the distinction between ‘society as a whole’ and ‘the social’ shall be shown. The conclusion of the paper is that, by yet again, becoming aware of the three dimensions of the concept of ‘society’, we can provide cues for a theoretical reconstruction of the sociological concept of ‘society’ that will contribute to research on ‘society’ in the age of globalisation.
{"title":"Rethinking the Concept of ‘Society’ in the Age of Globalisation\u0000 Society as a Whole, the Social, and Sociological Traditions","authors":"Hirofumi Utsumi","doi":"10.30687/ANNOR/2385-3042/2019/01/021","DOIUrl":"https://doi.org/10.30687/ANNOR/2385-3042/2019/01/021","url":null,"abstract":"The aim of this paper is to take issue with the opinion that, in sociology, the concept of ‘society’ was equated with the nation-state. Firstly, a diachronic analysis of the term ‘society’, as used by the general public, shall be attempted: ‘society as a whole’ and ‘the social’. Secondly, the article shall illustrate that sociology has developed its own analytical concept of society within the space between the two lay terms. Thirdly, the fact that the process of globalisation yet again problematizes the distinction between ‘society as a whole’ and ‘the social’ shall be shown. The conclusion of the paper is that, by yet again, becoming aware of the three dimensions of the concept of ‘society’, we can provide cues for a theoretical reconstruction of the sociological concept of ‘society’ that will contribute to research on ‘society’ in the age of globalisation.","PeriodicalId":388818,"journal":{"name":"55 | 2019","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124095837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-27DOI: 10.30687/ANNOR/2385-3042/2019/01/020
C. Mazza
This paper seeks to show how Takahashi Gen’ichirō exploits parody to show the critical function of self-reflexive literature in the novel Koisuru genpatsu. Coherently with his experience as a political activist in the sixties, Takahashi interprets literature as a revolutionary act of resistance; it can be argued that he broadly embraces the conception of art – ideally inherited by Marcuse’s aesthetic – as a space for thought and action that makes resistance to the social status quo possible. Through the analysis of significant elements of the novel’s peritexts and epitexts, this article tries to reconstruct the web of signifiers that constructs the novel, in order to show how – in Takahashi’s concept of literature - every act of speech needs to be placed in a social structure, where the agency of discursive subjects always modifies the signifying process.
{"title":"Politics, Porn and Parody in Koi suru genpatsu (2011) by Takahashi Gen’ichirō","authors":"C. Mazza","doi":"10.30687/ANNOR/2385-3042/2019/01/020","DOIUrl":"https://doi.org/10.30687/ANNOR/2385-3042/2019/01/020","url":null,"abstract":"This paper seeks to show how Takahashi Gen’ichirō exploits parody to show the critical function of self-reflexive literature in the novel Koisuru genpatsu. Coherently with his experience as a political activist in the sixties, Takahashi interprets literature as a revolutionary act of resistance; it can be argued that he broadly embraces the conception of art – ideally inherited by Marcuse’s aesthetic – as a space for thought and action that makes resistance to the social status quo possible. Through the analysis of significant elements of the novel’s peritexts and epitexts, this article tries to reconstruct the web of signifiers that constructs the novel, in order to show how – in Takahashi’s concept of literature - every act of speech needs to be placed in a social structure, where the agency of discursive subjects always modifies the signifying process.\u0000","PeriodicalId":388818,"journal":{"name":"55 | 2019","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123349627","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-27DOI: 10.30687/ANNOR/2385-3042/2019/01/016
A. D. Pin
Considering the rapid changes in Chinese food habits, in both quantity and quality, the study aims to outline the market potentiality of the made-in-Italy food and focus on some emerging issues concerning Italian specialities that are characterised by higher competitiveness. Starting from the definition of made-in-Italy food, the paper addresses the topic of food safety, analysing policies and legislation. Following an approach from macro to micro aspects, market trends are highlighted, and a ranking analysis is carried out, emphasising the positioning of made in Italy. Concerns related to transaction costs, information asymmetry, and adverse selection are discussed and the Italian sounding phenomenon is addressed. Growing practices of unfair competition, such as food piracy, result in several forms of market failure, damaging the segmentation strategies of Italian companies. Findings propose an estimate of unfair business and offer special indexes of evaluation. Finally, policy and business implications are addressed, and attractive and multiple fields for future researches are suggested.
{"title":"Made in Italy in Chinese Market\u0000 Emerging Issues for Italian Food","authors":"A. D. Pin","doi":"10.30687/ANNOR/2385-3042/2019/01/016","DOIUrl":"https://doi.org/10.30687/ANNOR/2385-3042/2019/01/016","url":null,"abstract":"Considering the rapid changes in Chinese food habits, in both quantity and quality, the study aims to outline the market potentiality of the made-in-Italy food and focus on some emerging issues concerning Italian specialities that are characterised by higher competitiveness. Starting from the definition of made-in-Italy food, the paper addresses the topic of food safety, analysing policies and legislation. Following an approach from macro to micro aspects, market trends are highlighted, and a ranking analysis is carried out, emphasising the positioning of made in Italy. Concerns related to transaction costs, information asymmetry, and adverse selection are discussed and the Italian sounding phenomenon is addressed. Growing practices of unfair competition, such as food piracy, result in several forms of market failure, damaging the segmentation strategies of Italian companies. Findings propose an estimate of unfair business and offer special indexes of evaluation. Finally, policy and business implications are addressed, and attractive and multiple fields for future researches are suggested.","PeriodicalId":388818,"journal":{"name":"55 | 2019","volume":"SE-11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126577372","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.30687/annor/2385-3042/2019/01/003
O. Wright
One of the more durable elements in the modal repertoires of the art-music traditions of the Middle East and Central Asia, panjgāh has a recorded history going back to the beginning of the fourteenth century, and all major theoretical texts of the following centuries refer to it. Discussed here is the documentation of its emergence, diffusion and morphological development, leading to a presentation and comparison of contemporary forms from Turkey to Xinjiang, manifestly diverse but in several cases still demonstrably related.
{"title":"The Peregrinations of panjgāh","authors":"O. Wright","doi":"10.30687/annor/2385-3042/2019/01/003","DOIUrl":"https://doi.org/10.30687/annor/2385-3042/2019/01/003","url":null,"abstract":"One of the more durable elements in the modal repertoires of the art-music traditions of the Middle East and Central Asia, panjgāh has a recorded history going back to the beginning of the fourteenth century, and all major theoretical texts of the following centuries refer to it. Discussed here is the documentation of its emergence, diffusion and morphological development, leading to a presentation and comparison of contemporary forms from Turkey to Xinjiang, manifestly diverse but in several cases still demonstrably related.","PeriodicalId":388818,"journal":{"name":"55 | 2019","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121791893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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