Pub Date : 2019-06-27DOI: 10.30687/ANNOR/2385-3042/2019/01/001
Elise Franssen
This article proposes a survey of two great scholars’ in Arabic literature correspondances: a European of the 20th century, Seeger Adrianus Bonebakker, who is of special interest for us because he bequeathed all of his great library, personal notes and correspondance to the Università Ca’ Foscari, and a subject of study of the former, Ḫalīl b. Aybak al-Ṣafadī, great littérateur and scholar of the first century of the Mamluk period. Letters sent and received are preserved in both cases and are primary sources on their network, but also on their personal life, personnality and methodology.
这篇文章提出了对两位伟大的阿拉伯文学通信学者的调查:一位是20世纪的欧洲人，西格·阿德里安努斯·博内巴克，我们对他特别感兴趣，因为他把他所有的藏书、个人笔记和通信都遗赠给了大学，另一位是对前者的研究，Ḫalīl b. Aybak al-Ṣafadī，马穆鲁克时期一世纪伟大的诗人和学者。在这两种情况下，发送和接收的信件都被保存下来，是他们网络的主要来源，也是他们个人生活、个性和方法的主要来源。
{"title":"Le savant et son époque à travers sa correspondance\u0000 Seeger A. Bonebakker (1923-2005) et quelques notes sur Ḫalīl b. Aybak al-Ṣafadī (696-764/1297-1363)","authors":"Elise Franssen","doi":"10.30687/ANNOR/2385-3042/2019/01/001","DOIUrl":"https://doi.org/10.30687/ANNOR/2385-3042/2019/01/001","url":null,"abstract":"This article proposes a survey of two great scholars’ in Arabic literature correspondances: a European of the 20th century, Seeger Adrianus Bonebakker, who is of special interest for us because he bequeathed all of his great library, personal notes and correspondance to the Università Ca’ Foscari, and a subject of study of the former, Ḫalīl b. Aybak al-Ṣafadī, great littérateur and scholar of the first century of the Mamluk period. Letters sent and received are preserved in both cases and are primary sources on their network, but also on their personal life, personnality and methodology.","PeriodicalId":388818,"journal":{"name":"55 | 2019","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134110827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-27DOI: 10.30687/ANNOR/2385-3042/2019/01/014
Federico Picerni
In contemporary China, rural-urban migrants constitute a new urban subject with entirely new identity-related issues. This study aims at demonstrating how literature can be a valid field in investigating such evolving subjectivities, through an analysis of Xu Zechen’s early novellas depicting migrants’ vicissitudes in Beijing. Combining a close reading of the texts and a review of the main social problems characterising rural-urban migration in China, this paper focuses on the representation of the identity crisis within the migrant self in Xu’s stories, taking into account the network of meanings employed by the writer to signify the objective and subjective tension between the city and the countryside.
{"title":"A Journey into the City\u0000 Migrant Workers’ Relation with the Urban Space and Struggle for Existence in Xu Zechen’s Early jingpiao Fiction","authors":"Federico Picerni","doi":"10.30687/ANNOR/2385-3042/2019/01/014","DOIUrl":"https://doi.org/10.30687/ANNOR/2385-3042/2019/01/014","url":null,"abstract":"In contemporary China, rural-urban migrants constitute a new urban subject with entirely new identity-related issues. This study aims at demonstrating how literature can be a valid field in investigating such evolving subjectivities, through an analysis of Xu Zechen’s early novellas depicting migrants’ vicissitudes in Beijing. Combining a close reading of the texts and a review of the main social problems characterising rural-urban migration in China, this paper focuses on the representation of the identity crisis within the migrant self in Xu’s stories, taking into account the network of meanings employed by the writer to signify the objective and subjective tension between the city and the countryside.","PeriodicalId":388818,"journal":{"name":"55 | 2019","volume":"173 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134445156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-27DOI: 10.30687/ANNOR/2385-3042/2019/01/019
E. D. Angelis
Intermedial practices are a common trademark of the Japanese art world in the sixties and seventies. This article focuses on a case study of such practices, namely the relationship between artwork and audience in Terayama Shūji’s cinema. Moving from the author’s theatrical theories on spectatorship (kankyakuron), the paper applies those theories to Terayama’s experimental movies, analysing how they are adapted to the cinematic medium. This study conceives a three-phased system, where the spectator is progressively brought towards the screen and his role changes from passive viewer to active agent. The study adopts an approach based on performance studies and avant-garde film theory to reveal how Terayama moulds the movie-going practice into a performative and collective event, using the movie theatre as a theatrical stage.
{"title":"Beyond the Screen\u0000 Terayama. Spectatorship. Intermediality","authors":"E. D. Angelis","doi":"10.30687/ANNOR/2385-3042/2019/01/019","DOIUrl":"https://doi.org/10.30687/ANNOR/2385-3042/2019/01/019","url":null,"abstract":"Intermedial practices are a common trademark of the Japanese art world in the sixties and seventies. This article focuses on a case study of such practices, namely the relationship between artwork and audience in Terayama Shūji’s cinema. Moving from the author’s theatrical theories on spectatorship (kankyakuron), the paper applies those theories to Terayama’s experimental movies, analysing how they are adapted to the cinematic medium. This study conceives a three-phased system, where the spectator is progressively brought towards the screen and his role changes from passive viewer to active agent. The study adopts an approach based on performance studies and avant-garde film theory to reveal how Terayama moulds the movie-going practice into a performative and collective event, using the movie theatre as a theatrical stage.","PeriodicalId":388818,"journal":{"name":"55 | 2019","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125761630","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-27DOI: 10.30687/ANNOR/2385-3042/2019/01/017
D. Lacagnina
This contribution reconsiders Vittorio Pica’s criticism on Japanese art and its consequences in fin-de-siècle artistic taste and cultural debate in Italy. Pica was among the first critics to show a relevant interest in Japanese culture, under the influence of French criticism and especially of the Goncourt brothers. Thanks to primary unpublished sources and a new approach to his writings of literary tradition, this paper intends to recast the trans-medial and inter-medial fortune of Japonisme in Italy, too, and its legacy between the on-going artistic production and contemporary collecting taste, with a special concern for modern painting, decoration and industrial arts.
{"title":"Vittorio Pica japoniste: critica militante e collezionismo fra letteratura e arte","authors":"D. Lacagnina","doi":"10.30687/ANNOR/2385-3042/2019/01/017","DOIUrl":"https://doi.org/10.30687/ANNOR/2385-3042/2019/01/017","url":null,"abstract":"This contribution reconsiders Vittorio Pica’s criticism on Japanese art and its consequences in fin-de-siècle artistic taste and cultural debate in Italy. Pica was among the first critics to show a relevant interest in Japanese culture, under the influence of French criticism and especially of the Goncourt brothers. Thanks to primary unpublished sources and a new approach to his writings of literary tradition, this paper intends to recast the trans-medial and inter-medial fortune of Japonisme in Italy, too, and its legacy between the on-going artistic production and contemporary collecting taste, with a special concern for modern painting, decoration and industrial arts. ","PeriodicalId":388818,"journal":{"name":"55 | 2019","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115007382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-27DOI: 10.30687/ANNOR/2385-3042/2019/01/006
P. Lucca
After providing some background on Eznik’s views on the origin of evil and free will as they are argued for in his treatise Refutation of the Sects, the article reviews the history of the interpretation of a passage in this work (Eznik, I, 11 [§ 45]), giving a critical assessment of the suggested emendations so far, and proposing two hypothetical readings, based on a comparison of the Armenian text with its supposed Greek Vorlage, the text’s transmission history, and internal contextual analysis.
在提供了Eznik关于邪恶起源和自由意志的观点的一些背景之后，这篇文章回顾了这部作品中一段的解释历史(Eznik, I, 11[§45])，对迄今为止建议的修订进行了批判性评估，并提出了两种假设的解读，基于亚美尼亚文本与其假定的希腊Vorlage，文本的传播历史的比较，以及内部情境分析。
{"title":"“If Man Had Received Such a Nature…”\u0000 Textual Form, Transmission, and Interpretation of a Passage in Eznik’s Refutation of the Sects (Book I, 11 [§ 45])","authors":"P. Lucca","doi":"10.30687/ANNOR/2385-3042/2019/01/006","DOIUrl":"https://doi.org/10.30687/ANNOR/2385-3042/2019/01/006","url":null,"abstract":"After providing some background on Eznik’s views on the origin of evil and free will as they are argued for in his treatise Refutation of the Sects, the article reviews the history of the interpretation of a passage in this work (Eznik, I, 11 [§ 45]), giving a critical assessment of the suggested emendations so far, and proposing two hypothetical readings, based on a comparison of the Armenian text with its supposed Greek Vorlage, the text’s transmission history, and internal contextual analysis.","PeriodicalId":388818,"journal":{"name":"55 | 2019","volume":"93 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121602198","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-27DOI: 10.30687/ANNOR/2385-3042/2019/01/009
Gianni Dubbini
Nicolò Manucci (or Manuzzi) (ca. 1638-1720) is a well-known figure among scholars: a Venetian adventurer, artilleryman and doctor in Early Modern India. He was a dynamic man, who frequented for a long time both the Mughal courts and the European agents of the seventeenth and early eighteenth century trade companies, leaving meaningful testimonies of his age, and thus becoming an important (and controversial) historical source on South Asia. In spite of the celebrity gained by his biography and his work, Manucci’s role as European patron of Indian artists has been undervalued so far, with scholars often preferring to define him as a mere collector of works of Indian miniatures. Through an historic and artistic examination of his work, of other coeval works of art and contemporary sources, the aim of this paper is to show that Manucci was actually an important patron of Indian painting, a paradigmatic precursor of figurative didactic works mainly illustrated by (unfortunately anonymous) Indian artists under his guidance, and at the same time mediated by his bias and his culture, following an interesting and original hybrid format that bridges European figurative culture and Indian art.
{"title":"Between Mughal Art, Ethnography and Realism\u0000 On Nicolò Manucci’s Artistic Patronage in India (1680-1720)","authors":"Gianni Dubbini","doi":"10.30687/ANNOR/2385-3042/2019/01/009","DOIUrl":"https://doi.org/10.30687/ANNOR/2385-3042/2019/01/009","url":null,"abstract":"Nicolò Manucci (or Manuzzi) (ca. 1638-1720) is a well-known figure among scholars: a Venetian adventurer, artilleryman and doctor in Early Modern India. He was a dynamic man, who frequented for a long time both the Mughal courts and the European agents of the seventeenth and early eighteenth century trade companies, leaving meaningful testimonies of his age, and thus becoming an important (and controversial) historical source on South Asia. In spite of the celebrity gained by his biography and his work, Manucci’s role as European patron of Indian artists has been undervalued so far, with scholars often preferring to define him as a mere collector of works of Indian miniatures. Through an historic and artistic examination of his work, of other coeval works of art and contemporary sources, the aim of this paper is to show that Manucci was actually an important patron of Indian painting, a paradigmatic precursor of figurative didactic works mainly illustrated by (unfortunately anonymous) Indian artists under his guidance, and at the same time mediated by his bias and his culture, following an interesting and original hybrid format that bridges European figurative culture and Indian art.","PeriodicalId":388818,"journal":{"name":"55 | 2019","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134487449","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-27DOI: 10.30687/ANNOR/2385-3042/2019/01/015
Serena Zuccheri
The online growth of non-professional subtitling, a phenomenon today internationally known as fansubbing, has allowed Chinese audience to watch Gomorra-La serie. This Italian TV series is linguistically characterised by a great use of jargon, coarseness and swearing that Chinese fansubbers have tried to accurately reproduce using equivalents in their mother tongue, or tabooing them by subjecting some of the most vulgar and irreverent expressions to linguistic interdiction. After a detailed presentation of major translation strategies used by Chinese fansubbers, this works aims to present a preliminary linguistic analysis of the Chinese subtitles of the first season of Gomorra-La Serie.
{"title":"Pratiche di sottotitolazione non professionale in Cina\u0000 Il gruppo Shenying e la traduzione del turpiloquio nella prima stagione di Gomorra-La serie","authors":"Serena Zuccheri","doi":"10.30687/ANNOR/2385-3042/2019/01/015","DOIUrl":"https://doi.org/10.30687/ANNOR/2385-3042/2019/01/015","url":null,"abstract":"The online growth of non-professional subtitling, a phenomenon today internationally known as fansubbing, has allowed Chinese audience to watch Gomorra-La serie. This Italian TV series is linguistically characterised by a great use of jargon, coarseness and swearing that Chinese fansubbers have tried to accurately reproduce using equivalents in their mother tongue, or tabooing them by subjecting some of the most vulgar and irreverent expressions to linguistic interdiction. After a detailed presentation of major translation strategies used by Chinese fansubbers, this works aims to present a preliminary linguistic analysis of the Chinese subtitles of the first season of Gomorra-La Serie.","PeriodicalId":388818,"journal":{"name":"55 | 2019","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131350924","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-27DOI: 10.30687/ANNOR/2385-3042/2019/01/026
Beatrice Gallelli
{"title":"Jie Dong. The Socialinguistics of Voice in Globalising China","authors":"Beatrice Gallelli","doi":"10.30687/ANNOR/2385-3042/2019/01/026","DOIUrl":"https://doi.org/10.30687/ANNOR/2385-3042/2019/01/026","url":null,"abstract":"","PeriodicalId":388818,"journal":{"name":"55 | 2019","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124463156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-27DOI: 10.30687/ANNOR/2385-3042/2019/01/010
Alberico Crafa
Ernesto De Martino’s theorization and the considerations on the ‘crisis of presence’ represent a milestone in the field of Religious Studies. The crisis reveals itself in the daily events of the human being, such as death. Starting from the methodological frames provided by de Martino’s studies on the lament in ancient world, and the recent attention dedicated to the bodies, this article will analyse one of the most famous episode of kāvya literature as translated by nineteenth-century Italian Indologist Giuseppe Turrini: King Aja’s lament (vilāpa) upon his wife Indumatī, and particularly the stanza of Raghuvaṃa 8.43. The Italian translation reveals some element related to the Western opposition between body and soul, which challenge the original attention paid by Kālidāsa and the ancient Greek literature to the physiological effects produced by suffering.
{"title":"Corpo e lamento funebre\u0000 Alcune riflessioni sulla traduzione dell’Agiavilāpa dell’indologo Giuseppe Turrini (1826-1899)","authors":"Alberico Crafa","doi":"10.30687/ANNOR/2385-3042/2019/01/010","DOIUrl":"https://doi.org/10.30687/ANNOR/2385-3042/2019/01/010","url":null,"abstract":"Ernesto De Martino’s theorization and the considerations on the ‘crisis of presence’ represent a milestone in the field of Religious Studies. The crisis reveals itself in the daily events of the human being, such as death. Starting from the methodological frames provided by de Martino’s studies on the lament in ancient world, and the recent attention dedicated to the bodies, this article will analyse one of the most famous episode of kāvya literature as translated by nineteenth-century Italian Indologist Giuseppe Turrini: King Aja’s lament (vilāpa) upon his wife Indumatī, and particularly the stanza of Raghuvaṃa 8.43. The Italian translation reveals some element related to the Western opposition between body and soul, which challenge the original attention paid by Kālidāsa and the ancient Greek literature to the physiological effects produced by suffering.","PeriodicalId":388818,"journal":{"name":"55 | 2019","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114144683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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